DC's

The blog of author Dennis Cooper

Scale Modeled *

* (restored)

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A Canadian guy named Joe has been digging out the basement of his house using nothing but radio-controlled scale model construction equipment… since 1997. At an average rate of eight or nine cubic feet of earth moved each year, the process has been absolutely glacial. But what do you expect when every morning he drives his little excavator on its transport truck down to the basement, unloads it, and then uses it to dig out the basement walls. Then Joe uses the excavators to load R/C trucks and they work their way up a spiral ramp to the basement window where the soil gets dumped outside. Then, once it’s outside, he uses bulldozers to consolidate the pile of excavated dirt.

 

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Tom McKenzie tweeted an image after finding a model of the Taj Mahal made from toast at the end of his street near Queens Road Peckham station.

 

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The Insurance Institute for Business & Home Safety Research Center, a $40 million hangar of destruction in South Carolina, is where experts can destroy full scale scale model houses with rainstorms, hail, tornadoes and wildfire. The 21,000 square foot test chamber is as tall as a six-story building, and big enough to accommodate nine 2,300 square foot model homes at the same time.

 

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There are two things that are incredibly difficult to represent in scale — water and flight — but difficult doesn’t mean impossible. A Tamiya 1/350 King George by Chris Flodberg, is my pick as best build of the year. I have never seen the action of water captured as realistically as Chris has done on this model. You can practically hear the sound of the water rushing over the deck of the ship. You can see the ship being tossed from side to side over the waves. Just an amazing example of scale modeling.

 

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Wim Delvoye Concrete Mixer (scale model), 2013. Laser-cut stainless

 

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This model Titanic sinks like the way it happened irl

 

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Emilio Ruiz del Río was responsible for many of the special effect foreground miniatures for David Lynch’s film Dune. These pictures are from his personal collection, and were kindly supplied by his son-in-law.

 

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Phil Collins saved Mark Lemon’s scale model of the Alamo from being lost to history. Visitors to San Antonio can see the model at the History Shop on E. Houston Street. Narration by the rock star helps walk you through the story of the historic battle.

 

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Bringing a semi to a Scalextric party

 

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A 75-meter-long ice pool at Aker Arctic Technology Inc’s ice laboratory, in Helsinki, Finland. The company specializes in the design, testing, evaluation, simulation and development of icebreakers.

 

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I HAVE NOT BEEN ABLE TO FIND ANY OTHER ON THE NET. CHECK OUT THE ORIGINAL ON GOOGLE IMAGES TO SEE JUST HOW GOOD THIS IS……….. A PERFECT ALMOST LIFE SIZED REPRODUCTION OF THE SAD DEFORMED FORM OF ONE OF THE MOST FAMOUS MEN IN ENGLISH HISTORY. THIS IS A ‘ONE OFF’ HAND MADE REPRODUCTION MODELLED IN GREAT DETAIL. A message to those of you who are already familiar with my work…… I know this figure is more expensive than I usually list – but an enormous mount of time and materials has been invested in getting it right. Otherwise it would be an insult to someone as important as John Merrick. IT IS AN ORIGINAL. THIS IS A UNIQUE PIECE OF ORIGINAL WORK. A UNIQUE HAND MADE PIECE OF GENUINE FLESHKRAFTER ART. THE PHOTOS SPEAKS A THOUSAND WORDS ABOUT THIS DISTURBING FULL SIZED ITEM. THESE DETAILED AND UNIQUE REPLICAS HAVE A REAL LEATHERY FINISH AND LOOK JUST LIKE THE REAL THING. THEY MAKE A UNIQUE AND UNUSUAL FLOOR ORNAMENT OR WOULD NOT LOOK OUT OF PLACE SURROUNDED BY ANTIQUITIES. I AM A PROFESSIONAL ARTIST WITH SERIOUS WORK IN MUSEUMS ALL OVER THE WORLD.

 

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Walt Disney proudly recapping where Disneyland was in 1966. Check out the working “It’s a Small World” scale model clock.

