Category: Uncategorized (Page 276 of 1086)

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NudistCamper, 23
Missoula

I live semi-permanently camping in the forest of Montana for a YouTube (+ others) conservation of forest habitat project by creating Ambience videos for the general public. Little do they know that I’m whoring behind the scenes. Solo in the forest is a very horny experience with just body to think about without the distractions of being connected to the internet.

Sometimes a man with a home/studio on a ridge that over looks my camp below the forest canopy gets a hankering for me. The Ridge looks towards 700m high mountain ranges on 3 sides, a long valley on the southern side. There is a great deck with outdoor fire heated bath on the Northside where he does me.

When I’m not with him up on the ridge I camp in one of two camp sites on either side of the creek. When the creek floods, you can’t cross it. Can reach that level during one night. Due to location and gravel road access I don’t get many real life visitors, but I’d sure like to.

Guestbook of NudistCamper

NoNameLoL – May 3, 2023
What’s the difference between him and a Mosquito? … A Mosquito stops sucking when you slap it.

Body Type Slim
Body Hair Little
Smoker Yes
Tattoos No
Piercings No
Languages English
Position More bottom
Dick M – Cut
Dirty No answer
SM Soft
Fisting Active/Passive
Kissing Consent
Hourly Rate 25$
Overnight Rate 70$

 

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Edgemeinfreund, 20
Vienna

I’ll let you have my friend.

I’m looking for someone who will blindfold him and edge him, i.e. bring him to the point of orgasm and then stop again, over and over and over, until …

He is very cute, cuter then anyone else on this app.

He loves talking dirty. His mouth is a language sewer.

In his spare time he plays the piano.

I will only be present for surveillance, you will only have sex with him.

Guestbook of Edgemeinfreund

BigDude – May 11, 2023
So I went to edge this guys friend I was excited to go to, especially after that rocking foto…. So as I got there and started to get undress, the guys friend started talking filthy. No lie, his voice sounded like the late Gilbert Godfrey. Completely killed my vibe.

Body Type Slim
Body Hair Shaved
Smoker No
Tattoos No
Piercings No
Languages German, English
Position Prefer not to say
Dick L – Uncut
Dirty No
SM Soft
Fisting No
Kissing No
Hourly Rate 200€
Overnight Rate 650€

 

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IchSpritzDichAn, 19
Minneapolis

Still not sure what I’m looking for other than money. Hit me up if you want to meet! I’ll fill this out as I get to know more about myself.

Guestbook of IchSpritzDichAn

IchSpritzDichAn (Owner) – May 3, 2023
That sounds so ridiculously exciting.

OtherStories – May 3, 2023
I no longer can use my dick for my own command and pleasure. I would love you to use it as a dildo on yourself.

IchSpritzDichAn (Owner) – May 3, 2023
I am super into farmers.

IchSpritzDichAn (Owner) – May 3, 2023
Apparently I am difficulty pretty.

Body Type Slim
Body Hair Little
Smoker Yes
Tattoos No
Piercings No
Languages English
Position Versatile
Dick M – Cut
Dirty WS only
SM Soft
Fisting No answer
Kissing Maybe
Hourly Rate On request
Overnight Rate On request

 

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peterpan, 18
Gulistan-e-Jauhar

Hi I’m a boy in an open relationship with a nice older man but I’m horny all the time and need it more than 2 times a day!
Of course I love big cocks but it doesn’t depend on the size, he just has to be very horny and diligent and cum multiple times!
I prefer to play with my cock alone, rarely squirt so you have my ass to yourself and you can feel how it roils and twitches! It also likes to be spanked and internally massaged or just to provide a nice meal for you and even to just communicate!
If you don’t like my clothes then you go shopping with me! I can be your son or grandson if you’re nice to me!

If I don’t answer, it’s because I’m somewhere getting fucked.

Guestbook of peterpan

iagrn – May 8, 2023
Just slut

peterpan (Owner) – May 6, 2023
My profile might not have some awesome session pix, but believe me, I’ve been it all.

Body Type Slim
Body Hair Smooth
Smoker Yes
Tattoos No
Piercings No
Languages Sindhi, English
Position Bottom only
Dick S – Uncut
Dirty Yes
SM Yes
Fisting Passive
Kissing Yes
Hourly Rate 50€
Overnight Rate 200€

 

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bemycigarette, 18
Nijmegen

Hey I am back
I think people think I am younger than 18 and then report me but I am 18 so yeah
I’m a bit messed up and into things like kidnaps so if you have a van hit me up

I’m in relationship with a girl who can’t accept this part of me so I do this from the closet which makes me a fraud I know.

Guestbook of bemycigarette

bemycigarette (Owner) – May 1, 2023
I also like watching men wank and cum looking at my girlfriend’s photos.

bemycigarette (Owner) – May 1, 2023
I tend to ask guys to avoid foreplay because I enjoy feeling a blast of discomfort when being penetrated. I like the adversity.

iwant_young_boy – May 1, 2023
He has plump butt; more cushion for the pushin. It feels fantastic being inside of it.

Body Type Slim
Body Hair Little
Smoker Yes
Tattoos Yes
Piercings Yes
Languages Dutch, English
Position Versatile
Dick M – Uncut
Dirty No
SM No
Fisting No
Kissing No
Hourly Rate 50€
Overnight Rate 250€

 

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Yourteenboy, 18
Torino

Only for very rich very old men.

I want one of you to fall head over heels in love with me.

Fill my heart all day and my ass all night

Guestbook of Yourteenboy

Yourteenboy (Owner) – May 9, 2023
A typical experience with me — A man 65 years old, I go to his house, we sit on the couch in the living room, a glass of wine, he wants to kiss me but I avoid him, he puts on a porn movie, we both get hard, he pulls my pants off, sucks me (oh so good eeee sugeooo), we go to the bedroom, he lubricates my ass by licking and eating it, penetrates my anus, I tell him that it hurts, he tells me I have to get used to it, he continues to fuck me, goes completely in and completely out with his whole dick when he fucks, takes it out of my ass, puts it in my mouth, shoots, makes me swallow, takes a picture of my asshole.

Yourteenboy (Owner) – May 5, 2023
I want true love then we can do sex. Let’s meet first, if you fall in love with me then we can have sex as much as you WANT.

timeformore – May 5, 2023
I yearn to give you financial stability.

Yourteenboy (Owner) – May 4, 2023
I thought I’d found the right rich old lover but he’s since deleted his account and messaging app without any warning, so I guess that means I’m back on the market. If you’re wondering how fast I can fall in love with you? Whenever you want. I’d only need a few hours notice.

Body Type Slim
Body Hair Smooth
Smoker No
Tattoos No
Piercings No
Languages Italian, English
Position Versatile
Dick XL – Uncut
Dirty No
SM Soft
Fisting No answer
Kissing Yes
Hourly Rate On request
Overnight Rate 800€

 

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secretdevilboy, 18
City of Kruševac

I am the hottest guy on here some will do anything to fuck me or keep me as a sugar boy. So if u reading this and u want to fuck the shit out of me then what you waiting for. We all know sex is the important thing ever. Come on inbox make plans fuck do what you want.

Guestbook of secretdevilboy

EditText – May 3, 2023
He’s no longer escorting to put it mildly. Will go more into detail in a private conversation.

secretdevilboy (Owner) – May 3, 2023
Fuck it all! Yeah you heard me, FUCK IT ALL! I am so pissed right now I am about to beat someone’s ass I don’t give a fuck who or how! I try to help people, and u fucking know what?! Everyone throws my help back in my fucking face! WELL FUCK U EVERYBODY! FUCK U ALL! I am getting so damn tired of this shit it pisses me off! I can’t even fucking type straight for the fucking life of me! Damn it all! I am about to fucking go insane from this shit! FUCK IT ALL! FUCK IT ALL! What have I done to deserve this sort of shit?! I mean for god’s sake! Is it because I remind u of a son or nephew who u have bullied and abused when I have tried to be there for u even if it was just a blowjob? Was it the fact that I cannot fuck everyone here and elsewhere? Have I been ungiving? What about the sacrifices I put on the line to help everyone on this site? WAS IT FUCKING ALL FOR NOTHING!! I am at the end of my rope with this shit and I am about to reach my breaking point! I AM SO DAMN PISSED RIGHT NOW THAT I AM ABOUT TO GO INSANE! What is my charge? What is my reason for your indifference? FUCK. THIS. SHIT! I am about to go ballistic here as I am tired of ungrateful bastards who shit on me all the fucking time when ALL I WANTED WAS FOR U TO FEEL GOOD ABOUT YOURSELVES! Even when ur wife and boyfriend damned u and treated u like shit, I was there to help u when you fell! Now I am being treated like someone who….ah fuck it! Who gives a shit anymore?! I SURE AS FUCK DON’T! FUCK!!! FUCK!!! FUCK!!!!

quarr – May 3, 2023
Bimboy

Body Type Slim
Body Hair Some
Smoker Yes
Tattoos Yes
Piercings No
Languages Serbian, English
Position More bottom
Dick M – Uncut
Dirty Yes
SM Yes
Fisting Passive
Kissing Yes
Hourly Rate 150€
Overnight Rate On request

 

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iwantdaddy, 19
Prague

Intrusive thoughts are my thing. Oh, and drinking.

