My films are intended as polemical statements against the American ‘barrel down’ cinema and its dis-empowerment of the spectator. They are an appeal for a cinema of insistent questions instead of false (because too quick) answers, for clarifying distance in place of violating closeness, for provocation and dialogue instead of consumption and consensus. -– Michael Haneke, “Film as Catharsis”

‘Michael Haneke is arguably Europe’s most esteemed and most controversial filmmaker. After twenty years of directing for the cinema, he has earned a place in the pantheon of the most acclaimed active auteurs. His feature Benny’s Video (1992) shocked crowds with its restrained, antipsychological portrait of a teenager who kills a young girl “to see how it is”. Funny Games (1997) inspired a fierce debate on how one can interrogate violence in film. On the whole, Haneke’s polemical programme attempts to lay bare the coldness of Western society and challenge Hollywood’s blithe treatment of violence. With acknowledged influences including Andrei Tarkovsky, Jean-Marie Straub, Michelangelo Antonioni, Jon Jost, Abbas Kiarostami and above all Robert Bresson, his recent work has garnered a host of accolades and arthouse success. Caché (Hidden, 2005) won the Palme d’or and was voted by The Times as the “film of the decade”. Das weiße Band (The White Ribbon, 2009) earned Academy Award nominations for Best Cinematography and Best Foreign-Language Film.

‘Born in 1942 in Munich, Michael Haneke grew up in the Lower Austrian city of Wiener Neustadt. He studied psychology, philosophy and theatre at the University of Vienna and wrote film and literature reviews on the side. From 1967 to 1970 he worked as editor and dramaturge at the southern German television station Südwestfunk. It was in 1970 that Haneke began writing and directing films and (similar to most Austrian directors of his generation) his initial experiences behind the camera were projects for television. Haneke has also directed a number of stage productions (including Strindberg, Goethe, Bruckner, and Kleist) in Berlin, Munich, Vienna and Paris. His first film intended for cinematic release, Der siebente Kontinent (The Seventh Continent), premiered in 1989.

‘Writers retrospectively plot a director’s career as a teleological historical narrative with a familiar literary pattern, in this way circumscribing his or her works for the sake of a neat (if contrived) principle of organisation. Examining a living, very much active filmmaker is problematic and, I would argue, assessing Haneke is particularly challenging. No sooner has a commentator made a “definitive” pronouncement on what does or does not characterise Haneke’s oeuvre, than the director defies all expectations. After being initially positioned in the context of Austria’s television and film (cottage) industries and cultural politics, for example, he moved his operations to Paris and began making French-language “European” films with high-profile arthouse stars and multinational funding. Over the years, Haneke has regularly issued devastating squibs denouncing the manipulative American cinema (see the epigraph to this essay)—and then proceeded to make a picture with Hollywood money. After years of nostalgic recuperations of celluloid materiality and cinematic spectatorship, he began to make films that depend on digital technology and demand DVD viewing.

‘In spite of my own admonition against trying to pin down a moving target, I will attempt to work out a few characteristics of Haneke’s cinema and the experience of watching it. Although these principles do not apply equally to each individual film, they provide a framework to begin to approach the director.

‘Stories chronicle the failings of emotionally cold individuals and the implosion of bourgeois social structures when placed under a complicating duress.

‘Culturally, these narratives concern and comment on the identity politics of European class systems, gender roles and ethnic hierarchies, as well as the individual and collective guilt that these structures engineer.

‘Narrative forms tend toward the episodic and elliptical. Befitting art cinema practices, characters’ motivations remain obscure and their goals ambiguous; clear narrative resolutions are foreclosed or made impossible to determine. Haneke’s cinema provokes, demands but ultimately frustrates interpretation.

‘Stylistically, Haneke’s work favours the long take over montage and static shots over camera movement. Specific patterns of editing, framing, sound design and performance produce an uncomfortable viewing experience that, at best, invites a critical attitude towards media, images and the representation of violence and, at worst, uses these elements as titillation or authorial signature.

‘More so than the works of other filmmakers, watching Haneke is coloured by his media performances, theoretical observations and self-analyses. On the festival circuit and in provocative interviews, an ensemble of Hanekean provocations and buzzwords (e.g., “Every film rapes”; “I want to rape the viewer into independence”) competes with the viewer’s experience and invites critical attacks.’ — Mattias Frey

 

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Stills

 

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Further

Michael Haneke @ IMDb
Where to begin with Michael Haneke
Michael Haneke, The Art of Screenwriting
Michael Haneke @ MUBI
Michael Haneke @ Twitter
Michael Haneke’s Harrowing Excavations Of Modern Society
Michael Haneke @ letterboxd
Book: The Cinema of Michael Haneke
Michael Haneke @ No Film School
Michael Haneke Interview: Uncut
Book: A Companion to Michael Haneke
A View to a Kill: Michael Haneke’s “Cache”
Michael Haneke: ‘I use the internet, but I don’t have time to waste on social media’
Michael Haneke • Great Director profile
Michael Haneke assesses his oeuvre
Michael Haneke Talks ‘Happy End,’ Dangers Of Social Media, Immortality & More
Michael Haneke interview: the master of misery cinema on selfies, Snapchat, and ‘the despair that comes after the tears’
A Minute With: Michael Haneke
Michael Haneke: The Intermedial Void
Michael Haneke: ‘I hope all my films are obscene’
Michael Haneke Goes Cruelty-Free With Amour
Michael Haneke by Lawrence Chua
The Conversations: Michael Haneke

 

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Extras

Michael Haneke on Long Takes

Les Génériques de Michael Haneke – Blow Up – ARTE

Michael Haneke with Monika Schärer at the ZFF Masters

 

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Interview

 

In our first interview 20 years ago, when The Seventh Continent came out, the question of religion took up quite some space. You talked a lot about Jansenism, Pascal, and Bresson, for instance. And in later years, theologians have engaged with your work in books and conferences. Nowadays, you rarely talk about such issues, but The White Ribbon is a film that directly tackles religion—in its less transcendent aspects, of course.

I don’t mind this approach to my work, but I am not a religious filmmaker. Not at all. The Seventh Continent is a much more existential film than The White Ribbon, which deals more with the surface of religion, its negative political side; the question of God is not raised at all. No religion automatically spawns terror, it’s always the churches and people who use the basic religious needs of others for their own ideological ends, in conjunction with education and politics. Faith per se is something positive; it generates meaning. I for one have no religious faith anymore. Tough luck! Because if you do, you have a different, more contented view of life. For the Jansenists, the existence of God survives in his remoteness or unavailability. You can say that this is only wordplay, but it’s closer to one’s sensations than a purely rational explanation. You can rationalize and explain away the feeling of being overwhelmed by nature, for instance, but the feeling remains.

You already mentioned that you were baptized as a Protestant, but you’ve also told me that you grew up without seeing much of your father and that you were educated by three “mothers” in cozy Catholic surroundings—which you disliked. Your upbringing must have been quite the opposite from the pastor’s kids in The White Ribbon.

Since puberty, I‘ve always defined myself by taking a certain distance. I see it even in everyday conversations. That’s also why I’m not good at accepting accolades. How should I say . . . As soon as a majority takes shape, I’m against it on principle. It’s instinctive. Whenever people agree on everything, I get aggressive. At school, I didn’t go to Catholic religious instruction—we had Protestant instruction once a month, and I enjoyed being different from all the others in my class. I never liked being slapped on the back, and I don’t want to do the back-slapping myself, either. I was a loner as a kid and I’ve remained that way. I’m not especially proud of it, of course, it’s just a fact.

