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The blog of author Dennis Cooper

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Gloomy Xmas! 28 defunct Christmas themed parks and attractions *

* (restored)

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Cidade Albanoel (Paraty, Brazil)
If you like your Christmas-themed amusements to have a little more edge, then this derelict Santa Claus theme park in Brazil is for you. The vast park, where construction began in 2000, was intended to be spread over 38 million square metres, but was never completed after the Brazilian politician who came up with the idea was killed in a car crash right outside its entrance. The site remains filled with gradually decaying Santa figurines, rusty reindeer rides and crumbling candy cane turrets, making it feel more eerie than festive.

 

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A Winter Wonderland (Milton Keynes, UK)
Queues for miles, outrageous prices and a melting ice sculpture: it wouldn’t be Christmas without another tale of a disastrous “winter blunderland”. Families who tried to attend the Christmas Wonderland event in Milton Keynes were promised an “evening of enchantment and adventure”. Instead of which they were met with the bizarre spectacle of what appeared to be a man in a wheelchair on fire. Organisers took down their Facebook page after it was inundated with complaints, with some visitors saying they had queued for two hours to get in, only to see some melting ice sculptures and “just fairy lights hung over some trees”.

 

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Santa’s Land USA (Putney, Vermont)
You won’t find a brochure for Santa’s Land USA easily in Vermont. The official Vermont Attractions Map does not list it. It has no billboards. Even the publicity material for Santa’s Land USA’s home town, Putney, VT — which carries glowing descriptions of local businesses like Basketville and the Putney Food Co-op — fails to mention Santa’s Land USA. The entire attraction, which covers many acres of pine-shaded woods, appears to be run by five people: the kindly lady in the gift shop, the guy who sprints between the Sweet Shoppe and Candy Cane Cupboard, the train engineer, the kiddie ride attendant, and Santa. The first thing that catches our eye when we enter the park through the fairyland cottage gift shop is a huge blob of discolored white stuff lying near a little pond. What is it? Fake iceberg? A wad of funnel cake that fell out of Valhalla? The TV in the kid’s video theater in Santa’s Arcade shows nothing but electric snow. We walk up the hill to the quiet of Santa’s House, and can see red legs through the doorway. Santa sits, motionless. We assume he’s a stuffed dummy. Then a truck klaxon echoes through the woods — the over-the-top horn for the tiny Alpine Train — and Santa jerks to life. “Ho ho,” he says groggily. “You caught Santa napping.” The next words out of his mouth startle us even more than finding him asleep. “You look like prosperous gentlemen. Would you like to buy Santa’s Land?” Santa says that the park’s current owner wants to sell the place. The owner’s pumped a lot of money into its electric wiring and septic system — over $100,000 by Santa’s guess — but the right buyers have been as elusive as flying reindeer. The manager abruptly left a couple of weeks ago, and the place is currently run by the multi-tasking Sweet Shoppe guy. “The original owners — I forgot their name, I forget everybody’s name — built it. There used to be an airstrip here. For the war, you know. It’s not here any more.” Santa recalls that a family named Brewer purchased the park in 1970 and ran it for almost 30 years. “This place was Mr. Brewer’s pet. It did quite well for a few years, but then it sort of petered out. They lived up there, in the Igloo Pancake House,” Santa says, pointing into the woods. “Before it was the Igloo Pancake House. If you take the train, and get off at Pancake Junction, you’ll see it. It’s an igloo-type thing.” Note: Santa’s Land USA closed on Dec. 18, 2011.

 

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Dickens Victorian Village (Cambridge, Ohio)
Welcome to Cambridge, Ohio, a small town that, until last year, celebrated the holidays in a big way, from Dickensian street scenes to contemporary light shows. It all started eight years ago, when Bob Ley, who owned a men’s clothing store downtown, traveled to Oglebay Resort, the city park in Wheeling, W.Va. that stages a major holiday light festival every year. Why couldn’t Cambridge capture some of those thousands of drivers traveling along I-77 to Wheeling? So Ley and his wife, a retired English teacher, came up with an idea: Create street scenes, with full-size mannequins depicting life during Dickensian England, and place them throughout downtown. At the annual event’s height in 2013, visitors saw 160 statues – including a cast of characters from Dickens’ “A Christmas Carol,” a group of ice skaters, a chimney sweep, money lenders (placed strategically in front of US Bank), a beggar, a bobby, a blacksmith, and a man in a wheelchair.

