DC's

The blog of author Dennis Cooper

Page 789 of 1127

The direct hits and near misses of snooker genius Alex ‘Hurricane’ Higgins (1949 – 2010) *

* (restored)
s—-

‘Alex “Hurricane” Higgins was snooker’s anti-hero, seeking neither acceptance nor respectability. A fast, flamboyant shotmaker in his prime, whose acute non-verbal intelligence instantly read the implications of any configuration of the balls, he constantly undermined his extraordinary talent with self-destructive excess. Higgins died on July 24th, aged 61, after a long battle with throat cancer.

‘His 16-15 semi-final win over Jimmy White in the 1972 World Snooker Championships provided the most often reprised item from the BBC’s snooker footage. Trailing 0-59 in the penultimate frame, Higgins produced, like a gunfighter down to his last bullet, a clearance of 69 to level the match and added the decider comfortably. This was the death or glory situation in which he revelled. His compulsive urge to live on life’s dangerous edge, stronger than any mere desire to win, was like an addiction to the thrill of gambling. Always at his most dangerous and most fascinating in a situation of peak emotional intensity, he accessed a similar seam of inspiration in the final when, from 15-15, he ran through a trio of frames to beat Ray Reardon 18-15.

‘Beginning when he won the Northern Ireland Amateur Championships at 18, tales of Higgins’ dashing centuries, bust-ups, punch-ups, drinking, gambling and women spread through the snooker world. His challenge matches against the late John Spencer, then the reigning world champion, packed venue after venue as he acquired an army of supporters who were to give him their unqualified support throughout his career. Even at that early stage many questioned how long he could last with such an uninhibited lifestyle. He drank heavily; only a boxer could have collected more black eyes than he did; he was thrown out of clubs; a tour of India lasted only a day before he was sent back to England in disgrace on the first available plane.

‘Umpteen fines for miscellaneous disciplinary offences were shrugged off until Higgins prevaricated over giving a urine sample for a drug test at the 1986 UK Championship. When the tournament director tried to hurry him, Higgins headbutted him. Higgins was at the centre of the ensuing scrum that spilled out into a corridor and resulted in his being fined £200 for assault and £50 for criminal damage to a door by Preston magistrates. A disciplinary tribunal chaired by Mr Justice, now Judge, Lightman fined him £12,000 and suspended him from five tournaments. On his return, he was again in the news after a row with his girlfriend, Siobhan Kidd, a psychology graduate he had met while she was working as a waitress. When she locked him inside her flat, he attempted to crawl round her building on a ledge only to plunge 25 feet to the pavement, breaking bones in his foot.

‘Siobhan was the love of his life but she departed finally with a fractured cheekbone for her trouble. Out of his mind with rejection, he threatened, backstage at the World Team Cup, to have his team‑mate Dennis Taylor shot the next time he visited Northern Ireland, reducing him to tears with vicious verbal abuse of his late mother. Disciplinary action was pending from this when, after losing in the first round of the 1990 World Championship at the Crucible, he punched the WPBSA’s duty press officer on his way to the obligatory press conference. This was nothing personal, simply an expression of his consuming rage against any form of authority. He was suspended for a year and docked so many points that his ranking fell to 120.

‘His last match on the circuit was in August 1997 in a qualifying event in Plymouth. He lost 5-1, became truculent, was escorted from the venue by police and was found at 4am sprawled on the ground outside a nightclub, the victim, so he claimed, of an unprovoked assault with an iron bar. Quickly discharging himself from hospital, he made his way to the Manchester home of a girlfriend, Holly Hayse, who stabbed him with a kitchen knife when an altercation broke out. Higgins declined to give evidence against her.

‘Sporadic attempts to compete on the fringes of the professional circuit were cruelly unsuccessful as he lived out his declining years in a small flat in sheltered accommodation. In his prime, he could play brilliantly in an imitable way even, at times, well enough to give himself the illusion of the omnipotence he craved to keep at bay the vulnerability he feared. When snooker could no longer serve as the glue to hold his life together he made no concessions, no pleas for sympathy.’ — The Observer

 

Alex Higgins Official Website

savealexhiggins.com

Alex Higgins: A Complete One-Off @ Snookerscene

The Alex Higgins Collection

Alex Higgins History & Stats @ Global Snooker

The extraordinary life of Alex Higgins

 

___
Plays


From 1979 World Champs match against Terry Griffiths.


