_______________
Santiago Sierra Anthropometric Modules made from Human Faeces by the People of Sulabh International, India (2007)
This work has been made possible by the collaboration of Dr. Bindeshwar Pathak and all people from Sulabh International in India.
_______________
Daniel Edwards Suri’s Bronzed Baby Poop (2006)
Casting of the baby poop with a bronze finish and mounted on a base that includes a brass plate engraved with baby Suri’s name, comes at a time when Tom Cruise is increasingly known for his eccentricity.
_______________
Christopher Madden Plastic bags arranged on path. Unspecified contents, June 2018
This is a piece of art that I created recently that’s inspired by frequent unpleasant encounters with dog poo bags while out on walks in the countryside. On one walk along a popular track up a mountain in Wales last year the poo bags were so frequent that they inspired me to conceive of the idea of a path lined with an avenue of poo bags.
_______________
Gelatin Vorm – Fellows – Attitude (2018)
One is a light-brown swirl pointing upwards that, from one angle, looks like the poop emoji. The second is a gigantic, dark-almost-black turd snaking its way from one room to the next while another is a three-layer construction with a gap wide enough for someone to crawl through. The last one is a big pile — somewhat meringue like — similar to the great heap of dinosaur dung in Jurassic Park that prompts Jeff Goldblum’s befuddled character to utter: “That’s one big pile of shit.” They were made by the Vienna-based art collective Gelatin.
_________________
Toto Untitled (2015)
At Tokyo’s National Museum of Emerging Science and Innovation, known as the Miraikan (literally “Future Museum”), children donning special shit-shaped caps line up to get flushed down the toilet.
________________
John Knuth Made in Los Angeles (2013)
Painter John Knuth of Los Angeles has created a series of paintings called “Made in Los Angeles,” where the verb “made” is used the way my grandmother used it, as in, “Did you make in the potty?” Knuth, who created the series for the Museum of Contemporary Art in Los Angeles, takes hundreds of thousands of maggots and places them in a screened-in box that has a canvas for a floor. The maggots hatch into flies, and Knuth feeds them a brew of water, sugar, and watercolor paint. The canvases are painted in neutral, monochromatic colors and the watercolors are bright reds, blues, and greens. For three months, Knuth lets the flies buzz happily around their enclosure, emitting little specks of color and creating inadvertent art (to them) as they go.
________________
Henry Taylor From Sugar to Shit (One tree per family) (2023)
mixed media
__________________
John Miller I Stand, I Fall (2016)
Made with things such as buckets, Styrofoam, gauze tape, plywood, plaster, and modeling paste, the work was painted with acrylics to look like poop. “It was supposed to have an excremental or shit-like feel,” Miller informs. “At the time, it was a bit of a provocation. I think the U.S. audiences were much more puritanical than they are now. It was more just to invoke excrement as a reference.” But some spectators told him the work made them feel physically ill. Of course, it was embraced in Germany.
________________
Jerzy S. Kenar Sh*t Fountain (2009)
Crafted by internationally known religious sculpture artist Jerzy Kenar, Sh*t Fountain is a sculpture of a big turd that rests on a 3ft-high concrete column in Augusta, IL.
________________
Ivan Volkov Untitled, 2022
A Moscow artist faces criminal charges for creating an installation depicting what appears to be a huge piece of excrement in a puddle of urine on the snow in Marsovo Pole (Field of Mars), a landmark square in St Petersburg. Ivan Volkov and a friend were detained by police at a St Petersburg train station on 16 January when they were on their way back to Moscow. A police source told the official Tass news agency on Monday that a criminal case was launched against Volkov based on Article 244 of Russia’s criminal code (“Desecration of the bodies of the dead and their burial places). The minimum punishment is a fine of 40,000 rubles (around $520). The maximum is up to five years in prison if it is determined that there were political, ideological or certain other motives.