 

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Santa Kong (Universal Studios Hollywood)
Disneyland Park went hardcore for the holidays right from the very beginning. Whereas Universal Studios Hollywood (which first started loading tourists on “Glamour Trams” for a tour of their 230-acre backlot back in 1965) took a couple of decades before it finally really fully committed to Christmas. It would periodically try and find fun new ways to celebrate the season. These including taking that 30 foot-tall, 7-ton animatronic ape that guests could see as their tram rolled through that theme park’s old “King Kong Encounter” and then dressing him in a Santa suit.

 

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Magical Winterland (Yorkshire, UK)
It promised a ‘fully immersive’ Christmas experience, with reindeer, a festive market and, of course, Santa’s grotto. But visitors to Yorkshire’s Magical Winterland found it to be far from magical and barely wintry. Children were left in tears as they entered a desolate warehouse with cardboard boxes and random material strewn all over the ground. Magical Winterland only opened its doors on Wednesday, but was forced to pack up just 24 hours later due to its “appalling” quality. There were multiple reports that the attraction’s multiple Father Christmases (five were spotted by some confused children) were alternately too gruff, too skinny or smelt of booze. One elf reportedly told a guest to ‘have a s*** Christmas’. The presents they gave out were cheap, plastic and unwrapped. And then there was the “snow”. ”Mummy, this isn’t snow. It’s strange,” said one child within earshot of this reporter. He was pointing at what looked like dirty papier-mache spread greyly across the mud outside the front entrance. “It looks like paper. I think it’s litter. It looks like litter. It’s stuck to my boot. Mummy, get it off!”

 

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The Death Yard Christmas Haunted Attraction (Nashville, Tennessee)
“Instead of Christmas cheer, we are spreading some holiday fear,” said Carroll Moore, who in 2014 turned his Halloween season “Death Yard Haunted Attraction” in Hendersonville into a Yuletide horror show. For $10 and an unwrapped new toy, visitors passed through the 13,000-square-foot warehouse northeast of Nashville crammed with Yuletide horrors. For $5 more and a second toy, they could go to the paintball range just outside and take 15 shots at Zombie Santa and his friends. “You can unload on the undead,” Moore said. “Maybe Santa Claus wasn’t good to you last year.” Moore also offered chainsaw-wielding maniac elves, rabid and violent reindeer, and killer Mrs. Santa Clauses. The unwrapped new toys were intended to go to Last Minute Toy Store, which operated out of a Nashville church and gave parents who could not afford toys a chance to look for things their children might want, for no cost. All was well until Nita Haywood, who ran the Last Minute Toy Store at the 61st Avenue United Methodist Church, where she was director of youth and family ministries, visited the Horrific Haunted Holiday two days into its intended three week run. “I was horrified and nauseous,” she said. “The presence of the Devil was very, very strong.” After speaking to local police and the mayor, the attraction was immediately shut down. “New toys are new toys,” she said. “But not when they come from Hell.”

 

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Santa’s Village (Dundee, Illinois)
Santa’s Village in East Dundee, Illinois (1959-2006) was a theme park built in 1959 by H. Glenn Holland who also built the other two in San Bernardino County, California and Santa Cruz County, California. This park was the third and last that he built. The buildings were modeled on what an average child might imaging Santa’s Village would look like. When it opened, it was a very prominent theme park. Over the parks history more than 20 million people passed through the front gates. One addition to the park, opened in 1963, was the Polar Dome which provided an ice skating and hockey venue under a forced-air supported dome. On November 28, 1966, a strong wind caused the Polar Dome to collapse. The unsuccessful launch of the Typhoon roller coaster and decreased attention to the aesthetics of the park eventually prompted the corporation to sell. The sale did not proceed as smoothly as hoped, and with many setbacks and unmet deadlines the park had to shut its doors.

 

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Santa Present Park (Hokkaido, Japan)
This amusement park has to be included among the most poorly conceived, planned, built, and attended amusement parks in history. It was tied into a popular ski resort and featured numerous Christmas-themed attractions including four roller coasters. Like all theme parks in Japan, it was only open during the non-winter months. Unfortunately, the ski resort was only open during the winter season. Long story short, after having been built for $10,000,000, it never opened and was torn down after standing empty for eight months.

