_____________

MoneyHungry, 22
Milan

I have a wealthy benefactor who has supported me financially since a tender age.

I’m looking for a bit of variety and men who want to add a little sparkle to my income.

Guestbook of MoneyHungry

scubamask86 – Jul 13, 2024
I love all scuba masks, especially clear silicone ones.
I loved strapping it on him.
I also loved his nose, playing with it, sucking it, shining a flashlight up it, and seeing it inside the scuba mask.

pro_ceed2010_1 – Jul 10, 2024
The cinnamon roll between his asscheeks is worth every €!

MoneyHungry (Owner) – Jul 8, 2024
I have my life totally figured out.

IMYOURDAD – Jul 8, 2024
He may dress and preen like a luxury item, but he’s still a little slut who struck it rich. He takes cocks like crazy and if they are XXXL the better. I banged him solo for a couple of hours then brought in some very gifted friends and we screwed him until the sun was well up, pulling and smashing, tearing out that amazing pussy he has. I would give him a key to my apartment, my car, etc. without hesitation.

Body Type Slim
Ethnicity Mixed
Body Hair Shaved
Smoker Yes
Languages Italian, Spanish, English
Position More bottom
Dick L – Uncut
Dirty WS only
Fisting Passive
S&M Soft
Kissing Consent
PNP Yes
Bareback Yes
Hourly Rate 300€
Overnight Rate On request

 

______________

disstrack, 21
New York City

Two friends from Bogota looking for people who actually know how to satisfy our dicks. Countless women have failed at the task, so we figured it’s time to hop the fence.

Guestbook of disstrtack

introvertedclown – Jul 7, 2024
… and for those who fantasize about latino just for their fire inside and cliche about the 3rd leg, y’all flattering but they’s neither, sorry not sorry.

introvertedclown – Jul 7, 2024
Respect they have for themself is enorm but not too proud to admit when they’s ass reacted on your thirst.

Body Type Athletic
Ethnicity Latino
Body Hair Smooth
Smoker No
Languages Portuguese, Spanish, English
Position Versatile
Dick XL – Cut
Dirty No
Fisting No
S&M No
Kissing Consent
PNP Yes
Bareback Yes
Hourly Rate 150$
Overnight Rate 500$

 

_____________

NoahSoccerBoy, 18
Brussels

Hello, I’m a boy from the United States of America.

Who wants to have sex with me? All of you, right?

I want all the men I meet to be extremely extrovert like me.

I have 7”, know your stats.

Guestbook of NoahSoccerBoy

NoahSoccerBoy (Owner) – Jul 5, 2024
I love being around SMART people.

Vagrant – Jul 3, 2024
T-shirt is accurate.

FrankH – Jul 3, 2024
Silently I sneak out of my thoughts and find myself in the mystery garden of the present. Are you the golden light without warmth? Are you the pure source out of nothing? You are beautiful, that is obvious. A beauty that I once encountered when I knew friendship. Oblivion is imprisoned in the dungeon of the past, guarded by the twins of memory. I touch you, passion ignites my being, for the dream has fled across the ocean of time, across an uncertain future. Should I set sail? Silently I sneak out of my thoughts and the present is as present as it was at the beginning. I am dreaming! You are with me and you divide within me in a million ways until each of us is fused into one whole. The tears of time fall to the ground like pearls of a torn chain. Only now I understand you, the beautiful hero of Avalon.

TheGolgothian – Jun 29, 2024
PHENOMENAL GOD LEVEL BOTTOM ARTIST. He appeared to be in like a trance or dancing–or casting a spell–with how fluidly he moved under my body, in sometimes almost a frenetic but very thoughtful way. Once you fuck him, it’s GAME OVER, because it’s BEYOND PERFECT.

MyDickRules – Jun 26, 2024
I have to acknowledge unequivocally that the time I spent with him was entertaining, varied, exciting, arousing, a treat of ecstasy, an absolute sexual experience.

Body Type Slim
Ethnicity White
Body Hair Not very hairy
Smoker Yes
Languages English
Position Versatile
Dick L – Cut
Dirty WS only
Fisting No answer
S&M Soft
Kissing Yes
PNP Yes
Bareback Yes
Hourly Rate 65€
Overnight Rate 200€

 

_____________

DrMaleExam, 19
Boston

Hello! My name is Evan. I’m 19 and my physique is average, not different from other people. I specialize in receiving male physical exams with a focus on prostate function. Ideal doctors are 45-70 years old who are looking to conduct a thorough and deep examination.

During my entire exam, you will not engage in penetration by tongue, finger or penis. I don’t see doctors who run that type of practice. Your exam will be kept professional at all times, though I expect it to be far more invasive than those you’ve given boys in real life.

Guestbook of DrMaleExam

000000000 – Jul 6, 2024
Loose

DrMaleExam (Owner) – Jul 2, 2024
I would also like to learn another language by moving to a different country and living an alternative lifestyle.

DrMaleExam (Owner) – Jul 1, 2024
I know it’s pretty specific but just shooting my shot.

Body Type Athletic
Ethnicity Latino
Body Hair Some
Smoker No
Languages English
Position Prefer not to say
Dick M – Uncut
Dirty No
Fisting Passive
S&M Yes
Kissing No
PNP No
Bareback No
Hourly Rate 130$
Overnight Rate 800$

 

_____________

ImNotJordan, 18
Pittsburgh

A male looking for $ex trying to cheat on my girl

Looking for a quick hook up before I have to leave for work at 4pm

Guestbook of ImNotJordan

letsgocrazy – Jul 10, 2024
He called me “daddy,”
I called him “son,”
We had fun.

thewayforward – Jul 7, 2024
He has a very small hole. It’s very difficult to open. If you want to drill his asshole you have to be really hard to penetrate his hole. Also his butt muscles tense and are difficult to control.

Sunoftheblacksun – Jul 4, 2024
I’ve been dealing with alot of crap and i find myself wanting to just be next to a boy. The taste and scent of this boy calmed my mind. He has a nice cock in the shape of a banana. I also appreciated his very dry sense of humor.

Body Type Slim
Ethnicity Mixed
Body Hair Some
Smoker Yes
Languages English
Position Versatile
Dick M – Cut
Dirty WS only
Fisting No answer
S&M Soft
Kissing No
PNP Weed only
Bareback Ask
Hourly Rate 75$
Overnight Rate 450$

 

_____________

MaxyYoYo, 18
Голацкі сельскі Савет

I’m a hypersexual hetero boy with a rampaging libido that doesn’t play favorites the most open mind very good looking

I’ve always had sex with other heterosexual guys, because until now only they’ve shown that they can fuck without getting emotional and mushy. But I’m here precisely to see if there are homosexuals who genuinely like this dynamic, to fuck, in the strictest sense of the word.

Guestbook of MaxyYoYo

MaxyYoYo (Owner) – Jul 1, 2024
I have never met a fantasy I didn’t make come true.

leatherGlover – Jul 1, 2024
I’m having a vision of myself in leather & you wearing chick clothes between my legs, enjoying my Cigar while I’m up to my nuts in your guts.

budbud – Jun 30, 2024
He’s got a terrible sense of humor. He doesn’t know how to make jokes, but he knows how to laugh at others’ jokes.

Daddy783 – Jun 27, 2024
I’m hetero and I like smoking and drinking but he has a nice ass and the lips can get pretty juicy, thick, big and vaginal when stimulated and I will admit that made me horns.

MaxyYoYo (Owner) – Jun 24, 2024
I will be a student this fall, as an entrepreneurship major and psychology minor.

Hamlet – Jun 22, 2024
I feel more like a Straight but he broke my mind and turned me into an ass hungry faggot.

Body Type Slim
Ethnicity White
Body Hair Smooth
Smoker Yes
Languages Belarusian, Russian, English
Position Versatile
Dick XL – Uncut
Dirty WS only
Fisting Active
S&M Soft
Kissing No
PNP Ask
Bareback Yes
Hourly Rate 80€
Overnight Rate On request

 

_____________

BaiseMaBouche, 19
Antwerp

Facefuck me and cum on my face quick.
Facefuck is NOT the same thing as “suck me”!
I just offer my 👄 as a 🍑.

Guestbook of BaiseMaBouche

i-am-not-hetro – Jul 3, 2024
HE’S NOT A BOY PLS SOMEONE HELP CHANGE THAT HAHAHA He’s a girl and she’s looking to freak you out hehe 🙂

BaiseMaBouche (Owner) – Jul 3, 2024
Not only am I horny 😂 I also have more personality.

bad_news – Jul 3, 2024
1. Minimal talking.
2. No teeth, plenty of tongue and spit and bile.
3. He didn’t just throat my dick, his throat made love to my dick.
5. He didn’t forget my balls.
7. He juggled the cock tip with his larynx and wretched.
8. I gripped his head, slapped his face, pulled his hair, yanked his ears.
9. He made eye contact when I wanted him to and looked grateful.
10. When I needed to piss, he swallowed.
11. When I came, he swallowed.

Body Type Slim
Ethnicity Mixed
Body Hair Shaved
Smoker Yes
Languages Portuguese, French, English, Arabic
Position Bottom only
Dick No answer
Dirty Yes
Fisting No
S&M Yes
Kissing Yes
PNP Yes
Bareback No
Hourly Rate 100€
Overnight Rate 500€

 

____________

FighterRick, 22
London

Looking for guys who wanna fight me for $$$, done some boxing but love a good scrap with other guys that love fighting. From Scotland but in London for the next few months would love a few scraps and $$$ before I go home.

Guestbook of FighterRick

MatthaeusRex – Jul 11, 2024
You look good on your knees.

PhilfromParis – Jul 8, 2024
FighterRick is a total sex and porn addict. He jerks off 6-10 times a day.

FighterRick (Owner) – July 4, 2024
Double the $$$ and you can also fight my younger brother FighterRyan.

