Tony Conrad & Jennifer Walshe
Kee Avil
Chris Corsano
Lolina
Elaine Mitchener
Gordan
British Murder Boys
Pollution Opera
Greg Saunier
Hideous Figure
Marco Baldini & Apartment House
Morgan Garrett
Sunburned Hand of the Man
Innode

 

______________
Tony Conrad & Jennifer Walshe In the Merry Month of May
‘Few artists have managed to exert such a wide influence over the musical landscape of the last sixty or so years as Tony Conrad, and probably none have done so while retaining an unwavering commitment to experimentalism. Conrad collaborated with John Cale, La Monte Young, John Cage and Faust. He was a member of Fluxus and the Theater of Eternal Music. He helped define the parameters of drone and minimalism as we know them today, while his visual art and film has been exhibited in the MoMA, the Whitney and the Louvre.

‘Conrad died in 2016 from prostate cancer but was active throughout his later years. One of his most fruitful collaborations was with Dublin-born composer and experimental vocalist Jennifer Walshe. Walshe’s pedigree is hardly less impressive than Conrad’s: she is Oxford University’s Professor of Composition, her works have been performed all over the world and she has collaborated with or performed the work of dozens, if not hundreds, of the contemporary music scene’s leading lights. The pair’s final piece of work, and the last thing Conrad recorded before his death, In the Merry Month of May, was made over seven years ago and is finally seeing the light of day.’ — Thomas Blake

 

______________
Kee Avil do this again
‘With a strong background in improvisation, but a knack for unconventional arranging, it seems fitting that Kee Avil has cited both This Heat and Jenny Hval as inspirations. She describes her relationship with music as visceral, although her output is as hushed as it is razor-sharp. “I don’t really question the music that I write” she once told Fifteen Questions. “Often there is no concept behind it—it just has to feel like something.” When held up next to the shadowy records that preceded it, Spine still comes across particularly bone chilling—a whispered secret of grave importance.’ — Ted Davis

 

______________
Chris Corsano The Full-Measure Wash Down
‘Chris plays each part of this arrangement, drawing himself upward and onward in an organic enigma of chicken-egg communication — where does the tale begin, and who’s following who in this enervating flow of throbbing rhythms and compulsive heat?’ — Drag City

 

_____________
Lolina Unrecognisable
‘“Unrecognisable” is a story about a city where buildings are used as weapons in a war between the government and the people. The initial chapter, “Eiffel Shard”, was published as an online graphic novel with an interactive soundtrack. It depicts a phone call between Paris Hell and Geneva Heat, two members of the resistance group Unrecognisable. On this concept album, Lolina performs the role of both characters, her own voice often made unrecognisable by pitch-shifts and distortion. It was recorded almost exclusively on a Casio SK-200 sampling keyboard boasting 1.62 seconds total sampling time. No beat preset (total of 20) is left untouched, unchopped or unlooped. Not one of the 49 mini keys is idle. Retains samples when turned off.’ — Relaxin’ Records

 

______________
Elaine Mitchener stretchedwoundspeaks
‘Elaine Mitchener is a vocal contortionist. The performer and composer may start by singing melismatic melodies, but in a second she can transform them into gurgling throat calls or hushed whispers. In every motion, she extracts the underlying meaning of her words, using extended techniques to illuminate their power. It is a skill Mitchener has developed over the last fifteen years while also maintaining her movement practice and collaborating across disciplines and with fellow experimental musicians such as George Lewis, Matana Roberts, Moor Mother and Apartment House. On Solo Throat, she exemplifies her vocal skill with twelve concise pieces that each examine poetry from all angles, breaking it down and piecing it back together again.’ — Vanessa Ague

 

______________
Gordan Seediq Song
‘Svetlana Spajić has spent the last twenty-five years visiting villages in the Balkans, absorbing the words passed down from generation to generation, as well as the decasyllabic cadences of traditional folk tunes. Hers is a voice of such unique power that spiritual uplift and deep pathos simultaneously imbue the listener when she’s in full flight. It’s an album that defies classification and bursts with existential meaning, with all the death and pain that go hand in hand with that percolating out of its ancient verses. But perhaps the most extraordinary thing is that tradition and modernity cohere so effectively, an arrangement that rarely augurs in real life.’ — Jeremy Allen