Guestbook of iwantdaddy

Giveittouhardlong – May 10, 2023
If u’d like a meatless meat served extra shrimp and quail eggs, ring his bell.

iwantdaddy (Owner) – May 6, 2023
I’ve only been fucked once. It wasn’t fun bc he went in using only spit (not much) and went super rough the entire time so it hurt the entire time.

Scuff – May 6, 2023
I love filling boys with cum and if you give me that I’ll worship you.

iwantdaddy (Owner) – May 6, 2023
If you come off gay, or are involved in the gay scene, are younger than 45, are not attractive, anything weird like that, I’m going to immediately say no.

Body Type Slim
Body Hair Little
Smoker No
Tattoos No
Piercings No
Languages Czech, German, English
Position More top
Dick L – Uncut
Dirty No
SM No
Fisting Active
Kissing Consent
Hourly Rate 150€
Overnight Rate 100000€

 

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Razmatazz, 21
Kowloon

if you are interested in getting to know yourself better, i would love to be here for you and support you in that by exploring yourself together.

who do you want to become, sexually? what are your wishes and desires? we can see what emerges in that moment and by the end we can see how we can transform those wishes into practical activities.

we could explore you using your voice to ask for what you want. it is very common for people to just run into sex, assuming that all will be figured out by itself, performing conventional sexual acts, when actually it can be a delicious skill to be able to voice what you really want.

i have completed a training in sexological bodywork. i think that that training, combined with many years of sex work experience help me in really showing up for you.

Guestbook of Razmatazz

YoungMeanTop – May 7, 2023
His neck fit perfectly in my hand.

Razmatazz (Owner) – May 2, 2023
He’s not the first man who’s enjoyed causing me pain. No one has really expressed why, or what the reward is. I would very much like to know. I find myself drawn to such men, if only because the only way I know to seek to find the answer to the question is by submitting to their use. I am driven to perfect service, and I feel as though I will never achieve it until I understand exactly what such a man truly seeks to obtain from me.

ImAllAboutThatAss – May 2, 2023
If you walked into a room and saw yourself face down naked on a bed, you would do the exact same thing, I promise.

Razmatazz (Owner) – May 2, 2023
Last night a complete stranger, knowing nothing about me at all save that I am ass-for-cash and vulnerable on a bed, without word or warning took a very large dildo and began savagely, mercilessly, jackhammering it into my asshole as deep, hard and fast as he could, until, his arm tired, he ripped it dripping out of me and left without a word. I speak of this not because it was exciting or traumatic, but because it was bewildering. In any other context whatsoever, that behavior would constitute a brutal sexual assault. He chose to approach a stranger and batter the inside of his body in an intimate space. It leaves me speculating as to the possible motives.

Delroy7 – April 27, 2023
looking to fill a chinese cunt up then eat it outtt

get-ready-bitch – April 23, 2023
I just need someone to cum control me and say no because I cum way too many times.

Body Type Slim
Body Hair Shaved
Smoker No
Tattoos No
Piercings No
Languages Chinese, English
Position Versatile
Dick S – Cut
Dirty WS only
SM Soft
Fisting Active/Passive
Kissing Consent
Hourly Rate 200$
Overnight Rate 500$

 

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Mynameisno, 21
Tenerife

I suck you at my house in San Isidro for only €20 or get a blowjob at your home or in your car for only €30 or we do a 69 to the end for €40.
–My house: you enter, I make you enjoy until you cum and goodbye.
–Your house: I enter, I make you enjoy until you cum and goodbye.
Discretion first. We didn’t see or know each other.
Perfect for MARRIED/STRAIGHT/ELDERLY.

Guestbook of Mynameisno

fagsearching – May 8, 2023
I don’t like to feel unfulfilled after a hookup, which has been the case almost every time I’ve hired him.

ChattyMatty – May 7, 2023
Really drunk and slurry

secretgayguy – May 5, 2023
He doesn’t kiss and he’s not very cuddly.

Body Type Athletic
Body Hair Shaved
Smoker Yes
Tattoos Yes
Piercings No
Languages Spanish, English
Position Prefer not to say
Dick L – Uncut
Dirty No
SM Yes
Fisting No
Kissing No
Hourly Rate On request
Overnight Rate On request

 

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gonnakillbill, 19
Rennes

I’m here to offer paid dates in connection with the Fist
Of course I’m not just offering that, but if fisting me doesn’t light you up, I don’t think it will work between us.

I am quite experienced at FF, I started at an early age.
I do this very regularly with paying customers or other men or alone.
I like very wide and very deep fisting and prolapsing.

In real life I am not very funny. Sometimes I don’t understand jokes, if so please don’t take it the wrong way x)

Age does not matter, I have already done it with people of 80 years old, and it was oh so fucking good.

Guestbook of gonnakillbill

gonnakillbill (Owner) – Feb 15, 2023
Felt sad that I didn’t have a customer on Valentine’s.

Body Type Slim
Body Hair Shaved
Smoker Yes
Tattoos No
Piercings Yes
Languages French, English
Position Bottom only
Dick M – Uncut
Dirty Yes
SM Yes
Fisting Passive
Kissing Yes
Hourly Rate 100€
Overnight Rate 1000€

 

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RomanticizeLife, 19
Grenoble

I’m a huge baroque music addict. I also sing and listen to enka music, and play the piano, the qanun, and the alto recorder as an amateur. I’ve practised kendō and iaidō for a couple of years. When I have the time, I like writing poems in specific archaic forms. I also play shogi often. I’m planning to my master’s study in a field that is completely unrelated to anything mentioned above.

Guestbook of RomanticizeLife

YourSide – May 3, 2023
I have seen other’s descriptions of sex with him, and I would like to write a lot for mine too. But at this moment, I will need some time to understand myself better.

Lukeing4Fun – May 3, 2023
Balls. God I loved his balls.

ImBack – May 3, 2023
He has a deep voice.

wigglewiggle – May 3, 2023
Hot butt, hungry hole. If your cock is not big, use your hands.

Your_Future – May 3, 2023
No sixpack But pretty Face I think That is enoght

Somebodys_Romeo – May 3, 2023
Your cum is yummy in the tummy. More power to you.

Body Type Average
Body Hair Little
Smoker No
Tattoos No
Piercings No
Languages French, Russian, English
Position Versatile
Dick L – Uncut
Dirty No answer
SM Soft
Fisting No answer
Kissing Maybe
Hourly Rate 200€
Overnight Rate On request

 

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hauntedbyghost, 20
Niš

I’m a young looking, feminine, very lusty 20 yo bottom twink. I love assplay, throatfucking, good pussy eating, and verbal adulation for cash. I love men that are bigger and way way chubbier than my skinny lil frame who like to treat their toyboys rough for cash. xoxo

Guestbook of hauntedbyghost

emotebag – May 9, 2023
So much to say… I’m looking to fall in love with you and spend the rest of our lives together. It really is that simple.

hauntedbyghost (Owner) – May 7, 2023
No matter how drunk I am I’m your not Justine Biebre.

Kindagoodguy – May 6, 2023
I would just like to take a moment to thank God for giving this boy money problems.

Elevated – May 2, 2023
I hired him last month and ever since then I’ve loved everything that has to do with the world.

Body Type Slim
Body Hair Smooth
Smoker No
Tattoos No
Piercings No
Languages Serbian, English
Position More bottom
Dick S – Cut
Dirty No answer
SM Soft
Fisting Passive
Kissing Yes
Hourly Rate 80€
Overnight Rate 10000€

 

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HungryForTheMoney, 22
Tulsa

I’m here for your 💰
Beat my straight boyfriend in Mario Kart
Want my boyfriend beaten in Mario Kart message if interested
Money money and money

Guestbook of HungryForTheMoney

HungryForTheMoney (Owner) – April 24, 2023
If he gives you a cool rock he found it means he likes you.

jeffreybro – April 22, 2023
If you’re wondering if ‘beat my bf in Mario Kart’ is code for something else, it’s not.

Assblaster – April 15, 2023
I can’t imagine that there is any normal human being doesn’t like a cock in their ass, I think being straight is just a social construct and a manipulation by the religious people.

HungryForTheMoney (Owner) – April 13, 2023
He’s adhd and autistic so he probably won’t get the hint.