 

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This is my 16th K’nex roller coaster, featuring a cable launch, volcano theming, and an industrial control panel. Krakatoa took 2 months to build from start to finish. The ride concept was inspired by Volcano: The Blast Coaster and Intamin’s hydraulic launch system. The ride is automated with an Arduino Uno, 6 micro servo motors, and 1 contact switch. The control panel uses Allen-Bradley buttons and switches, and it allows you to run the ride with 2 trains in either manual or automatic mode.

 

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An investment forum in Sochi presented the scale model for the new ski resort “Logo-Naki.” All went well until the guests noticed the tiny figures having sex, crashed skiers, dead animals run over by cars, and several suicides.

 

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The Iowa State University’s Tornado/Microburst Simulator can generate a translating microburst-like jet (6.0 ft diameter) and a tornado-like vortex (4.0 ft diameter) for model testing, in order to understand the effects of tornados on buildings and other structures.

 

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If there ever was such a thing as a dream job, it would be a lifelong Marvel comic book fan getting to work on The Avengers live action film. Well, that’s me. I helped build the model set for the Thor/Loki confrontation on a rocky cliff dubbed The Promontory. The following are progress photos from start to finish. It also is an example of many big budget movie sets these days that are a small section of real surface that get extended digitally.I was one of a crew of sculptors sent to Albuquerque, NM to be part of set construction.

 

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After leaving this page and stepping back into the build environment, it shocks how much the building across from you, with its cheap-looking touches of faux masonry or abundant technical supplies, starts to evoke similarities with this so called “horrific, dystopian, retro past aesthetic” concert hall by Isaïe Bloch. What or who influenced this project? IB: Ship dismantling, collapse, Ferropolis, postmodernism, Juliaan Lampens, Filip Dujardin, Robert Gilson, Étienne-Louis Boullée, Gehard Demetz. Whose work is currently on your radar? IB: Abhominal, kokkugia, Preston Scott Cohen, former Studio Prix students.

 

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12″ diameter cake, almost entirely edible with working train and tracks made of candies and sugar. This was made by myself. It features a station, “wooden” trestle bridge, five buildings all with working (inedible) lights and a working, edible water wheel. It took ages to build and was done as a fun to do cake project but I got a bit carried away.

 

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Martin Müller is a aeroplane modelling genius. He made this perfectly functional Airbus A310-200 at a 1:22 scale and flew it during an indoor airshow in Leipzing, Germany, three years ago.

 

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In the film Cleopatra (1963), when Cleopatra arrives in Rome, you can see the shadows of the movie set scaffolding on the black sphynx.

 

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Archaeological dig begins to unearth scale model of one of World War One’s bloodiest battlefields created by German prisoners of war.

 

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Designer Richard Clarkson created the Levitating Storm Cloud Project, which is placed on a Bluetooth speaker, floating a few centimeters above its base.

 

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A company specializing in creating custom props, mnfx, created these scale model works for Trex Decking & Railing as part of a marketing campaign. This scale model decks were constructed using actual Trex decking material that was milled down into 1:12 scale pieces and assembled into the models you see below.

 

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This is the world’s largest shake table earthquake simulator in Miki City, near Kobe, Japan. Measuring approximately 65 feet by 49 feet, the table can support 1:1 scale building experiments weighing up to 2.5 million pounds, like the million-pound seven-story condominium below, subjected to a simulated 6.7 magnitude earthquake.

 

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Movie sets


Inception


Star Trek


Godzilla


Torbruk


The Da Vinci Code


Goldeneye


Batman


Rear Window


The Medusa Touch


Blade Runner 2049


The Impossible


Battleship Earth


Escape from New York


Poltergeist

 

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Adam Savage Builds a Huge Scale Model of the Hedge Maze From Stanley Kubrick’s The Shining.

 

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Since the mid-1970s, American artist Jim Casebere has been making photographs of tabletop models which he builds in his studio. The subject of his work ranges from suburban interiors to institutional structures, inspired by political events or social issues. In his photographs, these models often give the impression of reality. Each image transports viewers into an ambiguous environment, evoking a sense of emotional place.