 

______________
British Murder Boys Now, This Is You
‘Many, many years into their thing, Surgeon (Anthony Child) and Regis (Karl O’Connor) finally unveil their debut album as British Murder Boys, two decades on from their ‘Learn Your Lesson’ debut for Counterbalance in 2003. “Renowned for their explosive live performances, British Murder Boys released a slew of influential 12″s in a short intense period between 2003-2005 on Surgeon’s Counterbalance and Regis’ Downwards labels, before reuniting for a 12” on Mute’s Liberation Technologies imprint in 2012. Recent releases have been sporadic, and include a cover of Lou Reed ‘Real Good Time Together’ and a limited-edition cassette documenting their residency at Dutch studio Willem Twee.’ — Love Collective II

 

_______________
Pollution Opera Cairo???
‘Elvin Brandhi and Nadah El Shazly refuse to turn away from the horror. The intercontinental duo’s Pollution Opera album is an uncompromising futurist depiction of our disfigured, dystopian, and dying reality. Facing hell in full defiance, the experimental noise album catapults itself through a volatile compound of breathless shouts, screams, and screeches, in collision with vocal samples, environmental recordings, and acousmatic sounds. Ten tracks cover the spectrum of electroacoustic fragments and vocalizations, treacherously suspended between the roar of engines and synth distortion, of evocative intonations or guttural retching.’ — Danse Noire

 

_______________
Greg Saunier Grow Like a Plant
‘It seems almost unbelievable that Greg Saunier never released a single record under his own name before 2024. The Tucson-based drummer and composer has an almost absurdly vast list of credits as a producer and collaborator, from mixing records for small indie bands to producing some of Xiu Xiu’s best albums (The Air Force, Always) to playing in bands with a head-boggling list of luminaries from Joanna Newsom to Mike Watt to Sean Lennon. His place in underground rock history would be guaranteed even if all he’d done was founded the great Bay Area band Deerhoof. It’d also probably be guaranteed if he’d never founded Deerhoof in the first place but had still done everything else he’s done in his three-plus decades as an active musician.’ — Daniel Bromfield

 

_______________
Hideous Figure Last One Left
‘Rotten harsh noise inspired by Texas, reflecting childhood psycho-geography triggered by Indiana landscapes. Local radio, scrap metal feedback and microphone purgatory. An exploration of space, memory, and sound.’ — No Rent

 

_______________
Marco Baldini & Apartment House Plutone
‘The piece is based on a symphony from Monteverdi’s L’Orfeo. Favola in musica (1607). In this composition the original score is as if sent on a loop and each time some harmonic element dissolves until only a distant echo of the initial harmonic structure remains. At first the piece was to be called Caronte, because in the score the symphony is located near the beautiful bass aria O tu ch’innanzi morte sung by the character whom Orfeo meets at the beginning of his catabasis. But the sound of the title didn’t convince me much, so I opted for Plutone, whose character appears in the opera shortly afterwards.’ — Marco Baldini

 

_____________
Morgan Garrett Suck
‘From the fierce opener of ‘Alive’, Purity moves through fragmented songs, unnerving background noise and cathartically mangled riffing. On ‘Tearful Life’, an acoustic ballad gets interrupted by feral glossolalia. ‘Suck’ is like Primus with the bass virtuosity muted and the sense of a Lynchian circus ratcheted up. ‘Cost Of Living’ is death metal taken to cartoonish extremes, as though Garrett is desperately trying to treat crippling ambivalence with melodramatic bombast.’ — Daryl Worthington

 

_____________
Sunburned Hand of the Man The Lollygagger
‘At its core Sunburned is both a familial and mercurial entity. There’s not a fixed lineup, yet those within its borders are fervently committed. There’s not so much a consistent sound as a spiritual throughline, straddling god-loves-a-drunk mysticism, bombastic basement show ethos, the far reaches of post-hippie underground esoterica, and making the gallery world scratch their heads instead of their chins.’ — Three Lobed