_________________
Tom Friedman Feces on Pedestal (1992)
_________________
The Jumbo Golden Poop Mosquito Coil Cover is made from durable, heat-resistant ceramic and sports a polished golden cover fashioned to resemble some ideal, dream dump no actual person could produce without the assistance of a spotter holding a GPS receiver. The cover is pierced with holes to allow the smoldering mosquito coil secreted within to waft its insecticidal incense.
________________
Nicolas Deshayes Cramps (2015)
The embryonic lumps that snake across the generic surface of Deshayes’ Cramps (2015), a diptych of vacuumformed polyurethane guts, are shrink-wrapped into a sickly sweet veneer. The material is a non-bio-degradable, seemingly anti-organic plastic, however it is processed from fossil fuels that have formed over many million years through the degeneration of prehistoric organisms. Vacuum-forming today serves as the standard process of industrial prototyping and a method for mechanical reproduction.
_________________
Dieter Roth Rabbit-shit-rabbit (1972)
_________________
Erik Patton Stool Sample (2018)
Erik Patton’s Stool Sample is a partial-room constructed environment that continues his interest in the body and its relation to materiality. As early as the Old Babylonian hymns, the anus has been recognized as a body portal. Where will yours take you?
_________________
Mitsuyuki Ikeda, a researcher from the Okayama Laboratory, came up with the process of producing an artificial steak after Tokyo Sewage asked if he could devise a way of using up the city’s excessive “sewage mud”. His methods? He extracts proteins from the waste, turns it red using food coloring and injects a boost of flavor with soy. His equipment? An exploder. Oh, and he adds “reaction enhancer.” The synthesized fecal meat’s vitals stats are: 63% protein, 25% carbs, 3% lipids and 9% minerals.
_________________
Simon Fujiwara No Milk Today (2015)
On another floor are a series of paintings made by cows, created by their excrement, which colored canvases positioned behind them during lactation (“No Milk Today”). The works are hung lower than the standard hanging height of an artwork, placed at the average cow’s eye level, and are unified in shape, size, and khaki shades.
_________________
Mauro Perucchetti My Shit is Better Than Yours (2012)
________________
Kiki Smith Tale (1992)
In the work, a female sculpture which is in a prostrate gesture is shown. It is naked and is crouching on all fours while defecating a long, snakelike turd onto the floor. Moreover, There is full of dirt on her body, especially on her bottom.
________________
Bruce Nauman Shit and Die, 1985
Drypoint on paper
________________
Wim Delvoye Cloaca (2000-2007)
Designed by Belgium artist Wim Delvoye and first exhibited in 2000 at the Museum of Contemporary Art in Antwerp, the machine was fed twice a day. After the machine is “fed,” the food is ground up. Digestive juices (acid, etc.) are added and, after a spell, the machine pushes out a nice (somewhat solid) doodie.
_________________
Mike Bouchet The Zurich Load (2016)
Bouchet’s piece saw eighty tonnes of human excrement packed into a series of large brown bricks spread out to cover an area of 79 x 840 x 3,040 centimetres at Lowenbraukunst, a converted brewery on the banks of the Limmat river that was home to the majority of Manifesta’s offerings. The ‘load’ had been mixed with cement, lime and pigment, and there was a notice near the entrance stating that the sludge had been made safe for public presentation. My visit occurred about eight weeks into Manifesta, and thus the worst of the smell had dissipated – I was told by a local, however, that residents in the neighbourhood complained vehemently when the piece was installed and the stench was somewhat riper. Now it was, surprisingly, not overpowering and more like the smell of manure on a farm than human sewage. Also striking was the dryness, with the slabs resembling peat briquettes used for fuel. The fact the bricks were immaculately laid out in perfect order seemed a nod to Zurich’s glorification of neatness and symmetry.
_________________
Andres Serrano Shit Series (2007)
Yvon Lambert New York is pleased to announce an exhibition of new work by American artist Andres Serrano. The exhibition titled “SHIT” features new large scale photographs and will be accompanied by a full color catalogue with an essay by Hélène Cixous.