In the reception of your films, violence and its media depiction are often discussed as your major theme. But there may be a larger term that defines your interest better and that includes violence, namely the notion of lovelessness. It’s also at the center of the new film.

Doesn’t all dramatic work deal with this? Chekhov at least, who is the greatest dramatic writer next to Shakespeare. He is so heartbreaking in Uncle Vanya, the way he presents carelessness and the desperate longing for a love that, in the end, one is unable to muster anyway. And it’s also what’s prevalent in daily life, the feeling of a lack of love that everyone is afflicted by.

But since the fetish of love in all its variations has been such a core element of middle-class ideology for two centuries, it’s not surprising that the great artworks of this same era regularly uncover the actual lack of love in bourgeois relations. It’s an important type of social critique, and I see your films as part of this tradition—even though you don’t tend to view them as explicit social critique.

Well, I’m certainly a part of bourgeois culture, and I do view the society I live in as pretty loveless. In The White Ribbon the theme probably presents itself more pointedly, almost in model form, because of the historical distance between the story and ourselves. But it’s not limited to works from the past two centuries. I think that poems or artworks from earlier times appear to us through our own framework. You read or hear something that was made in the 17th century or in antiquity and you draw it toward you. Otherwise we wouldn’t be moved by so many creations from the distant past. There is a continuity of certain themes that can’t be dismissed, even if the forms of social life and artistic expression undergo massive changes.

I’m interested in the topic of education and its representative in The White Ribbon, the teacher and narrator of the film. In many ways he departs from the rigidity, cynicism, or brutality that the other figures of authority often show—the pastor, the doctor, the steward. The teacher is the only male character who really asks questions, almost like a detective, and he’s also the only one who is allowed a genuinely sweet love story. But we never really see him in his job, teaching things to the pupils or bringing some enlightenment. It’s almost as if he becomes part of the repressive system by default, his potential as an alternative figure not fully realized.

Yes, of course. On the one hand he is a bit of an outsider from the start. He’s a counterweight in the whole construction, someone who takes a distance and has his doubts. Teachers often play this role. Look at how Wittgenstein practiced his job as a schoolteacher—he was in direct conflict with the small community where he worked. I also remember one or two teachers from my own childhood who were real idealists. On the other hand, he’s a bit of an opportunist sometimes, for instance when he echoes the pastor’s authoritarian stance toward the pupils. He’s not fully up to snuff in terms of acting as an alternative. To me there are no completely positive or negative characters in the film. The pastor is not evil either, he’s really convinced of what he does. He really loves his children. That’s the horror of it. It was normal to beat one’s kids. When he tells them, “I won’t sleep tonight, because tomorrow I will have to hurt you,” it sounds cynical to our ears, but I think it’s better to believe him. It’s not very interesting to see him as a sadist or as a grotesque mental case. If these people had just been perverts, this kind of behavior wouldn’t have had such broad effects. And I’m not sure if any other system of education is inherently better. It’s always about the individual pedagogical impulse: do you do something just to exert your authority, or to help the other person find his or her way in society—as shitty as society may be. Each educational system is only as good as the person who acts in it.

As a professor at the Vienna Film Academy, you are also a teacher. Do you feel an obligation beyond the professional side, beyond teaching filmmaking, to educate the students in a more general sense?

I guess I’m a relatively demanding teacher because I think it’s no use treating students with kid gloves. At the Academy, they are working with a net anyway, so I try to quickly raise the requirements to prepare them for the professional life. I also try and give them internships on my shoots, but it can’t be more than two per film. And usually I don’t mix with the students on a personal level. I mean, I give advice whenever they call me, but I don’t go out for a beer with them. I don’t believe the role of “best buddy” is something that a teacher or parent should aspire to. I think kids hate that, they find their buddies at school, but in a father or teacher they look for a role model.

After the Cannes premiere, several critic friends asked me which literary work The White Ribbon is based on. But it’s an original script, of course. Can you describe the tone that you were aiming at? What kind of writing were you thinking of when working on the dialogues and the narration?

In terms of the formal mode, I decided on two things early on: to do the film in black and white and to have a narrator. Both are means to create distance and avoid any false naturalism. It’s the memory of someone from that era, so I wanted to find a language adequate to this period. I wanted to write from the feeling of how I had experienced this era through literature. Theodor Fontane is probably the closest I can think of. His writing seems representative. I like this measured language—it gives a kind of dignity to the subject and to the reader, it doesn’t jump at you. It’s gentle and discreet.

It’s pretty daring, I think, to introduce such a strong narrator. Ten or 15 years ago, this might have been deemed old-fashioned, but in today’s film landscape it feels like a radical gesture.

That’s why I felt it was legitimate to do it, and why it was fun. It’s like a slap in the face of what is seen as up-to-date and necessary in storytelling today. And it’s an attempt to provoke a certain attentiveness or thoughtfulness in the viewer that the current narrative models in film no longer provoke, even if they are very refined or complicated. There are also people in music and literature who create highly advanced works and at some point return to a “classicist” mode.

Apart from the creation of distance, are there other reasons for the choice of black and white?

There’s a very important practical reason, too. You need to bluff when making a historical film, because you never find original settings that have remained unchanged. You always have to add to the locations and structures that you find, which is much easier if the end result is in black and white and not in color. If you drive through the former GDR, for instance, you see that the houses have very different colors than ours, made by a different industry that produced different chemicals. Each era and each region have their own color that dies with the specific companies that produced it. I rarely see historical films that seem to get it right in color.

What are the positive exceptions?

Patrice Chéreau’s Queen Margot I find terrific—he manages to create a historical climate for which we have no photographic sources, of course, but which I find fully credible. At the same time, it becomes operatic. Visconti managed to do that too, even better.

So far, the technical side of filmmaking has not been a major topic of discussion about your work. But the look of your films seems to become more important, with Time of the Wolf, for instance, and especially with the new film.

For me, it’s always important, but the more experience you have, the closer you can follow what the cinematographer does. For instance, I always fight for less light when we shoot! In this case we shot on color film, because if you work with candles and oil lamps a lot, you need extremely light-sensitive material, which is unavailable in black and white. It became a black-and-white film only in postproduction. I had a fantastic crew—Christoph Kanter, my art director who I’ve been working with for ages, Moidele Bickel, the costume designer, whom I hired because she had done the costumes for Queen Margot—the best I’ve seen in cinema. She’s a master in creating the necessary patina, clothes that look truly worn. I don’t think a director needs to be proficient in all these crafts, cinematography, set design, etc., but he needs the ability to quickly perceive all details and proportions and see if something is wrong.

Today, digital postproduction also allows you to “fix” things that weren’t physically possible or went wrong on the set.

The only thing that counts is the result, in its effect on the viewer. And if the viewer is being respected in the work, then all kinds of artistic or technical intervention are not only legitimate, but should be required.

Would it be conceivable for you to make a computer-generated film in the manner of Pixar, provided it were possible to render fully realistic, lifelike images of humans?

Absolutely. It could be total cinéma d’auteur. But the pleasure and the value of collaborating with others, primarily with the actors, would be gone. The kind of tension that you always look for, between a written part and a real person who inhabits that part with all the additional qualities that are unique to this actor—that element would be gone.