Body Type Athletic
Body Hair Some
Smoker No
Tattoos No
Piercings No
Languages English
Position Prefer not to say
Dick L – Cut
Dirty No
SM No
Fisting No
Kissing No
Hourly Rate 200$
Overnight Rate 1500$

 

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ughwhatever, 18
Dubrovnik

I’m a virgin, please help change this.
I need sex.
I need symbolic payment for my dignity.
I can’t accommodate.
I can’t stay the night.
I wanna try being fisted but I’m scared lol

Guestbook of ughwhatever

ughwhatever (Owner) – May 12, 2023
Why is everyone here like so dramatic?

ughwhatever (Owner) – May 10, 2023
I think I’m only here for “scientific” purposes.

ughwhatever (Owner) – May 9, 2023
In a platonic relationship with a girl though so yeah.

ughwhatever (Owner) – May 9, 2023
5 days load in storage and counting.

Body Type Average
Body Hair Little
Smoker Yes
Tattoos No
Piercings No
Languages Croatian, English
Position Versatile
Dick M – Cut
Dirty WS only
SM Soft
Fisting Passive
Kissing Ask me
Hourly Rate 1€
Overnight Rate 1€

 

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sexwithmeisamazing, 19
Porto

I work as a cocksucker. Since childhood, I have been fond of sucking cock and sucking various cocks. Growing up, I realized that I want to develop and work in this area.

Guestbook of sexwithmeisamazing

sexwithmeisamazing (Owner) – May 1, 2023
This is the first time I get to know the wealthy!

Saturn1 – April 30, 2023
Well, this was the first time I got sucked by a male, I should say. The night before jacking to his ad to the hour of total lust, my hard sloppy cock hammering his throat, the smell of my cum and his breath lingering in my nostrils and my dried cum on his faggot face. OMG I was in cock heaven. But then driving home to my significant other, her not knowing what I’d done just 1 hour ago with boy’s throat, me naked in front of a strange whore, the overwhelming fear & guilt … Has anyone else gone through this journey from such a strong desire to mouthfuck a boy to the reality an hour later? What happens when bi curious lust comes down from the libido peak?

sexwithmeisamazing (Owner) – April 27, 2023
Moved into escorting after the cluster fuck that being a total slut was for me.

Body Type Average
Body Hair Some
Smoker Yes
Tattoos No
Piercings Yes
Languages Portuguese, Spanish, English
Position Prefer not to say
Dick M – Uncut
Dirty No
SM No
Fisting No
Kissing Consent
Hourly Rate 150€
Overnight Rate 400€

 

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DevilsWhore669, 19
Brussels

Hello.
I am a young goth boy slut looking for an experience with a mature man, who feels good about himself and his mind
Someone who would be willing to give me a helping hand in life
Let me explain
My parents kicked me out when they realized that I didn’t only like women
So here I am in Brussels
I found a flat and they ask me for 2 months rent in advance for the deposit
That’s why I’m here,
To offer my body, to find someone who can help me financially so I can concentrate on my studies
In return you will get a goth boy with a soft and hairless body dressed up like the devil’s whore

Guestbook of DevilsWhore669

DevilsWhore669 (Owner) – May 10, 2023
Then write to me and we do that 😉

BigPoleInDeepHole – May 10, 2023
I wanna everyday sex for you because I looking for you you and me you’re coming to me my house I want sucking your sucking cock and balls and me putting my hands your ass I want your dick in my mouth and then your balls in my mouth i want you to cum right down my throat i want to cum in your ass too i want your ass licked call my tongue inside but i also want you to set my foot and I want you to sit on my foot putting my foot inside your ass I want you close to me when I want to have it all in you if I want to put my hand or my foot in your ass cause I want you to be there how do i do it I’ll do it for you you’ll want it take your dick in my mouth I’ll take it if it’s okay you want me to kiss you just on the ass I’ll kiss you I feel like kissing you right on the buttocks or ass kiss I’ll feel like kissing you and spitting up kiss you whenever I want just come to give me your phone number and I’ll give you my address my I want to fuck with you here and now in my apartment.

DevilsWhore669 (Owner) – May 8, 2023
If anyone else here wants to eat my shit, you will be fed without fear of being judged
But I can only receive a maximum of 1 man per day (I have to let my stomach fill up)

fuckedupalready – May 6, 2023
I have hundreds of pics of his butt if anyone’s interested.

Body Type Slim
Body Hair Shaved
Smoker Yes
Tattoos No
Piercings No
Languages French, Spanish, English
Position Versatile
Dick L – Uncut
Dirty No
SM Soft
Fisting Active/Passive
Kissing Yes
Hourly Rate On request
Overnight Rate On request

 

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cash_couple, 19
Paris

We’re a young (18/20) couple trying to make some money on the side. We’re NOT offering any explicitly sexual services but are rather here to just be spoiled with ur money.
We’re both 183cm tall and slim, cultured and sophisticated.
!! only bookable together !!

Guestbook of cash_couple

cash_couple (Owner) – May 12, 2023
We would prefer to meet with one man once and get all the money we’ll ever need from that single encounter.

Body Type Slim
Body Hair Little
Smoker Yes
Tattoos A few
Piercings No
Languages French, English
Position No
Dick No
Dirty No
SM No
Fisting No
Kissing No
Hourly Rate On request
Overnight Rate On request

 

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LookingForWarm, 23
Munich

It’s not about getting you off. It’s about you coming so hard I murder your desire in the first degree.

Guestbook of LookingForWarm

LookingForWarm (Owner) – May 8, 2023
I don’t have sex with anyone, even my girlfriend, for less than 150€.

Joshua36 – May 8, 2023
to arson – What kind of person are you?! Unfortunately, 150 € hr is a pittance. Here you are dealing with a heavenly being whose time and value cannot be measured in euros or gold. He’s stardust, and not of this world.

arson – May 8, 2023
You don’t deserve 150€ you deserve to be a permanent bitch anyone can fuck. You were born nothing.

Fuckyoualreadypls – May 8, 2023
The feeling of accomplishment when my cummy cock slid out of this boy’s ass is impossible to quantify.

Body Type Athletic
Body Hair Shaved
Smoker No
Tattoos No
Piercings No
Languages Vietnamese, English
Position Versatile
Dick L – Cut
Dirty WS only
SM Soft
Fisting Active/Passive
Kissing Consent
Hourly Rate 150€
Overnight Rate 1000€

 

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itmewithaplane420, 22
Iowa City

Hi im billy. Im a 22 year old mechanic whos only into guys that vape and $ and dick. I despise you.

Guestbook of itmewithaplane420

itmewithaplane420 (Owner) – April 24, 2023
It really annoys me when guys run their hands all over me, as if I’m at al livestock auction or something. A hand running over my ass is fine, but when it’s anything other than my ass, it really starts to piss me off.

Paul_meet_me – April 21, 2023
His ass will definitely excite you and if you see him naked, you will definitely want to fuck his ass!🎸🔥

itmewithaplane420 (Owner) – April 17, 2023
If it doesn’t fit in my ass, then it doesn’t fit, so I ask for your understanding if it doesn’t fit. And if you know it won’t fit, then please write that it doesn’t fit.

Body Type Slim
Body Hair Shaved
Smoker Yes
Tattoos No
Piercings No
Languages English
Position Versatile
Dick XL – Cut
Dirty No
SM Soft
Fisting No
Kissing No
Hourly Rate 100$
Overnight Rate 600$

 

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DetailsDetails, 18
Toronto

HELLO, 18A STUDENT. DURING THE DAY I HAVE A LOT OF THINGS TO DO WITH LESSONS AND FOOTBALL, SO I ANSWER GENERAL IN THE EVENING WHEN I’M CONNECTED 👏👏👏! COME WITH YOUR CLEAR REQUEST AND NOT “I LOVE YOU?” 😭😭. YOU’RE THE CUSTOMER SO YOU KNOW WHAT YOU WANT 😁❗❗❗❗❗👏👏👏👏 IF YOU ASK ME WHAT I WANT I WILL SAY ANAL SEX! 😭😭😭?

Guestbook of DetailsDetails

ilyass37 – May 7, 2023
You never know who is underneath you.

polytheistic_j – May 4, 2023
Not a student or not a good student anyway, this is just my OPINION.

call_me_dee – May 1, 2023
He lemme completely explore my dirty mind.