 

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Magic Forest (Lake George, New York)
This was the weirdest place I’ve ever been. I came for Santa and for Lightning the diving horse, and stayed for all the other weeeeird ass shit. It was OLD OLD OLD, snack bar (wish I’d brought my own food) OLD OLD OLD. Sign on the gift shop read, closed but go to the snack shop if you want to buy something. During the Christmas Safari ride (don’t ask me), we noted three instances of racist portrayals. As we got on the ride, I almost knew it was coming. The first was a display with a person being boiled in a pot with dark-skinned mannequins all around holding spears. Ugh. The whole park was dirty, in definite disrepair, and some of the ride operators were creepy, rude and two seemed kinda drunk. Needless to say, it was magical! RIP

 

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Sherborne Wharf’s Search for Santa (Birmingham, UK)
Until 2014, Sherborne Wharf near Brindleyplace used to run canal trips through Birmingham city centre on a quest to find Father Christmas. All participants were geared up with the latest “Santa-detecting technology” and shipped off aboard narrow boats in search of the Man in Red himself. Apparently finding him wasn’t very hard and, when he was found, he wasn’t very interesting.

 

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Santa’s Village (Scotts Valley, California)
In 1958, Santa’s Village was created in the wooded hills of the Santa Cruz mountains. This Christmas wonderland served thousands of park visitors each year with its holiday cheer! Residents of Santa’s Village included Santa and Mrs. Claus, their elves and gnomes, who operated the rides and sold tickets. There was a baby petting zoo filled with goats, sheep, bunnies, ducks, deer and a Mexican burro. Children could feed the animals green feed pelets that they purchased from dispensing machines. Four reindeer from Unalakleet, Alaska, pulled Santa’s sleigh. There was a bobsled ride, a whirling Christmas tree ride and a miniature Santa’s Express train ride. Other attractions included a giant Jack-in-the-Box, an Alice in Wonderland maze, Santa’s enormous boot, brightly painted cement mushrooms and a Queen of Hearts figure … all part of Fairytale Land. Mrs. Claus had her own kitchen, where hamburgers, hotdogs and steak sandwiches were served. An egg-shaped cottage and a shoehouse were open for children’s exploration and imaginations. In 1977, after the Santa’s Village Corporation had filed for bankruptcy, Billawalla bought the whole of Santa’s Village for $615,000, speculating that he could build a more attractive theme park there. The City of Scotts Valley rejected Billawalla’s plan to create a Knott’s Berry Farm-type complex, which would have included a hotel, a shopping center and rides. That year there were heavy rains during the park’s peak season of November and December, coupled with the political bureaucracy of the City of Scotts Valley … it proved to be the death nell for Santa’s Village.

 

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Parlor Lucky (Tokyo, Japan)
Parlor Lucky was a karaoke bar in the Ginza section of Tokyo where patrons could only enter if they were wearing a Santa Claus costume. Costumes could be rented at the Santa Claus Everyday rental costume store next door.

 

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Christmas Land (Marshall, Texas)
Seasonal attraction with year-round Santa statue, sometimes headless, now reduced to an entry sign.

 

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Christmas Fantasy Village (Great Bend, Kansas)
Christmas Fantasy Village (1979 – 2000) was located on Highway 281 about 3 miles south of Great Bend. If you followed the lighted signs during the winter that started at 10th and Main, you were able to find it. You knew you were there when you saw the 50 foot tall lighted snowman! The Christmas Fantasy Village started as a couple’s celebration of Christmas, and turned into a local event.

 

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Santa Land and Zoo (Cherokee, North Carolina)
I haven’t been able to find out the history of the park, but I suspect it was around for a while. Many of its kiddie rides dated back to the 1950s and a few of them came from the Allan Herschell factory. The Rudicoaster was exactly the same as the coaster in Santa’s Village in Ontario; a steel figure-8 configuration with a Rudolph themed car in the front. There was also the token train, a CP Huntington, that went around the entire park. Kids could visit with Santa in his house every day. He had a large sleigh they could sit in and tell him their secret wishes.