Body Type Athletic
Ethnicity White
Body Hair Little
Smoker No
Languages English
Position Versatile
Dick L – Cut
Dirty No answer
Fisting No answer
S&M Yes
Kissing No
PNP No
Bareback Ask
Hourly Rate On request
Overnight Rate On request

 

_____________

Alex18-3, 18
Orlando

I would like to learn to be gay from scratch, starting with the theoretical part and then in practice and so on. Whoever offers the most $ or whatever can do it. I’d also like a contract to make this change formal and permanent. Thank you for your consideration!

Guestbook of MrRabbit

inputoutput – Jun 27, 2024
You don’t appear to need our help.

positive – Jun 25, 2024
Let’s go see that new gay movie together. I heard it’s very interesting.

MrRabbit – Jun 21, 2024
The “-” means minus.

Body Type Average
Ethnicity White
Body Hair Some
Smoker Yes
Languages English
Position More bottom
Dick M – Cut
Dirty Ask
Fisting Ask
S&M Soft
Kissing Yes
PNP Yes
Bareback Yes
Hourly Rate 80$
Overnight Rate On request

 

_____________

feeder, 18
Los Angeles

I am a cute, easy going dude with no fucks to give and I like sharing and selling my body waste. Spit, cum, piss, shit, vomit, you name it. How come? Because my waste is amazing and I like what I do.

Guestbook of feeder

Fred_Fred_Fred – Jul 3, 2024
He is so incredibly beautiful. It’s not normal how beautiful he is. I have simply never seen a more beautiful young man. When I opened the door, he immediately spat in my face and punched me hard. Thank you. He immediately walked into my kitchen, peed into an empty bottle and added a few large globs of spit and I was allowed to drink the entire bottle. Then he brought me to my bathroom, sat on my face, opened his asshole. His shit fell in my mouth, it tasted awful YET I was sooo excited!!! Thanks for the privilege, feeder. You are all I’ve ever wanted.

MasterFuckYou – Jun 29, 2024
We are clearly living in the end times.

FIFTYFIVE58 – Jun 28, 2024
Wow, what to say, how to put into words when you meet someone who is completely perfect? I was fucking nervous, but from the moment I saw, his beauty managed to calm me down. He showed me what a pig I really am. I have eaten before, but never with such gusto and so greedily – or so much. And I still wanted more of his delicious shit! I gulped down all his piss, gratefully chewed and swallowed all his shit while he watched me hautilly, laughing, and told me what he thought of me. I feel so much more confident with myself now.

batman – Jun 26, 2024
Perhaps I’m just old fashioned, but I think it’s disgusting that you’re able to earn a living doing this.

nickwatson – Jun 26, 2024
How strange it is to get vomit in your mouth 😢I must be insane to accept that!!! He’s right guys pay him to eat his vomit 🤢he would be wrong to do without it 😈😈😈

forToppishBigBabes – Jun 25, 2024
I sent him a taxi, welcomed him in my hotel with a folder of cash (I knew that would turn HIM on)… Then HE forced me to lay down and made me beg for HIS shit…… He told me to HUG his hole with MY LIPS. He connected my stomach to HIS ass like a septic tank and filled me up I HAVE NEVER FELT SO SICK but I would do it again just for HIM. That is when I knew he was THE one.

DumFux – Jun 20, 2024
His piss is good, I was quenched. But you can easily get piss elsewhere for 50 euros less and just as good.

Reallyoungman – Jun 16, 2024
We’ve all known schoolteachers whose knowledge and skill have made their classes a joy and left us with a lifelong affection for their subject. Well in my book feeder joins their ranks. He led me by the hand, gently and sometimes not so gently, into his magic web. I ate, and ate. He watched. I ate again. He watched, and degraded and humiliated me until, when finally I had had my fill and learnt my lesson, he let me go, grateful and humble.

Body Type Slim
Ethnicity White
Body Hair Little
Smoker Yes
Languages English
Position Top only
Dick XL – Cut
Dirty Yes
Fisting Active
S&M Yes
Kissing No
PNP Yes
Bareback Yes
Hourly Rate 200$
Overnight Rate 500$

 

_____________

ShawnThorne, 23
Zurich

I am a straight Christian muscle himbo male being blackmailed.

I’m here in exchange for my fiancé never finding out I cheated on her with a drunk girl from a party.

I’m not allowed orgasms or to touch or even look at my fiancé.

I have telegram.

Guestbook of ShawnThorne

bigdickthebest – Jul 10, 2024
I’ll never let you get bored.

lemmeseeupiss – Jul 9, 2024
Based on the phone porn he needs to watch to get and stay hard, he likes women with huge boobs and huge asses.

ShawnThorne (Owner) – Jul 6, 2024
I’m quiet by nature but I will moan and groan real nice.

SPEEDCAR – Jul 6, 2024
You’ve had bi thoughts spinning through your mind. You’ve tried to ignore them, denied yourself, even tried to change yourself. You’re now at a point where you’ve considered all options and can no longer ignore your inner voice, now that you’ve stopped running from it, every step you take from now will nudge you closer to being boyfriends with me.

Body Type Athletic
Ethnicity Mixed
Body Hair Smooth
Smoker No
Languages Spanish, German, English
Position Versatile
Dick L – Uncut
Dirty Ask
Fisting Ask
S&M Yes
Kissing No
PNP Yes
Bareback Yes
Hourly Rate 60€
Overnight Rate 200€

 

______________

Bttmforlife, 19
Hollywood

I’m basically a fun, gorgeous, crazy little slut but also a serious businessman who was dumped by my last daddy for a muscle boy and need some moolah and attention again.

Otherwise I’m a Model, Up and Coming Influencer, Content Creator, and Polyglot. Yes, it is awesome. No, I don’t get paid enough for what I do.

I love to explore and perform all edges in life from spreading love around the world to being a WILD SEX ADDICT for you to fuck mercyless for hours 24/7.

We are fucking masterpieces! World is a great place because of our economic differences. Let’s celebrate them!

Guestbook of Bttmforlife

Kingofboys – Jul 11, 2024
Easily the best fem boy experience in the Los Angeles basin with an asshole so rich and nasty it makes hell seem like Siberia. I came just from looking at it.

Bttmforlife (Owner) – Jul 9, 2024
Has anyone else had to replace keys on their computer because they’ve been eaten away by lube?

PonyboyXL – Jul 7, 2024
Astounding! I fucked him stupid. I couldn’t remember where my clothes were… never felt like this before! Took me to another dimension. His little cock was hard all the time. Never felt like a client but like I was his (vengeful boyfriend). His gaped asshole is art. When I saw it, I left the earth and I was whirling among the stars. After I loaded his ass he gave me a blowjob. I came 2 times in his stomach back to back and was paralysed.

Body Type Slim
Ethnicity Latino
Body Hair Shaved
Smoker No
Languages Spanish, English
Position Bottom only
Dick S – Uncut
Dirty WS only
Fisting Passive
S&M Yes
Kissing Yes
PNP Yes
Bareback Yes
Hourly Rate 200$
Overnight Rate On request

 

______________

MaleForSale, 19
Las Vegas

I have most likely been depressed all of my life. I remember as young as seven or eight, the comment being made, “He’s in one of his “moods” again.” Overall, I think my depression has to do with the fact that I was trying–even at a very young age– to deal with the fact that I’m a nymphomaniacal bottom. Even if I didn’t know exactly what that meant at the time.

I was asked when I was about nine if I wanted to get fucked, and I said, “yeah!” I heard that it felt so good, and I wanted to try it. I did, and it did. So, have I prostituted myself ever since because I’m depressed? I think so. Is it dangerous? Yes! Do I care if I contract AIDS? Not really. Dying in a fire, or being attacked by an animal petrifies me. Slipping into a coma, and never waking up doesn’t. I don’t know if any of this makes sense to anyone else. But it is my two cents worth.

I had open heart surgery back in 2022, feel free to chat me up about it.
I’m a cigarette smoker. I do intravenous drugs too.
Whenever I crack a 🍺, I drink 16 of them. No reason, just do.

Guestbook of MaleForSale

ModestoCloset – Jun 30, 2024
I’m in Las Vegas, miles away from home. I am going to relapse tonight. I try to stop myself but the more I deprive myself the harder I need it when I do finally give in. I will bring MaleForSale to my hotel room. I will use his hole until it’s looser than my wife’s pussy. I will cum in him. I will drive home to my wife. I will continue to lie to her. Ass is the most brutal drug. I can’t stop!

FFISTOGRAPHER – Jun 28, 2024
I think you’re talking about me. For my fingers it was smooth, soft and warm. A little bit tight once I got past the elbow and some numbness set in but I could still touch everything at the end of your road.

MaleForSale (Owner) – Jun 28, 2024
I’m just curious, what does it feel like for the top when he does extreme depth play? What does it feel like in his fingers when his arm is elbow deep or deeper. I have to say I couldn’t tell because I was drunk out of my mind when his arm was inside me, but I’ve never seen anyone orgasm as hard as that guy before or since. His hand came out looking like a prune.

Slutuser – Jun 22, 2024
I have been mostly fucking vaginas so far in my life, girls, trans boys. This means, I fuck mouths and vaginas. But when a friend showed me this boy’s photos, I felt I had choice but to shove my throbbing cock up his ass.

Body Type Slim
Ethnicity White
Body Hair Shaved
Smoker Yes
Languages English
Position Bottom only
Dick M – Cut
Dirty Yes
Fisting Passive
S&M Yes
Kissing Yes
PNP Yes
Bareback Yes
Hourly Rate 200$
Overnight Rate 1000$

 

____________

Pablo, 21
Buenos Aires

I like women, but I can also do something for you€

Guestbook of Pablo

JulesVerne – Jul 2, 2024
I’ve had worse, and so have you.

PeoplePleaser – Jul 2, 2024
I seriously need to find a homeless teen to fuck or I’m going to go insane.

