The blog of author Dennis Cooper


* (restored)

Robert Earl Davis Jr. aka DJ Screw
(July 20, 1971 – November 16, 2000)

(Really good introduction to DJ Screw: the VBS documentary “Screwed in Houston”)

(Selection from The Guardian article “DJ Screw: from cough syrup to full-blown fever” by Jesse Serwer, Nov 11, 2010)

When he died, 10 years ago next week, DJ Screw’s druggy, ultra-slow sound was a regional craze. Two decades on and his influence can be felt from chart hip-hop to Swedish electronica.

Sometime around 1990, a young hip-hop DJ named Robert Earl Davis, Jr decided music was just too fast for his liking. Using the pitch controls on his turntables, he began slowing records to preternaturally slow speeds, augmenting his mixes with smooth cuts and slurred commentary that sounded as if delivered from beyond the grave. Davis, better known as DJ Screw, wasn’t the first DJ or producer to purposely pitch down music for effect, but he preserved the glacial pace throughout his 100-minute mixtapes, developing a uniquely psychedelic, ethereal sound that would come to be known as chopped and screwed, or, simply, Screw music.

Screw’s emergence in his native Houston, Texas coincided with a surge there in the popularity of drank (otherwise known as “lean,” “syrup” or “barre”), a mixture of prescription-strength cough syrup and soda that can create a feeling of sedated euphoria when taken in large quantities. He and the Screwed Up Click (SUC), the loose-knit collective of Houston rappers who freestyled on his mixtapes, referenced the purple-hued concoction so often that their music and their drug of choice become as closely associated with one another as acid rock and LSD. When Screw, just 29 at the time, died on November 16, 2000, from what medical examiners said was an overdose of codeine – drank’s active ingredient – that connection was forged for good.

“The first thing [people] think of when they hear Screw’s name, or Screw music in general, is the syrup sippin’,” says Cedric “ESG” Hill, a Houston rapper affiliated with the Screwed Up Click. “That’s just the culture down here and a way of life. It’s not that everyone who listened to Screw sipped syrup.”

“He had a multitracker, which allowed you to really slow that pitch down,” Scott says. “I thought it was a little bit too much. The first time I popped a tape of his in the deck, I tried to push stop because I thought it was being chewed up.”

Although it is often presumed that Screw music’s slow pace is meant to simulate the drowsing effects of drank, Davis said in a 1995 interview with Rap Pages magazine that it was marijuana, and a desire to hear lyrics more clearly, that inspired his process. “When you smoking weed listening to music, you can’t bob your head to nothing fast,” he explained.

The earliest Screw tapes were made specifically for friends, who would commission him to make mixes for special occasions such as birthdays or funerals. Typically, he remixed new hip-hop tracks – he loved west coast gangster rap such as Too Short and Spice 1 – but he’d also throw in the odd throwback, such as Mama Used to Say, the early 80s hit by UK funk singer Junior, or Love TKO by Teddy Prendergrass. Eventually Screw’s “grey tapes” – they were distributed on grey Maxell cassettes, not CDs – grew to include freestyles by local rappers and, sometimes, whoever happened to be at his studio when he was making a mix. As his legend grew, first in Houston and then neighboring areas of Texas and the Gulf Coast, customers began travelling to his house to purchase their own copies of his tapes, which he sold for $10 apiece.

“We would just ride up to the man’s house, and when the gate would come open, that would mean he’s open for business,” says Screwed Up Click rapper Joseph “Z-Ro” McVey. “You could come get a Screw tape.”

Fat Pat – Tops Drop

Big Moe – Just a Dog (At the Club)

Big Moe – Sippin Codeine

Screwed Up Click – Pimp Tha Pen

DJ Screw – Inside Looking Out

Scarface ft. Too Short – Fuck Faces (Finer Things)

2Pac – High Till I Die

Lil Troy – Wanna be a Baller

Lauryn Hill – Nothing Even Matters


SALEM – Trapdoor

Drake – November 18th

Fever Ray – Concrete Walls

A$AP Rocky – Purple Swag





p.s. Hey. Greetings from Los Angeles. Today I thought I would bring back the great Chris Dankland’s DJ Screw post from some years back. Enjoy!


  1. Hi Dennis! Hope everything’s going great. How’s it being back stateside? I know Paris is your HQ now, does LA still feel like home?

    Man, it had been a while since I heard about Screw. I got into him through Memphis rap, like Three 6 Mafia and Bonethugs and all of that. I love his In The Morning mixtapes, especially 3 A. M. Have very fond memories of a particular friend’s birthday spent eating pot brownies and listening to that on repeat. Thanks for the chance to reminisce!

    Some more contemporary stuff you can dig if you’re into Screw, though I feel you may already know ’em:

    Skrawberries by Knxlwedge
    Rodeo by Travis Scott
    Dandelion Gum by Black Moth Super Rainbow (and most things by Tobacco, really)
    Rainforest by Clams Casino
    Skream! by Skream

    Stay safe and write long. Cheers!

  2. Still holding out hope someone can give me a ride to tomorrow night’s screening of PGL !

    Write me at cllrdr@ehrensteinland.com

  3. hey D! See you tomorrow…and hopefully a bit more?

  4. DJ Screw’s influence is all over contemporary hip-hop and R&B, both in the use of slowed-down vocals and a general “I recorded this while totally stoned at 3 AM” vibe.

    Here’s a rock song that reflects his inspiration: U.S. Girls remix of Priests’ “Suck”: https://www.youtube.com/watch?v=JFBqswtFu80&frags=pl%2Cwn

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