 

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14 of Michael Haneke’s 24 films

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The Seventh Continent (1989)
‘The Seventh Continent is the work of a developing artist (keeping in mind, of course, Haneke’s years in theatre and television), but the film dates extraordinarily well. Its major themes find more focused exposition in the extraordinary La Pianiste, a work adapted from another source but unmistakably Haneke’s in its major concerns. Like the devastating news account from which the film is drawn, The Seventh Continent is a horrendous announcement of the demise of a civilisation.’ — Christopher Sharrett

Trailer

Excerpt

Michael Haneke discusses The Seventh Continent

 

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Benny’s Video (1992)
‘From its startling opening, featuring video footage of a pig being slaughtered with a bolt gun, it’s clear that Michael Haneke’s second feature is unlikely to pull its punches. After all, in his previous film, The Seventh Continent (1989), Haneke featured a family locking themselves in their own house, destroying it out of sight of the prying eyes of the world and, when there is nothing left, finally despatching themselves. If that film satirised aspects of Western middle-class life, Benny’s Video had its sights aimed at the way we consume media and what we regard as entertainment.’ — CURZON

Trailer

Excerpt

Deleted scenes

 

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Die Rebellion (1993)
‘Andreas Pum lost a leg and won a medal in the war. Even after the general breakdown he still maintains a firm belief in the legitimacy of order and the authority of the state. When he himself gets caught up in the wheels of the state apparatus, he begins to reconsider his values. Too late. Dying he renounces his god.’ — AFC

the entirety

 

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71 Fragments of a Chronology of Chance (1994)
‘This cerebral Austrian mystery, by avant-garde director Michael Haneke, will disturb those viewers with the patience to wade through it. The film begins with a grisly mass killing. It was Christmas eve 1993 and a 19-year old student inexplicably murders several people and then kills himself. The fragmented film flashes back to October 12 and then progresses toward the fateful night. Throughout the film many characters appear and suddenly reappear. A homeless teenaged Romanian exile roaming Vienna’s streets and begging provides continuity. Each fragment begins with a newscast that functions as a surreal Greek Chorus One shows footage of the war in Sarajevo, and the other is a story about Michael Jackson.’ — Sandra Brennan

Excerpt

Excerpt

 

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Das Schloß (1997)
‘Existential drama directed by Michael Haneke and adapted from the novel by Franz Kafka. Land surveyor, K. (Ulrich Mühe), arrives at a small village that houses a castle. Though he was invited to the castle by officials, authorities refuse to allow him to enter and befuddle him with increasingly bizarre bureaucratic obstacles. K. grows perplexed by this and ultimately feels alienated from the society he has entered into.’ — Blackwell’s

Excerpt

the entirety

 

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Funny Games (1997)
‘Michael Haneke’s most notorious provocation, Funny Games spares no detail in its depiction of the agony of a bourgeois family held captive at their vacation home by a pair of white-gloved young men. In a series of escalating “games,” the sadistic duo subject their victims to unspeakable physical and psychological torture over the course of a night. A home-invasion thriller in which the genre’s threat of bloodshed is made stomach-churningly real, the film ratchets up shocks even as its executioners interrupt the action to address the audience, drawing queasy attention to the way that cinema milks pleasure from pain and stokes our appetite for atrocity. With this controversial treatise on violence and entertainment, Haneke issued a summation of his cinematic philosophy, implicating his audience in a spectacle of unbearable cruelty.’ — The Criterion Collection

Trailer

Excerpt

Excerpt

 

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Code Unknown (2000)
‘This isn’t necessarily Haneke’s best film (though it’s certainly in the running), but it’s definitely his least hectoring and (befitting its title) his most mysterious. Indeed, it takes a long time just to determine what Code Unknown is about, as its multiple narratives appear largely unrelated. Characters from one story occasionally encounter those from another, but not in the usual way that suggests everything is connected—it seems more like a means of imposing some small degree of structure on what’s basically a series of non-comedic blackout sketches organized around a common theme. Eventually, it becomes clear that Haneke is interrogating the idea of intervention, as it plays out between lovers, between strangers, and between nations. That may sound tediously academic, but Haneke’s skill at orchestrating almost unbearably visceral confrontations makes it anything but.’ — AV Club

Trailer

Excerpt

Michael Haneke on Storyboarding CODE UNKNOWN

 

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The Piano Teacher (2001)
‘The films that have followed The Piano Teacher have referred more and less directly to problems of postcolonialism and migration. In some, like Time of the Wolf (2003) and Caché (2005), these are the explicit focus. In others, like Amour (2012) and Happy End (2017), the fragility of the European Union stands in the background—in immigrant workers waiting to be paid; in refugees flooding the city of Calais. Using the same actors and even variations on the same characters again and again, Haneke inscribes these problems within the family, giving his corpus a quality that critics have called taxonomic: he examines the possibilities of contemporary (haute) bourgeois life in an increasingly volatile political reality. And the disaster is ongoing.

‘Yet The Piano Teacher mostly eschews historical and sociological questions. Instead, it stakes its claim on the continued vitality of an endangered European tradition—not classical music but the art cinema itself. Positing a masochistic spectator who wants to suffer through a film like this one, it makes a bid to turn us into teachers—or its transmitters. The paradox is that it works, and that this may mean accepting, as Erika muses in the novel, that “art is no consolation.”‘ — Moira Weigel

Trailer

Excerpt

Isabelle Huppert Discusses “The Piano Teacher”

 

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Time of the Wolf (2003)
‘I originally wrote it as a science-fiction film, and now it’s set in the present. The audience no longer has to be prepared for the possibility of catastrophes happening. I was working on the screenplay for a different film when I was bowled over by 9/11, and I thought, “Something which has a lot in common with Time of the Wolf is happening here.” It was originally supposed to be my first project with Isabelle Huppert. Despite her support and that of the now-deceased Toscan du Plantier, financing the project wasn’t possible: too expensive, too complex, not a lot of fun, in other words difficult to sell. Thanks to the success of The Piano Teacher, backers were prepared to invest more money, and because of the material’s unfortunate currency due to 9/11, it suddenly became possible.’ — MH

Trailer

Excerpt

THE MAKING OF

 

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Caché (2005)
‘The crux of the problem in Hidden, as it often is in the work of Haneke’s artistic soul mates, revolves around questions of control, of power and emotional manipulation—more precisely, who is behind the surveillance tapes and what was their motive in making and sending them. Imagine the scenario of Rear Window re-presented from the perspective of wife-murderer Thorwald rather than voyeur-sleuth L.B. Jeffries (minus the resolution, of course). Except in this case the plaintive cry delivered by Thorwald when he enters the lair of his eager tormentor—“What do you want of me?”—is delivered by guilt-ridden investigator Georges to a hapless victim, when it should be directed inward at the deceptions propping up his fatuous sense of self. Once again, this is typical film noir turf implanted with the fleurs du mal of contemporary crisis. We feel insecure, stressed, threatened by elusive forces whose connection to us as individuals is obscure. Yet we can’t quite shake rumbles of complicity, of having acceded to something for which we will ultimately be held accountable and from which our unprecedented standard of living cannot protect us. It is this heart of darkness that beats beneath the icy surface of Haneke’s films. An unwelcoming site, we avoid it at our peril.’ — Paul Arthur

Trailer

Excerpt

Excerpt

 

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Funny Games (2007)
‘Regardless of what version you are watching, Funny Games is a painful watch, acting as a rather soulless one hour and fifty-minute essay in violence on screen and how we need to change our ways. It is one of the few films I have watched in my lifetime that actively positions itself against the viewer and takes every conceivable opportunity it can to anger you. Then again, maybe it was not supposed to be enjoyed in any conventional way, especially when taken for what it is: a filmic experiment into our enjoyment of violence and nothing more.’ — David Monaghan

Trailer

 

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The White Ribbon (2009)
‘I always like to feed the viewer’s distrust of what they’re shown in film. That’s expressed in The White Ribbon solely when the narrator says, “I don’t know if all the details of the story I’m going to tell you are true, a lot of it’s hearsay, etc.” The film’s story is told in a contradictory way – it’s not that we see only what the narrator was actually able to see. There are also scenes where he wasn’t there. That’s my wink at the beginning, to make it clear that we’re not dealing with a factual account, but someone’s construct made in an attempt to reconstruct the truth. The film never claims that “This is how it was.”’ — MH