Panzerfaust – Jul 2, 2024
Yes, he’s HIV pos
No, you can’t fuck him with a condom
Yes, he’s a junkie
Yes, his butt crack is deep and saucy

Flywme – Jul 2, 2024
He’s homeless, hustles on the gay street, I’ve been popping him off and on for 2 years, he’s aging like guacamole but he’s still a sexual freight train.

Body Type Slim
Ethnicity Latino
Body Hair Smooth
Smoker Socially
Languages Spanish, English
Position More bottom
Dick L – Uncut
Dirty Yes
Fisting Passive
S&M Soft
Kissing Consent
PNP Yes
Bareback Yes
Hourly Rate On request
Overnight Rate On request

 

____________

Jose&Kuro, 19
Paris

Im Jose (43, latino) obsessed with Art and Neurologie.
My favorite artist is Vincent Van Gogh.
“Ive put my Heart and Soul into my work, and i have lost my mind in the process.”

My boyfriend Kuro (19, asian) is obsessed with Fashion.
He understands French, but he cannot speak it.
“Im a young man of impeccable etiquette, manners and social grace, but feel free to correct me in the event of a miracle where youd catch a glimpse of me being anything short of flawless.”

Im looking for ppl to hangout with us, sex with him costs.

(If you play your cards right my boyfriend can be your you know what.)

Guestbook of Jose&Kuro

Jose&Kuro (Owner) – Jul 5, 2024
I’m learning things about Kuro everyday!

Kuro – Jul 5, 2024
The idea of being rimmed by you excites me to an unfathomable degree.

SugarHorse – Jul 5, 2024
If you look up stats in Guinness Book of World records, you will see my name as the worlds best ass eater; I’ve won 18 consecutive gold medals. Seriously, I probably am the best tongue you ever will get up your hole. I use my tongue, fingers, dick, toys, and my favorite, a speculum, to get the ass unprecedentedly open and relaxed. I not only latch onto the ass hole, I dig my tongue deeper up the ass than biology normally allows, swabbing and tasting the skin texture as it changes from the wrinkles of the ass hole to that smooth porcelain finish inside, lapping up its sheen and dew, hitting nerve endings with the tip of my tongue that not only makes boys’ eyes roll back in their heads, but make their eyes literally spin!

Jose&Kuro (Owner) – Jul 2, 2024
My boyfriend is starting his transition to female in three weeks. If you’ve ever wanted him, it’s now or never.

Body Type Slim
Ethnicity Asian
Body Hair Smooth
Smoker No
Languages French, Japanese, Portuguese, Spanish, English
Position More bottom
Dick S – Cut
Dirty WS only
Fisting No answer
S&M No
Kissing Consent
PNP Ask
Bareback Ask
Hourly Rate 120€
Overnight Rate 300€

 

______________

dracula666, 24
Palm Springs

Newly sober. Moved to Palm Springs. Who is going to make my dad angry with me?

Guestbook of dracula666

Jeffro – Jun 28, 2024
Me me me!

dracula666 (Owner) – Jun 27, 2024
“You look better now but you’re not as hot” seems to be the consensus.

Kinky_Ben – Jun 27, 2024
I saw a video with an older gentleman in his 70s fucking this boy in every position possible while managing to hold and drink a cup of coffee the whole time. I kept it on my computer for awhile just to show guys I knew how accomplished the older man was. I can’t remember which streaming service had the video but I would love to find it again.

romperstomper – Jun 26, 2024
How angry would your dad be if I skullfucked you on his bed until you puked then fucked and fisted you until you hosed down his sheets with piss and littered them with shit.

hereagainheyyy – Jun 24, 2024
Hi I’m 49 I’ve been straight my whole life awhile ago I came across some gay porn you were in I couldn’t believe I couldn’t stop looking at it and have been since.

dracula666 (Owner) – Jun 24, 2024
My longterm memory is totally shot from the partying, sorry.

lionelmessi – Jun 24, 2024
Sober?! I don’t even know how many gallons of cum I’ve dumped in this boy. But he sure wasn’t sober.

ImYourLast – Jun 24, 2024
he’s maybe out of date but still got a good shelf life not bad looking and as sexy as fuck so why dont you have a look in the in the out of date basket

Body Type Slim
Ethnicity White
Body Hair Shaved
Smoker No
Languages English
Position More bottom
Dick XL – Cut
Dirty WS only
Fisting Active/Passive
S&M Yes
Kissing Yes
PNP No
Bareback Yes
Hourly Rate 150$
Overnight Rate On request

 

_____________

ske1eton, 20
Chicago

PHONE!
I need a new phone, but a used one is also possible. The point is that it should be from iPhone 13 or higher. My phone really just started going bad, and I wouldn’t really be able to buy myself a new one, since I just graduated from high school. Obviously I’m going to get a job. But I thought I would try to solve this in a smart way. This method may not be so moral, but I think it shows that I am not a stupid moron. I hope there are other people here who are not stupid like me, who would help me. You won’t regret it either😉❤️ But to be clear I’m not here for any strings attached or personal relationships, I’m here to get a phone off you.

Guestbook of ske1eton

ske1eton (Owner) – Jul 6, 2024
Yes I have so many other profiles ignore them.

Constitutionalmonarchy – Jul 6, 2024
I answered another ad of his where he was trading his used underwear for Playstation games. I sent him the game, and he sent me his underwear. But they weren’t even used. Unless he’s a mannequin.

sexydaddy – Jul 6, 2024
Don’t even ask me to go on other sites such as Telegram or WhatsApp or Google Chat because you’re fake. Don’t even say you’re not because you’re lying.

Body Type Average
Ethnicity Mixed
Body Hair Not very hairy
Smoker Yes
Languages English,
Position Prefer not to say
Dick L – Cut
Dirty No
Fisting No
S&M No
Kissing No
PNP Weed only
Bareback Ask
Hourly Rate 250$
Overnight Rate 1000$

 

_____________

Frenchslutinberlin, 22
Berlin

my hole likes big cocks and lots of cum and shenanigans and whatever the fuck else

Guestbook of Frenchslutinberlin

Saracd – Jul 12, 2024
I’m a 43yo impotent male that is tired of fucking guys with dildos please help me.

WhiteShark – Jul 11, 2024
We had clarified what was important to me: an hour of anal with no guard rails or safety net, then, initiated by his bursting horniness, we just let ourselves go headlong and time expanded and three hours later, my entire bed glazed with his precum, his hole a magnificent crater that will remain forever engraved in me.

cube – Jul 8, 2024
Make him sniff poppers until he passes out.

Johnnycum – Jul 2, 2024
No idea how many fags I’ve bred over the years, but it’s safe to say my loads have been dumped in close to 1 thousand cunts.

This guy is a whore I use regularly. He’s widely known to take several thousand loads each year. His high mileage pussy is my favorite.

Body Type Athletic
Ethnicity Latino
Body Hair Shaved
Smoker Socially
Languages French, Portuguese, Spanish, English
Position Bottom only
Dick L – Uncut
Dirty Yes
Fisting Passive
S&M Yes
Kissing Yes
PNP Yes
Bareback Yes
Hourly Rate 200€
Overnight Rate 1500€

 

 

*

p.s. Hey. ** Dominik, Hi!!! Kind of an old fashioned face. I guess love should remember that the pleasure of appreciating things that are tiny and beautiful and absolutely irresistible is often greater than the pleasure of possessing them? Shops were closed on Sundays here until about, like a year ago or something. Strange tradition. I too wish could have fulfilled your wish. Love counting the days until ‘Twisters’ opens here on Wednesday, G. ** Pascal, Hi, P. Commitment, yeah. Boy, novels need a lot of that virtue or talent or whatever commitment is. Have you tried imitating Lorrie Moore’s writing style just to see what transpires? I’ve done things like that when I’m stuck, and sometimes my voice wakes at being usurped. Confidence, yeah, you gotta have that. But it’s hard to have that without physically writing. Chicken and egg style dilemma. Of course I say forge ahead, bite the false bullet of insecurity, and all of that.  xo. ** Joe, Hi, Joe. Yeah, I will. One or the other or both. ** Sypha, I’m pretty sure that France would pony up all kinds of things your imagination would run wild with. ** David Ehrenstein, Hi. He sure seems like the consummate perfect gentleman. ‘Scream and Scream Again’ is great, yeah. Thank you for the Duval piece link! I don’t know who Keefe Brazellel is, so my lips remain dry, for better or worse. ** Tosh Berman, Have you been to the Vincent Price Museum or whatever it’s called? I still haven’t strangely. ** PL, Hi. Oh, I see. I’m going to have to think about that. That’s a big but good question. ** Deisel Clementine, Hey. That perfumer substack looks great. Thank for the hook up. I’ll investigate. Being down with magic tricks as I so am, I def. see that comparison as a flattering one. There are a lot of perfume shops here. I don’t know how here compares to elsewhere numerically though. There’s what’s his famous name … Serge Lutens? Uh, I don’t about the Bacons in the Pompidou. I would think they have a few in their permanent collection. Well, you should have a passport, for sure, my goodness. I hope the club swelled around you. ** Bill, Hi. I feel like every other movie I watched as a kid had Vincent Price in it. That is a good profile text. If he was escort, he’d be in the post today like lightning. The name GA•GA•GA sounds familiar but I don’t know if I’ve heard them. Duh, I’ll make it a point to. Thanks, Bill. I’m looking into the ‘Vurt’ post almost as we ‘speak’. ** Shirley, Nah, I’m going to have to let you pray about that on your own. ** Steve, Hi. There’s been a ‘Tamala’ sequel in process for, like, twenty years or however long it’s been since the original. My weekend was up and down and mostly down, and I’ll leave it at that as my week’s plan is to escape it. ** Uday, High five on the great awfulness of ‘Trog’. Any movie can be considered for Cannes. You just have to submit it. We submitted to the kind of arty, ‘adventurous’ section called Un Certain Regard, not to the big boys section. Message: yes. I think I’m going to need both coffee and tea to get through the week, if that’s not being too greedy. ** _Black_Acrylic, Agreed! Nice to imagine you doing your mad scientist podcast internal rumblings. Chicago-style. Ooh, curious. ** T. J., Hi, T. J.! Wow, that is very cool: your grandfather not only playing pool with VP but trouncing him. The Edgar Allan Poe museum is in Richmond? He’s from there? I didn’t know that. I think I read that Dennis Hopper disowned ‘Backtrack’. And that’s why I haven’t dared test it. Visual artists don’t seem to be the best judge of films sometimes. Like Cindy Sherman is amazing, but that film she directed is not at all good. Thank you a lot about ‘Flunker’! I was having an interesting conversation with a couple of US friends until that assassination attempt happened and then they turned into hysterical nihilists. It’s completely weird over there. I’m well enough, thanks, and I hope you’re great. ** Corey Heiferman, Hi, Corey. My weekend mostly sucked, and I’ll leave it at that. But I wasn’t sick, poor you. Big congrats thus far and cheerleading future-wise on the new love interest. I have a ton of Japan recommendations. Where will you be? Well, Wainhouse has been dead for a long time, so I assume if it’s his translation, it must be the same one. And if Seaver is involved, probably so. ** Harper, Hi. Right, that makes sense. I co-curated a gay male art show at the height of the AIDS crisis that was heavy on decadence representation, and the show was protested and denounced by activists who said any gay art that wasn’t agitprop at that point was destructive. Beautiful information and thoughts, my friend, thank you! I love editing and trimming my mss. There can be an exciting and addictive quality to doing that. Not that I can convince you with those mere words. But, really, that part can be the best part. It is for me. ** Nicholas., Howdy to you! Uh, hm, well, there’s definitely lying in ‘Frisk’. But otherwise, hm, maybe not? I do like honest characters. My dinner remains a question mark. I can let you know in retrospect. Yours? ** Darby🎱, I wish I could shake that magic 8-ball and see what it tells me assuming it has my best interests at heart, although I know it can’t being just plastic and weird fluid. Cool about the class shift. How was it? I hadn’t seen that PSA. That’s a good one. I’ve had PSAs in posts, but I don’t think I’ve dedicated a Day to them. Huh, I’ll look into it. Shelley Duval was a god. Still is. I’ll probably eat the ramen and seaweed, it’s true. But I’ll be thinking about you the whole time. Big week to you, bud. ** Okay, Mid-month, escorts, the usual drill. See you tomorrow.