 

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The artist Peter Root, from Guernsey, spent 40 hours standing 100,000 staples on end to build his latest work of art: a scale model replica of New York City made from staples.

 

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Alec Garrard, 78, has dedicated a massive 33,000 hours to constructing the ancient Herod’s Temple, which measures a whopping 20ft by 12ft. The pensioner has hand-baked and painted every clay brick and tile and even sculpted 4,000 tiny human figures to populate the courtyards. “I’ve always loved making models and as I was getting older I started to think about making one big project which would see me through to the end of my life,” he said. “I have an interest in buildings and religion so I thought maybe I could combine the two and I came up with the idea of doing the Temple. I’d seen one or two examples of it in Biblical exhibitions, but I thought they were rubbish and I knew I could do better.” He says his wife Kathleen thinks he is mad. “She wishes she’d married a normal person”.

 

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7mm


4.75mm


3.2mm


2.4mm


1.6mm

 

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The Naval Surface Warfare Center Carderock Division’s newly renovated “Indoor Ocean”, called the Maneuvering and Seakeeping Basin (MASK) facility, helps the Navy to understand extreme maritime circumstances. MASK was built in 1962, and it’s still the Navy’s biggest wave pool: 360 feet long, 240 feet wide, and holds approximately 12 million gallons of water.

 

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There is a life-size chocolate statue of Vladimir Putin — and he’s the only one who’s allowed to eat it. The sculptor, Nikita Gusev, said Putin has the perfect personality to be personified in a chocolate statue. “On one hand the chocolate is soft and malleable, on the other side and it can be very hard,” he told Reuters. “It is very flexible, it can take any form. I think this material really suits [Putin] because he is like that, in different situations he can be different, sometimes soft, sometimes hard.” More than 150 pounds of chocolate were used in the creation of the statue.

 

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Addams Family Dark Ride model kit

 

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The Incredible Shrinking Man (1957)

 

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Free Shipping 1/6 Scale Movie Action Figure Model Toys Head Sculpt Accessories For 12″ Action Figure Model

 

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Scott Weaver’s piece, made with over 100,000 toothpicks over the course of 35 years, is a depiction of San Francisco, with multiple ball runs that allow you to go on “tours” of different parts of the city.

 

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Shakira Statue in Barranquilla, Colombia

 

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An Estonian start-up is offering a service to 3D print your unborn baby for 200 euro ($214) based on a 3D ultrasound. Customers receive the print to their door when they order. Timmu Toke, CEO of Wolfprint 3D, said the idea came after a friend wanted her unborn baby 3D printed but there were no services around.

 

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Walthers Cornerstone Skyview Drive-In Model Kit: Actually Watch & Hear Your Favorite Movies on the Big Screen Any Time! Simply Slide Your Tablet into the Screen to Bring Your Drive-In to Life – Remove at Any Time. Works with Most 7″ Tablets including Apple(R) Ipad mini, Amazon(R) Kindle Fire, Samsung(R) Galaxy Tab 2.0 and Many More (sold separately). Compatible with Tablets up to 7-7/8 x 5-5/16″ (20 x 13.4 cm) and from 9/32 to 15/32″ (0.7cm to 12mm) Thick . Enjoy Full Sound Quality from Your Tablet Through Open Ports in Rear of Screen.

 

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Dry Ice and LEDs Make Drifting RC Cars Look Even More Realistic

 

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At the San Francisco Bay Model visitor’s center in Sausalito, California, LEDs indicate the progress of fresh water from Sierra snows down the rivers and out to the bay and Pacific beyond.

 

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The largest small-scale model ever built, representing 41% of the US in miniature, was the Mississippi River Basin Model Waterways Experiment Station, located near Clinton, Mississippi. It was a large-scale hydraulic model of the entire Mississippi River basin, covering an area of 200 acres. The model was built from 1943 to 1966 and in operation from 1949 until 1973. In 1964, the site was opened to visitors for self-guided tours, and facilities included an assembly centre, 40 ft observation tower, operation observation room, and elevated platforms, drawing about 5000 visitors a year. The cost of maintaining the site as a tourist attraction was too high, so the model was abandoned and became overgrown.