 

_____________
Innode Splitter
‘A new methodology to make the album is applied yet again from the trio of Bernhard Breuer, Steven Hess and Stefan Németh. The approach is more an anti approach where the trio let the process of creation itself steer the development of the recording, without any prior conceptual agenda. Irregular rhythmic patterns often served as the initial springboard for each piece with Breuer creating a loop either by playing drums or with the aid of a modelling percussion synthesizer. The results often bypass existing formulaic grids. The outfit embraced these anti-precision steps building shapes around the tarnished templates. The process of building upon the core structures laid forth alters throughout. In the case of „Splitter“ you can hear an example of Bernhard´s core loops dominating a skeletal audio sphere.’ — Editions Mego

 

 

*

p.s. Hey. ** ted rees, Hi, Ted! I just got your new book yesterday, and I’m excited to read it. I hope the release is going as well as releases can go. I’ll go find that podcast. So nice to see you. You’ll be inputting wordage into my eyes and brain any moment now, what a pleasure. ** Katalyze, Holy moly, Kat! Wow! Amazing to get to see you. Well, talk with you at least. I’m okay, I’m good. Fantastic about the show you curated. And especially and obviously about the upcoming one where you’ll perform your own work! Any chance there’s work by you online somewhere where I can hear it? Sure would love to. Awesome, so sweet and great to have you here. Warmest hugs and etc etc., xo, me. ** Tosh Berman, Thanks a lot for the info for Harper, sir. ** Mark, ‘Tour de France’, nice pick. I hope they bring the multi-part show over here. Maybe just maybe. Holy crap, there’s a Pikme-Up documentary? Which I’m told is not available for viewing in my territory, grr. But there’ll be a way. Have big fun and success at the Zine Fest. Wish I could wander around in that, duh. ** PL, Hi. I’m okay, thanks. Oops about the guy, well, … you live and you learn or something? My favorite Fassbinder is ‘In a Year of Thirteen Moons’. I’m not sure if I’ve read ‘Uzumaki’, I’ll have to check. Good luck acing French. Well, yeah, I do enjoy gathering the slaves. You’d be amazed how labor intensive that process is. May greatness encompass you. ** _Black_Acrylic, Hi. ‘Moonraker’, yeah, that was a wacky one. You want to know about wacky, my fave was the ridiculous non-official, star studded, self-consciously weird ‘Casino Royale’. Which probably hasn’t aged well at all. ** Lucas, Thanks, Lucas. The rest of my day was just a horrible meeting aftermath, but it was survivable. And now it’s today at long last. Even though I’m not young, I never looked at Livejournal, I don’t know why, it’s weird, that doesn’t made any sense. Nice geese, thank you! Here’s a not very interesting photo of the giant crane that moved in next door to my apartment the other day. It looks better when it moves. Good day, pal. ** Dominik, Hi!!! Happy the books sang to you. Oh, god, way too long and complicated to explain about the current producer problem except just to say that the same fuckhead whom I have been complaining about here for years just managed to fuck everything up for the millionth time, and now we’re trying to fix and survive his new mess. Hm, I’m guessing the forest is the part that has the clues? Love forcing me to catch up on my emails today, or at least four or five of them, G. ** Oscar 🌀, I really love duck quacks, how did you know? An animatronic Emo with a fake knife “carving” the words ‘Hi Oscar’ into its ‘thigh’, a feat accomplished via tiny red, gradually illuminating led lights imbedded in its ‘skin’. (No actual Emo was harmed during this demonstration). Wow, congrats on freeing yourself. Surreal congrats. So, what now? The meetings sucked, but thank you, and we’ve gotten very used to surviving little hellish things re: our film, so we’ll be okay. I would be kind of surprised if there isn’t already a tumblr novel, although I can’t think of one. Huh. It used to be a helluva locale, yep. Someone told me that when ducks are mean that’s how they express their intelligence, so mean ducks would be okay as long as I remember to, err, duck, sorry. I hope your day feels like a fairytale in retrospect. ** Steve, Film stuff, as almost always, yeah. Thanks. Hang in there ’til Thursday. Of course you will. You’re a serious trooper. I tried to do a Shu Lea Cheang Day a while back, but there was nowhere near enough of her work on line to make that possible. But I’ll see if anything has changed on that front. Sigh, I so wish Criterion Channel was EU friendly, but it most certainly is not. That array sounds very interesting. ** HaRpEr //, Hi! So sorry about the back and forth with your dad. Dads are hard, or mine was. If it’s any consolation, which I know it isn’t, I’m going through hell with our film producers who are behaving like they’re Zac’s and my dictatorial fathers. I’m glad you and your actual dad are quelled at least for now. I feel the same about whining about our producers, but sometimes you have to in order to feel sane. Great you liked ‘Duelle’. They don’t make ’em like that anyone, as they say. I’m reading Cindy Carr’s Candy Darling bio too and similarly pleasured. Cindy’s great. Her bio of Wojanarowicz is also very good. Cool! ** Nicholas., Howdy to you. Your science = magic spiel was lovely. I’m on board. That’s funny: I have two lighters, one new, and one nearly dead, and I brought the nearly dead one and not the new one out with me, and it died within a minute of my leaving my apartment. Dinner: cold sesame noodle, my favorite food, kindly made for me by Zac. When you said you just watched ‘Gattaca’ everything made much more sense, yes. ** Uday, Oh, good! Uh, hm, maybe I could sign a ‘Flunker’ when I eventually get mine for you? Amphetamine Sulphate is in Texas, and I’m in Paris, so I don’t know how else that could happen. Ha, I think it’s going to be more like kidney stones, but I pray you’re right. That makes sense: back when I used to get depressed I would slap a Nico album or Leonard Cohen’s ‘Songs of Love and Death’ on the turntable, and I think that worked? I can’t remember. I hope you feel good by now. ** Right. Today I made one of my gigs featuring music I’ve been into lately, and it’s a pretty eclectic gig, so maybe you’ll find something or somethings that suit you therein. One hopes. See you tomorrow.