* (restored/expanded)

 

‘Vincent Price, the suavely menacing star of countless low-budget but often stylish Gothic horror films, died at his home in Los Angeles on Monday. He was 82 years old and died of lung cancer, a personal assistant, Reggie Williams, said.

‘The flamboyant 6-foot-4-inch actor with a silken voice and mocking air helped start a major revival of horror films in 1953 with his portrayal of a cruelly scarred sculptor in The House of Wax. He went on to play a succession of macabre characters in the director Roger Corman’s film adaptations of stories by Edgar Allan Poe, including Pit and the Pendulum and Masque of the Red Death.

‘Mr. Price appeared in scores of movies, more than 2,000 television shows and occasionally on stage. In his early films he frequently played historical figures — Sir Walter Raleigh in The Private Lives of Elizabeth and Essex (1939); Joseph Smith, the Mormon founder, in Brigham Young — Frontiersman (1940); England’s King Charles II in Hudson’s Bay (1941) and Richelieu in The Three Musketeers(1948).

‘In other supporting roles, Mr. Price was a caddish gigolo in Laura (1944), a cynical monsignor in The Keys of the Kingdom (1944), a murderous aristocrat in Dragonwyck (1946) and a florid actor in His Kind of Woman (1951).

‘But starting with the three-dimensional House of Wax, Mr. Price joined the pantheon of horror occupied by Bela Lugosi, Boris Karloff and Peter Lorre. His specialty was the tongue-in-cheek archfiend — often a demented scientist, inventor or doctor — whose talents had been corrupted and turned to evil ends.

‘”The best parts in movies are the heavies,” Mr. Price said in a 1971 interview. “The hero is usually someone who has really nothing to do. He comes out on top, but it’s the heavy who has all the fun.”

‘”Horror movies don’t date because they were dated to begin with, they were mannered and consciously so — Gothic tales with an unreality,” he said in 1977. “They have the fun of a fairy tale.”

‘”To me, films that deal with drug addiction, crime and war are the real horror films,” he said on another occasion. “In a world where slaughter and vicious crimes are daily occurrences, a good ghoulish movie is comic relief.”

‘He savored acting and dismissed people who looked down on his horror-film roles. “I like to be seen, I love being busy and I believe in being active,” he once said. “I know some people think I’ve lowered myself as an actor, but my idea of ‘professional decline’ is ‘not working.’ ”

‘Mr. Price was also a noted art connoisseur and collector. He lectured on art at colleges and clubs, tied for a top prize for his art expertise on The $64,000 Challenge television quiz show in 1956 and for years was a syndicated newspaper columnist on art. He was the art-buying consultant of Sears, Roebuck & Company, and he wrote several popular books on fine art. He was also an accomplished cook and was the co-writer of some best-selling cookbooks.

‘Vincent Leonard Price’s manner and speech reflected his cultured background. He was born on May 27, 1911, in St. Louis, one of four children of the former Marguerite Cobb Wilcox and Vincent Leonard Price, the president of a candy-manufacturing company. He attended private schools in St. Louis, made the grand tour of Europe’s museums as a teen-ager and earned degrees in art history at Yale and the University of London, where he became hooked on the theater and resolved to be an actor.

‘He soon won praise on the London stage as Prince Albert in the play Victoria Regina. He repeated the role opposite Helen Hayes in an 18-month run on Broadway and on tour and honed his craft in summer stock and on Broadway, where he emerged as a first-rate villain in the role of a maniacal husband in Angel Street in 1941.

‘Among his almost 200 movies were The Song of Bernadette, Wilson, Leave Her to Heaven, Moss Rose, The Baron of Arizona, The Tingler, The Conquerer Worm and The Abominable Dr. Phibes. His personal film favorites included the 1973 Theater of Blood, in which he played a deranged actor who gleefully kills drama critics in ways inspired by Shakespeare; the 1987 Whales of August in which he appeared as a Russian nobleman charming two elderly sisters (Bette Davis and Lillian Gish), and Edward Scissorhands in 1990, which found him cast as the bizarre inventor of the film’s surreal title character.

‘The irrepressible Mr. Price also did a monologue for Michael Jackson’s 1983 hit video “Thriller” and performed an eight-year stint as the host of the Mystery series on public television. For decades, he enlivened commercials for sponsors as disparate as Burger King and the United States Treasury.

‘On the stage, he portrayed the dying Oscar Wilde in John Gay’s one-man play Diversions and Delights in a tour of more than 200 cities from 1977 to 1982. Reviewers hailed the portrait as a delicate and compelling tour de force.

‘What matters eventually is the sum total of one’s career, Mr. Price observed in 1986. “People remember you as someone who is working for their pleasure. A man came up to me and said, ‘Thank you for all the nice times you’ve given me.’ That’s really what it’s all about.”‘ — Peter B. Flint

 

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Stills

 

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Further

Vincent Price @ IMDb
Vincent Price Official Website
THE VINCENT PRICE LONDON LEGACY TOUR
COOKING WITH VINCENT
‘104 Reasons to Love Vincent Price on His 104th Birthday’
The Vincent Price Art Museum
Vincent Price Fan Site
‘Help get Vincent Price on a US postage stamp!
Eating Vincent Price
‘That time Yvonne Craig ran over Vincent Price with the Batgirlcycle’
Vincent Price @ Twitter
Vincent Price Fan Blog
Vincent Price Blogathon
The Vincent Price Papers @ Library of Congress
Vincent Price Legacy

 

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Extras

Vincent Price – His Childhood Home, Candy Factory, Grave and MORE

An Evening with Edgar Allan Poe – Starring Vincent Price

The Vincent Price Collection of Fine Art

Vincent Price by John Waters

Vincent Price On Racism And Religious Prejudice

 

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Interview

 

PAUL KARLSTROM: Smithsonian Institution, an interview with Vincent Price on August 6, 1992, at his home in the Hollywood Hills—I guess this area is called—up at the top of Doheny, in a home that’s literally covered with art objects.

VINCENT PRICE: I have one thing that I would like to say. In the last year, 1991, I was given by the Los Angeles Film Critics Association a career achievement award, and I really didn’t think that I deserved it on the basis of my films, and I was wondering if they did? You know, because films do change in their appreciation. There are films that become classics that weren’t classics when they were made, and half of this award was given to me because of my involvement with the arts, the other arts.

PAUL KARLSTROM: And was this stated as such?

VINCENT PRICE: Yes. Very much so.

PAUL KARLSTROM: I see. Well, then that’s good. There was recognition of that side of your contribution.

VINCENT PRICE: It’s an area of my life which I didn’t really know that people knew about as much.

PAUL KARLSTROM: Who first contacted you regarding the Archives? Who invited you to. . . .

VINCENT PRICE: I was flying back to Ne
w York every weekend while doing films out here in the West Coast. . . .

PAUL KARLSTROM: You were living there or here?

VINCENT PRICE: I was living in Los Angeles, but I’d fly back every weekend to do a show that was called The $64,000 Challenge.

PAUL KARLSTROM: Oh, yeah, I remember that.

VINCENT PRICE: And it was Edward G. Robinson and Billy [Pierson, Pearson], the jockey, and myself with the contestants, and it was all on art. And when they asked me if I would do it. . . . I had a game that I used to play which was highly publicized, that I could take any volume on art with reproductions and almost identify a hundred percent what the things were—with certain exceptions, like Oriental art and so forth. You know, different things that were not in my particular ken. And this was publicized at one time, and so when The $64,000 Challenge became a very popular show, they asked me to be on it with Billy [Pierson, Pearson], who had won The $64,000 Question, which was another program. So I went back on the condition. . . . I made the condition that I could talk about American art, about the [deposits] of American art, about the need for study of American art, which now was being done with the Archives. And when I was back there one weekend, Ted Richardson. . . . Edgar was his name?