 

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The Haunted Mansion

 

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Storefronts

 

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Action Figures

 

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Withstanding A Rogue Wave

 

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Welcome to ScaleModel World the greatest model show on earth. Scale ModelWorld is an annual exhibition held over two days every November. The show is organised and run by the International Plastic Modellers Society and since 1998 the venue has been The International Centre in Telford. Scale ModelWorld is without doubt the largest model show in the world encompassing all four halls of the Telford International Centre and is unmatched in its size and diversity which helps to attract the huge visitor numbers who come from not only the United Kingdom and Europe but from all over the world. Each year over overseas groups displayed and visitor numbers continue to grow.

 

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Long before the cast and crew of Zabriskie Point ever reached Carefree, a luxurious new housing development in the Arizona desert near Phoenix, the local citizens knew something out of the ordinary was happening in their parts. Over the weeks they had noticed a house being built several hundred yards off the main highway. As its form became more definite, they were astonished to see that it was an exact duplicate of the newest and most talked about dwelling in the Phoenix area, the $400,000 home of Carl Hovgard, tax research expert and founder of the Research Institute of America. However, they soon learned that only the exterior was being duplicated. The interior was just a skeleton. The mock-up was built in eight weeks by an MGM construction crew. A good deal of the material used in the original house was incorporated including a concrete slab roof, individually cast concrete blocks and stone for the entire front of the house. It cost more than $100,000. But its life was short. Filled with dynamite and gallons of gas and benzine, the house was guarded carefully and the exact time of the explosion was revealed to no one. Still, many local people lined the highway in front of the house in the late afternoon of demolition day. In ten seconds two-and-a-half-months’ worth of work vanished although it took hours for the fire to completely die out. There were, miraculously, no injuries and all 17 cameras operated perfectly. Michelangelo Antonioni would have two hours of footage from which to choose a few seconds for his crucial scene.

 

 

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p.s. Hey. I’m in shock this morning for the obvious reason, but let me see what I can do. ** jay, Hi. Bataille’s nonfiction/theory is very interesting as well if you want to read his thinking. Haha, no, experimental fiction writers and giant mansions are not compatible. Tragically our crossed fingers seem to have done no good. ** Dominik, Hi!!! I feel like an escape room could be amazing, but I haven’t been in one or heard of one that actually uses the form interestingly enough. Love was asleep on the job yesterday. Love in disbelief, G. ** _Black_Acrylic, Happy you dug it/his/hers. ** Misanthrope, Hi, G. The turnout was crazy, yeah. Awesome that you guys maxed out NYC but not enough that you don’t want to max it out more. ** kier, Hi, pal! Oh, you can use whichever one you want. I guess I would say maybe not the first one, ‘Zac’s Haunted House’, as I think that one’s a little primitive. But, really, whatever you like. I’m excited and honored. I hope we can do our haunted house just so you can be there. Oh, uh, I think the artists I was talking are probably not so known to you? John Williams, Chris Olsen (both also stars of our film), and others. We’re just starting to think about it and think of artists to ask. I’ll keep you informed, assuming the idea advances. Love, me. ** Huckleberry Shelf, Hi, Huckleberry! How great to see you! My October was swell, did the trick, filled in the blanks. Excited to read your published work! And I’ll gather my thoughts once I have. Great! Thank you! Everyone, Highest recommendation that you distract yourselves meaningfully today by reading some poems by the awesomely gifted poet Huckleberry Shelf. Three poems are here @ Allium, and one award winning prose-poem is here @ poets.org. Congratulations to you and to the venues! Is it your first time in LA? Probably not, right? Stories is a really good bookshop and kind of the ‘it’ bookstore du jour. I always recommend The Museum of Jurassic Technology. There’s a Joe Brainard show @ Chris Sharp Gallery. I saw a lot of art, but nothing mind-blowing that’s still on show now. Use the artguide app at the Artforum website for Los Angeles. It’s probably the best way to find art stuff. And have a blast! I guess you’ll see David T? I didn’t get a chance to see him when I was there, sadly. And you should hook up with Amy Gerstler. She’s the best, and I know she’d love to meet you. xo. ** Måns BT, Hi, Måns! I linked Dominik up to some of the LA haunts I especially liked yesterday if you want to scroll down and find the links. Mostly haunts, about 25 of them. Well, I’ll hope your doubts are uncalled for, but I know you’ll be good whatever happens. I only heard a little Bob Hund. In fact, you’ve inspired me to go do a proper investigation. I don’t remember enough about them to characterise what I liked particularly ‘cos it’s been a while. Awesome about school accruing you some exciting new friends and peers. Honestly, most of what I remember about being in school was the people I hung with and what we discovered together. What are your plans for the film club? Can you shape what it’s going to be? That’s very cool. You sound great. Exciting talking with you too, bud. ** HaRpEr, Hey. Wow, that’s a lot of writing you’ve got impending there. I envy that. I’m dying to start writing something, and I’ve got no big ideas or deadlines. I usually take at minimum two years to write a novel and usually more, so I get that. My week has just been jolted by the US election news, so I don’t know what’s ahead. Stuff of some sort. Cool, yeah, ‘Austerlitz’. Sebald really is a supreme and non-copyable stylist. ** Tyler Ookami, Hi, Tyler. Oh, right, I remember now. You linking me up previously. My brain is still recovering and absent of sufficient detailing. And thanks for the new links. I need distraction today, and that sounds goodly distracting. ** Steve, Seeming huge condolences about you-know-what. I really can’t believe it if it’s really the case. It defies logic. ** Uday, Hi, U. It looks very, very grim over there where you are. Hard to know what to say or even think. Anyway, … Where’s the conference? What will you be doing there, officially I guess I mean? Excited for the zine. ** Cletus, My pleasure, of course. Happy you liked it. She’s wild. And I’m happy you’re liking ‘Autoportrait’ and that the blog was able to make that intro. Have a great day if that’s humanly possible. ** Okay. Today I offer you an escape into the world of scale models courtesy of a restored post from years ago. See you tomorrow.