Trailer

Excerpt

Trailer

 

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Amour (2012)
‘Amour will, I believe, take its place alongside the greatest films about the confrontation of ageing and death, among them Ozu’s Tokyo Story, Kurosawa’s Living, Bergman’s Wild Strawberries, Rosi’s Three Brothers and, dare I say it, Don Siegel’s The Shootist. It’s worthy of being discussed in the same breath as the novels and plays of Samuel Beckett, of which Christopher Ricks wrote in his bitingly perceptive Beckett’s Dying Words: “We know about our wish to go on being, we human beings, our wish not to die. Samuel Beckett, who rigged nothing, fashioned for himself and for us a voice, Malone’s, at once wistful and wiry: ‘Yes, there is no good pretending, it is hard to leave everything.’ These are the accents of a consciousness, imagining and imagined, which braves the immortal commonplace of mortality.”‘ — Philip French

Trailer

Excerpt

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Happy End (2017)
‘Happy End unfolds in short, oblique scenes, including a number of video recordings whose authorship is either mysterious (à la Hidden and its unlabelled videotapes) or purposefully disembodied (as in security footage of an industrial accident). Context is absent; exposition is non-existent. This return to form(alism) is self-conscious, and one way to read – and quickly dismiss – Happy End is to characterise it as a greatest hits album of sorts, with all the old Haneke classics, from sociopathic teens and monstrously self-involved bourgeois parents to class warfare, racism and assisted suicide in one handy tracklist. Such a characterisation, while not inaccurate, ignores the subtle but significant shift in the material towards a lighter, though hardly benign, seriocomic tone.’ — Adam Nayman

Trailer

Excerpts

Excerpt

 

 

*

p.s. Hey. ** Misanthrope, It’s an angle. The kiddos just need to be indoctrinated in Halloween goodness then nature will take its course. Ha ha, I can’t believe that I remember that ‘Gilligan’s Island’ episode but I do. Enjoy the pay, man, and the work too if necessary. ** Dominik, Hi, D! Yeah, they made it through. Just had to delete a couple of boners and a fist-in-an-ass pic. I’m not on Instagram but, based on Facebook’s suggestions and targeted ads, they really don’t get me at all. Like I must have clicked on a link related to The Killers out of boredom or something at some point because now Facebook thinks I must be interested in every tiny career move they make. If my last love wish comes to fruition, toss me a little slice so Zac and I can make our movie, ha ha. Aw, now that’s some perfectly targeted and kind love from you right there. Every drag artist you love standing in a huge crowd on the street below your window singing your favorite love song at the top of their lungs, Dennis. ** justin, Hi, Justin! Oh, cool, you found the book. Let me know what you think of it if you remember and feel like it. It was really nice to get to interact with you for a minute during the Zoom thing. Hopefully the first of many future tete-a-tetes. Obviously, feel way more than free to come in here and hang out whenever the mood strikes. It would be a total pleasure. Take care. ** David Ehrenstein, You managed to post! Everyone, Mr. E’s new FaBlog thing is called ‘A Feces in The Crowd’, and it seems to be about the most horrible you-know-who in the world. Here. ** G, Hi Golnoosh! I think you’ve hit on something with loonyhole. Should we set up a Zoom workshop for him? My toe improves albeit extremely gradually, thank you. Yes, you must come visit France as soon as hell on earth lifts! Aw, thanks about ‘The Weaklings (XL), and thanks to Mr. Moore too if he’s out there. What does your teaching involve? Stress aside, is it interesting and promising so far? ** wolf, W-w-w-w…! I saw the Celmins retro in San Francisco. I know it was in NYC too, not sure where else. I don’t think it’s scheduled for a Paris visit, but who knows these days. She’s a friend of mine, although I haven’t seen her in a long time. But when I lived in NYC I used to visit her and hang out a lot. She’s wonderfulness incarnate and a real toughy at the same. Great combo, you will surely agree. I think every museum in Paris is now open except for the Jeu de Plume which doesn’t open until next April for some unknown reason. Oh, envy on the Steve McQueen show. I really like his videos, much more than his feature films, at least so far. Did you see the double sided one with the Jamaican guy on the boat shown on one side and his grave being dug shown on the other? That was incredible. I can imagine how a gym could keep one sane even though I don’t even really know what one looks like inside, although I suppose it’s a fairly easy guess. ** Ian, Hi, Ian! Stuff is reasonably okay in Paris. Oh, shit, you’ve gone red. We have too, actually, but France is being not so hardcore in its punishment, at least not yet. Ugh. Pozzing is a thing, and pretty popular based on my slave/master searching, but, if I had to guess, I think the reality could easily be that a large majority of the Pozzers/Pozzees are on secretly Prep, and that it’s more of a psychological head trip fetish than an actually endangering one. But I don’t know. I’m not a huge DeLillo fan, truth be told. I think ‘White Noise’ was the last of his books that I fairly fully liked. I greatly prefer the earlier books leading up to that one when he was still pretty economical and less sort of show-offy. I haven’t even tried the most recent couple or few. Yeah, even when I have issues with his work, I’ve never thought a book of his was as anywhere as ugh as ‘The Corrections’. I share your ‘yawn’ big time, which can’t be surprising. Great about your traction re: ‘Routine’. Do you think you’re quite close to the finish line? Great to see you! ** Armando, Hi, A. I’m pretty good, thanks. Toe is very, very slowly seeming to be less painful. I’m not going to put my address here, but I can give it to you by email or Facebook message or something. ** Steve Erickson, I thought that was pretty inspired too. I assume QAnon’s thing for my blog was an extremely passing fancy. Haven’t seen or heard of a peep from them vis-a-vis here in months. Hm, I think the people you know who uncharacteristically like ‘LA’ must dislike his stuff for the wrong reason. It’s definitely meant to be far better seen in a theater, yes. New song! Thank you! Everyone, Mr. Erickson has added to his growing roster of musical accomplishments thusly. Steve: ‘I finished another new song, “I Am A Normal Person”. I’ve been planning to work with samples from ASMR videos for a while, and I finally did it here. I took a sample of a woman saying “oh my god” repeatedly (which was heavily processed in the original video already) and edited it in software so that the voice becomes another instrument instead of a delivery system for words. The also comes from another sample from that video.’ ** Right. The other day I realised I’d never made a Haneke post for strange, unknown reasons, so I have rectified that situation today. Love him or hate him for ‘don’t care’ him, there it is. See you tomorrow.

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loonyhole, 20
Under Your ownership, i will write short stories for You, under Your close direction, providing You with personalised Master-slave scenes to Your very specific requirements. These will be based around Your most illegal fantasies, farfetched pleasures and implausible situations. I can do this for any Master wanting bespoke erotic literature, especially on a Roman or historical theme. This can be done under threat of punishment if i fail to meet a Master’s requirements in any way. Your very own slave scribe.

Comments

Anonymous – Sept 13, 2020
You have come to the right place

 

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Born4Adventure, 20
I joined this site in hopes to make a fantasy come true. I’ve had this fantasy my entire life just kept it to myself and as the time goes on the harder it is to hide.

Comments

Anonymous – Sept 18, 2020
I just watched this profile become activated and literally two minutes later he’s already had a revealing conversation with a rapist and been gangraped?