 

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Elf School (Brierly Hill, UK)
For one strange Christmas season in 2013, kids from Brierly Hill and beyond were welcome to enroll in Elf School, going through what as billed as a complete elf makeover, learning an elf chant, and taking home their own elf hat. Finally, they got to meet Santa and visit his toy shop where they could choose a present to take home with them. The Elf School experiment was never repeated because many parents complained that, after the event, their children were acting strangely and, in some cases, refused to return to their human form to the point that the parents were driven to seek psychological counseling for their brainwashed children.

 

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SCUBA Claus (Tennessee Aquarium)
Did you know, in the midst of tackling the seemingly impossible task of delivering presents to every home on the planet, Santa Claus found the time to get SCUBA certified? From the heat 2013 to 2017 guests to the Aquarium were familiar with (and fond of) Saint Nick’s annual underwater visits to the Nickajack Lake and River Giants exhibits. Until the visits were discontinued, they could catch the Jolly Old Elf’s dives and press their wish lists against the glass on Saturdays and Sundays from Nov. 18 to Dec. 17.

 

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Santa Land (Santa Claus, Arizona)
Nina Talbot and her husband founded Santa Clause in 1937 with the hopes of turning the desolate wasteland into a place where families could settle and live the suburban dream. They hoped to attract investors with North Pole themed buildings and children’s attractions dubbed Santa Claus Land. Unfortunately for the Talbots, investors never came. Thought a diner in the quaint snowy desert oasis gained a few fans through the years—including Duncan Hines and actress Jane Russell—the Nina Talbot sold the land in 1949. By the 1970s, the town had started to fall into disrepair. Now, derelict wooden huts and barbed wire fences are clear signs that Santa Claus doesn’t live there anymore.

Alive

Dead

 

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Eastland Mall Christmas (Charlotte, North Carolina)
Eastland Mall was famous in North Carolina in the 1990s for its yearly elaborate Christmas makeover. Until everyone stopped going there. Or caring. In about the year 2000 when it closed and became an empty shell. There were plans to turn the giant building into a movie studio but they never panned out. So they tore it down.

 

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Santa’s Village (Lake Arrowhead, California)

 

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Santa Claus Land (Santa Claus, Indiana)
Santa Claus Land opened August 3, 1946; the theme park included a toy shop, toy displays, a restaurant, themed children’s rides, and, of course, Santa. Koch’s son Bill soon became the head of Santa Claus Land. In 1960, Bill married “Santa’s daughter,” Patricia Yellig; he remained active in the family business until his death in 2001. Bill and Pat had five children; the eldest, Will, was the park’s president for more than 20 years until his unexpected death in 2010. Over the decades, Santa Claus Land flourished. Children from across the country came to sit on the real Santa’s knee and whisper their Christmas wishes. Guests included Ronald Reagan, who stopped by in 1955.

 

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Ruislip Winter Wonderland (Northolt, UK)
Parents have vented their fury after another winter wonderland festive fun fair has been cancelled just two days before it was due to open. Despite announcing the event more than a month ago, the Ruislip Winter Wonderland in north London, was cancelled yesterday with organisers citing a disagreement with landowners. Today, one day before the scheduled opening, the site earmarked for the funfair at India Gardens in Northolt appeared barren and undeveloped. A “star-studded” opening night featuring appearances from I’m A Celebrity contestant David Van Day, EastEnders actor Matt Lapinskas and Coronation Street star Adam Rickitt was due to take place tomorrow. Other celebrity scheduled guests included Blue singer Lee Ryan, Another Level singer Dane Bowers and boxer Joe Calzaghe. Since the statement was posted more than 200 angry parents have posted messages over their disappointment, with some saying they believed it might have been a hoax. Nicola Powis commented: “The idiot running it has showed unprofessionalism, petulance and idiocy in all of the responses to the comments. I don’t believe they ever had any intention of putting on the event. Idiots.”

 

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Minnie’s Christmas Party (Anaheim, California)
Minnie’s Christmas Party premiered at Disneyland on November 2, 2001, for the 2001 holiday season. But that was the end of its run. In fact, that was the end of having Christmas shows in the Fantasyland Theatre. Minnie’s Christmas Party was virtually nonexistent in scope. The set was simplistic and flimsy enough that vibrations from the passing monorail caused it to shake so violently that an earthquake was hastily written into its plot. The plot — humans visit Minnie Mouse on Christmas — was dispatched with in five seconds followed by 45 minutes of yelling, jumping up and down, and painful stretches of up to minutes with performers standing in stunned silence. The script seemed to be written for children under the age of 1 year old.