Ordinaryguy75 – May 1, 2023
He’s from Finland 🐷🐷 oink oink

Body Type Average
Body Hair Shaved
Smoker Socially
Tattoos No
Piercings No
Languages English, Polish, Russian
Position Bottom only
Dick M – Cut
Dirty Yes
SM Yes
Fisting Passive
Kissing Consent
Hourly Rate On request
Overnight Rate On request

 

 

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p.s. Hey. ** A, Hi. I don’t know those films off the top of my head, but I might be spacing. I’ll go check. I think I use disaster films as my tool to dissociate. And I think when I try for animation, it’s mostly the bizarro Japanese route. ** David Ehrenstein, Hi. Yeah, quite a number of them look even better now. ** Dominik, Hi!!! Time on this blog is so weird, maybe because I tend to force more than day’s worth stuff into each daily post. Time was really strange on film shoot because, like, we’d be shooting a scene that will be maybe 10 seconds or something long in the film, but we would need to shoot it over and over to get it right, and that would take hours. I can’t even play ‘Chopsticks’ on a piano anymore, ha ha. No, love protected (me) from Zelda, for at least now. Is that fan fiction a real thing? If so, I sure hope Gacy and Dahmer have a lot of three-ways because … just those two … yikes. Love coming so hard he murders your desire in the first degree, G. ** Kettering, Hi. I did in fact tell Amy you love her work, and I asked which of her books she would recommend, and she said one of the last three, meaning ‘Dearest Creature’, ‘Scattered at Sea’, or ‘Index of Women’. Very interesting editing question. Well, our films are very carefully structured and composed when they’re in script form. And the shots are almost all storyboarded. So we have a pretty clear idea about how and what we want to shoot. When we shoot, the camera angles and scene lengths and how the performers embody the characters is very alive and fluid, but otherwise we’re manifesting what we had already planned. So, shooting is more like coloring in the film than a beginning, per se. And the editing is basically reconciling what we had originally imagined with what the footage itself presents, so we’re building what we planned while looking for particularly amazing (to us) manifestations and accidents and things in the material that asks us to alter our plans for the benefit of the film. So, it’s not so much like each aspect of the process is a start-over but rather a mutation or something? I guess it’s hard to describe. But thank you so much for asking. I’ll be able to say more, if you want, once we’re actually in the editing phase, hopefully in a week or so at the latest. Expensive, yes, but luckily post-production is a whole lot less expensive than the shoot, or, god, I sure hope so. ** _Black_Acrylic, ‘Mala Noche’ is nice: Gus finding out what he wants to make and still searching for it within the film itself. I can imagine that if you want to see ‘Oppenheimer’, best to do it in a cinema, yeah. ** Misanthrope, Well, relatively speaking, every kind of medical insurance sucks over there compared to how they do it here. What video games did you guys play? There was about a week during the film shoot that we were filming until around 4 am, not to mention in the freezing cold, and, man, that was harsh. My pleasure re: the restoration. xo. ** Bill, I had forgotten where that gif came from, but someone on Facebook swears that it’s from Araki’s ‘Nowhere’. I still don’t like ‘The Living End’. I guess it’s possible I mentioned ‘Sorcerer’s Apprentice’ in an old post, but I don’t remember doing so, although there are so many posts back in the past that I do forget. I’ve seen ‘Paperhouse’. I don’t remember it so well, but I think I quite liked it. Sync! ** Steve Erickson, Ha ha, the idea of ‘Maurice’ being part of New Queer Cinema. It’s true I haven’t retried Merchant-Ivory in an age, but, yeah, they definitely weren’t my taste back in the day. See, I didn’t know Rough Trade relocated to Rockefeller Center. How bizarre. And no wonder they’re doing more populist events then. Is RC having trouble getting tenants or something? I didn’t rewatch any of those films due to the post restoration, but I did recently happen to watch ‘The Flamethrowers’ for the first time, and I thought it was terrific. ** Cody Goodnight, Happy Monday, Mr Goodnight. I’m good. My pleasure. The Pompidou museum here is doing a Todd Haynes retrospective, and I’m going to go see ‘Superstar’ mainly because it seems curious to see it in an actual theater rather than via crappy youtube imbed. I think I agree that ‘The Devils’ is Russell’s high water mark. I remember really liking this now kind of totally forgotten film by him called ‘Savage Messiah’ back when it came out in the early 70s, but I have no idea what I’d think of it now. May today’s greatness rub off on you. ** Okay. It’s the 15th of the month, and I assume you already know what that means around here. See you tomorrow.

* (resuscitated)

 

‘In the United States the gay and lesbian cinema that emerged in the 1970s emphasized documentary and experimental work. On the West Coast in 1971, Milton Miron’s documentary Tricia’s Wedding (1971) captured the The Cockettes for posterity, and Jim Bidgood’s Pink Narcissus (1971) updated experimental cinema for the new era. Jan Oxenberg’s A Comedy in Six Unnatural Acts (1975) became a classic of lesbian cinema. In the Bay Area, the filmmakers Curt McDowell (a friend and disciple of George Kuchar) and Barbara Hammer created an aesthetic for the gay and lesbian scene exploding around them in Thundercrack! (1975) and Dyketactics (1974). In 1977 the landmark documentary Word Is Out: Stories of Some of Our Lives was (collectively) released. It was made while Harvey Milk was still alive and the Castro district’s baths were still steaming.

‘Despite such West Coast classics, gay cinema would become most firmly based in New York City, the storied metropolis, where it flourished amid other subcultural arts and figures of its time, from Allen Ginsberg to Frank O’Hara, from Langston Hughes to Djuna Barnes. In fact the history of New York City ought to be viewed in terms of its gay and lesbian history as much as its Italian or Puerto Rican or Irish or Jewish history; gay men and lesbians too were immigrants, part of the great domestic migration that left the heartland for the coasts in search of a better life.

‘Audiences had long looked to European cinema for sexual sophistication, and that continued to be the case even after Stonewall, as a gay and lesbian cinema developed there. In 1971 Sunday Bloody Sunday was John Schlesinger’s coming out; in 1978 Ron Peck’s Night Hawks uncovered gay London. Stephen Frears’s gutsy gay films My Beautiful Laundrette (1985) and Prick Up Your Ears (1987) opened an era of frankness barely rivaled since. In Germany, R. W. Fassbinder, Ulrike Ottinger, and Frank Ripploh (Taxi Zum Klo, 1980) were all in their prime. In 1981, when Vito Russo published Celluloid Closet, the field was already changing: an independent American cinema was about to end the binarism of U.S. filmmaking.

‘When Christine Vachon started out, she said, “there were extremely experimental films and there were Hollywood films, but there wasn’t a whole lot in between.” Not a lot, no, but there was one. At Sundance in 1988 I was escorted up a rickety staircase to the Egyptian Theater and settled into a folding chair next to the projection booth by the festival’s director Tony Safford. It was there I saw the world premiere of John Waters’s Hairspray, the film that brought his radically outré sensibility to a mainstream audience. The crowd went crazy, and Hairspray won the jury’s grand prize. Waters predates the New Queer Cinema by decades; he’s a creature of the hippie past, the countercultural revolution, a pre-Stonewall era of shock and awe. He’s an indelible part of nqc prehistory, a patron saint presiding over its doings, chuckling at its follies, applauding its successes.

‘John Waters was there first. He and his films were formed by the nutty, exuberant prelapsarian days of the 1970s, after gay liberation, before aids. The trademark Waters style, with its camp sensibility and impatience with both heteronormativity and homonormativity, is well reflected in the New Queer Cinema, as if its traits were lying in wait all that time like a recessive gene. A shout-out, then, to the ever-young daddy of us all, the one with the Maybelline moustache, Mr. Waters.

‘If the emergence of an American independent cinema is the fertile ground from which the New Queer Cinema will soon leap, then the year 1985 is as close to its defining moment as any. It was in that year that Susan Seidelman’s Desperately Seeking Susan and Donna Deitch’s Desert Hearts thrilled a new generation of lesbian audiences and filmmakers and showed it was possible to make a sexy movie that could be empowering to women and even lesbians, and actually play in theaters, something not taken for granted at the time.

‘Four other American independent features, all released in the mid-1980s, stand out as precursors to the early New Queer Cinema: Lizzie Borden’s Born in Flames (1983), Gus Van Sant’s Mala Noche (1985), Bill Sherwood’s Parting Glances (1986), and Sheila McLaughlin’s She Must Be Seeing Things (1987). All four blazed a trail of formal innovation, queer sexuality, and eccentric narrative that deeply informed the early nqc filmmakers. All four were low-budget broadsides issued to the world by communities of outsiders, laying claim to a new and authentically queer way of being: sexual, a/political, courageous, and, not incidentally, urban.

‘Lizzie Borden was part of a downtown radical art world that included Adele Bertei, Cookie Mueller, Kathryn Bigelow, and a host of others. Her Born in Flames was an exercise in utopian imagining, set in the near future with women battling an indifferent state. The women of Radio Ragazza and Radio Phoenix swing into action, fight the powers that be, form bike brigades, and even blow up the transmission tower on the roof of the World Trade Center. Conceived during the heyday of feminism, it starred Honey, the African American leader of Radio Phoenix and Borden’s partner at the time. Honey’s face dominated the posters for the film, plastered all over the plywood construction walls of lower Manhattan, beaming out at passersby with a defiant, irresistible gaze. Released when Ronald and Nancy Reagan inhabited the White House, Born in Flames offered a vision of a different world. The soundtrack came straight out of punk, bands like the Red Crayons and Honey’s own music. With a stirring vision of political organizing and militancy, it was a vicarious experience of battling power in some alternative — and sexy — universe.