*

 

Kristen Felicetti Log Off
Shabby Doll House
Cover illustration by Jinhwa Jang
Cover design by Tim Vienckowski
Retail price: $19
Buy it

Hello, people of the Internet. Let it be known that today, 9/5/Y2K, my legal guardian Brian finally joined the modern world and connected our computer to the great World Wide Web.

In the early 2000s, from a dial-up connection in a Western New York suburb, sixteen-year-old Ellora Gao logs on to the Internet to start a secret LiveJournal. Abandoned as a child by her troubled mother and left with her former stepfather Brian, an emotionally distant alcoholic, Ellora hopes to find the close relationships online that are missing from her real life.

But her online diary isn’t entirely serious, it’s also where she can gossip and rant about music, books, and everyone at her high school, including two intriguing new friends, Alice, a reformed bad girl, and Tiff, a cocky musical prodigy. As the school year unfolds, Ellora shares every challenge she faces with her growing LiveJournal readership: memories of her estranged mother, frustration with Brian’s lack of parenting, concern for Alice’s health, romantic feelings for Tiff, and her place in a post-Y2K world on the cusp of major change.

 

‘If one is very fortunate, a few books will fundamentally change their life. Such is the case for me and Log Off, an indelibly wise coming-of-age story crackling with humor and nostalgia. Felicetti will heal you, delight you, and make you want to hug your younger self; Log Off is an instant classic, a heartbreaker and a balm, and we’re all the luckier for it.’ — T Kira Māhealani Madden

‘Log Off is a time machine, brilliantly evoking the Y2K era in all its LiveJournal glory. Kristen Felicetti’s prose feels as real and intimate as making a friend on the Internet for the very first time and finding the key to her diary—I loved it.’ — Chelsea Hodson

