* (restored)

 

Generally

‘In 1821, the book A New-year’s present, to the little ones from five to twelve was published in New York. It contained “Old Santeclaus”, an anonymous poem describing an old man on a reindeer sleigh, bringing presents to children.

‘Many of Santa Claus’s modern attributes are established in the 1823 poem “A Visit From St. Nicholas” (better known today as “The Night Before Christmas”), such as riding in a sleigh that lands on the roof, entering through the chimney, and having a bag full of toys. St. Nick is described as being “chubby and plump, a right jolly old elf” with “a little round belly”, that “shook when he laughed like a bowlful of jelly”, in spite of which the “miniature sleigh” and “tiny reindeer” still indicate that he is physically diminutive.

‘As the years passed, Santa Claus evolved in popular culture into a large, heavyset person. One of the first artists to define Santa Claus’s modern image was American cartoonist Thomas Nast, an American cartoonist who immortalized Santa Claus with an 1863 illustration for Harper’s Weekly in which Santa is shown dressed in an American flag, and has a puppet with the name “Jeff” written on it.

The story that Santa Claus lives at the North Pole may also have been a Nast creation. His Christmas image in the Harper’s December, 1866 issue included the caption “Santa Claussville, N.P.” In 1869, a poem appeared in Harper’s titled “Santa Claus and His Works” by George P. Webster, which stated that Santa Claus’s home was “near the North Pole, in the ice and snow”. The tale had become well known by the 1870s.

‘The popular conception of Santa Claus’s home traditionally includes a residence and a workshop where he creates — often with the aid of elves or other supernatural beings — the gifts he delivers to good children at Christmas. Some stories and legends include a village, inhabited by his helpers, surrounding his home and shop.

‘By the end of the 20th century, the reality of mass mechanized production became more fully accepted by the Western public. That shift was reflected in the modern depiction of Santa’s residence—now often portrayed as a fully mechanized production and distribution facility, equipped with the latest manufacturing technology, and overseen by the elves with Santa and Mrs. Claus as executives and/or managers.’ — collaged

 

Architecturally

‘There’s an old riddle that challenges children to draw a diagram of a house without lifting their pencil or repeating a line. The basic shape is composed of a square with diagonals running from corner to corner, topped with a triangular roof. In Germany, kids are taught to speak one syllable of the phrase, ‘Das ist das Haus des Nikolaus,’ for each line they draw. The game is known as ‘The House of Santa Claus.’ This simple line drawing represents some of the architectural imagery that forms the setting of the Santa Claus myth. His home, village and workshop, have transformed through the centuries in step with the evolution of the man himself.

‘Scandinavian influence on the St. Nicholas myth formed the basis of the Santa Claus story and would be the first point of reference for his architectural traditions. Now living at the North Pole, his house was believed to be a traditional earth hut of northern Lapland. These circular homes were constructed of curving pine rafters that formed a dome shape, supported with sod and covered with reindeer skins. A hearth was placed at the centre of the room, vented through a smoke hole at the top of the structure. Village shaman would traditionally enter through these holes, thought to be the origin of Santa’s ritual chimney descent. Children in Denmark and Greenland today believe that Santa Claus lives in one of these huts on the island of Uummannaq in western Greenland.

‘As the legend of St. Nicholas continued to evolve, his home became associated with traditional Scandinavian log structures that combined the artistic skill and woodworking techniques of Viking ship building. Known as stave construction, unpainted vertical pine logs were set within a post and beam frame that supported a high pitch, wood shingle, pagoda style roof. Gables, doorways and structural supports were decorated with ornate wood carvings similar to the prow of a Viking ship. This timber frame, alpine image has prevailed through the centuries as a common representation of Santa’s home in popular culture.

‘Popular associations with the architecture that surrounded Santa changed in the late 1800s into the traditional half-timber buildings common in northern Europe. This construction style uses large oak timbers to create a structural frame that is filled with light coloured brick and plaster. The contrasting dark wood columns and angled bracing form a distinctive pattern that is expressed on the building’s exterior. This construction method was widespread across northern Europe and has become the predominant architectural imagery related to Santa Claus, found in snow-globes, children’s books and on Christmas decorations.