_________________
Tala Madani Rear Projection: Soft (2013)
________________
Google CEO Eric Schmidt, famous for weirdly off-kilter mockery of the privacy his company exploits for its billions, has been immortalized in shit. Artist Katsu selected “Eric Shit” as the second in his series of portraits created using his own excrement. The first was of Facebook founder Mark Zuckerberg.
_________________
Jaan Toomik May 15 – June 1, 1992 (1992)
A renowned and controversial installation by Jaan Toomik consisting of several jars of the artist’s own excrement is being bought by the Tartu Art Museum. Now Estonia’s most recognized contemporary artist on the international circuit, Toomik caused a stir two decades ago with his work “May 15 – June 1, 1992,” which includes a “menu” of what he ate along with each day’s output for the period.
_________________
Jock Mooney Vom Shit Dog (2010)
plastic modelling compound, enamel paint
_________________
Dan Colen Birdshit Paintings (2007)
_______________
Zhu Cheng, one of China’s most famous and talented sculptors, has helped nine of his art students create a replica of Venus de Milo out of excrement. As you can see in the photo, the excrement-made Venus de Milo is encased in a transparent box to protect it and make sure that the smell of crap doesn’t drive everyone away from the exhibit at the Henan Art Museum in Zhengzhou city, China. The statue was purchased by a Swiss art collector for 300,000 yuan ($45,113).
_______________
In Toronto, a city crammed full of fine restaurants, famous chefs and innovative dining ventures, it would be difficult for anyone to create a new fad. But one George Brown College graduate is hoping her “Poop Café Dessert Bar” will cause the next big stink. Opening mid-August in Koreatown, Lien Nguyen’s cafe will offer an all-brown menu, in the shape of human stools. “I’m trying to make poop cute,” Ms Nguyen explained to the Toronto Star. She said she first discovered the concept when she was visiting her mother in Taiwan a few years ago. “We checked out a toilet-themed restaurant and I just loved it,” she said. “It’s funny to put food and poop together; it’s a great comparison. It stayed in my mind for a long time. As soon as I finished school, I said, ‘OK, I’m going to bring the restaurant to Toronto.’”
_______________
_______________
Ian Haig Excelsior 3000 – bowel technology project (2001)
Excelsior 3000 looks to the toilet as an amalgam of bodily and machine interface, and the fantasy of a toilet that functions as a medical device in assisting ones bowel movements. The work seeks to redefine the relationship of the human body and technology to the bowel and amplify the notion of the bowel and toilet as everyday ‘invisible’ interfaces.
_______________
Mike Kelley and Bob Flanagan MORE LOVE THAN CAN EVER BE REPAID (1991)
______________
White Male Artist (AKA Cassils) $HT Coin: After Banksy, 2021
‘Excrement after eating the diet of Banksy for one day. Signed, numbered and dated “White Male Artist – July 28, 2021”.
‘Medium: Tin can, printed paper and excrement (strawberry doughnuts, iced coffee, almond milk, margherita pizza with torn basil, avocado and corn salad with blackberry dressing, robata corn on the cob with salted chili and lime, sorbet, baby spinach risotto with Amalfi lemon zest, bread pudding).’