‘Log Off is a brilliant and inventive debut with an unforgettable voice. Kristen Felicetti’s writing is so off-handedly wise and instructive, I couldn’t help but think of Log Off as a survival manual and by the end of my reading all other survival manuals were now obsolete.’ — Bud Smith

 

Kristen Felicetti Website
The Bushwick Review
Kristen Felicetti substack
KF @ instagram
KF @ X/Twitter
TikTok: LOG OFF @ mrbrendansbookshelf
‘Faith’, a story
KF interviewed @ Peach Mag
Another Fucking Writing Podcast: Kristen Felicetti
Jinhwa Jang Website
Shabby Doll House

 

Profound Experience of Poetry with Kristen Felicetti

 

Excerpt
from Vol. 1 Brooklyn

Your Important American Historical Figure

In middle school, I enjoyed some moderate popularity with a clique of girls named Jenny, Jen, Kendall, and Naomi. Halfway through eighth grade, Jenny called my home and ceremoniously informed me, “I don’t want to be friends anymore.”

I had been sorely friend dumped and the next day the other girls followed suit.

Kendall repeated a variation of the same thing Jenny said, and Jen, the little coward, couldn’t even tell me in person. She passed me a note folded like a fortune cookie that when opened read, “We shouldn’t be friends. Nothing in common. Sorry.”

I don’t know why it came as such a surprise. After all, I had participated in doing a similar excommunication of Naomi with them over the summer.

A small part of me felt relieved. I’d never quite fit in with them and the process of hiding that had been stressful. I didn’t have the nice families and homes they had. And I spent a lot of time studying how they acted and what they talked about, so I could then go and do a similar thing the next time we hung out or sometimes even only a half hour later. An exhausting charade, but it was over now, and I could finally retreat into my head and fully obsess over what I genuinely liked. I had begun logging some serious internet sessions at the library. I’d joined a Tori Amos mailing list and a Fiona Apple message board, and started making friends on there.

The problem was I no longer had any friends in real life and that made day-to-day eighth grade existence rough. Lunch period especially. Maybe that’s why I went a little off the rails with my Fiona Apple presentation.

For Mrs. Gardner’s social studies class, we all had to do a presentation on an important American historical figure in talk show format. Another classmate would act as the show’s host and guide the interview. On the day of our presentation, we were encouraged to come to school dressed as our important American historical figure.

At first, I was stumped as to how I would dress as Fiona Apple. We didn’t have any physical resemblance, me being Asian and all. Nor did she have any identifiable outfits. She mostly wore loose-fitting skirts and midriff-baring tank tops, the latter of which I was definitely not doing. Then I remembered a story I had read from her now infamous Rolling Stone profile. It ends with her talking about a fantasy she has, where she enters the school chapel and sprouts wings. Everyone who has ever teased her, or thought she was weird, is suddenly amazed that she has this extraordinary ability, and as she rises and flies away from them forever, they all whisper in awe, “Fiona has wings… Fiona has wings…” I bought some cheap costume angel wings and called it a day.

During the presentation, I talked about Fiona Apple’s music, but after briefly touching upon her career successes, I mostly used the opportunity to portray Fiona’s complex and troubled self. I quoted extensively from the Rolling Stone profile, which by then I had completely memorized.

I told my classmates to go with themselves, and how I ate nothing but split pea soup for my entire tour. I talked about how I was currently on psychiatric medication because I had wanted to die before. I talked about how in fifth grade I’d said, “I’m going to kill myself and take my sister with me,” and how I used to stab the back of my closet because that was better than stabbing someone. I spoke about how when I read my first bad review, I scratched my arm until it bled.

And I saw Jenny, Jen, and Kendall watching this and thinking, “Wow, we really made the right choice dropping this crazy bitch.” But in the moment of the Fiona Apple presentation, it was the one time I didn’t feel bad about them dumping me.

Instead, I felt triumphant.