PAUL KARLSTROM: E. P., Edgar Preston Richardson.

VINCENT PRICE: Edgar Preston Richardson, who I knew slightly, because he was at the Detroit Art Institute, which is my sort of family home. I’m actually from St. Louis, but my mother’s family are from Detroit. And he and Larry Fleischman asked me to have breakfast with them one morning in New York, and asked me to be on this committee. And they as much as admitted that they wanted me there to get them publicity. And I was just going to be on Person to Person, which was really the show of America at that time, and also I was still on the $64,000 thing so I could talk about. . .

PAUL KARLSTROM: So you were pretty visible.

VINCENT PRICE: I was pretty visible at that particular time, because that was the biggest television show ever in the history of the business. So that’s how it began. Because I was fascinated. I had tried to do a little research on certain painters—Missouri painters particularly—and had found it very difficult to do because there was no center for it.

PAUL KARLSTROM: That’s right.

VINCENT PRICE: And this is what Ted Richardson, who had just written this very fine book on American art, told me—that it would take him like a year to find something out about an artist, because the artist’s wife, when the artist had died, had left it to the local library, who never unwrapped it.

PAUL KARLSTROM: Nobody knew it was there.

VINCENT PRICE: Nobody knew where anything was. This is the kind of thing that I think [was] needed at the time desperately. I don’t think people realize now, fifty years later, or thirty, forty years later, how little was known about American art, how little was understood. I remember, just to divert a minute, being invited to go to Canada at that time for the first American art show ever put together in Canada, in Vancouver. I couldn’t believe it, but there had been no interest in American art. People just didn’t know. And I sort of appointed myself a voice for the propagation and to arouse interest in American art because I’m terribly American.

PAUL KARLSTROM: Well, “terribly” maybe isn’t the right word.

VINCENT PRICE: Misnomer. I really am violently American.

PAUL KARLSTROM: Is it true you actually majored in art history at Yale?

VINCENT PRICE: Yeah. And I taught school for a year, and then I went to the University of London and went into the Courtauld—the second, I think it was the third year of the Courtauld—and that was a great experience, because Hitler was driving out all the great art historians, who were all being brought to London, so it was really a mecca. But then I went into the theater when I was in London. [chuckling] But the inoculation [indoctrination] of art at Yale and the Courtauld really set my life’s pattern. And I’ve probably kept up more study in the history of art than most people who are in it professionally. Because I’m not a professional at it. I’m an amateur—in the French sense of the word, a lover.

PAUL KARLSTROM: But you consider yourself violently American.

VINCENT PRICE: I’m really proud of being an American, and I’m fascinated with America. I’m not fascinated with America at this moment. I’m disenchanted a bit, which is very wrong for me, because I don’t like being disenchanted with my country. And what’s happening to the arts is. . . . Once again, if I were younger and healthier I would be out there proselytizing the arts again, because I do feel that I have contributed something in my association with the Indians and the Archives and the things that I did here: started a museum here. That I’ve made people aware of art where they might not have been. I was the top lecturer in America for about thirty years, and I talked about art. And every time I got on a television show with Johnny Carson, I talked about art. One time I took a picture down. He said, “You love modern art and nobody understands it. Bring something down and explain it.” So I took a Jackson Pollock that I had bought, took it down with me, and the criticisms that were heaped upon this poor painting were unbelievable. And it was great fun over the years. He’d always ask me, “Now how much is it worth now?” And it went from being worth two hundred dollars to being worth almost a million.

PAUL KARLSTROM: So this was rather early on with the Johnny Carson show?

VINCENT PRICE: Oh yes, very beginning of it.

PAUL KARLSTROM: You weren’t majoring in theater at Yale, although Yale now has a distinguished program.

VINCENT PRICE: Yeah.

PAUL KARLSTROM: How did that come about?

VINCENT PRICE: Well, I tried out for the [dramat, Dramat], but I didn’t like it. Yale at that time was turning out not actors but technical people and playwrights, and some very fine people. But I wanted if anything to go into the acting thing. And after I graduated from Yale, I taught school for a year, at Riverdale Country School outside New York City, and so I had the inoculation [indoctrination] of theater in New York, because I could go in for very little money and see all the plays. And then I went to the Courtauld in London and there I fell in love with the theater, and that was that.

PAUL KARLSTROM: Well, how did that come about? You went to London to study art history, presumably. That’s why one goes to the Courtauld.

VINCENT PRICE: Yeah.

PAUL KARLSTROM: And you mentioned when we were talking the other day that it was an ideal time because of the number of distinguished, primarily German, art historians who were coming either to this country or to London.

VINCENT PRICE: Yes.

PAUL KARLSTROM: So what then deflected you from the study of art and art history when you were in London towards this other area, which then turned into your career?

VINCENT PRICE: The British theater. That’s all you need. It was wonderful. I met all the stars. They were very friendly and very interested in my thing at the Courtauld, because it was new at that time. And people like John Gielgud were very considerate of my ambition to be in the theater.

PAUL KARLSTROM: Oh, is that right? So how did you. . . .

VINCENT PRICE: Well, I just met them, you know, because I was at the Courtauld, and in England the actor knows everything that’s going on in the arts. It’s very different than it is here—or was, actually. I think it’s a little better now, but. . . . The English actor knows about set design, knows about art, knows what’s going on, knows all the painters. If you enter into that world at all—and being at the Courtau
ld was enough to enter me into that world—I met everybody. I was not an unattractive fellow, and so they accepted me. And then I got a job playing the Prince Consort in a play called Victoria Regina by Lawrence Housman. And this just came about in the funny little theater called The Gate. And I tried out for the part. And my first job at The Gate was a part of a Chicago policeman, with no lines.

PAUL KARLSTROM: But you looked the part presumably.

VINCENT PRICE: I looked the part of the Prince Consort, and I’d been to Germany quite a lot in Austria. And everybody in Germany wanted to learn to speak English, so that they all tried their broken English on me, so I ended up with a German accent, which fit Prince Albert very well. And that was a tremendous success in this funny little theater that only held a hundred and fifty people.

PAUL KARLSTROM: And you were with the production the whole time?

VINCENT PRICE: No, I was with it the whole time in London, and the whole time in New York, but then I didn’t go on the road with it, because Miss Hayes felt that I needed to really get out and have some experience in the theater. So I did a lot of summer stock and then went into New York and did one flop after another and then joined Orson Welles in the Mercury Theater, and that was a very exciting experiment.

PAUL KARLSTROM: Can you tell me a little bit about that?

VINCENT PRICE: Oh, yeah.

PAUL KARLSTROM: I’m sure others would be interested to hear as well.

VINCENT PRICE: Well, Orson had done a couple of plays for the WPA, mainly Horse Eats Hat and the wonderful production of Macbeth that was done in Harlem. The black Macbeth was really a wonderful, wonderful, exciting play. And Orson opened a theater called The Mercury in which he did a play, a modern version of Julius Caesar. And then it was so exciting that everybody wanted to be part of it, and the next play they were going to do was a play by [Thomas—Ed.] Dekker, who was an Elizabethan playwright that wrote a play called Shoemaker’s Holiday. And Orson asked me to be in that, and to sign a contract with him to do that and Heartbreak House by [George Bernard] Shaw and a couple of other plays. So I joined, and it was really one of the exciting times in the American theater because there was The Group Theater doing the modern plays of . . . oh, all the modern playwrights.

PAUL KARLSTROM: Was Eugene O’Neill. . . .

VINCENT PRICE: And contemporary with that, too, but. . . .

PAUL KARLSTROM: What about [Clifford] Odets?

VINCENT PRICE: Yes, Odets, Clifford, most definitely.

PAUL KARLSTROM: So you knew him personally?

VINCENT PRICE: Oh, yes, very well. And we did those two plays, and then Mercury Theater was really established and doing and. . . . It didn’t go very long because Orson was a very undisciplined fellow, unfortunately—a genius but very undisciplined.

PAUL KARLSTROM: Now this was before his time in Hollywood.

VINCENT PRICE: Oh, yes. This was the theater. It was before the radio thing too. But I was with that, and then I came out to Hollywood to do a couple of movies.

 

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28 of Vincent Price’s 199 films

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Tim Burton Edward Scissorhands (1990)
‘I knew Vincent Price from films – he was a big movie star – but the first time I met him was when we filmed The Oblong Box. In this picture we were pretending to play chess for a publicity photograph for the film. I don’t play chess and I’m not sure that he did but we had to pretend and found it very amusing. Vincent had a brilliant sense of humour. While we were filming one scene I was lying on the floor, dying – I think I’d had my throat cut – and he was wearing this big voluminous cape. He had to kneel down and ask me something along the lines of ‘Who did this to you?’, which didn’t make sense because I would not be able to talk if I’d had my throat slit. All I can remember is him saying to me under his breath, very slowly, ‘You are lying on my train.’ I’ve worked with Tim Burton five times and it’s just like being part of a family; life doesn’t get much better than that. Vincent also worked with Tim – he was one of Tim’s heroes (Tim made a film about him in 1982 called Vincent). Later [in 1990] Vincent played the inventor in Tim’s film Edward Scissorhands who dies before he can give his creation proper hands. Vincent died a few years after the film was released – the world lost a great actor and I lost a dear friend.’ — Christopher Lee

Excerpt

Excerpt

 

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Dennis Hopper Catchfire (1990)
‘Despite the shameless overacting by almost the entire cast, and, despite the “chop shop” editing of the DVD, and, despite the two famous actors (Charlie Sheen, Joe Pesci) who yanked their names from the credits, and, despite the randomness and somewhat unbelievability of the script, and, despite the movie’s tendency to vacillate wildly between genuine tension, dark humor, titillating nudity, and cartoonish situations, in spite of all these potential faults, “Catchfire” (aka “Backtrack”) is very watchable. It has fantastic on location photography, that only adds to the enjoyment of a somewhat flawed, nevertheless intriguing, and ultimately entertaining movie.’ — MERK