Some exhibition shots from 1975.


Century break by The Hurricane! from 1985 UK match against Jimmy White.


Angry Alex Higgins


Unusual shot by Alex Hurricane Higgins to beat Steve Davis 1987


1989 Snooker Irish Masters, Alex Higgins – Stephen Hendry, epic Final!


ALEX HIGGINS – FLASH SHOTS


Alex Higgins BBC Documentary – The People’s Champion


Alex Higgins’ Final Battle

 

____________
Jimmy White: ‘I’d have died if I’d beaten Higgins and won the world title in 1982’
Donald McRae

When we remember Alex Higgins, his fellow snooker genius and reprobate who died in 2010, Jimmy White suggests that losing their epic semi-final at the worlds might have saved him.

“I would’ve died if I’d beaten Higgins and won the world championship in 1982 because I’d just found cocaine and I liked to drink,” he says. “I always liked cocaine – whether drunk or sober. It was no one’s fault but my own. I’d just become famous, because we only had four channels in them days and, instead of queuing round the block to get into a West End nightclub, I was getting the treatment. I had such fun, even though I can’t remember much.”

Years of cocaine use led to the dark spiral of crack. “I’d knock about with Kirk Stevens [the former snooker pro from Canada] and he’d be on crack. One day I tried it. It’s the most addictive thing ever. Kirk had no idea how to get cocaine. But I’d come from the street, so I knew 20 dealers. For me to get cocaine was easy. So I became hooked on crack for a few months. It’s like being an alcoholic. The first hit is the best – like your first drink. When you’re smoking crack it’s pure but you never hold on to that first hit either.”

How did he kick crack? “I couldn’t get any money out one night. I had drained one account completely. I got the heebie-jeebies. I had a day trying to think and then I knew. I had to stop.”

Higgins, in contrast, could not save himself. “I first played Alex in an exhibition when I was 13,” White remembers. “He came to a working men’s club in Balham, which my dad ran, and tried to chat my sister up. So my brother wanted to knock him out. It was the most horrendous first meeting with your hero ever. I should’ve known.

“But the only time I fell out with Higgins was when I had a mansion in Surrey. Swimming pool, snooker room. Higgins came over and we went drinking. My friend drove us in a Mini Metro. We were drinking all day and I decided to drive after another two gallons of wine – for which I apologise. I crashed into a wall. The windscreen flipped out and Higgins, who never wore a seatbelt, flew out.”

White shakes his head. “Higgins stands up and he’s shouting: ‘I’ve got nine lives, baby!’ I’m feeling sober now and I drive to my house … the windscreen wipers are attacking us. I drive into the garage and the engine falls out. If we’d been driving we could have been seriously hurt. But Higgins is flying, saying, ‘This is great!’

“After I get my friend to pick up the windscreen, because it’s got my name on the tax disc, I feel safe. But I’m not ready for Higgins. He takes me to the snooker table and says: ‘Let’s play for money, baby.’ He wouldn’t stop. I threw him out. He knew the neighbour and I didn’t get on so he went next door and said I’d attacked him. That was Higgins.”

What happened when they next saw each other? “He said: ‘Hello, babes. How are ya?’ He had ways where you’d be fuming with him and then he’d say something and you’d forget about it.”

In the grip of throat cancer, Higgins barely ate in the last months. “It was horrific,” White says. “As much as me and his sisters done things for him it was no good. They did far more than me, obviously, but he fell out with them. So he wasn’t found for 10 days. He died of malnutrition. It was horrendous.”

White and the sisters had raised money to buy a new set of teeth for Higgins’s ravaged mouth. “We raised three chunks of money for him,” White says. “But you give money to a gambler it’s like giving heroin to a junkie. The money just made him eager to gamble more. I think Guinness kept him alive – the iron in it – because he wasn’t eating much. He was his own worst enemy.”