*
p.s. Hey. ** Misanthrope, Safe, quick trip eastward today if you’re not already there or almost. Say hi to Kyler for me. Find NYC’s pastry filling and dig in. ** Dominik, Hi!!! The script is going well. I’m working on it obsessively morning to night right now, and that’s usually a good omen. If it rains for more than a couple of hours here, the streets flood. In LA, the streets flood if it rains at all. I happily assign love the task of washing my dishes, thank you. Love taking any of the dumps up above that your little heart desires, G. ** Steeqhen, I have peculiarly high tolerance for the alleged obnoxiousness of school kids, at least when they’re French. Well, the less Rimbaudian the better I guess, as long as it has a whiff of him and doesn’t get too slam poetry-esque. Doesn’t seem like that’s a worry with you. ** _Black_Acrylic, ‘Meth Head’ seems quite hard to see, but, if you find it, pass along the hiding place. ** Steve, Hi. Mm, I have no doubt that Haas would have been an excellent father, but John Williams, who plays the part, is amazing and kind of impossible to beat. I think if we were ever to work with a known actor, we would create a character that either acknowledges that or finds some way to erase it. You’re not whining, no worries. Were you able to relax either via the intended target or otherwise? ** Carsten, Hi. My first couple of poetry books were self-published. Honestly, I’ve never encountered or heard of a publisher that won’t publish work if it’s been published in an online (or print) magazine or blog or wherever. That doesn’t seem true to me. Well, you might be overlooking all the work it takes to get a self-published book’s existence known to people and making the book seem appealing to people who don’t already know and like your work, and then, assuming the book is for sale, the work of handling the purchasing and getting it to the people who buy it. I’ve never had very much problem at all with publishers in terms of getting the books to look how I want except sometimes the cover image ends up being something of a compromise. Yeah, those are the downsides of self-publishing. Me, I would try some publishers first before you choose to put it out yourself. ** Justin D, Hi. Well, ‘RT’ is going to play in San Francisco soonish, but I can’t announce the specifics for about another week. I don’t think there are any Northwest festival submissions, but I need to ask our producer because he’s submitting the film places on his own. We want to show it up there in Portland and/or Seattle or elsewhere if there is a way. Congrats on being post-mortgage! I’ve never owned anywhere I lived, but that sounds like a dreamy breakthrough. There have been things in our films that were inspired by songs or particular music. Or I guess I mean scenes in the films that wouldn’t have come about otherwise. There are two scenes in ‘PGL’ that were built to accommodate two pieces of music — Destroyer’s ‘Don’t Become the Thing You Hated’ and Thomas Brinkmann’s ‘PSA’ — that we wanted to do something with before we even started writing the script. ** HaRpEr, Hm, maybe I’ll try seeing my cloud brain can output language pre-caffeine although I suspect I would just scribble the equivalent of ‘uh…’. ‘Providence’ influenced ‘The Marbled Swarm’ — the whole multi-layered meta fiction within a fiction thing, and the tone too in a way. ‘Last Days’ is a favorite film of Zac’s. I like it. It’s in the era of Gus Van Sant’s films that interest me. I really don’t like ‘Elephant’ though. Yeah, I think Michael Pitt was just arrested for sexual abuse, like, yesterday. I met him once through Gus years ago. He seemed like an arrogant jerk, I’m sorry to say. ** Darbz 🕷️, Hi. Lukas Haas gives a little speech towards the end of ‘Mars Attacks!’ that’s one of my favorite film moments ever. An elevated porch that turns a building into a castle is even more beautiful, gosh. Tens days, cool, tick tick tick … NYC has lots of wonderful museums. You’ll have no problem finding things like that to wander through. Great, I’ll go check my email. I haven’t checked it yet this morning. Thank you! And I’m happy to get to see you! What a boring brained doctor. Little guys are the coolest. It’s great to look down at something/ someone you respect. I don’t know why. It keeps you on your toes, and the best people always do. I hope your day was worthy of you. ** julian, Hi! Needless to say, choosing violence as a theme is something I seem to be drawn to do too. I’m drawn to things that seem to need to be put into words to be fully visible or something. Your second book sounds very interesting, of