Trailer

Watch the film here

 

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Jeff Burr From a Whisper to a Scream (1987)
‘Released in 1987, From a Whisper to a Scream (also known as The Offspring) has the distinct honor of being iconic actor Vincent Price’s last role in a horror film, which alone makes it a piece of genuine horror history. Price plays historian Julian White in the film. On the night his niece is executed for committing a string of brutal killings, White reveals the sinister secrets of her hometown, Oldfield, Tennessee, a horrific hamlet that spawns evil. But as the town’s murderous legacy is exposed with White’s chilling accounts – including stories of a necrophilic madman, a voodoo priest with life-prolonging powers and a legion of children with an appetite for flesh – White doesn’t realize that he is about the write the final chapter of Oldfield’s morbid history…in his own blood!’ — Dread Central

Trailer

 

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Ray Cameron Bloodbath at the House of Death (1984)
‘Kenny Everett was a zany comic who started out as a DJ in the 1960s before fronting a prime time TV comedy show in the 1980s. This 1984 film is his only attempt at a big screen offering. Kenny died of AIDS-related illness in 1995, aged 50. The film is a Hammer horror spoof, though many other films and genres are spoofed along the way. It is written by Barry Cryer, who appears in the title sequence. Eight scientists (including Kenny and, more plausibly, Dr Pamela Stephenson) investigate an old house where, 18 years earlier, 18 people were killed there in one night. The others are played by John Fortune, Sheila Steafel, Don (Rising Damp) Warrington, Gareth (coffee ads) Hunt, Cleo Rocos and John Stephen Hill. All were well known 80s British personalities but not entirely convincing as scientists! The best known actor here is Vincent Price, though he only appears in a few scenes, as the ‘sinister man’. Pat Ashton’s appearance as the murdered barmaid marked her last appearance in a run of 20 years of British comedy shows before she disappeared, which is a shame as she was always good fun. It pretty much also marked the end of John Stephen Hill’s acting career though he is better mapped as he went on to immerse himself in his Jesuit faith.’ — David Love

Trailer

the entire film

 

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Pete Walker House of the Long Shadows (1983)
‘The forgotten 1983 effort of Pete Walker (director of Frightmare and House of Whipcord, among others) promises horrific treasures with its tagline: “Room for every nightmare…A nightmare in every room.” The gorgeous poster art is equally promising, giving us great hope for a long overdue horror ensemble cast of film legends John Carradine, Christopher Lee, Peter Cushing, and Vincent Price – with iconic acting firepower like that, the film is positively dripping with potential. Lee, Cushing, and Price together on screen together – how could anyone possibly take these exquisite ingredients, and manage to over bake our delectable horror cake? Well, it’s actually very easy: just add Desi Arnaz Junior to the recipe as the film’s lead. Good grief, true believers.’ — Rare Horror

the entire film

 

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Tim Burton Vincent (1982)
‘Vincent, a short film narrated by Vincent Price, is a pastiche of styles lifted from the writings of Dr. Seuss and Edgar Allen Poe, and a range of movies from B-horror films, German expressionist works and the films of Vincent Price. One could even argue that the techniques used represent a pastiche of 2D and 3D animation methods, particularly UPA’s limited animation style. And though Hutcheon does not discuss the relation of parody to the development of the artist, it seems likely that pastiche is one strategy that maturing artist frequently use to legitimize their own work: it is often easier to mimic a style than to establish one’s own. Burton was 24 when he made Vincent, so mirroring other texts may have freed him from serious consideration of his own style while focusing his directorial efforts on other matters.’ — Michael Frierson

the entire film

 

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Roy Ward Baker The Monster Club (1980)
‘This attempt by Milton Subotsky at resuscitating the horror anthology formula that he started back in 1965 with Dr Terrors House of Horrors, but in a semi-comic vein, proved a disappointment on its release and was the final film from his Amicus outfit. But the film has since attracted a cult following. Vincent Price appears in the framing device as a vampire who inducts John Carradine’s horror writer Chetwynd-Hayes into a club for monsters, and it’s these scenes where the film is at its weakest – mainly due to the cheap make-up effects used for the club’s denizens and an embarrassing final dance scene. But there are some stand-out moments, namely Kellerman’s grisly demise, the fog-shrouded town that Whitman tries to escape from, and Price’s big speech in which he declares that man is the biggest monster of them all.’ — Kultguy’s Keep

Trailer

the entire film

 

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Jorn H. Winther Alice Cooper: The Nightmare (1975)
‘Vincent Price was cast for the part of the ‘Spirit of the Nightmare’, and when shooting commenced in Toronto, he proved to be a most willing collaborator in pushing Cooper’s macabre vision of a kid trapped in a nightmare from which he cannot escape to the American public. “At one point he had me on a leash – I was the kid he was showing around – and he’d ask things like, ‘Should I be really aggressive?’ I told him he shouldn’t be afraid to jerk me around. We worked very well together.”‘ — Paul Brannigan

Excerpt

 

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Jim Clark Madhouse (1974)
‘During the 1960s and early 70s, American horror was arguably synonymous with two names: Vincent Price and American International Pictures. Starring in a slew of horror films for AIP (most notably the Roger Corman produced Poe adaptations), Price would go on to become veritable legend in the field of horror. Of course, AIP’s British counterpart at this time was Hammer Productions, spearheaded most notably by Peter Cushing and Christopher Lee. However, by 1974, Hammer’s dominance over the horror world had begun to wane due to the company’s increasing financial woes. This left Amicus Productions (many of which prominently featured Hammer alum Peter Cushing) to fill the void, and 1974’s Madhouse represented a strange convergence of this era of horror. A co-production between Amicus and AIP featuring Price, Cushing, Robert Quarry, and even Boris Karloff (in archive footage), the film would end up being the last that Price would make for AIP; it also would hang on the precipice of the new era of horror that would be unleashed by The Exorcist, which would result in the B-movie features of the 60s and 70s falling out of favor with audiences.’ — Oh the Horror

Excerpt

Behind the scenes

 

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Douglas Hickox Theater of Blood (1973)
‘Douglas Hickox manages neatly in his direction to catch the spirit of a demented Shakespearean actor’s (Vincent Price) revenge on eight members of the London Critics’ Circle who he believes denied him a Best Actor of the Year award. Situation [from an idea by producers Stanley Mann and John Kohn] allows for some good old-fashioned suspense and high comedy, such as the sequence in which Price saws off the head of one critic while his spouse, needled into unconsciousness, sleeps beside him. Price uses gory Shakespeare-inspired deaths to systematically murder each of the offending critics. Price delivers with his usual enthusiasm and Diana Rigg is good as his daughter. Ian Hendry heads the list of critics, and Diana Dors is in briefly as Jack Hawkins’ wife whom he smothers to death in a moment of jealousy.’ — Variety

Trailer

the entire film

 

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Robert Fuest The Abominable Dr. Phibes (1971)
‘When a movie’s tagline reads “Love means never having to say you’re ugly”, you know you’re in for something out there. I know it’s nothing new for me to say, but Dr. Phibes is a really weird movie. As in, it’s weird by my standards. They included the original trailer for the film on the DVD and it shows that the film (and its sequel) were marketed as horror movies. The problem is that when you watch this, you don’t know if you’re supposed to laugh or look deep within and analyze what is going on in front of you. Someone would say that Dr. Phibes is very symbolic. Other people, the kind that create goofy websites where they review terrible old movies, would tell you that Dr. Phibes is about a guy who gets horribly disfigured in a car crash and starts murdering the people who were indirectly responsible for his wife’s death. That’s a gross over simplification. While this article is more or less here to list the murders of Dr. Phibes, a little explanation of the strangeness is indeed required. Vincent Price dresses up like an elderly Captain Kangaroo and can only talk by plugging his neck into a phonograph. He’s got a hole on the other side of his neck…this one’s for eating and drinking. If you ever wanted to see a film where Vincent Price drinks wine through a hole in his neck, congratulations. You’ve found what you’ve been looking for.’ — Head Injury Theater

Trailer

the entire film

 

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Gordon Hessler Cry of the Banshee (1970)
‘Although there’s a fair amount of blood and a good four sets of boobs, Cry of the Banshee doesn’t manage to be quite as entertaining as its fellow bloodless AIP films, before and after. Gordon Hessler shows great skill in his direction, but the script just isn’t as tight and fun as other efforts. Rather than being witty and having twists and turns in the plots, Cry of the Banshee is more straight forward and really doesn’t have too many shocks until the ending. The deliciously evil quotes usually spewing from the mouth of Price just aren’t there, in this film his actions speak for themselves as he shows no remorse with anyone’s life but his own. That trait is no stranger to anyone who follows AIP, but a murderous tyrant just isn’t as interesting as a madman or a tortured soul out for revenge. On the bright side, it’s a lot of fun watching the diabolical Lord Whitman squirm when he has to face the demon out to get him.’ — Oh the Horror

Trailer

Watch the film here

 

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Gordon Hessler Scream and Scream Again (1970)
‘This movie paints itself as a thriller, but it’s a science fiction film in disguise. It has elements of political intrigue, police procedure, weirdo medical horror, and vampires, but doesn’t really do any of them very well. Vincent Price ushers in the weirdo medical horror bit, as he plays a weirdo medical doctor using a weirdo medical experiment to create supermen to Take Over the World ™. Of course, he has altruistic delusions for his stupid experiments, but the backstory to all this is never told. In fact, the explanations found in this paragraph are not given until the final ten minutes of the film, which makes the whole thing pretty confusing.’ — Falcon Movies

Trailer and three scenes

 