ShadyComrade – Sept 18, 2020
Says he’s straight
Says he’s rape curious
Yes that’s the fantasy
Complicated; says he’s married with a young son
Think that’s a lie
Beer helps
Put some money on the table
Rape him
Fights back so ideally with several men

 

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railmeimyoung, 23
S!Ammer it’s me and I be happy when someone help me find good stuff to fly 🛫
I

Comments

Anonymous – Sept 23, 2020
🔫🔥⚰️ ask me

HeteroPapa – Sept 10, 2020
sorry to rain on the hate fest but i liked him very much.

railmeimyoung (Owner) – Sept 7, 2020
Am I looking or am I searching

XMenfan21317 – Sept 7, 2020
I’ve had worse.

timivi – Sept 4, 2020
squalid

believeinunicorns – Sept 1, 2020
While there are clear vestiges that he was cute and hot even somewhat recently he looks like he’s at death’s door

 

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LittleBoyLuvr, 20
I love little boys younger the better, I love to humiliate and coerce and expose young boys as the little faggots they are. My name is Peter Merittino, my phone number is 83O4942267O, please contact me any time day or night if you’re a young boy or a man who wants to tell me what a fucking faggot I am, I live in Alhambra and I 100% percent consent to all my pictures being passed along to law enforcement and shared to anyone and everyone I WANT TO BE THE MOST FAMOUS PEDOPHILE FAG IN THE WORLD!

 

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KibbleTheWeirdo, 19
Call me Kibble!
Luckiest body here.

Im a fawn, a hyena, a zebra and much more. Fetish philanthropy and bizarre unique kinks keeps me entertained for hours. 🐺🐗🧸🔒🌀

Im ABDL. Ties in with crossdressing, humiliation, exhibition, Parent/Child.

Pup sometimes, pig sometimes, punching bag sometimes, ballerina sometimes. Be in the scene! Live the dream!

I cant go out because of covid and that keeps me up at night.

Here to get things destroyed and rebuilt. Willing to be starved if that helps.

I’ll show you how you can get both of us rock hard by just kissing and licking me.

Tattoo on your hands? Yeah it’s look better on my throat. I’m kidding. I just like the quote.

Call me Rihanna because chains and whips excite me.

If poppers were designer so help me god.

Comments

KibbleTheWeirdo (Owner) – Sept 11, 2020
Would be so cute and random if i could get laid.

KibbleTheWeirdo (Owner) – Sept 9, 2020
What exactly do moths want? They fly towards the light. Okay now you are there. What is it you hope to achieve? All of this flckafkclskalcksl and now what?

KibbleTheWeirdo (Owner) – Sept 5, 2020
RIGHT ive been fucked around here already too many times so I’m gonna say some things right out the gate.

I’m NONBINARY and use They/Them pronouns. One “cute boy” and you’re not only blocked, I’ll do a cancel culture defamation number on you that your “master” bullshit won’t survive.

I’m kinky as fuck but I exist on the asexual spectrum. If you’re looking for someone to “breed” who’s gonna yell shit like “deeper” and make faces like a silent movie actor then move along.

I’ve developed PTSD just from the assholes I’ve met with here so far so….

KibbleTheWeirdo (Owner) – Sept 3, 2020
WHEN DID HAND SANITIZER START SMELLING LIKE TEQUILA!!!!!!!!!!!!!!!!!!!

KibbleTheWeirdo (Owner) – Sept 3, 2020
I’m getting high after accomplishing nothing.

KibbleTheWeirdo (Owner) – Sept 2, 2020
If you’re black, your success is my success.

KibbleTheWeirdo (Owner) – Sept 2, 2020
The devil wears prada remains one of the best films ever made.

 

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EndMySearch, 20
I’m looking to sell this very high quality cumdump.
TRIES to refuse loads but can not.
The same Dom dumping his seed in him time and time and time again.
Showing him off to the world.
“Speaks” English, french and German.
Can be passed around but prefers a dom top who will always gravitate back to only being satisfied by his hole.
Enjoys being in the sling.
Can be prolapsed to the maximum.
Gives tremendous pleasure 24/7 it’s just in his nature.
Current location North Oklahoma City.
When I say he’s loose I mean it.

Comments

EndMySearch (Owner) – Sept 20, 2020
Before anyone else asks me how many guys have already fucked him, it’s just over 300 guys and counting.

 

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boylikesyou, 19
Life isn’t all about sex, for sure it does take for many of us a top place in our lives. But nothing like a romantic ice-cream cone in your hotelroom served by slim & masc young dude that just might take you to drop a button from your shirt.

Comments

5xyyyyy – Sept 28, 2020
Having sex without pain is just cuddling!
Vanilla must die!

SadoldShit – Sept 28, 2020
if you don’t hang he won’t bang

ihateblonde – Sept 26, 2020
I dated him for a few weeks and it was like being stuck in a cycle of vanilla monogamy hell.

 

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VirginAsshole, 20
Don’t really know what I’ll like but fuck it I’ll try anything.

Comments

VirginAsshole (Owner) – Sept 25, 2020
Now seeking a true love and long-term relationship.

WRRyan – Sept 18, 2020
very loud moans

hotbodypinkbanana – Sept 12, 2020
If you expect a “virgin asshole” you’ll be disappointed if not startled!

Anonymous – Sept 9, 2020
I was in his area yesterday, he is very petite and I have a huge dick, just getting it inside knocked him out 2 times. great fuck!

Gian1234 – Sept 5, 2020
Weird spastic fag but if you want his ass you have to threat him as your friend.

VirginAsshole (Owner) – Aug 27, 2020
I should say I’m too nerdy and awkward and naive to function normally.

 

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SatansWhore, 22
i used to be a dancer, stripper, porn star, escort.

i look for guys to just fuck me hard, dirty, ruthless.

no limits except a fatal amount of blood of course.

Comments

Anonymous – Sept 14, 2020
Before SatansWhore tried heroin his name was Jim and he was a full time college student studying to become an elementary school teacher.

Anonymous – Sept 12, 2020
What are we?!?!?

raspberry144mb – Sept 8, 2020
Hey Suicid3Coffee after checking out your pix I kinda wish that is how I could find you.

Suicid3Coffee – Sept 8, 2020
Every once in a while I see a post that hit too close to home. Mostly the posts are interesting to see and think about to get my mind set off but then one like this makes you wonder if I am reading about my own fate.

aFilthierMind – Sept 6, 2020
This same piglet overdosed with me in December. I brought him back with a cold shower, always had second thoughts about that. Now I’m berating myself.

Bust_McNutty – Sept 5, 2020
If its still warm, im still hard

Yamakaze_KAN – Sept 5, 2020
Someone had a great night

Farzklement – Sept 5, 2020
This one died of a fatal heroin overdose in April while with a trick who’s in jail because that didn’t stop him.

 

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LukeAss, 19
– I was there way too many times and made way too many mistakes thanks to this hole.
– If you asked me what I was looking for back then, I wouldn’t know either or I would have lied to you. And if you ask me right now, the answer is a bareback creampie gangbang with a piss douche to start with and the gangbang to end with at least 50 loads or more in my ass which I will be forced to empty into a pitcher then drink!
– I’ve been single way too long to be this hot! 🥵

Comments

LukeAss (Owner) – Sept 3, 2020
No pic currently because:
1. I live in a homophobic, potentially dangerous area for gays.
2. I’m insecure about being objectified because I’m such a stone cold fox.

 

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behumanproperty, 24
i want to find “my real life”.
im tired of being live with nothing to show for it.
Please give me life and life meaning.
Please make me be relocate as real property.
Please make me keep waiting my owner all day for feed or fooder and bowel movement.
Please give me a chance to discussion my future.