course. My fiction certainly got a million times better with age. I decided I wanted to write novels when I was 15, and I didn’t end up thinking my fiction was anywhere good enough for so long that I didn’t publish my first novel until I was in my 30s, but I worked hard on it the whole time in between. That it took so long speaks to how talentless I was at fiction when I decided I wanted to conquer it. So, yeah, give yourself as much time as you need. Oh, interesting. I guess in terms of being especially interested in child actors, I feel like they’re less self-conscious and ready to dare themselves to try things. Zac and I worked with three very young people in our new film, all non-actors, and they were just incredible. No matter what they did, even if it was awkward or seemed kind of forced or something, it was always really pure and beautiful in some way. So I guess that’s why? In terms of my interest in teen idols in my early books, I think a lot of that came from the fact that I was close with a guy who became a very famous teen idol during the time we were close, so I saw how he constructed himself into what he and his managers decided would be the ‘ideal, adorable, sexy teen’ for his teen idol persona, and I was fascinated by how that worked on him and on the fans who kind of worshipped the constructed version of him. I think that being on the inside of the teen idol thing in that sense is what made me interested in exploring that, if that makes sense? ** catachrestic, Hi. ‘Johns’ is not a good film, but Lukas Haas is wonderful and dreamy in it, yes. I actually interviewed him for Spin Magazine while he was making ‘Johns’, and he was extremely cool, and I think he actually might be willing to be in a strange film like ours if we caught him in the right mood. So glad you liked ‘Sure Fire’! That period of Jost’s films is very good. ‘Last Chants for a Slow Dance’ is great too, for instance. Self-criticism is almost always a lie, right? It sounds weird, but one is almost always the least qualified to criticise oneself accurately. Or so I think. ** Okay. Obviously, today’s post is the sequel to an earlier post of the same name and thematic. See you tomorrow.
Now available in North America 
Now there it is, the on-the-ground reality of publishing based on experience vs. the shit an online search yields. Thanks brother. My plan was never to fly entirely solo, but rather use a self-publishing service like Tredition or epubli, where they basically handle distribution to online sellers & bookstores. But yeah, no marketing there. What I had in mind for starters was a 60ish page chapbook. Is that too short for publishers?
Shit is fascinating, in an art context anyway.
Meth Head can be found here, for UK viewers at least. Don’t think I’ll be putting meth on my shopping list any time soon.
Hi. I meant to say something yesterday, but it seems like my phone is trapped in April, so I can’t see the newer posts on it. Thanks for pointing out the message Carsten left for me. I probably wouldn’t have found it otherwise, and I checked out Jerome Rothenberg a little after reading it. There’s some very good stuff. My cat has recently taken to napping on my notebooks, which makes writing a little more difficult, but we’re bonding, I think.
Hi!!
Being in a state of inspiration where you can obsessively work on a project all day is the best mental state to be in, in my opinion.
Once more, it’s just the opposite here – no matter how long it rains, the streets dry super fast.
Dishwashing, yeah, love should definitely do that. I think I’d ask him to clean. And to take a dump in the form of Tom Friedman’s “Feces on Pedestal.” How cute!
Love looking at you with a shit-eating grin, Od.
P.S. I’m gonna be working on a really long document with quite a tight deadline for the next few days, and I might not have enough brain cells in the evenings to visit here. I’ll be back when I submit it next week at the latest!
Dennis, Thanks! We’ll defo be eating. And I forgot to tell you that we decided to drive up and park in a parking garage about a block from the hotel. First time I’ve ever done it.
Oh, and David had a good job interview with Amazon. Fingers crossed for that.
Onward and upward! Have a good weekend!
Hey, Dennis! Yes, that scene/needle drop in ‘PGL’, where Roman is sleeping outside under the piñata, is one of my favorite scenes from the film. Ooh, fingers so, so, so crossed for a Portland screening!
I came across this recently uploaded reading you gave at Skylight Books for ‘The Marbled Swarm’—I thought I’d share it here for anyone who might be interested; it’s a great listen!