Henri Plaat Day

 

‘To register, I want to register places and things before it gets destroyed by modernity and progression. Before it is lost forever.’ — Henri Plaat

‘Amsterdam-born Henri Plaat (b. 1936) is a Dutch visual artist and creator of graphic work, drawings, gouaches, and collages. His freedom of spirit expressed itself early in his life when he departed secondary school prematurely in order to enroll in university to study typography. However, feeling limited by the bounds of his academic coursework, he spent time drawing and found inspiration within ancient writing systems, among them Egyptian hieroglyphs and Mayan script. Influenced by his personal memories of World War II and newsreels of the time, he developed his unique artistic style to, as he puts it, “rebel against reality.”

‘In 1966, Plaat picked up a movie camera and started to make films—first on 8mm and then later on 16mm. In his shorter filmic performances, he combines the photographic montage with opera, juxtaposing composer Richard Wagner and UFA actress Zarah Leander with war sounds and aircraft noise. Plaat playfully examines the absurd within the theatrical through associative improvisation, and thus sets a contrast to the crude reality of the haunting wars that ravaged Europe at the beginning of the 20th century.

‘Plaat’s interest in the interplay between the imaginary and the real is reflected in his painterly use of analog film. In a career spanning over 40 films, his decision to work on film was informed by the visual qualities of Kodachrome and Tri-X reversal stocks, which could best express his singular preference for light, shadow, and color. His eclectic travelogues are fantastical elegies that venture into dream-like expeditions—to places in Mexico, India, Greece, and New York City—with a focus on derelict landscapes and their dilapidated beauty. There, his melancholic camera gaze takes in fallen empires and captures the persistence of traces of antiquity in the present, expressing his art’s innate nostalgia while also embodying an urge for truthfulness, to learn from history and to conserve this sentiment for future humanity.’ — Marius Hrdy

 

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Stills

























 