Yes, I was very proud of this presentation. I’d stayed in character the whole time. I’d also brought up serious topics that scared me to talk about, like rape and self-injury, but that I knew were necessary to mention as part of Fiona’s personal history and important to discuss with my peers in general. And I could tell I’d held my classmates’ attention. They had not been bored. If there was any flaw, it was maybe that I’d not done it with enough humor. The real Fiona Apple would have done this with a little more subtlety, a little more of a wink, like how she described her music video for “Criminal” as tongue-in-cheek. Overall though, it had been a great success.

Apparently Mrs. Gardner felt otherwise, because the next day she slid me a pass that said I had an appointment with Ms. Burke, the guidance counselor.

“Have you ever tried to harm yourself? Or had suicidal thoughts?” asked Ms. Burke. Her voice always sounded like she’d been sucking on helium.

“I wasn’t talking as me,” I said. “I was in character as Fiona Apple and communicating how she felt.”

“Yes, about that,” she said. “Mrs. Gardner told me the assignment was to present on an important American historical figure. Did you not understand the assignment? This means someone like George Washington or Susan B. Anthony.”

My first inclination was to respond, “Fiona Apple is an important American historical figure,” but I knew that would not go over well, so I didn’t say anything.

Ms. Burke folded her hands in her lap. “Ellie, how are things at home?”

“Things are good.”

“Well, it’s interesting to hear you say that, because I already called home. I heard about your mother. Why don’t we talk about how you felt when she left?”

I was not going to talk to this airhead about my mom. “It’s not a big deal. And this has nothing to do with that.”

She smiled like she pitied me, which I hated. I stared her down.

“I sense a lot of anger here,” she said. “At me, and at yourself. I’m going to recommend you go to Group.”

That got a reaction out of me. “No!”

Group was a program run by the drug and alcohol counselor Mr. Davis. It was almost exclusively populated by the Bad Kids, a clique of goths that loitered near the front entrance before and after school. I no longer had any friends, that was clear, but I really did not want to be seen as someone who went to Group.

But my sulky self had sealed my fate with Ms. Burke, and later that week I was pulled out of class and forced to attend Group. Half the Bad Kids were there, sporting the latest Hot Topic fashions. Their most recent incident was campaigning for a Satanic Bible Study outside the Christian Bible Study Club. They sat around a table waiting for Mr. Davis to arrive.

I picked an open seat across from my old friend Alice Sharpe. Alice used to be my best friend in third grade, but we never had a falling out like I’d had with Jenny/Jen/Kendall. We simply drifted apart in fourth grade when we weren’t in the same class anymore. That drift took us to different places in middle school. She wore a Nine Inch Nails t-shirt that was at least two sizes too large for her, a black choker with studs, heavy eye makeup, and black lipstick. I, on the other hand, wore a rainbow striped t-shirt with floral decals, which had been purchased from Limited Too.

“Hey,” she said. There was some recognition of our elementary school friendship in her voice. “I heard about your Fiona Apple presentation. Did you really say you were going to kill yourself and take your sister with you?”

“Yoooo! That’s tight,” said a boy at the table wearing an Insane Clown Posse t-shirt.

“Yes. It’s called acting,” I said.

Alice didn’t seem to care about that. “I like Fiona Apple too. Are you also into Ani DiFranco?”

“Yeah,” I said, surprised. I hadn’t met anyone at school who liked either of them, only people on the internet. “Not as much, but I like Little Plastic Castle. It’s a little front-loaded though. I think the better songs are in the beginning.”

“What? Are you kidding me? ‘Independence Day’ is my favorite song ever.”

But she wasn’t mad that I’d disagreed with her about this latter album track. She was smiling like she’d found a worthy sparring partner.

“Lesbian music!” groaned ICP T-shirt.

“That’s offensive,” said Chris Walsh, who wore black nail polish.

“That is offensive,” said Alice. “Besides, Ani, like moi, is bisexual, so the term lesbian music is not even accurate.”

“Whatever, dyke,” said ICP T-shirt.

Alice promptly flicked him off. I saw my chance at making the high school honors track fly out the window if I spent more time with these delinquents. But Alice was still focused on me. “What about Tori Amos, do you like her?”

I nodded.

“Favorite album?”