 

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The Christmas Factory (Athens, Greece)
If you are outside of the country of Greece, the Greek National Tourism Organization would like you to believe that The Christmas Factory, “the most fabulous factory of Christmas”, has returned to Technopolis – City of Athens in Gazi from November 28, 2015 to January 6, 2016. It is claimed this amazing theme park is installed in the centre of the city and – “with the help of elves, fairies and goblins – aims to spread the magic of Christmas to all visitors to Greece”. Holiday travelers to Athens are told of the games, sweets, ‘cheats’, songs, presents, awards awaiting them at the Santa’s House, the Toys Factory, the Digital Christmas, the Sweet Factory, the Ice Rink, the Carousel, the Train, the Wheel and the Slides “thanks to these fanciful heroes”. The interesting thing is that there is no advertising for The Christmas Factory inside of Greece. That is because there is no money in Greece to produce The Christmas Factory this year. Visitors lured to Athens by the florid advertising for The Christmas Factory which is widespread throughout Europe, paid for by God knows whom, will, upon reaching the site of The Christmas Factory, find instead a single mechanical man statue dressed in a Santa Claus costume that has seen better days standing on the sidewalk. His recorded and looped voice thanks whoever has found him for visiting Greece in its time of need. You will also find two members of the military stationed near the Santa Claus mechanical man who will confiscate your phone or camera if you try to take a picture.

 

 

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p.s. Hey. ** David Ehrenstein, Happy Xmas to you should such a wish be relevant. Oops, about the top gif. Err, I’ll find a replacement. Wonderful backstory stuff about Visconti, much appreciated. That’s an awesome favourite Xmas song, I must say! Glad to see mine isn’t the only blog that’s marking the occasion. Everyone, After you’ve had Xmas at DC’s, or, well, before or during if you prefer, go spend Xmas at the FaBlog where David has done up a festive, timely, Ehrensteinian shebang for you. Here. ** _Black_Acrylic, Happy happy! Well, I suppose if my Xmas morning wasn’t exactly like every other of my mornings, I would take the blogging day off, but … Your day ahead sounds most lovely. Hope it is/was. ** Misanthrope, I hope your gifts contain worlds. You’re reading Welty. That is something of a surprise. I haven’t read that one. I’ve quite liked what I’ve read by her. Denis Johnson: I think ‘Jesus’ Son’s’ status as a modern classic is fully justified. Killer writing. I like some of his early novels. especially ‘Resuscitation of a Hanged Man’, which I think is my favorite. I remember thinking ‘Already Dead’ had great stuff in it but was maybe a little drawn out. I haven’t read the last few. But, yeah, I would say read ‘Jesus’ Son’ at least, if you haven’t. Have a super swell big day. ** Grant Maierhofer, Hi, G. Thank you for asking him to send me the book. I love that press, Inside the Castle. One of the very, very best out there for sure. Thanks about the holidays. They’re being … fair to me, I guess I would say. Have a great whatever you do today. ** KK, Yeah, I’m definitely gonna hunt that down. Maybe today. Glad you’re working on the new book. Oh, I think books should be as long as they are and no longer even if that makes them slightly harder to get published (… although I think the stigma that short books are harder to publish is a bit of a lie. That said, my new novel, which is quite short, has gotten ‘would you consider fleshing it out’ comments from editors, but when I say no, absolutely not, that doesn’t seem to be a rejection trigger.) IHOP. and with a Satanist no less. I miss IHOP. I was just longing to eat at an IHOP just the other day. I hope there are shitloads of gifts for you under a tree somewhere today. ** Corey Heiferman, Happy Xmas and/or its equivalents to you! No, the buche I ended up getting — by default since my top choices were sold out — is one with a sparkler in it that you light and that then not only gives you a little cake-bound fireworks show but supposedly also ‘reinvents’ the buche, but I’ll believe it when I see it, meaning as soon as it gets darkish here, meaning around 4:45 pm. I’m an early to bed, early to rise guy, and it seems to make me productive. Infatuations are such a great idea fuel. For me, historically. Cool. There are no murkier waters than those, so says I. I went bi-slanted-towards-heterosexual for about a year or so in the early 80s, and I liked it. It was very invigorating and strange while it lasted. I’ll look at that Jan Nemec vid thing, thanks. I’m used to watching films without English subtitles. Well, in fact I basically live in foreignness without English subtitles. Glad you and Quinn mutually located. If anything out of the ordinary happens on his designated day, max it out. ** Barkley, Hi, Barkley! A very, very Merry Xmas to you!!!!! ** Okay. I decided to give you a gloomy Xmas, or sort of gloomy depending on how you define gloom. Anyway, enjoy your todays, and I’ll see you in the Santa-free world tomorrow.