The funeral was delayed to allow White to return from Thailand. “When I got the call saying he had died, I was numb. It was evil.” White helped carry Higgins’ coffin and “4,000 people lined the streets. It was unbelievable – but so sad.”

Higgins’s last world championship title came in 1982 when, in that unforgettable semi-final, White was 15-14 ahead. White was 51-0 up in the next frame, which would have won him the match, when he gave Higgins, who had been drinking heavily, a chance. Taking on shots that needed outrageous courage and daring, Higgins cleared the table with a break of 69. “That was his best. There were three or four shots in there which – under the pressure – will never be repeated. The drunker he got, the calmer he got.”

White looks away, lost in the memory. “I was in awe of him. I was watching my hero playing. That clearance is the best ever made.”


—–

 

*

p.s. Hey. There’s a new, long, very thoughtful essay on Diarmuid Hester’s Wrong, my writing, and Permanent Green Light called ‘On Dennis Cooper and Becoming-Nothing’ just up on Los Angeles Review of Books if anyone’s interested. Here. ** David Ehrenstein, Especially Blanchot by far for me. ** Misanthrope, I always try to see people I meet as blank slates and disavow as many preconceptions based on looks or gender or race or age or the identity politic as possible and let them (with my instincts in tow) fill in whoever they are. It’s very rare that I’ve gotten bamboozled. I’m kind of disassociated from how I look. I don’t now what to do with how I look other than to maintain it in a basic way. Tomorrow we’re getting a murderous 104 degrees F day here, the first truly awful day of the summer, and I’m ‘praying’ it’s a 24 hour novelty act. Me, I say err on the side of being overly precautious re: the pandemic, and more power to places that enforce strict rules, especially over there in the US where the chaotic ‘guidance’ has been a complete fucking mess. So I guess just deal with it, is my advice. ** Jeff J, Hi, Jeff. ‘The Last Man’ is sublime, I think. What he does/pulls off there is unbelievable if you’re interested in what he does. Hope you like it. Yes, I listened to the Julian Calendar EP. Excellent! Especially the first two tracks for me. Congrats! Everyone, Jeff Jackson’s fine musical unit Julen Calendar … and here I turn the wordage over to Jeff … ‘finally released some new music. First of four EPs. Post-punk, sinister groove, dark lullaby. Really happy with how it turned out. You can download/stream it here.’ Highly recommend that you stream it. Glad the screenplay is going well. Me? Finished some new GIF wall works that actually open in a gallery show tonight. Doing some editing/dramaturging with Gisele on her new piece. We won’t have an official answer on the TV project until early September, but, barring an enormously unexpected turn, I think it’s dead as the veritable doornail. Gisele is looking into turning it into a feature film, but we will see. Fund-raising/strategising on the new film. There’s a possibility of bringing a great particular co-producer that would make the fundraising much easier and ease the issues of shooting the film in English and in the US, so we’re waiting anxiously to see if that pans out. My first attempt to turn the TV script into fiction was a bust, but, actually, in the past week I have a new idea of how to possibly revamp that in a way that could maybe work really well. So I’ll be trying that out over the next week or so. I think there’s a way that it can work really well, but I have the find the right approach. Great to see you, bud. ** _Black_Acrylic, Hi. Well, ‘Death Sentence’; is my l=favorite, but ‘The Last Man’ is incredible. It’s a harder book to find, but Jeff Jackson says he found a downloadable pdf, so that might work. Oh, I see, about he storage, etc. Yeah, that makes sense because, yeah, really, who has any idea what your world or mine will be like in even a few months. Makes sense. Cool you got ‘Wrong(ed)’. ** Sypha, Hi. I, of course, don’t know the HBO show because I don’t watch TV. Weirdly, I’ve never read ‘Watchmen’. I remember sort of enjoying the film. Or at least thinking that Jackie Earle Haley and his character were great in it. ** Max B, Hi, Max! Oh, cool that Screen Slate reran that. I really love Benning. He’s definitely one of my filmmaker