‘The 20th Century did see periodic diversions from this traditional imagery. In England, the characterization of Santa as a “right jolly old elf” resulted in his home being represented at shopping malls and department stores as a grotto or magical cave, the mythical home of Scandinavian elves. Popular children’s holiday cartoons such as Rudolph the Red-Nosed Reindeer and Santa Claus is Coming to Town, portrayed Santa living in a Romanesque style, Bavarian castle with towers, gables and ornamental turrets.

‘Modern interpretations have generally returned to the image of European half-timber buildings, but with the introduction of Santa’s workshop, the architecture of the North Pole has taken on a grander scale. Modern Hollywood movies describe Santa’s home as a bustling European style, medieval village surrounding a monumental production and distribution facility, equipped with modern manufacturing technology, staffed by teams of tireless elves.

‘As the depiction of Santa Claus has evolved through the centuries, so, too, has the architecture that provides a context to his myth. Santa’s timeless image will likely remain consistent in the future, but his architecture will continue to evolve.’ — Brent Bellamy, Number Ten Architectural Group

 

Interview

Do you have visitors at the North Pole?

Well it is a little difficult to give direction, because the North Pole is not stationary, the water above which is thick ice is constantly moving because of the ocean currents. If I were to give you directions on where we were by the time you got here we wouldn’t be here. If it were not for my reindeer’s keen sense of direction I might get lost too.

Do you live at your North Pole Village?

The North Pole is my permanent residence and the place I love the most. But, throughout the year I visit many cities and countries, where I stop and stay for a few days. Many of my favorite places to visit are a secret known only to Mrs. Claus and me.

What do you do when you’re not making toys?

Santa relaxes by walking in our forest just outside North Pole Village and listening to the voices of the wilderness. I also spend time preparing for next Christmas delivery by reading children’s letter. You know children write me all year long and I so do look forward to hearing from each of them. My favorite pastime is reading books and listening to music.

Do you understand animal language?

Why yes, I understand a little animal language. But actually the animals are very smart and they totally understand everything that I say. Have you found that you do not always understand one of your pets, but they understand things that you say or tell them. It’s really remarkable.

Are all the gifts made at Santa’s North Pole Village?

Not all of them. Some are made at home, and they are especially precious. You’ve surely heard of homemade jelly or mustard or hand knit wool socks. In some places there are little workshops that also help Santa by making gifts.

How many elves are there living at North Pole Village?

That’s something no one knows exactly. Elves are such fast little people, and they are rarely ever all in the same place at the same time. But when the sun sets in the North Pole, there are probably as many little elf toes under the blankets as there are stars in the night sky, if not more.

Do you have swimming trunks?

Indeed I do, and I use them regularly. I like to swim best in the summer but I am known to jump into the icy cold water and play with Polar Bears, but I always make sure the Elf lifeguards are on duty.

What does your house look like?

That’s a good question.

 

71 educated guesses


 

 