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Gordon Hessler The Oblong Box (1969)
‘Price is sort of the hero (he lets his brother get fucked up for something he did, but otherwise he’s a good guy), but he still gets to engage in some devilish behavior and display some of his trademark smarm. I particularly enjoyed the scene where he blackmails the family lawyer into finding a suitable body to use for his brother’s wake, so no one would have to see his disfigurement. The lawyer protests at first, saying he’s no criminal, to which Price instantly retorts: “You’re a forger and embezzler, and now you’re a grave robber.” Hahaha, awesome. Lee is also sort of a flawed hero more than an outright villain – his experiments seem to be for good purposes, and while he never turns in his “guest” despite his crimes, he doesn’t condone or assist him either.’ — Horror Movie a Day

the entire film

 

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Michael Reeves The Conqueror Worm (1968)
‘Produced by the British Tigon organisation, the film keenly exploited the commercially successful costume horrors from Hammer in the UK and Roger Corman in the US. Nevertheless the film has a broodingly sinister atmosphere, with Vincent Price playing the historical figure Matthew Hopkins, who traveled the country executing supposed witches under the powers given to him by the Roundhead parliament during the Civil War. The Conqueror Worm is one of the few films directed by Michael Reeves in his awfully brief career. As a child he started making short films featuring his school friend Ian Ogilvy. His first professional work was as an associate director on The Long Ships (1964), and then as second-unit director on Castle Of The Living Dead (1964), taking over as director mid-production. When he got The She-Beast (1966) right to everyone’s amazement, he was entrusted with bigger budgets and made better films. In 1967 he directed and co-wrote The Sorcerers (1967), giving Boris Karloff a major role in one of the few films worthy of his talent. Reeves even refused to allow my old friend Vincent Price to overact in The Conqueror Worm. Annoyed, Vincent snapped “Young man, I have made eighty-four films. What have you done?”, to which Reeves replied “I’ve made two good films.” All was forgiven when Vincent saw the end product. Alas, on the 11th of February 1969, whilst working on The Oblong Box (1969), Michael Reeves passed away aged just twenty-five, when he unwittingly combined alcohol and sleeping pills.’ — HNN

Trailer

the entire film

 

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Mario Bava Dr. Goldfoot & The Girl Bombs (1966)
‘While watching this film, one is faced with many question, chief among them being: why would Bava, the master of morbid horror, have been assigned to direct this sophomoric comedy, and why should he have accepted? Bava was a working director. He took the film to fulfill contractural obligations and to put food on the table. Not everybody has the luxury of being able to make the films they want to make. So much for excuses: as a comedy, it’s is unfunny, and as a film it is, quite literally, a mess. The lighting is flat and functional, the use of accelerated motion is, even by 1966 standards, terribly out-dated, and the performances range from the somnabulistic to the downright awful. Vincent Price occassionally manages to get a chuckle out of his lame dialogue, but this sort of material is quite beneath his talents. All told, this film represents an all-time low for both Price and Bava.’ — Mario Bava Reviews

Trailer

 

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Norman Taurog Dr. Goldfoot and the Bikini Machine (1965)
‘The great Vincent Price obviously had fun with his characterization of Dr. Goldfoot in this campy spy spoof directed by Norman Taurog. With his henchman Igor (Jack Mullaney), the demented doctor builds a machine that mass-produces an army bikini-clad babes. Goldfoot programs his vixens to seduce the wealthiest men alive and convince them to sign their fortunes over to him – thus enabling the fiendish doctor to amass tremendous wealth and take over the world. Frankie Avalon co-stars as Secret Agent Craig Gamble, who sets out to destroy the women and bring Goldfoot’s plan to a screeching halt. Annette Funicello and Harvey Lembeck provide cameo appearances. Strictly for fans who loved those 1960s drive-in quickies.’ — RT

the entire film

 

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Roger Corman The Masque of the Red Death (1964)
‘Monster movies, beach movies, biker movies – if you wanted it done fast and on the cheap with elements that looked great on a poster, Roger Corman was your man. But while the vast majority of his producing output would fall under the heading of “hypnotically entertaining junk,” Corman found the time to direct eight Poe adaptations in the early 1960s, movies that reveal him as a filmmaker possessed of considerable ability and visual flair. They’re a window into the career he might have had if he weren’t so darn fond of making gobs of money as efficiently as possible. Corman always liked Masque and originally intended to adapt it hot on the heels of his first Poe film, House of Usher. He hesitated in part because he was nervous about the comparisons invited by portraying death as a hooded figure immediately in the wake of Ingmar Bergman’s iconic The Seventh Seal. Vincent Price plays Prince Prospero (alliteration is always awesome!) because that was practically the law when Roger Corman filmed Poe; he’s in seven of the eight films in the cycle. Price shows why he’s one of the great icons of horror cinema, commanding your attention every second he’s on screen, savoring every line reading, and somehow managing to infuse a truly horrible character who engages in kidnap and murder like he’s going to Starbucks with a genuine pathos.’ — word & film

Trailer

Excerpt

 

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Ubaldo Ragona The Last Man on Earth (1964)
‘Finished in 1961, but not released in the US until 1964, The Last Man On Earth appears, at first glance, to be just as flawed as the two adaptations that followed it, largely because of its poverty stricken budget. But compared to the dated Omega Man, which imagined Matheson’s vampires as a spooky albino cult, or I Am Legend, which squandered its promising build-up with a botched ending and unconvincing creature effects, this early version of the book holds up extremely well. Like the book, The Last Man On Earth is set in a post-apocalyptic world in which humanity has been almost entirely destroyed by plague. Infected victims have been transformed into shuffling, zombie-like creatures with a lust for blood, and lone survivor Robert Morgan (Price) can do nothing but scratch out an existence by day, and cower in his house by night. Shot in stark, scratchy black and white, the film slowly relates the minutiae of Morgan’s dull existence, disposing of bodies, hanging up wreathes of garlic, or grouchily fashioning wooden stakes on a lathe. “They’re perfect. Just wide enough to keep the flesh apart so their body seal can’t function,” Price intones with lip smacking relish. “But how many more of these will I have to make before they’re all destroyed?”‘ — Den of Geek

the entire film

 

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Roger Corman Tower of London (1962)
‘Though Tower of London is no masterpiece, it’s still an enjoyable Grand Guignol, thanks to Vincent Price’s flamboyantly villainous performance and the atmospheric cinematography which favors dank corridors and secret passageways lined with cobwebs. Most interesting is the fact that Price also appeared in the 1939 version of Tower of London but as a victim – the ill-fated Duke of Clarence. Another fun trivia tidbit: Price had originally committed to starring in an adaptation of Poe’s The Gold Bug but began work instead on Tower of London when the former project died in “development hell.” It was also directly after starring in Tower of London that Price began his long and successful partnership with the Sears Roebuck and Company chain, buying inexpensive European art for their American stores.’ — TCM

the entire film

 

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Roger Corman Tales of Terror (1962)
‘Three stories adapted from the work of Edgar Allen Poe. A man and his daughter are reunited, but the blame for the death of his wife hangs over them, unresolved. A derelict challenges the local wine-tasting champion to a competition, but finds the man’s attention to his wife worthy of more dramatic action. A man dying and in great pain agrees to be hypnotized at the moment of death, with unexpected consequences…’ — collaged

Trailer

Excerpt

 

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Albert Zugsmith Confessions of an Opium Eater (1962)
‘The movie is a coveted title for fans of actor Vincent Price, at that time contracted with American-International Pictures to appear in highly successful gothic horror movies. With his imposing good looks and a cultured voice capable of making the worst dialogue read like Shakespearian prose, Price was highly sought as a new icon of horror villainy. Some incidental evidence indicates that Confessions may have been considered for release by A.I.P., but it is likely that moguls Arkoff & Nicholson would find it too arcane, too adult and too tame to be one of their youth-oriented matinee chillers. Nevertheless, plenty of kids saw it in Allied Artists matinees, and probably couldn’t make head or tails of it. But Confessions had Vincent Price, and in 1962 Vincent Price was a guarantee of kid interest. Confessions of an Opium Eater is bizarre with a capital “B”, a movie that got released even with its drug-related subject matter named in the title — which for a subsequent re-issue was changed to Souls for Sale.’ — DVD Talk

Trailer

Excerpt

 

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Roger Corman The Pit and the Pendulum (1961)
‘Following The Fall of the House of Usher, this was the second of Roger Corman’s gothic movies loosely based on Edgar Allan Poe tales and produced by the low-budget exploitation studio American International. Both starred the larger-than-life barnstorming aesthete Vincent Price and had literate scripts (the work of pulp writer Richard Matheson, author of Spielberg’s Duel), handsome sets (production designer Daniel Haller) and widescreen colour photography (veteran Floyd Crosby, who’d won an Oscar in 1931 for Murnau’s Tabu). Their style and opulence belie the modest budgets and shooting schedules (in this case, $300,000 and 15 days). Received with grudging respect by the press, Time magazine called it “Edgar Allan poetic”, while Hollywood Reporter wrote of “a class suspense-horror film of the calibre of the excellent ones done by Hammer”.’ — The
Guardian

Excerpt

Excerpt

 

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Roger Corman House of Usher (1960)
‘Price dominates an otherwise indifferently acted film as Roderick Usher, the mad, hypersensitive, last surviving male member of a cursed, degenerate family, who harbours incestuous desires towards his cataleptic sister, with whom he lives in a creepy New England mansion that itself is possessed by an evil spirit which contaminates the immediate, mistbound area. The movie, shot in CinemaScope and colour, is punctuated by shocking moments, but is more notable for its claustrophobic, doom-laden, necrophilic atmosphere and elegant camerawork than the kind of fashionable, in-your-face horror that was launched in the same year by Psycho.’ — The Guardian

Trailer

Excerpt

 