gods. His films are not easy to see. He used to have a kind of secret Vimeo account where most of his films could be watched for free, but either he’s taken it down or it has become even more secretive. My favorite is ’11 x 14′, but it’s super hard to see. ‘One Way Boogie Woogie’, another favorite, seems to be on youtube very unexpectedly, at least at the moment. Honestly, I love everything he’s made. So you can kind of just try what you find. Good to see you. You good, surviving, etc.? ** Damien Ark, Hi. Oh, that makes sense that you’re in guro, no surprise. I’ve been tempted do a commission with a few of the especially amazing artists for a project. Might still. I’m glad you had a feeling-filled birthday for Jon. Yes, indeed, I do love Sparks. Oh, whoa, congrats big time for your piece being on Hobart! That’s so awesome! I’ll, of course, go read it asap. Everyone, Excellent writer and fine fellow Damien Ark has his first novel coming out later this year, and there’s a preview excerpt from it just up on the Hobart site called OPANA, DYING, IN BALTIMORE: AN EXCERPT FROM FUCKED UP. Obviously, I’m seriously suggesting that you who are reading this go check it out. Right here. ** JoeM, All is right or re-right with the online world. Oh, that’s not too bad, your schedule. I mean … I don’t know if congrats are appropriate under the circumstances, but not bad. I feel way too outside of things to know what’s good or bad or right or wrong, but I do really hope that Scotland breaks off from the biggie UK. And not only because you’d still ostensibly be in the EU with us over. But that is an opinion influencer. ** Ian, Hi. Ha ha, not as often as you would think. It’s more like people would often say, ‘I bet you get called Dennis the Menace’ a lot more than anyone actually calling me that. I’m glad the guro nagged at you. It nags at me, obvs. I guess so-so is better than not-so? Hoping for steady if not speedy improvement. And I hope you can set up your writing such that you can dive in. How are setting it up? Is it something describable? (I’m a bit of a process junkie). Thanks, I’m good, or will be once the heat wave that arrives tomorrow dies a hopefully quick, painless death. Take care. ** Bernard Welt, No, you’re the only one, B. It’s touching. ** Steve Erickson, Eek. Trust/hope all is right throat-wise by this morning. Everyone, Mr. Erickson weighs in on the raging ‘cancel culture’ debate via think-piece called ‘Who’s Waging & Winning the Cancel Culture War?’ if you want to know. Here. Oh, really? My Facebook feed was stuffed with people mostly ripping Shane Carruth a new one yesterday or the day before, I can’t remember. ** Nik, Hi, Nik. Oh, awesome! It’s so insanely great, right? What an especially mind blow of a thing from the great mindblower. Enjoy the idyllic and natural. That sounds really nice. Things are still very good here. No huge change, still very reopened and chill, although the possibility of a downswing forever looms. But, no, things are really just fine here relative to most everywhere else from what I can tell. Really good to see you! Catch me on your stuff whenever you feel it please. ** Corey Heiferman, Hi. I’ll go hear your gig add, thank you. I think I’m sort of an oblivious to my home surroundings type other than very minimal cleaning. I’ve still never even put up a piece of art though intending to do so for years. But I’m an oblivious dresser too. Whatever covers the body and doesn’t give me an allergic reaction is my modus operandi. Other than ‘late next year’, I know zip about my novel’s release date. I’m assuming it’ll start getting nailed down maybe late this year. Bon day. ** Right. I thought I’d throw you blog readers a wild card today and restore this very old post about ‘Hurricane’ Higgins. Back in the mid-80s when I lived in Amsterdam, I had about a year where I was obsessed with watching snooker on TV, and Higgins was the fascinating snooker star for me. So at some point years ago I remembered that and decided to do a thing about him. And here it is. See you tomorrow.

Personology Day *

* (restored)
—-

 

1.

‘Do you ever wonder why some people don’t seem to “get” you?
Have you ever felt you just didn’t “connect” with a business prospect?
Are you enjoying lots of first dates, but second dates don’t happen?
The answers are literally staring you in the face!