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A little further

Henri Plaat Website
Henri Plaat @ IMDb
DVD: ‘Seven Films by Henri Plaat’
‘Roger Katwijk; Henri Plaat – Mede te nemen bij brand!’
Henri Plaat @ mubi
Henri Plaat @ Letterboxd
Rebel Against Reality: The Spheres of Henri Plaat
The Poetics of Memory and Decay: Henri Plaat

 

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Portrait: Henri Platt
‘A pinhole movie presented by Jérôme Schlomoff. This film proposes a cinematographic portrait of the Dutch artist Henri Plaat, by filming the processing of the silver print letting appear its photographic portrait. At the same time as the image is created in the darkroom, the hands of Henri Plaat tear a board of paperboard. It creates in its turn, randomly of this uncontrolled “work of destruction” the ghostly images with the torn pieces. Characters, animals, landscapes, architectures, boats, as many images belonging to the artistic Universe of Henri Plaat, who practices painting, cutting paper & cinema.’ — JS

Watch the film here.

 

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Kettel meets Henri Plaat
‘Electronic music producer KETTEL creates a score for Henri Plaat’s films.’ — Cinesonic

 

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Collages

 

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7 of Henri Platt’s 35 films

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Other Thoughts 4 (2008)
‘Other Thoughts 4 is a series of portraits with images that are silenced as a binding element. A surrealistic world that is not strange, but rather consists of fragments of dreams and sometimes of worry. The assembly is determined by image and atmosphere. A melancholic film composed of material that Plaat collected in the course of his various travels. — iffr.com


the entire film

 

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A Fleeting Dream (2004)
‘A Fleeting Dream (2004) can be considered the nucleus of Plaat’s work. A collage of his own backlog of film footage, spanning almost his entire cinematic oeuvre, we engage in travels to remote places, and are shown random objects, faces, trains rolling, and people dancing. A couple of scenes summarize Plaat’s enchantment with the past: a butler opening a fridge that is in the end empty, derelict sceneries passing by, and smoke coming out of a cut-out in a poster of a movie diva. A Fleeting Dream stands as something like a cinematic testament and a final ode to his filmwork.’ — Marius Hrdy


the entire film

 

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2nd War Hats (1986-87)
2nd War Hats shows a series of heads with absurd sumptuous covering peeping out of manhole covers. A number of questions emerge: prairie dogs sniffing, deciding whether or nor to come out of their burrows? Men dressed up as women? Unsafe to come out from the man-hole?’ — Senses of Cinema


Excerpt

 

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Fragments of Decay (1983)
‘Architectural shots of abandoned buildings, walls, the kind that appear in the nether landscapes of Cocteau’s Orpheus (1949), but emptied, worn, eroded, silent, pensive and wise.’ — Cine Sonic


the entire film

 

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Now that You Are Gone (1977)
‘A surreal encounter at Père Lachaise cemetery between brightly coloured jelly pudding and Mickey Mouse.’ — Letterboxd


the entire film

 

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The Strange But Unknown Star (1969)
‘A ten-year-old girl dressed as a 1920s star gives a performance. She wears a rubber mask, sits in a large, red armchair, and reads magazines that revive actresses from the past. Annette Hanshaw sings in the background. Marlene Dietrich is bombarded with egg, chocolate powder, powdered sugar and currants.’– Eye


the entire film

 

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I am an old smoking, moving Indian Movie Star (1968)
‘A veiled Indian lady talks to the camera (silent). Her story is told in images.’ — re-voir.com


the entire film

 

 