“Boys for Pele.”

She grinned. “Mine too.”

Mr. Davis walked in with his dog and immediately, some of the Bad Kids jumped out of their seats in a rush to pet the black-and-white Border collie. Mr. Davis was bald and kind of weird, so a lot of people said mean things about him. For example, there was a persistent rumor that Mr. Davis had a dog because he was blind and this was his Seeing Eye Dog, even though it was clear he was obviously not blind—I had just watched him stroll into the classroom and check the attendance sheet. The dog’s purpose was clearly to provide ease and comfort for the kids he counseled. The other mean rumor about him was that he had AIDS.

In Group, I had to introduce myself because I was new. I kept it brief.

“Hi, I’m Ellie. It wasn’t my choice to be here.”

Then everyone else talked about how things had gone for them since last week. Despite the tough front they put on by the school entrance, some of the kids really got into it. They talked about their messed up home lives or the drugs they’d done or some abuses they’d suffered. There were tears and shouting and Mr. Davis just sat there calmly with his dog, and as I listened to him respond to them all in a soft, soothing voice, I noticed I was the only one in the room not wearing head-to-toe black. The whole scene was tragic. The only thing that could have made me consider returning was the opportunity to see Alice (she didn’t contribute much to Group either), but that did not outweigh the fact that I knew I had to do whatever I could to get out of this situation.

The next day I booked an appointment with Ms. Burke and showed up to her office with a huge smile on my face. There were two spectacular performances in this whole experience. The first was the Fiona Apple presentation itself. The second was the one I put on during my follow-up visit to Ms. Burke’s office.

I told her how upset I’d been about my mom abandoning me and how the Fiona Apple presentation had really been a cry for help. I thanked her for helping me realize that. I was going to be seeking my own counseling outside of school to process my feelings, but in the meantime, it was counterproductive for me to attend Group. There was a lot of negativity in Group, which didn’t feel healthy for me to be around right now.

The following week, when I walked through the school entrance, Alice stopped me. Instead of the choker, she wore a red ribbon that reminded me of that scary story where a girl has a ribbon around her neck and then when she takes the ribbon off her head falls off too.

“I see you’re too good for Group and got yourself out,” she said.

When I opened my mouth to object, she shook her head and said, “You’re lucky. I wish I could do that too. But that’s never happening for me.” She reached into her bag for a pen. “Maybe we could hang out sometime. Like we used to?”

“Yeah, that’d be cool.”

“We can listen to some albums.” She handed me the pen and rolled up her sleeve. “Write your number.”

As I wrote my number on her arm, I noticed red cuts, like tally marks, that had been hidden by her sleeve. I tried not to look at them, but it added a deeper understanding to why she wasn’t going to be able to lie her way out of Group.

“I’ll call you,” she said, and then slid back into the Bad Kids clique.

I waited an embarrassingly long time for that call. I don’t know why. Sometimes I stayed home after school, instead of going to the library to use the internet, because I thought this might be the day Alice called. But then I realized it was just another interaction that held more meaning for me than for the other person.

Mr. Davis mysteriously got fired, so Group was taken over by Ms. Burke, and later, dissolved completely. I returned to the library and calculated the number of days until I would officially be an adult. The answer was a whopping 1,542.

*

 

Oscar d’Artois The Island, a book-length haiku
Shabby Doll House
Artwork by Mad Manning
Retail price: $16
Buy it

Written over the course of two summers following the poet’s 33rd birthday.

Longing for an irretrievable beach paradise ✔
Yearning for an abandoned tower to hide in ✔
(Failing to) deal with ageing by building a hot transcendent yoga body ✔
Loving convenience in spite of yourself ✔
A manifesto against self-optimization ✔
Blasé satanism ?
An elegy for desire ✔
A meditation on death ?
A bisexual epic ✔
An unrelenting affirmation that “this world is all there is” ✔

Obsession, delusion, solitude, longing. That’s the thing with The Island.