‘The most unforgettable and unique feature of a human is his/her face. A trained face reader can read each facial feature and line on a face to develop an accurate profile of its owner. Each face reflects in its structures and lines its owner’s personal history, mental attitudes, intimacy needs, ethics, emotional style, and verbal communication. Almost anything you want to know about a person is literally as plain as the nose on their face. Face reading gives you the facts you need to make important decisions, and alerts your perceptions to develop a deeper understanding of every person you will ever interact with.’ – Lin Klaassen, Facereadingsbylin.com

 

____________
2.

 

____________
3.

 

WESTERN STYLE FACE READING

THE FOUR BASIC FACE SHAPES

You can easily recognise a “watery”, emotional human being as the short and stocky type. If your facial shape and body structure is distinctly rounded and tending to a somewhat fleshy look, you’ll fall into this category. Another designation for you is an endomorph. (the entirety)

THE HAIR

Your hair is a measure of physical insulation, endurance and overall strength. If your hair is fine, delicate and silky, you are sensitive and also likely to be fragile physically especially if you are of a slender build. Thick wiry hair is an indication of your physical prowess and your resilience in life. You have great recuperative powers and may like a challenge in life.

THE FOREHEAD

The Forehead can be broadly categorised as follows – A wide forehead expresses your cleverness and practicality – being someone capable of executing duty diligently. This gives you high idealism and a wealth of ideas. A high rounded and deep forehead depicts your idealism, but with a focus on strong friendship. A narrow forehead is considered an obstacle to fulfilment,especially in social situations. Constraints in family life. Need to think things through. (cont.)

THE EYES

The late Princess Diana and Michael Jackson share a feature of the eyes. They possess floating irises also known as sampaku. The whites are visible under the iris. This indicates an inner turbulence – a person at odds with the world. Though spiritual in nature, they are hard to please or understand and have very high expectations of others. Martin Luther King and Abraham Lincoln also shared these traits. (the entirety)

THE EYEBROWS

The eyebrow speaks of reputation, fame and temperament too. In many cases I have found a developed brow line also shows a high degree of dexterity or ability with the hands (engineers, electronics, civil engineers, drafts persons and architects). Individuals who are observant and who have to combine refined measurements with dexterity will have the brow line well developed. (cont.)

THE NOSE

The Ideal nose has a high, straight, full and fleshy tip with gently flared but protected nostrils. The fleshy tip indicates cordiality and warmth of personality. Deep empathy with others. Set high standards for themselves and are good mannered (Lailin). Oversized nose tip results in violent tendencies. The larger – the more prone to an act of violence. (the entirety)

THE PHILTRUM

The groove on the upper lip, below the nose is worth mentioning. It is called the philtrum. If it is clearly marked, deep and long, it augurs well for a strong and healthy energy levels and vitality. Flat, weak and unpronounced philtrums are a mark of reduced life force and drive.

THE MOUTH

If the lips are large it means an expensive and somewhat luxurious taste – but an expressive and generous temperament nonetheless. Often the large mouthed person can be very vocal under pressure, needing to verbalise, sometimes excessively, their dissatisfaction and frustration. (the entirety)

THE CHIN

This relates to the stamina of the individual and the stronger the jaw line the greater the degree of stamina and endurance. People with very strong jaw lines can sometimes be considered stubborn. If the jaw line exceeds the balance of other features in the face, don’t be too hasty in your judgement as this may simply mean a person who has strong convictions and who is not easily swayed by the opinions of others. (cont.)