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p.s. Hey. ** Dominik, Hi!!! People tell me that on Halloween there were lots of people walking around Paris in costumes. I’ve never seen that before, so I guess Halloween is catching on here too finally. I just wish the French would realise that Halloween haunted houses are a whole lot more interesting than Halloween escape rooms, but maybe next year. I got almost normal sleep last night, so I’ll credit love. Love defeating Trump today, G. ** jay, Hi. No other Bataille novel is quite that sexual, but they’re great in other ways. Maybe try ‘Blue of Noon’ next? I’ll see if I can locate that ‘Quintuplets’ show and see what’s what, thanks. Pressure unfelt, no problem. I think I might be awake enough later today if I’m lucky. I saw that ‘secret retreat’ video. How insane. The motivation behind making that is very mysterious. Thanks, pal. ** Cletus, Hey. KGB is cool. Great. That sounds lovely: the gigs. I’ve been to the Mutter, and, yes, it’s amazing. There’s a really good episode of Errol Morris’s old TV series ‘First Person’ where he interviews the Mutter’s director Gretchen Worden if you’re interested. It’s here. If you put the Cher photo somewhere, like on social media or another site/space, you can link me to it? No pressure though. Happy Tuesday to you. ** Charalampos, Hi. It was you I was talking about the Purdy with, I now remember. Your deity hands from the sky sounds like a film. News from me? Not a ton, but I’m still a little hazy from jet lag so the recent past isn’t wildly accessible. There are some film updates, but I can’t talk about them yet. Good updates for once. Take care. ** _Black_Acrylic, Oh, shit, not again. Re: the class not happening. What’s up with the Dundee’s scribes?! But I’m happy to hear that you’re onto the writing anyway. Do keep me up on the progressions, yes. And the PTs are so close by in my future that I can almost hear them. ** Bill, Will do on the possible haunt, but it’ll be a while. Yes, I’d love to hear or see the gig recording if it becomes public fodder. Hong Kong, right. Have you noticed any very recognisable changes since China got overly involved? ** Steve, Hi. Probably not too much like my novels since we would want kids to be able to saunter or tiptoe through the haunt. I’ve heard of ‘The Seed of the Sacred Fig’, but not the others. Awesome about you and The Quietus. Congratulations to you and them. Apropos of nothing, I still really miss Tiny Mix Tapes. It, The Quietus, and The Wire were my music go-to’s. The election stress is very intense. Even over here. Here’s desperately hoping we can speak tomorrow amidst a celebration. ** Justin D, Hi, Justin. Oh, that photo is actually me in my Paris pad, taken just before I took off for the States. The photographer was very nice. The only way to watch Criterion here is via a VPN, but the connection is so bad and slow, it’s not worth it. Gregg did weigh directing ‘Frisk’. but he couldn’t figure out how to depict the violence. I have MUBI, so I’ll go check out the Kentridge series, thank you. I think I’ll know later today if my lag is in its death throes or not. Prayers. ** Tyler Ookami, Let me know how ‘Tormented’ is. I’ve been curious about it. Yes, I have a lot of LA artist friends, and almost all of them do installation work or sculpture. Which is ripe for the haunt. Hm, I don’t know Gregory Horror Show, but now I’ll at least get a bead on it thanks to you. Seems very cool. ** HaRpEr, Already? That was easy. And heat to boot? And just in the nick of time if our newly wintery weather here extends into your realm. Wow, nice day you had there. I too should read ‘Narrow Rooms’. What’s in your immediate future? ** Lucas, I will share them somehow once Zac jets them to me. You can show me your photos on your phone when you’re here. Problem solved. I’m happy to hear the anti-depressants are working. I have a number of artist and writer friends on them who seems quite productive, so your experience following suit makes sense. The Xiu Xiu gig is sold out, and I didn’t get tickets, alas. I’d ask Jamie to put me on the guest list, but things between him and Zac and me are still a little too fraught for that, I think. Oh well. Greatest day to you! ** Corey Heiferman, Your first comment didn’t come through, so I’m glad you tried again. Jesus, you’ve been all over the place. That’s crazy. Envy on Poland and Prague and South Korea and of course Tokyo, where I hope to get to go again before too long. Sadly not on Halloween, although hopefully long before then. I’m kind of with you on Berlin, but it’s an unpopular opinion, whatever that means. Right now I’m mostly tying to get the film on its route into the world. Things look promising. And writing the next film. Film, film, that’s me all over. And enjoying winter’s encroachment on Paris and looking to catch up on lots of art and films and stuff the very second my body clock gives up its doggedness. Great to see you! ** Right. Today I’m presenting works by an excellent experimental filmmaker, Henri Plaat, whom I’m thinking many of you might not be familiar with, experimental film being a tough find in general. Hope you like. See you tomorrow.

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