Comments

brucewayne – Sept 19, 2020
Sometimes the winds of change blows easy or hard .
I am a man to which the winds don’t touch me one way or another. In this life, I have paid some prices but I know if I ever give up fighting, then I am toast I believe.

IlusionsMan – Sept 17, 2020
This can be done. Hell a lot can be done.

MisterLess – Sept 11, 2020
I never ask much from any guy,Except that you are true and honest.Always This is who i am.I know its hard to believe given the sad bunk out there,but there are still a handful like me.I’m down to earth;ligit in my words and i always try my best. I can be a great friend too,but i’m looking someone i can fuck.a lot.someone i can make that part of my life and me that part of his.A mirror who is honest and a shadow that always follows i want to be so darn close to us that we can hardly ever feel like two again.if all this makes sense to you,then you’re already ticking a major box.

Mr-Sexobeat – Sept 11, 2020
I would love to give you torture thats the faster way what i can get horny when you are private in my room you will scared because you see in real how i handle bitch \”attention\” when you are in my private room please carefully watch my all stuffs are not kinda of vanila plastic what ever as common you can see in cams pretend dominate profiles, my everything are very very strong untill i have finished no way to escape, strictly prohibited your self stroking insted it you must your orgasam you must try to get from my wildest anal season!

 

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crybaby, 19
i am hung small, with small peepee and tiny nuts. i am kept in diapers and kid’s clothes by my Husband as punishment for being hung small. i am kept impotent through CBT by my husband as punishment for masturbation after i promised to stop but did not. This profile is for the convenience of my Husband.

Comments

crybaby (Owner) – Sept 1, 2020
i still strungle to swallow piss and that is the least of my worries.

 

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GIJoe, 19
I’m a pig bottom whose claim to fame is I look at least five years younger than I am.

* The GI stands for GastoIntestinal.

Comments

GIJoe (Owner) – Sept 13, 2020
I don’t mind endless kissing as long as it’s leading somewhere else.

Bruh….I love my hairs, lol.

This pic was taken before all this pandemic started like past 3-4 months , i took a
bike ride to pizza store and went to beach after that….it was a great day.

I cannot endure to waste anything so precious as autumnal sunshine by staying in the house.

 

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a_ghoul, 23
I am looking for a sick psychopath to own me through blackmail and force. Keep me prisoner for rape without any escape ever again. Make me regret meeting you, beat me, tie me up, force me, make me submit and in some years from now I might love you for it, because I have no other choice. You will have 2000% control of my life. I have no experience, so the rape will be real. I will regret it almost instantly and beg you to stop, cry, resist and tell you that I wanna go home again. I have never been beaten, tied up or raped. You can do everything – and you can do it the most brutal way from the beginning. If it gets illegal just blackmail me with photos so I won´t go to the police. I live in Denmark for now, and I am a student. I do not have any money, so you will need to arrange the travel and force me to move in with you. So I can lay in your bed screaming and crying and regret ever contacting you forever. I am cool, smart and fun. I will try to talk your ear off if you let me.

Comments

ImBipolar – Sept 9, 2020
@LordRock If you have video can you send?

LordRock – Sept 9, 2020
I just invited myself over, got nice and fucked up, and had a lot of fun with him, but yeah he’s sad.

max_33 – Sept 4, 2020
cognitive issues, impaired speech, weakness on the left side of his body, mobility issues, some facial paralysis (not too bad)

ImBipolar – Sept 4, 2020
“moderate” explain?

max_33 – Sept 4, 2020
a_ghoul suffered a series of strokes in mid-February and is now a limited object of moderate value.

 

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Stompmyballs, 22
Into getting my balls stomped, punched, kicked, hit with baseball bats hard over and over. My ass/mouth are not involved. Interested?

Comments

kaden1250 – Sept 14, 2020
Let’s play Mario Kart in our underwear and see where things go.

Stompmyballs (Owner) – Sept 10, 2020
Im bi-curious, jesus why does it matter what I am? I am not saying, stop asking. Is “hetero like” enough for your bitch ass?

 

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AdiosMuchacho, 24
No limits, you know very well what I mean by that. Not you? Find somebody else. Trying this 1 last time!!!

Comments

AdiosMuchacho (Owner) – Sept 6, 2020
Can you be more specific? I admit I’m picky but you only die once.

gmt1962a – Sept 6, 2020
I have an old barn with a loft. you WILL arrive on time. Climb the loft and get sn**fed. or I love outdoor sn**f as well. you start walking down a seldom used trail and strip naked when I point my gun, the sex WILL begin and then end with you swallowing my load. I WILL then pull the trigger.

AdiosMuchacho (Owner) – Sept 6, 2020
Context? Where, drugged or sober, naked, dressed, with or without sex …?

GKL5 – Sept 6, 2020
I want to extract your very essence making you weaker and weaker while I drain every last drop of blood from your spasming quieting body.

 

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idontknowmyname, 22
22 year old bicurious who has a thing for fisting myself and up for letting someone else slide their hand into my gaping ass

Comments

The_Macho – Sept 13, 2020
if your fist is sufficiently tactical he lets you take home his underwear

timmydv – Sept 7, 2020
I’m normally a submissive bottom but I’d be up for giving fisting you a go. Also would love to drink your piss after you’ve had a few beers. I can provide the beer.

nowisthemoment – Aug 30, 2020
He’s very nice to share his hole, but he’s very territorial about it and when his guard dog side comes out, he comes out vicious.

 

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camehereforlove2020, 19
I’m a young guy who has a soft spot for older men. I don’t know what it is but there’s something about that distinguished look that makes my legs weak. It’s been that way for as long as I can remember.

When I was much younger, the attraction was purely sexual. I won’t get graphic here since a lot of it was when I was still illegal but I quickly learned I had an exceptional butt and you can use your imagination. What is it about the idea of a fat daddy cock?

But over time it became more than sexual. Relationships that I developed with older men in elementary school, grad school, junior high school and high school instilled in me that I’d someday spend the rest of my life with that special older man. I connected with them faster and more deeply than any woman I’d ever met.

But I have struggled with that attraction. Not a sob story but expectation from friends and society, meant that the relationship I cherished wasn’t really “acceptable.” I ended up dating two girls (it was terrible) in long-term relationships and it’s delayed love for me.

So, here I am. Single, sexy, beautiful, determined and ready to start this amazing new chapter of my life.

Comments

camehereforlove2020 (Owner) – Sept 18, 2020
If I do not rep c that I am bats the femoral artery.

Monkeyb – Sept 10, 2020
He’s in hospital on a ventilator so it’s certainly possible.

Anonymous – Sept 10, 2020
I’m 99.9% sure i got COVID from this guy.

 

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silentauction, 19
i am like your last brain cell, who can’t even walk straight.. i am only friends with cats and dogs

i reek of cigarettes, marijuana, BO and alcohol

i would love to know what you would do if i was bound + blindfolded

i really shouldn’t be on here tbh, but here i am

Comments

cruelsummer – Sept 21, 2020
I dogsat him.

hotguy240 – Sept 8, 2020
His name is now Rolo, he is a human dog. I have trained and transformed him into a complete dog, and he lives as a full dog at all times. He is walked on a lead, goes to the toilet outside and eats dog food. He eats the same diet as a biological dog. His favorite color is purple, and he rocks himself to sleep. I go out of town periodically on short business trips and could use a dog lover in the San Diego area who’ll stop by to and feed and play with him.

MoonSong – Aug 25, 2020
Throat fuck him until you’re covered in slobber.

 

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WaxOn, 18
Need to be COVERED in wax RIGHT NOW. Let the tea lights burn for a while so there’s a lot to dump on me at once. Scrape it off and repeat. Thank you for reading have a nice day!