I’ll have to admit, I was a little scared to look at today’s post, but it wasn’t as gross to me as it could have been, lol. I think I will probably just continue to tweak the fiction that I’ve been writing until I feel confident in publishing it. I think that writing poetry is better suited to young people because you can kind of just vomit all your thoughts and emotions onto the page without the pressure of telling a good story. I see what you’re saying about child actors, definitely. I hadn’t thought of it in that way before. Do you have your actors audition, or do you just cast based on whether or not your intuition tells you they’d be right for the role? I heard David Lynch say that he never had his actors audition and would instead meet with them and put them through the film in his head, and if he could see the whole film with them in it, they’d get the part. Which is crazy considering how good the performances in his movies are, in my opinion. Was the teen idol friend the inspiration behind David from Closer? The section written from his perspective is maybe my favorite part of that book. I love how he’ll say really hateful things and take them back a few seconds later. I don’t think I’ve seen very many other authors do that, which is weird because I think that’s how most people’s internal monologues are. At least it’s certainly how mine is. Thanks again for your replies, they’ve become the highlight of my otherwise kinda disturbing week.
I can picture Haas playing a certain type from your work: the twink who has grown up into a predatory middle-aged man.
I think my laptop problems are solved! The issue seems to be that it has difficulty connecting to the router through Wi-Fi, but it works fine if I plug an Ethernet cable from the computer into the router. I just ordered an adapter and cable. They’ll arrive this weekend, so I have to put up with the dropped connections for another day or two, but at least there’s an end in sight.
I feel better today. I got woken up early, but then I was able to sleep till noon, and for once, I’m just tired, not utterly exhausted.
Hey Dennis,
Having one of those days where I just need to nap every couple of hours. Need to put the bin out tonight but procrastinating because the bags needs to be squashed so they actually collect the bin and also because there’s a good chance drunk people finishing college today will knock it over.
Really becoming in love with the idea of working in a library and sorting all the books and having something to force me out of bed, but still having the rest of the day off. Of course, I need to actually apply and try and worm my way into it, but I’m pretty good at doing that. Even working 12 hours a week is an extra €162 that i can either save or spend on random shit, preferably the former.
I do think I’m almost socialed out, i may need to spend a day or two alone. Are you the type that needed to be around people, or preferred being alone when you were younger? I seem the sway violently between the two; it feels like i’m constantly craving connection and solitude at the same time.
Shit. Shit. Shit, shit… shit.
Ah, ‘Providence’ influenced ‘The Marbled Swarm’. I get that now. I do of course love the story within a story thing. Perhaps it’s not just stories within stories that I like, but say, something like Alain Robbe-Grillet’s ‘Jealousy’ where the narrator is ostensibly a watcher, but you are given no details about who they are, just the implication. And the whole thing where characters get fused with other characters and you don’t know who is who a la Kristof’s novel trilogy. I’m always interested in how one could go about doing that kind of layering in a novel.
I’ve seen some really bad examples of the story within a story thing, so it’s difficult to pull off. I saw this film called ‘Black Bear’ a couple of years ago which is probably one of the worst films I’ve ever seen, which does that clearly only out of lack of inspiration. I think the key is a certain ambiguity or something, or creating a setup that operates like a jigsaw puzzle where you don’t feed the audience all of the answers, but give them the pieces to make something themselves rather than having some big gotcha moment. Though those can be good too, like in ‘Inland Empire’.
I’m actually re-reading one of my favourite books at the moment, ‘The Ravishing of Lol Stein’, also framed in a really fascinating way. It’s one of those books that I’m unable to talk about because I don’t want to bastardise its mystique by trying to confine it to something small and obvious. I really want to read more Duras but she has so many books and I’ve only read that one and ‘The Lover’. Have any recs? I want to explore her work in film, too. ‘The Lorry’ looks interesting.
Some good shit here. I forgot about that Mike Kelley / Bob Flanagan work! Not featured here but I do have a fondness for Gilbert and George’s ‘The Naked Shit Pictures’. They both live together around Brick Lane in London and apparently they have a policy where if you knock on the door to their studio they’ll let you in if you promise to ‘entertain them’, and every time I walk through Brick Lane I look out for them. But after all these years, never once.
My bad for rambling phss. Good post . Shit 2 must imply a shit 1, to which I will now actively seek out. My favorite quote from a movie is Sleepaway camp when they say “eat shit and die” and the the boy with the very 80s short shorts says “eat shit and live Ricky.” you know that it’s a classic.