Billy Miller, Christian Siekmeier, and Bernard Welt present … Straight to Hell — In Cock We Trust *

* (restored)
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One man’s meat
Bernard Welt

Some twenty years ago, Boyd McDonald began publishing out of his apartment a journal of men’s true, prodigiously explicit accounts of homosexual sex, entitled Straight to Hell – a.k.a. The Manhattan Review of Unnatural Acts, a.k.a. The New York Review of Cocksucking, and later – amid an alphabet soup of mainstream publications like GQ, W and HG – archly and elegantly styled S.T.H. Eventually McDonald, who dies in 1993 at the age of 68, edited the anonymous autobiographical letters to S.T.H. into more than a dozen books with titles such as Meat, Filth, Flesh, and Raunch. All were best-sellers in gay bookstores, somewhat to the embarrassment of the gay literati.

The essential democracy of the project is inspiring: Every man becomes his own Henry Miller, every sexualist his own Jean-Jacques Rousseau. It is conventional to claim that smut makes weary reading, but the autobiographical accounts in S.T.H. are sprightly, involving, full of intense interest and detail, and offered without the tiresome self-justification of most writings at the margins of society. In contrast to most contemporary fiction, the memoirs in these collections are precise in their aims and entirely without affection in their style. McDonald developed a distinctive manner of titling his contributors’ stories to parody the news items, so trenchantly that the editor’s statement is made even before the autor begins to speak: “Baptist Boys Do It, As It Were, In Church”; “Typical ‘Straight’ Admits Weakness for Friend’s Tongue”; “Youth Leaves Damp Underpants for Host to Sniff”; “The Love That Dare Not Speak Its Name: Armpit-Sniffing.”

These reminiscences are news that stays news. McDonald insisted that what he printed was not pornography, which for him meant the trite, self-conscious fantasies generated by guilt and timidity that were increasingly available in the 1970s and ’80s through an increasingly commercial salacious press. He published The Truth, in a manner of a crusading journalist – a photographer without a camera – with the serious intention of assembling documentation of homosexual sex in its “classical” age, 1940-1980. The result is a kind of oral (as well as anal and genital) history, taking the reader into terrain at once strange and familiar: the unacknowledged corners of life where repression is not lifted, but exploded to bits. In contrast to pornographic fantasy, the meaning of every scene, scent and sensation in McDonald placed before his eager public is simply that, however american life has been represented in the official organs backed by business, state, and religion, such things actually do happen.

In effect, McDonald was not only a documentarian, but one of the great satirists of the age, if a satirist primarily by proxy. The needs and products of the body horrified Swift and disgusted Orwell; even to William Burroughs, they are a dark rather than joyful secret. But McDonald saw them as literally the essence of life, betrayed by the hipocrisy and pretensions of a society in which men are trained to seek power and reject love. The emblem of his stance is an illustration he once used in S.T.H.: a male nude with a with the caption, “I am not just a human being, I am a piece of meat.” Through the sheer abundance of true stories, McDonald presents a picture of homosexual sex as a nearly universal male experience, in pointed contrast to the contemporary ideology of homosexuality as special identity. In the world of the S.T.H. book, every barracks shower is an orgy room; every Boy Scout jamboree is a festival of sexual initiation; every conservative politician and clergyman pays male hustlers for sex. Everything men do to bond or compete in sports, war and politics is a sublimation of, if not a substitute for, homosexual desire.