THE EARS

The ears should exhibit good, fleshy inner and outer helixes. Thin and poorly shaped outer helixes may reveal diminishing health. (the entirety)

THE CHEEKS

In describing the ideal cheeks, Santa Clause may spring to mind with his rosy and shiny set of chubby cheeks. But according to eastern opinion, the excessively shiny cheek is indicative of digestive trouble. The cheeks are a pretty good barometer of health changes from time to time. Keep a close watch on your own biological gauge your cheeks. (the entirety)

 

____________
4.

 

TWENTY CELEBRITY FACE READINGS

1. The Face of Ozzy Osbourne: Ozzy’s outspoken manner has worked both for and against the famous rock star but at least he is dead honest! We are also aware of his trying health throughout the last two years and this is due to the hand of Saturn. His physical condition may yet have to suffer even more because of this. Notwithstanding the success of his television show and record sales, financial concerns after 2006 will also cause quite a bit of strain on him and his family. He will now need to carefully assess his fortunes in the light of this declining health. At heart Ozzy is kind and loving but has always exceeded his capacity for temperance. He obviously works and plays very hard. If Ozzy can sort out his finances just now, the next eighteen months will continue to be very successful for him and his popularity will increase as well. Some karmic influence with his eldest child will create a breakthrough in that relationship.

(the other nineteen)

 

_____________
5.


Emotional Face Processing Research at Duke University (2:13)


Pet face reader Alan Ngan Shui Lun (2:07)


Lynn Scheurell reads Becky Waters (3:26)


Barbara Roberts reads Marianne (1:58)

 

____________
6.

 

CHINESE FACE READING: THE WOOD FACE

The wood type has a long face and long nose, a broad and high forehead and narrow cheeks. The eyes should have a kindly look, and the hair and eyebrows should not be thick or wiry. The forehead should be high and wide in wood as mental direction is important for this elemental type. Wood has the energy of growth, seeing the overall picture and a vision of the future, planning and seeing through projects. Wood types with balanced faces are leaders, administrators and organisers with strong ideals. They are capable of shouldering much responsibility and willing to work for the benefit of others. They need to grow and achieve, as this is the way they learn about themselves and their path in life. One of the challenges of the wood element is to be able to “see the wood for the trees” and not get enmeshed in structures. The Chinese say that a balanced wood face is a pre-requisite for Government. THE FIRE FACE The fire type also has a long face with narrow, prominent cheekbones, pointed chin and a more pointed forehead than the wood type. They may have freckles, red, curly or wiry hair, rapid speech and quick body movements. The fire element brings warmth and enthusiasm to the personality with a capacity to inspire and get people “fired up”. They are active and outdoorsy, goal centred, fast paced and adventurous. They can sometimes take crazy risks, and constantly seek stimulation and excitement. THE EARTH FACE Earth personalities are characterised by short square faces with distinct jawlines, sallow complexions, thickset bodies and deep voices. The features can be large, especially the mouth which relates to the stomach and intestines. Earth has the ability to be still and to build a solid base in life. THE METAL FACE The metal face is oval with widely set, chevron cheekbones and a pale complexion. Usually good looking, they have clear, shining eyes with a lot of energy coming out of them. The eyebrows are pale, the speech is clipped and the hair is usually straight. They are good advisers, lawyers and counsellors. Metal is the element of the mind and so they are strong willed and solve their own problems. A good sense of humour, lively outlook and hardworking attitudes are all facets of metal at its best. At its worst, it can become toxic with negative thoughts, cut off and caustic, with a “why is this happening to me?” mentality. Metal types also make good teachers and healers. When depressed, they suffer with diseases of the respiratory system and lower intestines. It is important for them to breathe deeply to let in the heavenly Qi and to make sure that they eat good quality food with lots of minerals, and stay away from junk food which can be difficult for them to eliminate. They tend to respond well to psychotherapy, homoeopathy, Bach flower remedies and treatment protocols which are rational and well thought out. To feel happy, they need to express their creativity or the bright shining metal gets dull and rusty. Classic metal faces: Charlotte Rampling and Lauren Bacall who used their metal creativity in their acting careers. THE WATER FACE Water personalities can be recognised by their round, chubby, soft faces and sometimes, rotund bodies. Large soft eyes are a water feature as is dark hair and colouring. Water people are quiet and gentle, much ruled by sensation and susceptible to any appeal to the emotions. They are good communicators and storytellers and are sensitive, and aware of trends either at work or society. They can be psychic and make good listeners, carers and counsellors. There is an aliveness and vitality about clear water which can attract what it needs like a magnet, unlike wood types, for example, who decide what they want and then make a plan about how to get it. If the water is clear, they have strong reserves and the ability to flow freely in any situation. If it gets stagnant through unexpressed emotions, the skin can develop a blue tinge with dark rings under the eyes. Chinese Face Reading for Health