 

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pozchaserNJ, 23
I want to be pozzed, Poz me, that’s my desire… yes it’s controversial. My fascination with bugchasing led me to help reconcile many of the sexual traumas I’ve experienced in my life.

I’ve been sexually assaulted so many times by stealthers and open “givers” that I’ve had to take preventive measures in the ER twice. These guys have ruined sex for me.

Last straw was in February this year I was kidnapped and taken to derelict building and gangpozzed and beaten by 7 guys and left there until a jogger found me 2 days later and took me to the hospital.

I want to reclaim my power, and be without further fears.
Tons of pnp.

Comments

d0ntfuckitup – Sept 14, 2020
Pozzing this guy is like depositing 5 bucks in Bill Gates’ bank account.

 

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ornamental-object, 18
Would you or would you not fuck a 16 year old?

What if he has a car and recorded his own album and can pay for himself from his own earnings!

What if he’s a smart and sweet boy who’s always making witty remarks!

So don’t be a loser. Play your card’s right.

Comments

Anonymous – Sept 1, 2020
I prize my liberty and spotless record too much but you are SUCKulant!

TOPDOM445 – Sept 1, 2020
Adolescence is a developmental period where young people are maturing physically, emotionally and socially as they transition into adulthood. One of the most critical developmental tasks during adolescence is the development of a unique and personal identity. Adolescent development is influenced by different levels of social interaction within multiple environmental systems, thus a range of individuals, peers and communities can play a significant role in an adolescent’s developing sense of identity. When these influences are negative, psychological distress among adolescents may result, especially for those youth who identify as gay.

Anonymous – Sept 1, 2020
You make me wet you forbidden bitch

 

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Onetoenjoy, 20
I’m a virgin bottom tried having dick up my ass once but it hurt to bad cause I’m a pussy , I need a guy to fuck me up with drugs tie me down put duct tape and jam his cock in me and fuck the shit outta me , HMU if u wanna do that to me I have 0 limits into as dirty and fucked up as possible lmk if u wanna absolutely destroy me

Comments

jacobneeds – Aug 29, 2020
yuo need a guy that will be yuor husbanf in the futer

Dacres – Aug 27, 2020
I can make you love me

amiangeldust – Aug 27, 2020
You’ve got 213 bones in your body, but you could use one more.

findomtop – Aug 26, 2020
Let me show what do you like for.

 

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Cupid, 18
Looking for big guys 275lbs+ to crush smother squash me under them. I am trans gender…. I don’t want to lead anyone on about what body parts I currently have. I am a girl, but I have a penis and testicles sadly. So please keep that in mind when contacting me and such. Please don’t be mean about my gender situation though, it sucks enough as is.

Comments

Ahmed_hasan – Sept 16, 2020
Rhymes with Stupid

Active_turist21 – Sept 10, 2020
Hello! My name it’s coco I m from England I m tourist here from 26 August until 5 September I can fuck you I can squash you I can make you pee wher you want or wher I want I can fuck you I already said that Thx!

Alexm – Sept 8, 2020
If you want to dog pile on him with friends it’s possible.

lazyucrazyme – Sept 2, 2020
He is autistic and into witchcraft and bones. Still interested?

 

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BulgarianBBoySlaves, 19
Our great selection of Bulgarian beauty boy slaves are horny and ready to serve you. Handsome boys, tough boys, smooth young boys, muscle boys, girly boys, thin boys…will make your deepest, hardest fantasies come true.

At the moment we offer three hot slave boys from Bulgaria in our villa in Copenhagen.

Stojan, 18 y.o. teen beauty pageant winner, cost us a arm and leg, expensive (inquire) [dominant fucker. Very playful, verbal guy.]

Vasil, 19 y.o. teen with a tough and rough streetwise attitude.

Nikola, very young muscle boy. Beautiful wrestler body and a sweet booty ready for around the clock use.

Comments

Barenbostel – Sept 21, 2020
Stojan is incredible, but don’t ask him why he’s doing this it’ll make you cry.

Anonymous – Sept 11, 2020
i can’t confirm your story but i can confirm that the meat of young bulgarian men has been trending and highly sought after for about a year now.

Anonymous – Sept 11, 2020
I’ve heard from more than one generally reliable source that “the villa” is a way station in a human trafficking operation where Bulgarian guys are kept and worked whilst awaiting transfer to a cannibal sex cult based in the Russian controlled area of the Ukraine. Can anyone confirm or refute?

Anonymous – Sept 11, 2020
Their boy Vasil is amazing. Licked my feet, shoes, armpits, asshole. Extreme deepthroat. Beat him up. Tied him up. Fucked him hard. Spit on him. Basically just amazing.

Stojan, 18 y.o.

Vasil, 19 y.o.

Nikola, ? y.o.

 

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XxxratedRxxX, 22
It’s not common but sometimes you find yourself taking an asian twink out for dinner and he’s all dressed in latex, and he’s painfully sexy but he spends the whole dinner texting with his friends, barely pays attention to you and rolls his eyes when you complain. Maybe after that, he agrees reluctantly to go back to your place for a nightcap and you place him in a chokehold until he sees stars then strip him and keep him docile with repeated choking while you get your rocks off. But be warned, you must be old and ugly. When he is with anyone that others find more attractive than him he has a total meltdown.

Comments

Anonymous – Sept 4, 2020
He is not him!

XxxratedRxxX (Owner) – Sept 4, 2020
He is sort of into snuff role play, but he is not into it THAT much.

Anonymous – Sept 4, 2020
Oh yes I did. You are obviously not you.

XxxratedRxxX (Owner) – Sept 4, 2020
Ha ha ha ha, no you didn’t, he’s fine.

Anonymous – Sept 4, 2020
I’ve seen a video of him being snuffed, dismembered, cooked and eaten.

 

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BuyMeBlowjob, 18
Hello !

I am a barely legal adult, pure heterosexual looking for a man of any age and fantasy who would agree to buy a blowjob.

I am a very attractive and masculine boy with a strong libido and a strong character. I’m looking to discover new things, and I’ve always been subconsciously drawn to male sexuality, and that’s why I decided to sell my mouth to a man.

If you decide to buy a blowjob, here is everything you can include with your choice, you can compose it as you want and add as many options as you want:

– Licking
– abundant saliva
– Deep Throat
– Cum on my face or in my mouth
– Play with your balls
– Choice of my outfit
– Choice of location (bed, shower, kitchen …)
– Choice of my hairiness
– Choice of my position

Last thing to note, my oral sex will necessarily end with a good orgasm, and it does not include anal sex or kisses and it is only at the buyer’s home or reserved hotel room and no filming!

Thanks for reading, and remember, the customer is king!

Comments

Anonymous – Sept 7, 2020
If your mother only knew what you’re doing here.
Shame on you Jack.
It’s Bill. We need to “talk”.

anothercuriousguy – Sept 2, 2020
he’s into getting face slapped, ears pulled, hair grabbed, face fucked, swallowing and the usual lovey dovey stuffs like kissing his cheek & forehead.

 

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ReduceMe, 23
Well, I’m back here unowned again….hard to hold a man’s attention when you’ve only got one ass I suppose. Even your favourite song sounds dull by the hundredth time you’ve heard it I’ve been told.

Currently, my ass is getting pounded randomly a lot, which I’m lucky to be getting during this pandemic (hope you’re all staying safe!), but it’s up for grabs full time.

Comments

BetterThan – Sept 25, 2020
If you are hot, great, so am I. If you are an ugly bitch, there are hoods for that. I want your ass and I don’t give a fuck what you look like.