Just as the cutting-off point of the classical period at the start of the age of AIDS is no accident, neither is the writers’ intention of getting the reader hot and bothered – providing, like phone sex and porn flicks, an alternative to the risks of in-person sex. This may help to explain what separates the S.T.H. books from the common run of heterosexual pornographic fantasy: not so much the obvious difference in subject matter and object of desire as the relation they establish between writer and reader. The relentless popular discussions of hetero porn lately focus on an imaginary relation, one between the consumer and the person – the woman – portrayed as a sexual object. The actual relation of the real partners in the pornographic communication – the sender and the receiver, the producer and the consumer – is generally ignored. It is for this reason that verbal and pictorial porn can be treated as functionally equivalent by advocates of censorship (as well as by free-speech advocates), when what really transpires in the two cases is so manifestly different. What we see in the war against pornography is an effort to slap the naughty consumer’s hand (the one that he has free) and make him drop the manufactured fantasy before it warps his mind and stunts his growth. But the whole point of pornographic communication is that masturbation no longer becomes a solitary vice; the consumer of pornography is, in reality, never truly alone with his fantasies and hist fist.

Hetero porn is produced almost exclusively for men, and almost as exclusively by men. It is rarely, in actuality, a matter of women getting men hot, but of men getting men hot – by telling dirty stories about women, or presenting dirty pictures of women. Thus, the prudes are partly right to say that porn is essentially adolescent; its system of production and consumption is one great circle jerk. What they fail to recognize, however, is that this homosexual circle endures in adulthood not as a kind of arrested development, but as a perfectly ordinary factor in heterosexual response – an evidence by the way that male mammals of any species are aroused by each other’s arousal, or by the bewildering emphasis on the “money shot” in pornographic films produced for the straight male consumer. (I have only recently learned that there are phone-sex lines on which straight men can swap heterosexual stories while they jack off; to a gay man, this seems not only titillating but truly queer.) The very real homosexual component in heterosexual relations is impossible to separate out, and the fantasy relation to a sexual object in verbal pornographic communication among men conceals an actual homosexual relation, mediated by the printed word. But that relation may never, ever be acknowledged.

It is at least possible that the notorious aggression towards women in heterosexual porn, far from being an entirely contextless display of men’s violent fantasies about women, results from the repressed homosexual situation of heterosexual porn. It may be a matter of self-presentation in the homosexual circle, reflecting how both the producer and consumer want to be perceived by other men – especially in the intimate and vulnerable conditions of the pornographic communication. (This is not to say that this styled of pornography doesn’t inspire men to degrade women and commit rape; I don’t see how anyone, however committed to the freedom of expression, can deny that it does.) The emphasis on domination in heterosexual pornography is a whining attempt to find love – but the love of other men, the real partners in the sexualized relation of pornography, and not that of the imaginary subject of fantasy. In the first-person account of the S.T.H. books, the homosexuality of the writer-reader relation is openly acknowledged as the whole point of communication.

McDonald said that his mission was to replace pornography with smut – by which he meant to talk about sex that is truthful, idiosyncratic, and honest even about its own reason for being. Contemporary crusades against pornography focus single-mindedly on the eradication of certain kinds of representation that are deemed dangerous influences on attitudes and behaviors. They may well be; but to argue for repression is to neglect that in any struggle over ideas, falsehoods and fantasies do not yield to a determined silence, but to truth. For that reason, what we need is not a moratorium on any one kind of imagery or speech. What we need is more smut. (March 1994)

Welt, Bernard: One man’s meat. In: Welt, Bernard: Mythomania. Fantasies, Fables and Sheer Lies in Contemporary American Popular Culture. Art Issues Press, 1996. pp. 58-62.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Exhibition

Straight to Hell (a/k/a The Manhattan Review of Unnatural Acts) is a living legend. Conceived and founded by cult writer Boyd McDonald in the early 1970s, it quickly gained a large following and underground notoriety due to a combination of graphic sexual content, radical politics and stinging wit. The unique concept of Straight to Hell remains unchanged: via a New York City P.O. box, readers are invited to send their accounts of true sexual experiences to the editor. Over the decades Straight to Hell has become an infamously comprehensive and uncensored library of homosexual practice and identity. The resulting series is a uniquely democratic and powerful collection of bizarre, funny, scary, and raunchy stories documenting the real and often embarrassing sex lives of a wide range of men – detailing a continuous chronology spanning nearly a century.