 

____________
7.

THE EFFECT OF REALISTIC APPEARANCE OF VIRTUAL CHARACTERS IN IMMERSIVE ENVIRONMENTS
by Katja Zibrek, Elena Kokkinara and Rachel McDonnell

Virtual reality, in which people have particular or all their senses completely immersed in an artificially created world, is becoming important in areas such as education, medicine, entertainment, etc. Currently, major corporations such as Facebook, are investigating the efficacy of communication between avatars in virtual reality, since users will be able to modify the appearance of their own self-representations. However, the appearance of an avatar could influence the way a mes- sage is communicated: the seriousness of an emotional situation, for example, could be assessed as unimportant simply because it is com- municated with an unrealistic virtual character. This could have crucial consequences in applications, such as medicine and training, where the accuracy of transmitted information is vital.

When addressing the question of how the appearance of the virtual character influences one’s perception, the most common concern is that of visual realism. The uncanny valley, proposed by Mori, describes a negative response from the user who is observing a near photo–realistic character. While the existence of the uncanny valley is still an ongoing investigation, the most common problem is the variety of stimuli used to represent increasing levels of realism. In our research, we approached this problem by designing levels of visual realism of a character by changing its render style1, while keeping the realism of motion and shape constant.

The second concern is – does realism matter in an immersive environment? Previous studies have put more importance on matching behavior and appearance of the character, but proposed that the interaction between behaviour and appearance is complex. To study one such behavior which is commonly expe- rienced in real life interactions with people, we designed characters, who exhibit personality traits. We expected that the type of personality would interact with the character’s appearance, where negative person- alities might either lower the appeal of unpleasant looking characters, or might actually make them more appealing due to the match between appearance and expected behaviours. The novelty of our study is there- fore, that we looked at complex but naturally present behavior when observing other people (personality traits), and we limited the concept of realism to only changing the render style of the character, without modifying the actual geometry or motion of the virtual character’s model.

To establish a possible relationship between personality and render style in virtual reality and how it mediates the response towards virtual characters, we created an immersive, game–like scenario experiment, and displayed it to members of the general public, visitors to a Science Gallery Dublin2 exhibition. Because of this, we were able to collect responses on an exceptionally large sample (1106 individuals). This study provides a valuable insight into how the character’s appearance influences our response to virtual characters and the role the character’s personality plays in perception. Our contribution to the field extends the question in an engaging, virtual reality environment, and provides guidelines for this developing platform. (continued)

 

____________
8.

 

 

 

*

p.s. Hey. ** Joseph Mills, Hi. Well, you’ve shown up under your full name, but the commenting section section is very glitchy — some people can’t even see them, for instance — and irreparably so, apparently, so all bets are always off when commenting here these days, sadly. But welcome back! I hear you on the dread. I’m assuming it’s like here, i.e. masks, plastic partitions, and hand washing stations, and I guess in your case a lot of book sanitising? I hope it’s a surprising pleasure in practice. Possible? ** David Ehrenstein, I get the interesting as a phenom thing, and her using her considerable power for the good is a big, big plus. ** Misanthrope, Ah. I think manga/anime is a great form, but I hear you. Learning experience: yes, one can hope he’s learning. And, yes, do put some of your kind of generosity in service of yourself, buddy. ** _Black_Acrylic, Hi, B. The thing I’m working on re: Guro is very early on, so I’m not sure what it’ll be or what form it’ll take quite yet. I like that name: Jon_e. You know, it will very likely be that what you see as overly Bateman-ish will not seem so whatsoever to outsiders. It’s funny how that works. ** Right. Here’s a curious, very old, formerly dead post that I thought I would re-foist on you. Hopefully I did the right thing. See you tomorrow.

« Older posts Newer posts »

© 2026 DC's

Theme by Anders NorénUp ↑