‘At the same time, across the country, Gus Van Sant was back in Portland after trying to break into the film industry in L.A. He turned to low-budget filmmaking instead, with his debut feature Mala Noche, based on the autobiographical novel by Portland’s native son Walt Curtis. Filmed in atmospheric black-and- white, it focuses on a skid-row universe populated by the eponymous Walt, a down-and- out Anglo store clerk, and the desperate young Mexican workers he meets, lusts after, and tries to get into his bed with $15 offers. One of the few films to look at the erotic economics of gay cross-race, cross-class desire, it had a creative intensity at least as powerful as its sexual charge. A gritty style and a loopy nonlinear narrative defied the bland viewer-friendly movies of the time, appealing instead to a band of subcultural adventurers. By example, Mala Noche announced how tame gay representations had been and suggested the potential of the medium to capture life as lived, off-screen, if only filmmakers would dare.

‘More conventional in form but no less radical in subjects and themes, Bill Sherwood’s Parting Glances constructed a very different slice-of- life piece of evidence. Steve Buscemi was Nick, an acerbic no-illusions gay man living with aids in a tiny New York City apartment, tended to by his ex-lover. It was Buscemi’s first starring role, and Sherwood was the first to bring the quotidian realities of aids to the screen, presenting the horrors of the illness with a matter-of- fact clarity that was the exact opposite of the hysterical demonizing in the newspaper headlines, television news, and government propaganda of the time. It was a hugely important film for the city’s gay community, shot in 1984 and released in 1986, one year prior to the founding of the aids Coalition to Unleash Power (act up). Its qualities were those of early independent film: unrepresented communities, low-budget rough-hewn production, characters who appeared in daily life but never yet in movies. A gay man with aids certainly fit the bill, especially one who was full of opinions on New York’s bars and relationships and hangers-on. He was full of catty cynicism and wary romanticism, with dreams and despair to match. Just like us.

‘Equally revelatory was the representation of lesbian desire drawn by Sheila McLaughlin’s She Must Be Seeing Things, which drew its themes from her own life and from the seventeenth-century legend of Catalina de Erauso (the “Lieutenant Nun”), its style from the taboo-breaking work of performances in a storefront theater in the East Village, near where McLaughlin herself lived. The wow Café’s Lois Weaver starred as Jo, a filmmaker having trouble keeping her girlfriend happy, her life on track, and her cash-strapped film in production. Sheila Dabney, a member of the repertory company founded by the famed Cuban lesbian playwright Irene Fornes, played her paranoid girlfriend Agatha, convinced that Jo is cheating on her with a man in her crew.

‘Remarkably for a film that today appears so innocent, She Must Be Seeing Things endured the kinds of fights that erupted in the nqc years. It was denounced by a cadre of antiporn feminists, including Sheila Jeffreys of Great Britain. In the United States it divided the crowd by ideology, for it arrived at the height of the feminist “Sex Wars.” McLaughlin’s film became a case in point for both sides and helped lead the way to the new queer representations that lurked just around the corner.

‘All four films were shot in 16mm, a sign of their predigital era. All made on a shoestring budget, they departed from established aesthetics by going for a rough urban look, using friends as actors, using borrowed apartments or lofts for locations, even borrowing passersby for demonstrations and rallies. All four struck a blow for the outcasts, the subcultural heroes and heroines who’d been waiting so long in the wings. Life goes on. Bill Sherwood died in 1990 of complications from aids without ever getting to make another film. Sheila McLaughlin stopped making films; she lives in the same East Village apartment where she shot her film, but today she’s one of New York’s best acupuncturists and a terrific photographer. Lizzie Borden made two more films and now lives in L.A., but Honey, her star and lifelong friend, died of congestive heart failure in the spring of 2010.’ — B. Ruby Rich

 

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Stills

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Further

Gus Van Sant
Barbara Hammer
Donna Deitch
Bill Sherwood
Su Friedrich
Cecilia Dougherty
Pedro Almodovar
Todd Haynes
Isaac Julien
Matthias Müller
Tom Rubnitz
Derek Jarman
Sadie Benning
Christopher Munch
GB Jones
Laurie Lynd
Tom Kalin
Mark Rappaport
Sally Potter
Gregg Araki
John Greyson
Todd Verow
Rose Troche
Tom Chomont
Steve McLean
Bruce La Bruce
Guy Maddin
Rosa Von Praunheim
Maria Maggenti
Cheryl Dunye
Wong Kar-Wai
Alex Sichel
Stephen Winter
Francois Ozon
Mike Hoolboom

 

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Show

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Gus Van Sant Mala Noche (1985)
‘Mala Noche (also known as Bad Night) is a 1985 American drama film written and directed by Gus Van Sant, based on an autobiographical novel by the Oregon poet Walt Curtis. The movie was shot in 16 mm, mostly black-and-white. Mala Noche is the first feature film by Gus Van Sant. It was shot entirely on location in Portland, Oregon. The story follows relationship between Walt (Tim Streeter), a homosexual store clerk, and two younger Mexican boys, Johnny (Doug Cooeyate) and Roberto Pepper (Ray Monge). Walt and his female friend (Nyla McCarthy) convince them to come over for dinner, but Johnny and Pepper have to return to their cheap hotel because another friend is locked out. Walt makes his first pass at Johnny by offering him $15 to sleep with him. Johnny refuses and runs to his hotel room, leaving Pepper locked out with nowhere to spend the night but Walt’s. Settling for second best, Walt lays down next to Pepper and allows him on top for sex. The next morning, Walt is full of regret as he realizes that Pepper probably feels like he has just out-manned Walt, on top of stealing his $10 during his stay. However, he does not give up on trying to win over Johnny. The film progresses from there into not always clearly-defined relationships, unbalanced by age, language, race, sexuality, and money.’ — IMDb

Trailer

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Barbara Hammer Optic Nerve (1985)
‘Optic Nerve is a powerful personal reflection on aging and family. “Hammer employs film footage which through optical printing and manipulation is layered to create a compelling meditation on her visit to her grandmother in a nursing home. The sense of sight becomes a constantly evolving process of reseeing images retrieved from the past and fused into the eternal present of the projected image.’ — John Hanhardt

the entire film

 

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Donna Deitch Desert Hearts (1985)
‘To Reno (in 1959) comes a mid-thirtyish New York teacher, her hair in a bun and her nerves in shreds, in search of a divorce from a stultified marriage. She puts up at a local ranch, and it’s not long before she is succumbing to the advances of a much younger woman, though not without resistance. Suspicions that the film will simply be a period piece, viewed through the modern lens of post-feminist wishful thinking, are soon allayed however. Redneck Reno might still adhere to the old frontier notions of anything-goes morality, but it still harbours enough of the puritan spirit to make life uncomfortable for lesbians. Moreover, the ranch is more of an emotional snake-pit than first appears. Deitch is well served by Shaver as the teacher and Charbonneau as the young seducer. Best of all, however, is the way the movie dignifies all its characters. There is also an incendiary consummation of the affair, and Patsy Cline on the soundtrack; two features which had this paleneck by the throat.’ — Time Out (NY)

Trailer

 

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Bill Sherwood Parting Glances (1986)
‘PARTING GLANCES, Bill Sherwood’s warm, moving debut feature, shouldered its way into the bourgeoning independent film scene of the mid-1980s. The film instantly established its place in the hearts of gay moviegoers, achieved significant mainstream success and launched the career of Steve Buscemi. Noted for its nuanced and unapologetic depiction of queer lives, PARTING GLANCES was also historic for its attention to the omnipresence of AIDS in gay life of the time. Already a catastrophe in the gay community but still poorly understood by many Americans, the disease was granted a fully dimensional, human face through this wise, quirky, often heartrending story.’ — Outfest

Trailer

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Su Friedrich Damned If You Don’t (1987)
‘DAMNED IF YOU DON’T is Friedrich’s subversive and ecstatic response to her Catholic upbringing. Blending conventional narrative technique and impressionistic camerawork, symbols and voice-overs, the film creates an intimate study of sexual expression and repression. Featuring Peggy Healy as a young nun tormented by her desire for the sultry and irresistible Ela Trojan.’ — Fandor

Excerpt

Excerpt

 

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Cecilia Dougherty Claudia (1987)
‘And what of girls, lesbians, the ultimate stereotypes? Claudia opens with a distant bay, oil derricks in a chemical haze, landscape littered with industrial debris. An ‘establishing shot,’ establishing nothing but itself: A hallucinatory science fiction beauty in which to indulge. Car in the driveway, mundane but for the sublime glide along its metal. Woman’s body on a bed. Indecipherable murmurings, some sex. As if it’s forbidden, impossible, to see your own body, ‘Girl,’ searching the mirror for something you call your ‘self.” — Laurie Weeks

Excerpt

 