ReduceMe (Owner) – Sept 23, 2020
That’s not true, women love me….and they don’t give a shit about my ass.

ForYouNow1738 – Sept 23, 2020
His problem is he does a terrible job at fooling anyone into believing that he’s anything more than the context of a hot ass.

 

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Spunkdrunk, 21
i am steve. i apologize in advance for the Wall Of Text; i don’t know how to make paragraphs or lines of separation. i live with one dog, three cats and i enjoy being naked. i started testosterone injections and Cialis recently, and now feel horny all the time. been feeling like a mindless horned-up animal. like a subhuman, muscle bitch sex-machine. open to being used like a man-whore. i have muscles, and am open to anything, getting fucked, pissed on, tied up and used like a dumb muscle bitch. been fisted over 50 times, give me a prolapse, wear my sphincter ring out, puke fist me, im quite greedy in that field, no problem. shit fresh or old, smearing, shitfucking, shitfisting, shitkissing, shitpuke, repacking/recycling all my body fluids, j-lube shit slurry, blood play, having a bloody hole, my will crushed and destroyed by your will… you can destroy me… other than that, you can take everything else from me, until i have nothing left to give, oh and incest, beast, … i never say no.

Comments

Ryan – Sept 20, 2020
Honoring [] Potent [] Furious [] Exchilarating

guesswhoisback – Sept 19, 2020
Gorgeous ass like something out of classic Greek statuary but looks can be deceiving. I half expected to reach inside and pull out a couple of bowling balls.

Redroses – Sept 15, 2020
GONNA WRITE SOME STUFF HERE LATER BUT FOR NOW JUST KNOW HE IS 100% HOT AND AIN’T LIKE NO OTHER MAN YOU EVER MET

treatUhowIwant2 – Sept 6, 2020
he’s not joking about all that fisting his prolapse looks like an artichoke.

hboss1611 – Sept 4, 2020
loves getting it at both ends, as many rounds as possible, great at taking two XL cocks up the ass for a brutal DP, and getting throat fucked with cock, dildo, hand, FF to put it mildly, loves drinking piss and taking it up his ass, loves squirting cum and piss out of his ass and eating them, loves getting head bagged and violently choked but he doesn’t look pretty at all when he can’t breathe.

 

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ARollOfDuctTape, 19
My friend is the friend that convinces everyone else to go out then goes missing by the end of the night.

Pay me if you want to chloroform him, rim him, fuck him, spank him, whatever the fuck you want.

Limit: white bedding, everything needs to get out at 95 degrees.

Comments

sexonthecity – Sept 9, 2020
I thought this boy’s so cute it had to be fake but he lives in poverty in a slum and the other one is some creepy middle class kid who’s exploiting him and just … thank god for creepy kids and capitalism.

ARollOfDuctTape (Owner) – Sept 7, 2020
PS Other than chloro my friend doesn’t take drugs or drink- quite funny actually, it is almost as if he actually enjoys the experience of being knocked out and sexed. Who would have thought?

And yes, that is sarcasm- to weed out all those simpering little slunts who think H&H is somehow exciting and not just a cover for their obvious self loathing.

ARollOfDuctTape (Owner) – Sept 5, 2020
Yes I am “the fat boy” taking that selfie.

 

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FuckMeOrFuckOff, 19
I’m new here, and I am not familiar with the decorum. I like getting into fights, getting beaten up then fucked in the ass.

Comments

JayCartel – Sept 22, 2020
I was going to say it seemed like love.

FuckMeOrFuckOff (Owner) – Sept 22, 2020
Correction not I “like” getting, I love.

 

 

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p.s. Hey. ** David Ehrenstein, Indeed. ** Dominick, Hi, hi, D! Yes, if you do go to that haunt, I would love a report. I’m pretty much without an exciting scene report too. Someone guest-hosted a pimple popping video post for the blog million years ago. Not sure if I have the stomach to restore it, ha ha. You starring in a unboxing video where the box holds a billion euros in cash love, Dennis. ** Tosh Berman, I was going to say no there’s safer distance than a computer screen but then I opened Facebook this morning, and never mind. Yes, that fireworks chaos in LA did sound kind of terrifying, and that’s coming from a huge fireworks fan who’s been known to drive all the way to Nevada to shop in those giant fireworks stores outside of Las Vegas. Thanks about the post, T. ** Sypha, Yes, once in every 100 or so tries, Lichtenstein actually made something cool and non-predictable. Certainly understandable about your reading matter for October. Same with my blog’s matter. I’m raring to get that Murphy book. Just have to press Buy. ** G, Hi, G! How are you? It was cool seeing you in that Zoom fest the other night. I would be hugely shocked if that petition to replant Rimbaud and Verlaine in the Pantheon gets any traction whatsoever. The Pantheon is really, really stingy about dead body adds. I think they only do a new one every decade, if even that often. And a twofer? I can’t imagine. But we will see. Nice idea, although I do think it’s kind of romantic that you have to train to Charleville and hunt through the graveyard to find Rimbaud’s plot. I did that in the mid-70s, and the kind of sacred mission/commitment aspect was part of the deep effect. You good, all good? ** wolf, Wolfster! Thanks, bud. Yes, the Celmins. Did/will her recent retrospective get over to the UK? I could see the Tate taking it. It’s gigantically killer, of course. I’ve broken my ribs twice. Once on the Jurassic Park water ride at Universal Studios Hollywood, and one very flukey time when Yury hugged me too hard. Broken ribs are a huge drag, much more than my lowly toe business. I should develop abs or something, but never in my entire life have I ever wanted to go to gym, not even for a fraction of a second. Zac goes indoor rock climbing twice a week at some place in Paris, or he did until it got closed by COVID this week. Do the pumpkins! I bet you’d carve some mightily terrifying pumpkin faces. ** _Black_Acrylic, Hi, B. Oh, yeah, I only didn’t put Signer in that post because I had him in one of those thematic posts too recently. But yes. Oh, man, ouch to hell on your hip. Does it still hurt when you walk or move? Where’s my magic wand? ** Steve Erickson, I’ve been curious to see ‘White Riot’. How is it? The Dorian Electra sounds like a real miss. I saw ‘Lux Aeterna’ yesterday. On the one hand, there’s always something fun about Gaspar doing his thing, but, on the other larger hand, this new one (55 minutes in length) is very contrived and superficial and kind of soulless. It starts with him doing something kind of different, but then it settles into his usual long, hand held tracking shots in split screen of characters wandering around in a single location with ever increasing hysteria and ends with a 20 minute strobing visual freak out/assault that’s not as trippy as he thinks it will be. Gaspar is one of the rare current filmmakers making distinctive, formally radical work, but I really think he needs to dig deep, which he used to do up through ‘Enter the Void’, and stop falling back on his known quantity tricks because it’s starting to seem rather predictable and shallow. Still, fun and short enough to be worth seeing. I think rising COVID cases is inevitable, and we all just have to hope our respective authorities know what they’re doing. Here too. ** Bill, It’s true your liking of that theme is not entirely a surprise, cool. Ha ha. It may yet be. Yeah, Ozon’s films have gotten very rather blah. There’s a new gay romance one out here that looks completely avoidable. ** Armando, I do mean it. I can’t remember if I read the entirety of The Man Without Qualities’, but I did read much of it at least, and it’s mindblowingly great. My guess is the new restrictions here will only become more restrictive before too long. Marseilles and a couple of other cities have already been locked down. We’ll know in a week or so if the new measures are helping, and then we’ll see what’s next. But I definitely don’t see the measures lightening for the foreseeable future. Hugs back to you. ** Right. The last day of the month means what it always means around here. See you tomorrow.