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p.s. RIP Udo Kier ** Dr. Kosten Koper, Hi. Heavy GOAT candidate for sure. Thank you for the great read. Wonderful about the post, thank you kindly, sir. ** Tosh Berman, Totally agree, no surprise. Hi, Tosh. ** Dominik, Hi!!! It’s cool, although not for you unless brain death has a good side. Bad timing even if so maybe. Screening seemed to go really well, thank you. It did snow in the middle of the night but I was asleep and missed it, but the videos of that look dreamy. So all credit to love. Love’s architecture firm being hired by Santa Claus and given an unlimited budget, G. ** Carsten, I, on the other hand, have a bit of a fetish for intertextual art. Interesting. No, nothing but interesting to read your delve into yoruba. I obviously hope Nigeria gives you landfall. ** Misanthrope, Hi, G. The Saturday RT screening just got switched to Friday by the host, and I think it’s sold out, but I don’t know. Nice if you can come. We’ll be popping in and out of NYC quickly then too due to money absence meets hotel expenses. Really good news about David. Highest hopes. Get more opinions, yes, sir! ** Laura, Thanks, I think it went well. No, I dressed like I always dress. It was very casual, on my part at least. I don’t know since I no longer indulge, but my impression is that’s very hard to find psychedelic drugs with the power and purity that one could easily find in the 60s/70s when I was indulging. Might be as simple as that. I had mostly excellent trips barring the two extreme nightmare ones that drove me away from psychedelics for good. Well, my indulgence was mostly during psychedelia, so it wasn’t hard to find a conducive trippy band with an appropriate lightshow. My rave era was the very early 90s, essentially near the movement’s dawn. Oh, gosh, I never actually bought trance records. I think maybe I liked the very early Sven Vath stuff? Seriously? I think my name is so dull. And its rhythm is very singsongy., ugh. So thank you. It snowed in the middle of night, so I didn’t see it, just some white stuff on the rooftops near my windows being decimated by rain in the next morning. ** _Black_Acrylic, I haven’t had a Napoleon in ages. I don’t think they actually call them Napoleons over here. Or maybe they do. I almost never see them in the patisserie display cases. I’m going to ask. Anyway, congrats! ** Steve, Hi. I can’t remember why that interview won the contest. But yes. I have to do an interview on some big radio program here tomorrow, but I think that’s it for the French press. We’ll see. The release is this Wednesday, so it’s time to read the reviews and press basically. I hope so, on the script. We’re very close finishing it, and I really want it cemented. I don’t know Helene Cattett & Bruno Forzani’s film very well, but I’ll find the soonest downtime and make my entrance. Thanks. ** Steeqhen, Hi. Hard to say where the best place is to enter Godard. His films are so various. ‘Breathless’ is the most famous place to enter, and it’s him at his most accessible, and I would guess that most do start there, so that probably works. Very nice about the wonderful Lorde experience. I of course hardly know her stuff, but I hear good things. Hm, maybe see a doctor then if you think it might be something deep and inherited? I don’t know. T’would be good to know, no? ** Diesel Clementine, Hi! I don’t know what a sickline is, so maybe not, or it’s just a term I’m an ignoramus about. Hello! I would be surprised if Godard hasn’t influenced the films or my own writing, but I don’t think I could point to how necessarily. I’m not especially drawn to politically didactic work, although the rare cases where an artist exploits that considerable power aesthetically can be really something. Um, I never think of my work as being didactic, more anti-didactic or aware of the didactic possibilities and manoeuvring around them if anything, I guess. I think I’m more into using my work to sneak things in to the reader/viewer. I don’t think my work is amoral, but I don’t know that I think it’s moral either. I think I’m allergic to that word. I think fairness is more what I angle towards. I find work that has the gumption to think it has a message worthy of being delivered is interesting, but I don’t think my own work has any message. Thank you for those questions. How’s your today? Fondly back, me. ** HaRpEr //, Nice. I sometimes wish I could smoke weed on occasion. It’s hard for me to imagine you being slowed down. Interesting about the Wire song. I feel like asking Colin Newman about that. We’ve exchanged rare hellos. Maybe I will. ** Hugo, Hi, H. I didn’t get into any kind big trouble about that Lish review. I remember some Lish-ites being outraged, but nothing painful. I think even amongst most Lish-ites there’s an acceptance that his influence is far more important than his actual literary output. I don’t know, the writers he influenced are still pretty respected for the most part. Maybe there are less newbies coming out of his aesthetic now. That’s maybe true. I never had any experience cos with Lish personally. He came to see a performance work I did with Ishmael Houston-Jones once and walked out after 10 minutes. That’s the only time we were in the same world. ** Uday, Hi. You’re in NYC, nice. I’ll be there on Sunday night for a quick two days. Oh, gosh, I’m actually pretty out of it about New York and its must-sees now. I’m hardly ever there. So I fear I’m the wrong person to ask. I always just check to see what’s at the museums and galleries when I’m there. I hope you found/find stuff. It sounds like you’re having a blast in any case. Good luck keeping your besottedness in check. Did it work? ** nat, Same here. Wet as far as the eye can see and the foot can fall. It snowed apparently for about twenty minutes on Saturday night, but I was asleep. I know of people who’ve written entire novels on their phones, and they’re not bad novels even. Crazy. You sound like you’ve got everything going on that you need to get ‘Nosebleed’ in place once it’s good and ready. ** Okay. I really don’t know why I decided to restore the old post up there today but I did. Do your best. See you tomorrow.