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Pedro Almodovar Law of Desire (1987)
‘Pedro Almodóvar’s Law of Desire is a very strange movie, perpetually stuck between genres and never quite settling into any one mode for long enough to make a real impact. It’s often entertaining — and even more often so bizarre that it’s at least hard to look away — but in the end only isolated moments linger beyond the ephemeral moment. It’s a dark comedy that isn’t actually very funny, a melodrama so ridiculous it challenges even daytime soap standards of believability, a half-hearted murder thriller whose villain is one of the film’s goofiest characters. And so on… Through all this wackiness, Almodóvar never quite dismisses the possibility that he actually means for this to be a moving drama, but then he’ll follow up a genuinely touching moment of emotional depth with something so silly that it becomes impossible to take anything here seriously. It’s a confused (and confusing) pastiche, and admittedly a rather fun whirlwind.’ — Only the Cinema

Trailer

 

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Todd Haynes Superstar: The Karen Carpenter Story (1988)
‘Openly gay, experimental filmmaker Todd Haynes burst upon the scene two years after his graduation from Brown University with his now-infamous 43-minute cult treasure “Superstar: The Karen Carpenter Story” (1987). Seizing upon the inspired gimmick of using Barbie and Ken dolls to sympathetically recount the story of the pop star’s death from anorexia, he spent months making miniature dishes, chairs, costumes, Kleenex and Ex-Lax boxes, and Carpenters’ records to create the film’s intricate, doll-size mise-en-scene. The result was both audacious and accomplished as the dolls seemingly ceased to be dolls leaving the audience weeping for the tragic singer. Unfortunately, Richard Carpenter’s enmity for the film (which made him look like a selfish jerk) led to the serving of a “cease and desist” order in 1989, and despite the director’s offer “to only show the film in clinics and schools, with all money going to the Karen Carpenter memorial fund for anorexia research,” Superstar remains buried, one of the few films in modern America that could not be seen by the general public until now.’ — collaged

the entire film

 

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Isaac Julien Looking for Langston (1989)
‘A poetic visual fantasy of the lives of black gay men in ’20s Harlem, shot in beautiful monochrome and packed with startling images of dream and desire. Scenes alternate between a dark, smoky club where men in formals dance and cruise, windswept beaches, secluded bedrooms, and scary alleyways where the same men make love, while the poetry of Langston Hughes and contemporary black gay writer Essex Hemphill meditates on the aesthetics of sexual desire. It may sound painfully arty, but the images are fresh and exciting enough to sweep away any such reservations.’ — Time Out (London)

Excerpt

 

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Matthias Mueller and Owen O’Toole The Flamethrowers (1989)
‘It began in 1988, when Owen found a damaged print of Pather Panchali at a university film library in Cambridge, Ma. and refilmed parts of the 16mm reel onto 3 rolls of Plus-X super8 film. Owen and Matthias Mueller (of Alte Kinder, Bielefeld) had recently met at a film festival in Montreal, Matthias got involved in Owen’s Filmers Almanac project, and a transatlantic friendship ensued. Owen sent this old/new footage to Matthias with 3 unexposed rolls of black and white film, asking him and the other members of Alte Kinder (Maija-Lene Rettig, Christiane Heuwinkel, Thomas Lauks) to respond on film, to make a second section for a film tentatively called The Flamethrowers, the title of a novel by Argentinian Roberto Arlt, about a crazy secret society that tries to take over their country with threats of poison gas attacks. A few months later, Owen visited Bielefeld and witnessed the last edits on Alte Kinder’s work and the 2 sections were presented on 3 projectors at a festival called INTERCOM. Matthias was also showing work by Schmelzdahin in his touring program at that time, and he and Owen agreed that Schmelzdahin should be asked to participate in The Flamethrowers, that the piece was partly an homage to their work (burying, hand processing, chemically treating film). So the material was sent to Jurgen Reble in Bonn, and he and Jochen Lempert and Paul Mueller made a 3rd section to the film. All of the material came back to Matthias, who used his remarkable talent at re-filming multiple super8 projectors to master this definitive version, digitized from 16mm blow-up print.’ — collaged

the entire film

 

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Tom Rubnitz Pickle Surprise (1989)
‘Tom Rubnitz was a video artist most often associated with the New York East Village drag queen scene of the late 1980s. His video tapes were mainly inspired by pop culture and Las Vegas style shows. A number of his works featured RuPaul and members of the B-52’s. He also made the 1987 documentary Wigstock: The Movie about the annual drag queen festival. Tom lived in New York City with his life-partner Curtis Irwin and their two persian cats. He died of an AIDS-related illness in 1992.’ — BlackoutSTR

the entire film

 

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Derek Jarman The Garden (1990)
‘A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to flee them. Two men who are lovers marry and are arrested by the powers that be. The men are mocked and pilloried, tarred, feathered, and beaten. Loose in this contemporary world of electrical-power transmission lines is also Jesus. The elements, particularly fire and water, content with political power, which is intolerant and murderous.’ — IMDb

Trailer

Excerpts

 

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Sadie Benning A Place Called Lovely (1991)
‘“Nicky is seven. His parents are older and meaner.” A Place Called Lovely (1991) show Sadie Benning’s increasing grace in handling both her PixelVision camera and her environment poetically, with a fluidity that suggests she’s now able to sing as well as speak and write with her camera-stylo. Some of the anger persists, to be sure, and with good reason. But when, in Jollies, she begins to delve into her own past — including accounts of early sexual feelings and experiences both gay and straight — she seems to take a more balanced view of her life. It may be significant that A Place Called Lovely, the most lyrical and wide-ranging of all her works to date, doesn’t address lesbianism directly. It is full of related ruminations about gender and childhood, however, as well as thoughts about violence and pain — all the things she freely admits scare or trouble her, from the act of putting on lipstick to the shower murder in Psycho, from gun ads in a tabloid to a fiery car accident she witnessed.’ — Jonathan Rosenbaum

the entire film

 

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Christopher Munch The Hours and Times (1991)
‘It is the spring of 1963, in a few months The Beatles will conquer America, and John Lennon is taking vacation with his famous band’s manager, Brian Epstein, in Barcelona. Speculation has surrounded their holiday together for many decades now. Epstein was gay and in love with Lennon, that much is known for sure. The question of whether or not the two men ever slept together will never be answered with certainty as historical accounts disagree and both of the principals are no longer with us. The Hours and Times, a short 1991 film by Christopher Munch, is a delightful flight of fancy that explores what could have happened. This tantalizing hypothesis makes for an interesting curiosity in the queer cinema canon.’ — Cinema Queer

Trailer

 

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Laurie Lynd RSVP (1991)
‘The film, mostly musical with very little spoken dialogue, stars Daniel MacIvor as Sid, a man returning home for the first time since his partner Andrew’s death of AIDS. He turns on CBC Stereo’s classical music program RSVP just as the announcer is reading a request, submitted by Andrew himself shortly before his death, to play Jessye Norman’s recording of “Le Spectre de la rose” from Hector Berlioz’s Les nuits d’été. As the music begins, Sid reminisces about the relationship; after it ends, he calls Andrew’s sister in Winnipeg to advise her to listen to the program when it airs in her time zone. His sister, in turn, notifies other family members and each relives their own memories of Andrew as they listen to the song, creating an extended community of people united in their grief as the shared experience of the music metaphorically collapses their geographic distance from each other.’ — collaged

the entire film

 

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GB Jones The Yo-Yo Gang (1992)
‘The Yo-Yo Gang is a thirty-minute ‘Exploitation film’ about girl gangs released in 1992. Directed by G.B. Jones, this ‘no budget film’ follows the exploits of two girl gangs, the “Yo-Yo Gang” and the “Skateboard Bitches”, as a gangwar erupts between them. The tag line for the film reads: “Gang girls frequently out-curse, out-fight and out-sex every boys’ gang around”. In between fighting, the film features scenes of the girls getting tattooed, piercing each other’s ears, beating up boys, playing arcade games, riding scooters and talking on the phone. The film was made using Super 8mm film format. It was shot in Toronto, Ontario, and San Francisco, California.’ — collaged

Trailer

 

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Tom Kalin Swoon (1992)
‘Made at the height of the AIDS crisis and before gay marriage and gays in the military, Kalin’s Swoon is a take on the infamous Leopold and Loeb true crime story from the early 1920s, in which a pair of young, wealthy men kidnapped and murdered a teenager. Kalin reclaimed and explored the gay indenties of the perpetrators in this stylish indie. Produced by Christine Vachon, it debuted at the 1992 Sundance Film Festival and was swiftly labeled as part of the New Queer Cinema movement, a bold burst of films (Poison, Paris is Burning, The Living End and others) that emerged in the 80s and 90s exploring the lives of gays and lesbians on the margins of society.’ — FSLC

Trailer

the entire film

 