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William Castle The Tingler (1959)
‘I am William Castle, the director of the motion picture you are about to see. I feel obligated to warn you that some of the sensations— some of the physical reactions which the actors on the screen will feel— will also be experienced, for the first time in motion picture history, by certain members of this audience. I say ‘certain members’ because some people are more sensitive to these mysterious electronic impulses than others. These unfortunate, sensitive people will at times feel a strange, tingling sensation; other people will feel it less strongly. But don’t be alarmed— you can protect yourself. At any time you are conscious of a tingling sensation, you may obtain immediate relief by screaming. Don’t be embarrassed about opening your mouth and letting rip with all you’ve got, because the person in the seat right next to you will probably be screaming too. And remember— a scream at the right time may save your life.’ — William Castle

the entire film

 

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William Castle House on Haunted Hill (1959)
‘As unfashionable as it may be to say so, none of William Castle’s horror movies lives up to the promise of his early noirs, such as The Whistler and its sequels and When Strangers Marry. But if one had to pick the best of the campy horror films that made his reputation, this 1958 feature would probably be it, with or without its promotional gimmick of “Emergo” (an illuminated skeleton flying over the heads of the audience). Vincent Price plays a wealthy man who offers a group of people $10,000 to spend a night in his haunted mansion; Robb White wrote the script, and the costars include Richard Long, Carol Ohmart, and the ever reliable Elisha Cook Jr.’ — Jonathan Rosenbaum

the entire film

 

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Kurt Neumann The Fly (1958)
‘Slightly above average 50s science fiction (1958), enlivened by a nearly literate script by James Clavell (Shogun). Al Hedison (before he changed his name to David and became a TV star) is a scientist meddling with a strange theory of molecular exchange; he discovers, once again, that there are things-that-man-was-not-meant-to-know when he accidentally trades heads with a fly. With Vincent Price, Herbert Marshall, and Kathleen Freeman; directed by Kurt Neumann in ‘Scope.’ — Chicago Reader

the entire film

 

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André De Toth House of Wax (1953)
‘In the original trailer for House of Wax (1953), Warner Brothers heralded the third dimension as “the new wonder of the entertainment world”. Though that wonder had been discovered a year earlier in Bwana Devil (1952), Warner Brothers explored immersion further by releasing a colour 3D feature that incorporated stereo sound for the first time. So not only did action spring from the screen, but sound effects were also heard in different sections of the cinema, heightening tension and drama through the illusion of multi-directional audio.’ — acmi

the entire film

 

 

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p.s. Hey. ** Nika Mavrody, Who does? Oh, wait, I guess tons of people do. Never mind. ** Diesel Clementine, Hi. You have a nice name, needless to say. Welcome! I guess I’m interested in niche perfumes in concept and in  execution, but I don’t really follow them, although, now that you bring them up and characterise them so enticingly, I think I’ll change my ways. I can certainly see a blog post in the genre’s future if nothing else. There’s a shop here in the Marais whose whole concentration is daring, ambitious, ‘ugly’ perfumes. Oh wait, it’s the physical manifestation of that site (Etat Libre d’Orange) you mentioned. Huh. If you were here, you could stroll in and smell all of those smells in tester form. Anyway, long story short, I don’t know much about that genre but think maybe I will. I walk by that shop I mentioned every few days. Thanks. Lovely conversing with you. Let’s do it more. ** Joe, Hey, hey, Joe! Wow, ‘Cockfighter’, yes, I did see it, but not since the … 70s (?) or whenever it originally got born. I liked it, for sure. I like Hellman’s films. And Warren Oates too. A man’s man, that guy. I should do a Hellman Day if I haven’t already.  I like Willeford. I don’t think I’ve read that one though. Oh, I’ll look for your email, sorry. I’m so bad with email, it’s terrible. I’ll find it and get back to you asap. Thanks! ** Tosh Berman, Cool, victoire! Hm, paragraph length pieces about my celeb meetings is kind of a great idea. Let me try. You should do that too, though I suspect your meetings will take more than a paragraph to nail properly. Yes, the Johnny Hallyday meet was way up there. Thanks, Tosh. ** Steve, So great you got to see ‘Tamala’! So good, right? Very singular. There aren’t really sequels, just kind of extensions and riffs off the original, and I think I’ve seen them? Pray tell on the film series idea when it’s time. Everyone, Here’s good old Steve: ‘For Slant Magazine, I reviewed country singer Sturgill Simpson’s PASSAGE DU DESIR, released under his new alter ego Johnny Blue Skies here. ** Sypha, I would have figured you knew Mr. Rops’s body of work. There are a shit ton of Redon paintings in the museums here if you ever get over to Paris. ** PL, Hi. I’m happy you liked the Rops. What do you mean by ‘background art’? I’m not sure I totally understand. ** David Ehrenstein, Hello, sir! Lucky you on the poster, and thank you for the Duval backgrounding. She was so great, it’s so sad. That’s fascinating about Janice Rule. Huh. I remember she was fairly prominent for a long time, and then I stopped seeing her, and there’s the reason. Interesting. ‘Tree Women’ could also be a Malick film? Ha ha. ** Dominik, Hi!!! Happy that the post accidentally put two and two together. Eproctophilia: that is good to know. News to me too. It makes fart smelling sound so … classical. I have it on high authority that love doesn’t need another BJD, and love’s authority is the highest of all, one could argue, so I’m hoping he’s in the clear. Love making the shops here not give their checkers Sundays off and force customers to only be able to use the automatic checkout option because I am a total klutz at automatic checkout, and I apologise to the checkers for wishing to ruin their weekends, G. ** _Black_Acrylic, No, avoid the ‘no oven’ Krispy Kremes because you’ll just go, What’s the big deal?! Ooh, I want an intense sugar rush. I need one. Maybe chocolate fudge. That should do it. ** Lucas, Hi! Oh, sure. It’s even grayer and colder here today, it’s amazing. I guess the only problem is it also keeps raining, and every time it rains the Seine gets fuller of backed up sewage, and the Olympics organisers freak out since the athletes are supposed to swim and do things in that. I hope the weather where you are drops the schizo act and just cools down lengthily. Great that you started and really like ‘Pale Fire’. It’s a goody, for sure. I’m okay. This weekend … hopefully talk with Zac about the new film script, do my biweekly Zoom Book/Film Club event tonight, smoke, eat, and open my eyes for additional activities. Enjoy Cologne. What did you do there that stands out? xo, me. ** Dev, Hi. Right, of course, there would be witchcraft/voodoo shops in New Orleans. It’s famous for such a bent. I think Dr. John is from there, and his first album ‘Gris-Gris’ was super witchy/voodoo-y. It used to scare me to death when I was on acid. Anyway, no, I don’t know Wangechi Mutu’s work, but I just did a quick google, and her works looks really interesting. I’ll delve. Thank you! Thank you very, very kindly about ‘I Wished’. I’m so happy it hit home with you. Have a really splendid and possibly even witchy weekend. ** Pascal, Hey! The blog was wild back then. Wilder. I think so. Maybe too wild at times, but, yeah, amazing. Nice: living on the coast. I’ve never been to Liverpool or that area. I really need to. I’m very happy you’re writing! I think starting a new novel is always tricky? For me anyway. What’s tricky in particular about your start? Excellent weekend to you and yours too! ** Harper, Okay air-conditioned Airbnb, you’ll be fine. You can escape inwards if need be. Cold here too, so weird. I always try to pretend flight attendants are robots, because they practically are. From the outside, I mean. Luck upon luck at the getting the blood test pre-flight. Did the first world war effectively kill off the Decadence movement? I didn’t know that. That’s fascinating. I’m going to read about that. ** Joseph, I don’t think they kidnap, they just fantasise about it, and you can see the fantasy in their eyes. Cover and backmatter! When exactly is it entering the world? Cool. Excited! I’d be curious to see ‘Tickled’. There are quite a lot of tickle slaves on the S/M sites, and I never can quite get my head around that sexual priority. There are very few tickle masters, which seems interesting. Thanks about the interview. Lucy’s the best. Very fine Saturday and even Sunday to you! ** Bill, Hi! Oh, you’re over there now, that explains it. It: your little blog break. Oh, wow, very cool about the Tetsumi Kudo show. And at Hauser & Wirth! He’s hit the big time. I’ve had his stuff in posts here, as you undoubtedly know. I’ve never seen a lick of it in person. Jeff Noon, yes. Back when I was in a period where I was obsessed with the Cyberpunk writers, I read him because he was considered adjacent to that. I remember really liking his novels ‘Vurt’ and ‘Pollen’. I don’t remember if I’ve read anything else by him. I should do a spotlight post re: ‘Vurt’. Maybe I’ll get ‘Pixel Juice’ and start catching up on him. Nice. Stay as cool as you can stay. ** nat, ‘In-joke’, interesting, in what way? ‘It is addicting to just go balls on the walls with deliriousness’: That sounds like heaven to me. What do the Germans say … ? Rausch! I’m of the firm opinion that the original, fussy, kind of archaic English translation of Sade’s works by Austryn Wainhouse is by far the best. By far! More recent attempts to kind of thin out the prose and make it seem more contemporary just robs it of its crazy genius, I think. Read the Wainhouse translation of ‘120 Days of Sodom’. That’s my suggestion. See you after the weekend is just a puff of smoke. ** tomk, Hi, Tom! Things are mostly ok. Peru in five days! Or four now maybe. Sweet! Are you going for the whole summer? I just checked and couldn’t find anywhere where ‘Hear My Cry’ is currently streaming. MUBI has it, but it’s not available at the moment. Let me give a shout. Everyone, The great writer and person Tom Kendall has a plea that maybe you can answer. Please do, if so. Tom: ‘I wanted to ask everyone a question if possible: does anyone know where I could find this film to stream or buy? It’s called ‘hear my cry’ about ‘ Ryszard Siwiec, who set himself on fire during the large harvest festival at the Warsaw stadium in 1968.’ Thanks, all! Here’s hoping. Enjoy your weekend my friend. ** Okay. I thought I would take it super easy on you guys and restore this post that allows you to spend a weekend fishing in the wares of the legendary horror-adjacent charmer who was Vincent Price. See you on Monday.