Exile is honored to inaugurate its residency space with an exhibition curated by current editor Billy Miller. Straight to Hell – In Cock We Trust presents an eclectic, and in some cases never before seen, selection of vintage and contemporary materials from the archives of Straight to Hell and the personal collection of Billy Miller. This particular exhibit is specifically not intended to be a historical overview over the complete story of the series, but rather a sample of the range of material featured in the pages of the magazine. Along with an exhibit of photography from Straight to Hell contributors, the show includes rare editions and ephemera – plus samples from edited anthologies, which will be made available for research during opening hours. Exile will also present a very special limited-edition artwork in honor of the occasion.

Participating Artists: Adam Kozik, Al Baltrop, Bob Mizer (A.M.G.), Brian Brennan (Latino Fan Club), Bruce La Bruce, Dan Acton, Darren Ankenbauer (Handbook Magazine), David Hurles (Old Reliable), Gary Indiana, Jan Wandrag, Janine Gordon, Joe Ovelman, Michael Alago, Michael Economy, Nico Urquiza, Paul Mpagi Sepuya, Rick Castro (Antebellum), Scott Hug, Slava Mogutin, Stash Buttinski, Steve LaFreniere, Walt Cessna, Will Munro, Xavier Stentz and others

http://straight-to-hell.net

 

Exile is organized in seasons consisting of three residency projects and one corresponding exhibition. Exile’s objective is to give selected artists the opportunity to come to Berlin and present themselves and their work to the public. Projects at Exile can range from curated exhibitions to artistic collaborations to site-specific installations. Visitors are invited to meet the artist and engage in his/her/their creative process.

By definition exile implies not just a loss but also the opportunity to create something new. It is a clean slate and a fresh start. Exile offers its space to develop and present artistic ideas and projects beyond expectations, limitations and margins. The use of the space during the residency solely depends on the resident artist’s practice and interests. Exile can be a temporary art studio, screening room, workshop, store, and/or gallery.

Exile is a private space that consists of two distinctly different areas that inform each other: The Ground Floor residence offers a four-week 100 sqm (about 1050 sqft) typical Berlin industrial warehouse space. This space is solely for the use of the resident artist. Here, he/she is invited to create independently according to his/her own creative and conceptual vision.
The third floor gallery space focuses on exhibitions of visual materials and artworks that connect, embed and contextualize current and historic artistic practices.

Exile is a public space. Regardless of its use, Exile will be open to the public during opening hours. The visitor will have the opportunity to engage in an artistic process and see, depending on the program, the resident’s work in progress. In the third floor gallery the visitor will have the chance to engage with the works on display in a more private and focused way. Further, each residency will be accompanied by a selection of public events according to the interests and practice of each resident. Such events can include openings and screenings as well as talks and panel discussions.

Exile is an open space. Exile encourages applications. There are no prerequisites or criteria to fulfill. There are no application forms, no fees and no deadlines. Exile will try to answer, as much as possible, all proposals in due time.

Exile
Alexandrinenstr 4, HH
D – 10969 Berlin

Contact: Christian Siekmeier
+49.176.83097626
info@thisisexile.com
http://www.thisisexile.com

Opening Hours: Thu – Sat 12-6pm and by appointment

 

 

The Exile: Straight to Hell Special Edition (200 copies)

O.o.p.

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p.s. Hey. ** David Ehrenstein, Hi. Everyone, Mr. Ehrenstein’s FaBlog takes on the chatter magnet du jour — aka the movie ‘Cats’ — in his inimitable style under the title What “Cats” Dragged In. ** Nick Toti, Thank you again so, so much, maestro! ** NLK, Hi, Nick, good to see you! That is a killer shot. Thanks for all the good words about Nick Toti’s work. I agree big time. Best holidays to you if you’re holidaying. ** megan boyle, Hi, Megan. So great to have you here, and I’m so happy to have your great work splashed all over this blog’s front pages. Respect to you! ** Steve Erickson, I’ve heard of that series but haven’t it. You? ** Thomas Moronic, Hi, T! I hope your Xmas break is paying off in creative and/or peace-providing dividends. ** Ferdinand, Hi. Uh, I’m pretty sure the German versions of those books and of all the Cycle novels in general used the English language titles, but my copies are in LA, so I can’t check right now to make sure. But I’m pretty sure. ** Okay. Here’s a triply guest-edited, formerly defunct post from way back in time for you. Can’t vouch for the survival of what’s on the other sides of the links, but here’s hoping. Enjoy, etc. Thanks. See you tomorrow.

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