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Sally Potter Orlando (1992)
‘Directed with sly grace and quiet elegance by Sally Potter, it is not about a story or a plot, but about a vision of human existence. What does it mean to be born as a woman, or a man? To be born at one time instead of another? To be born into wealth, or into poverty, or into the traditions of a particular nation? Most of us will never know. We are stuck with ourselves, and as long as we live, will always see through the same eyes and interpret with the same sensibility. Yes, we can learn and develop, but so much of what makes us ourselves is implanted at an early age, and won’t budge.’ — Roger Ebert

Trailer

Excerpt

 

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Mark Rappaport Rock Hudson’s Home Movies (1992)
‘This is a collage film that works as a review of film history that revisits Rock Hudson’s films in the light of what everyone knows about him, now-essentially that he was homosexual and died of AIDS. Rock Hudson is a unique paradox-the paradigm of manhood on the screen that happens to be a homosexual. The fictional construction of Rock Hudson turns into a text to be read or re-read in many different ways-but all roads lead to Rome. Rock Hudson was a prisoner as well as provider of a strategy and sexual stereotypes. It is a prism through which one can explore the questions of sexuality, the coding of the genre, the sexual role play in Hollywood movies and, by extension, America in the fifties and sixties.’ — ReVoir

Trailer

 

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Gregg Araki Totally F***ed Up (1993)
‘Godard has always been among Araki’s biggest influences, and, indeed, Totally F***ed Up has been called his Masculin Féminin. Vivre Sa Vie is also evoked via the film’s segmented structure, yet the biggest stylistic shadow here may be Katzelmacher, during which Fassbinder similarly propped a batch of young outsiders against the wall of society and watched the resulting wreckage. The characters try to flee into their own self-contained universes, complete with self-contained slang (jacking off to Randy becomes “shooting tadpoles at the moon”), but the world is always breaking in, inevitably in the form of emotional pain. Randy’s tentative romance with a potential Mr. Right (Alan Boyce) provides the film not only with the closest it has to a narrative, but also with Araki’s sense (also shared with Fassbinder) that coming to terms with your sexuality doesn’t necessarily shield you from the agonies that often come with relationships. After all, this is a film where a bootleg Nine Inch Nails video is reason enough to betray another person’s affections.’ — Slant Magazine

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John Greyson Zero Patience (1993)
‘The early 90s was a time of much agitprop in the first wave of the new queer cinema. Zero Patience, as it subverted musical conventions, was one of the most outrageous examples. A group of ACT UP activists sing about their HIV status before breaking into an elaborate production number about the greed of pharmaceutical companies. A trio of naked men trill an a-capella number about “When you pop a boner in the shower” to Burton, who is doing undercover research in a gay bath house, his video camera doubling as his phallus. A stuffed African monkey in the museum comes to life as a leather-clad lesbian to demand, in song, why she is blamed for transmitting AIDS to humans. Finally, the famed drag performer (and then-longtime AIDS survivor) Michael Callan appears on a microscope slide as HIV herself to exonerate Patient Zero.’ — Cinema Queer

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Todd Verow Preen (1994)
‘Todd Verow’s long lost first feature shot on a PXL Fisher Price kid’s video camera (which recorded black and white, high contrast, pixalated video on audio cassette tapes) captures a group of San Francisco 20-something models, drag queens, musicians and artists in the early 1990’s. It was Verow’s reaction to working on the first season of MTV’s Real World that spurned him to create PREEN, something just a bit more real. “Verow’s PREEN makes Richard Linklater’s SLACKERS look like a bunch of shiny happy people holding hands” – San Francisco BAY GUARDIAN.’ — collaged

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Rose Troche Go Fish (1994)
‘Go Fish faces two ways. On the one hand, it aspires to an ethic of separatist purity, imagining a world made up of gay women, which in practical terms has meant accepting male money and male help only when there was no alternative. On the other, however, it tries to makes no assumptions about lesbian lives, and to be open-minded about the most basic questions. Some sequences of Go Fish are like helpful insets in a magazine article designed for a general readership: Did you know? – Playing the field can be fun, but there’s nothing wrong with monogamy if it suits you – You can sleep with a man once in a while and still be a dyke, if you want to be – Getting a crewcut doesn’t make you a different person in bed, unless you want it to. The film is ingenuous, disarming and occasionally very wooden.’ — The Independent

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Tom Chomont Spider Jan. 16 (1994)
‘At the intersection of eroticism, mysticism, and the everyday one finds Tom Chomont. As filmmaker/curator Jim Hubbard notes, “Chomont’s films offer a lyric depiction of the ordinary world, but at the same time reveal an unabashedly spiritual and sexualized parallel universe. His incomparable technique of offsetting color positive and high contrast black-and-white negative creates a subtly beautiful, otherworldly aura.” Chomont completed approximately 40 short films. He suffered from Parkinson’s during the last decades of his life; a time in which he also produced a wide range of video works. These later pieces include documents of his struggles with illness as well as his immersion in ritual S&M; culture. While outwardly quite different from his earlier work, characteristically, they transcend their striking subject matter and point to the spiritual aspects of our physical existence.’ — UCLA Film and Television Archive

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Steve McLean Postcards from America (1994)
‘New York multi-media artist and gay activist David Wojnarowicz died in 1992, but his faith in writer/director McLean, the adapter of his autobiographical writings, is vindicated by this arresting first feature. Framing three periods in the life of an American outsider, the film moves nimbly between a troubled New Jersey childhood as young David (Olmo Tighe) finds himself caught between an abusive father and long-suffering mother; an adolescence spent on sidewalks where the teenage David (Michael Tighe) hustles for a living; and anguished maturity in which the adult David (Lyons) discovers the thrill of anonymous sex on the open road, before facing the shadow of AIDS. With its feel for the American landscape pitched between Kerouac and Gus Van Sant, the film’s immersion in low-life Americana seems so authentic it’s a surprise to learn that this is the work of a British movie-maker – McLean’s background in music video and art direction tells in the sheer visual assurance. Piercing and provocative, McLean’s determinedly cinematic vision announces him as, potentially, a key British independent of the ’90s.’ — Time Out (NY)

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Bruce La Bruce Super 8½ (1994)
‘With LaBruce, Stacy Friedrich, Mikey Mike, Chris Teen, Vaginal Creme Davis, Richard Kern. LaBruce’s quasi-autobiographical sophomore effort tells the story of “Bruce,” a porn auteur with avant-garde ambitions. Though he’d made a name for himself with movies like Pay Him as He Lays and My Hustler, Myself, Bruce finds his star fading and his career on the wane; like Marcello Mastroianni in Federico Fellini’s 8 1/2, he’s a frustrated director, and like Elizabeth Taylor in Butterfield 8, his passions are the stuff of his undoing. Offering Bruce his last chance at fame is Googie, an up-and-coming art-film darling with designs to exploit his ailing reputation as a way to cement her own. LaBruce delivers this decline-and-fall saga with insouciant wit, all while aggressively lifting elements from film history (“There’s no copyright on a good line,” Bruce muses). Acutely self-aware and replete with hardcore action, this may be the most meta-cinematic blue movie ever made.’ — MoMA

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Guy Maddin Sissy-Boy Slap-Party (1995)
‘Raw, half-naked violence explodes across the screen in a gritty tableaux of sweaty brutality in Guy Maddin‘s short film Sissy-Boy Slap-Party, a film for which a title was never more accurate. Sailors in repose on an island paradise seemingly have no worries of war or danger — until a playful gesture is interpreted as an act of willful aggression. Soon, the innocent act of slight slapping becomes a relentless and unforgiving orgy of open-palmed face-smacking. Sissy-Boy Slap-Party lends itself easily to comparison’s to Jack Smith‘s legendary Flaming Creatures, from the loose plot structure to the washed-out exposures to the faux B-movie set and costuming to the homoerotic action. But, the film really takes a departure from its inspiration through Maddin’s ecstatic and frantic editing when the slap party begins in earnest. The film has a terrific rhythm to it as Maddin speeds up the editing to hyperkinetic speeds, but knows to periodically slow down on the cutting, allowing the audience to catch its breath before the action ramps back up again. Thus, the film has a very engaging rhythmic flow over its 6-minute runtime.’ — Underground Film Journal

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Rosa von Praunheim Neurosia: Fifty Years of Perversion (1995)
‘Neurosia is the autobiography of the director Rosa von Praunheim. The movie begins with Rosa presenting his autobiography in a movie theater. Before the film begins, he is shot. But – his body gets lost. A female journalist from a TV station begins researching the life of Rosa. In the course of the movie she speaks to lots of aquaintances, shows short clips from Rosas old movies. Her main aim is to provide sensational and shocking details from Rosas life. It turns out that nearly everybody had some reason to kill Rosa. At the end of the movie, she discovers Rosa at a boat where he is kept prisoner by some of his old enemies. She frees him, and the movie ends.’ — IMDb