Did the doc send to your email correctly? I added an extra pic but the only necessary ones are the dog pics and I suppose me since I haven’t sent a pic in over 2 years I think, not certain long time for sure. The gifs felt fun to find and place It gave me this idea to experiment as some kind of digital art form so it inspired me like fun slideshow/Internet collage art experiments there’s probably ways to do that I’ll figure out and then post it on my website which I haven’t done in a bit. My laptop is broken for now though.
If your interested some days ago I found out the latest I can comment before you post, which is about approximately 2:30 am.
Have you heard/seen about Daniel Johnson’s art book being released? I think it’s still in early release but it looks pretty sick.
I’ll see you next week! 🥱 Ive been very tiredm
Self-criticism is almost always a lie? Wow, that’s a great insight, sincerely. I had always framed the problem more in terms of my self-criticism going too far but this is a much better framing. Maybe Aristotle wasn’t so far off when he said that when you’re too far to one side, the best way to aim for the golden mean is to shoot for the opposite extreme. Intellectually, I’ve grasped that a frankly delusional level of self-belief is much better for an artist, at least when compared to a delusional level of self-rejection.
What a lot of shit today! Doesn’t Freud have something about the infant’s relation to its own shit being the ur-form of a great artist’s more or less sublimated pride in the work he or she produces? It was something like that, anyway. I’ve never really clicked with Dan Colen’s work but it’s nice to see a lot of my favorites here, Mike Kelley and Bob Flanagan of course, Santiago Sierra, Kiki Smith, Bruce Nauman, and others… Another topic that could be interesting to take up artistically in this light is what are called fatbergs. Have you heard of those? People flush things and put things down the drain that shouldn’t go there, such as cooking oil, but especially wet wipes, which are misleadingly advertised as flushable when they don’t in fact disintegrate when flushed, eventually coagulating into repulsive masses that can grow to quite a titanic size in the main arteries of the sewer systems of great cities. I have sort of an awkward roommate situation where the relationship between us deteriorated when he flushed wet wipes despite me asking him not to, leading to plumbing problems. Anyway, you could find some images of these fatbergs online, and if for some reason you want to go down that path, you might agree that there’s a certain quality that might be transmuted sculpturally or in a painting or something in a way that could have a certain charisma.
Wow, this Zhu Cheng reproduction in excrement of the Venus de Milo. Perhaps one could complain that the gesture of remaking such a classic sculpture out of shit might seem a bit obvious, but I’m very interested in the process. They encased it in glass to prevent the audience from being too nauseated by the smell, but how did the artists make it in the first place?
Re: the website problem, this website seemed to have the most potentially useful suggestions out of anything I was able to find online. It could be a problem with the caching system of the hosting provider, or a WordPress caching plugin, depending on whether you’re using either or both of those. Also, when I ran the site through this cache checker, it looks like you might try implementing something called ETag Validation, since the ETag header is currently missing.
Hi Dennis! How are you? It’s been a while in a very “been a while” way. I hope something interesting happened recently. This is such a fun and crappy post. Here’s some fecal matter carved from agate by Fin Simonetti that I thought were pretty. xx! https://www.tumblr.com/loreleitrix/783053922440986624
Hey Dennis and co I commented yesterday about Yalkut. It was a public screening at Spectacle Theater in Williamsburg. It was all 16mm prints from the Film-Makers’ Coop as I ran the day to day there until very recently. It was a part of a series about music in experimental film.
I also meant to add that when I was putting together a show of the work of filmmaker Jerry Abrams last year I used one of your posts about his liquid light performances as part of the research for it. I’m as you can probably tell a film historian and have a special interest in midcentury American stuff and particularly experimental stuff.
There’s going to be a release of Yalkut’s technically unpublished opus about video art sometime in the near future, by the way.
I’m @halashby9000 on Instagram if anyone here is ever interested in the film programming I do.