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Maria Maggenti The Incredibly True Adventure of Two Girls in Love (1995)
‘This coming-of-age story about two teen girls who discover their love for one another is both poignant and funny, yet always tasteful. The casting and direction gives us characters that look like ordinary people, as opposed to the usual pretty-boy/girl fare that prompts our eyes to love the characters even before we know what they’re about. For instance, Randy has to grow on you during the movie–she is not a particularly adorable young lady in her actions and attitudes, neither does she have the looks of a classic beauty. The result is, when girlfriend Evie (Nicole Ari Parker) calls her “beautiful” when they are finally alone together, we know she means it on the deepest levels, we believe her immediately, and even see Randy through her eyes.’ — deverman

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Cheryl Dunye The Watermelon Woman (1996)
‘The Watermelon Woman is a 1996 feature film by filmmaker Cheryl Dunye about Cheryl, a young black lesbian working a day job in a video store while trying to make a film about a black actress from the 1930s known for playing the stereotypical “mammy” roles relegated to black actresses during the period. It was the first feature film directed by a black lesbian. The Watermelon Woman was Dunye’s first feature film and the first by a black lesbian. It was made on a budget of $300,000, financed by a $31,500 grant from the National Endowment for the Arts (NEA), a fundraiser, and donations from friends of Dunye.’ — collaged

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Wong Kar Wai Happy Together (1997)
‘The seemingly aimless melancholic meanderings of Wong Kar Wai (Wáng Jia-wèi) were extended into the world of gay romance with his Happy Together (Chun Guang Zha Xie, 1997). Whether this was a step forward of backward for Wong remains to be seen. Like his earlier efforts along these general lines, this film didn’t have much of a goal or clear-cut narrative movement other than to follow for awhile the sufferings of people in the throes of romantic heartbreak. Except, of course, this time we are dealing with a gay couple, which to me changes the tune somewhat.’ — Film Sufi

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Alex Sichel All Over Me (1997)
‘With its coming-of-age theme and exploration of teenage sexuality, All Over Me drew comparisons from critics to other films, in particular Larry Clark’s Kids and Maria Maggenti’s The Incredibly True Adventure of Two Girls in Love, both from 1995. Although similarities were noted, All Over Me was praised for its differences to these two films. E! called it gentler than Kids, and Muskewitz said All Over Me was less exploitative than that film. Emanual Levy described it as the far more interesting and complex of the two. Ron Wells said “thank god it’s not Kids” and Bernstein said that “comparison misses the point”. When comparing it to The Incredibly True Adventure of Two Girls in Love, Emanuel Levy called All Over Me “much more accomplished”. SplicedWire called it “an ideal companion feature for Todd Solondz’s Welcome to the Dollhouse, another female-centred coming-of-age film from the mid-1990s.’ — collaged

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Stephen Winter Chocolate Babies (1997)
‘Welcome to the front lines of AIDS activism, where the latest enemy raids are being run by a band of unlikely warriors: two drag queens, an HIV-positive man with tiny gemstones dotting his bald head, and his HIV-positive sister. These self-proclaimed “black faggots with a political agenda” launch street assaults on conservative politicians who won’t support a hospice in their New York City neighborhood, but when they also manage to infiltrate the office of one such official, a city councilman who, it turns out, is deep in the closet, the action sets in motion unexpected events that begin to pull the group apart. In addition to introducing a memorable gallery of characters — most of whom are vividly realized by a fiery cast — screenwriter-director Stephen Winter’s film plays with issues of identity: who we are and who we pretend to be. Its characters get so absorbed in their roles — drag queen, undercover activist, closeted councilman — that they lose sight of their more basic identities: brother, friend, lover. Winter offers no easy answers to political dilemmas, only a warning that much of what is important in life may be lost when the political consumes the personal.’ — Robert Faires, The Austin Chronicle

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François Ozon Scènes de lit (1997)
‘Seven brief scenes, each with a couple, explore the surprises and the changes of heart that can occur during sexual encounters. Only one of the seven couples has been in bed together before; several are strangers or new acquaintances. A prostitute and her john, an older woman and a youth who follows her home, two women friends, a gay man with a straight man, a man with distinctive ideas about soap and water, a woman who wants the light left on, and a Spanish-speaking woman with a French-speaking man make for an array of possibilities and unanticipated consequences.’ — IMDb

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Mike Hoolboom Panic Bodies (1998)
‘We have come to expect only the dazzling and uncommon from the prolific, prodigiously talented, and frequently transgressive Mike Hoolboom, perhaps the most important Canadian experimental filmmaker of his generation, and the startlingly beautiful Panic Bodies delivers the potent goods. Like much of Hoolboom’s gorgeous, unsettling recent work, Panic Bodies is infused with an AIDS-era horror at the body under siege, with a palpable sense of wonder and revulsion at our flesh-and-blood corporeality, at ‘being a stranger in your own skin.’ The film’s multi-levelled meditation on morality moves from rage to reverie, and unfolds in six often-hallucinatory episodes: Positiv, a multi-screen monologue about AIDS; A Boy’s Life, a masturbatory revel; Eternity, a reflection on Disneyland and death, 1+1+1 a devilish, pixillated black comedy; Moucle’s Island, a nostalgic lesbian idyll; and the concluding, elegiac Passing On.’ — Jim Sinclair, Pacific Cinematheque

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p.s. Hey. The post I’ve restored for you this weekend is only from about six years ago, but someone wrote recently to alert me to the fact that it had been pretty much decimated by dead imbeds and links over the last years, and they asked me if I would restore it. Having gone back and discovered that, yes, it was pretty much a ghost town, I decided to rebirth it. I hope you’ll agree it was worth the work. ** A, I’m glad it’s so easy to give you peace, ha ha. Uh, international shipping from the US is always a crapshoot for some reason. Using the good old Postal Service seems to work the best. Maybe followed up by UPS? I don’t think I have any interest in the new ‘Little Mermaid’, but I never saw the animation. It seems like it’s probably a little nice for me? Enjoy your weekend. ** Misanthrope, Ah, dentures, gotcha. Good old useless American medical insurance. Jesus. I have wondered what it would be like to be a human Ginger Snap. My weekend shouldn’t be too taxing, but famous last words, etc. Enjoy relaxing. ** Dominik, Hi!!! Next time I go to Vienna it’ll be just to look around and hang out and see you! Happy that my memory of ‘Lilya 4-Ever’ seems to be accurate. Yeah, I was a very clunky piano student. And I just wanted to learn to play guitar back then. And I barely managed to do that either. Not a musician, me. Do you ever sit at a piano and start pressing down? Ha ha, there was someone smoking on his balcony in his underwear in my building last evening. I guess it was love. He sure didn’t look like what I thought love would look like. Love making the decision for me as to whether I should download the new Zelda game this weekend or not, G. ** _Black_Acrylic, Huh, I don’t remember any ‘Fantasia’ references. The book’s original French title is also ‘L’apprenti sorcier’ so I guess it’s possible. It’s definitely not a Disney-like novel. I’ll tentatively line up ‘Deranged’ somewhere. I think my next online film watching experience will be a thing called ‘The 12 Disasters of Christmas’, which is apparently some unwatchably bad TV movie concerning a small town somewhere that gets hit with every kind of possible disaster at once. I’m a ‘disaster movie’ completist, as you undoubtedly know. That does sound non-conductive to writing, I mean the weird sleep schedule plus toe meds. I hope it’s maybe just a little trippy in some way? I do look forward to new writing by you when the muse/proper consciousness hits. ** Kettering, Hi. Oh, I don’t think I have a single favorite book by Amy. She’s always truly great. Her newest, ‘Index of Women’ is great. I’m actually Zooming with her tonight, and I’ll ask her which among her books she would particularly like folks to read. The idea of reading ‘Eden Eden Eden’ with a sub-understanding of French sounds like an awfully ambitious goal. I have read that Guyotat essay, yes, and I agree I’d great. Nice chunk of prose you wrote there. Thanks and kudos. ** Steve Erickson, Wait, the Jonas Brothers appeared at Rough Trade? That is a very unexpected coupling, or I guess quadrupling, no? Have they gone edgy and arty or something? One of them has huge, kind of scary looking nipples, I can’t remember which one. Everyone, Steve’s May music roundup for Gay City News, on forthcoming albums by Alex Lahey and Brandy Clark, is available for your reading pleasure here. Sure hope their subscription thing brings The Quietus back up to full force. I should subscribe. I will. 86 degrees! The horror! ** Cody Goodnight, Hi, Cody. I’m good. I’m glad the ‘Serial Mom’ screening only got delayed and not nixed. Rampo is great, yeah. Yes, I like Japanese lit. Hm, Dasai and Kawabata are also big favorites. I used to really like Mishima, but I don’t know if I still would. I’ll have to think of the others I like. Do you have excellent weekend plans? ** Right. Like I said, you’re visiting or revisiting a non-complete look at the New Queer Cinema moment this weekend. Do what you’re going to do, and I’ll see you on Monday.