 

‘Witty and self-deprecating and instantly relatable.’ — VALLUM

‘A fast life lived in an existential daze with a pop-punk poetic consciousness.’ — DAZED

‘I loved so many references in The Island. Cold brew, yoga, spritzes, consumer culture, the internet, queerness… So funny and real and sparkly.’ — Chloe Caldwell

‘A book of fantasy built on internet dreams and nostalgia for what never existed: the fantasy of an eternal American youth, the wish that love can save us, the hope that we can practice for death. A re-projection of the images projected on us every day. An affirmation that as misguided as we are, we too deserve poetry.’ — Melissa Broder

 

Oscar d’Artois substack
‘Teen Surf Goth’
‘Notre Damn’, by Oscar d’Artois
‘Surprise View’, by Oscar d’Artois
Od’A’s defunct website
‘(too fragile for this world)’, by Oscar d’Artois
Od’A @ instagram
studio stretchy @ instagram
Od’A interview @ The Fanzine
Mad Manning Website
Mad Manning Tattoos
Shabby Doll House

 

maple flavored almond butter

 

Excerpt

Party supplies to wreck me :

my fucking birthday

a grave that reads « SANSOUCIS »

occupy the vibes

Vanessa Carlton moshpit

pumpkin spice grey sweats

day moon over bull mural

indulgent trailmix

extremely advanced sunset

opiate moonscape

sentimental mug owning

altar for jock socks

unabashed cross-legging

ghosts of sunflowers

melancholy sky penis

vaping laserbeams

my seltzer graveyard belly

chilled red, pure seaglass

sunwind on soft skin now you’re

talking my language !

archipelago of pain

we call experience

lit candle torrential rain

greek temple at dawn

tree lined path star-studded sky

when i go back to

cities i can’t remember

how people even speak so

lying in the dark

in a room full of strangers

i take sick pleasure

in opening my eyes ohm

peace motherfuckers

what i mean’s any thing is

a thing that contains

its own opposite you know

blossoms are dying

chastity is horniness

a company called

Translate By Humans’ secret

is they use machine-

translation liberally

black holes are lurking

in the hearts of giant stars

i’m cute when nasty

yoga can make me anxious

tell me to relax

i will when it’s time to stop

palm tree heavens leave

me whipped raw by compulsion

& then when they don’t

i think myself a martyr

bleeding, ascending

my own pink cloud rhapsody

an opera house

at the bottom of a lake

imploding lotus

blablablablablablabla

*

 

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Listen on Spotify
Listen on Apple Podcasts

 

 

*

p.s. Hey. Today the blog gladly turns itself into a welcome mat-style platform for two new books from the legendary and ultra-cool and transcendently charming Shabby Doll House. I’ve read both Kristen Felicetti’s novel and Oscar d’Artois’s epic-ish poem, and they’re both wonderful, and thus I can whole heartedly and full throatily recommend them to all and sundry aka you. Please spend your local time today checking them out and pressing your itchy fingers on the appropriate links if you so choose. Thanks! ** Dominik, Hi!!! Thanks. If I had a slave, I would certainly want him to have a tortured, productive head on his shoulders, so yes. Good to know love has a mean side. Knowing that, I would like love to brow beat our film’s self-serving producers into loving collaborators, post-haste, G. ** Charalampos, Hi. Yeah, dude had a dreamy resume. Thanks about the interview. My brain is a novel idea airport. Uh, GbV EPs? I guess I would most recommend ‘Fast Japanese Spin Cycle’ and ‘The Grand Hour’. Paris hugs you back with me crushed in between. ** Mark, Yay! It’s a rich volume. Which Kraftwerk album did you see being literalised? Envy. Wow, I did hang out at the Pikme-Up. I haven’t thought about that place in ages. Crazy. Maybe I met or something Tawny. Good to see you, bud. ** Steve, Well, good about the not much pain. I hope you can sort out a speedy replacement appointment today. My weekend was … okay, to put a good face on it. Everyone, Steve has two new reviews for all of us, on Eric Chenaux Trio’s DELIGHTS OF MY LIFE here, and on Marco Bellocchio’s KIDNAPPED here. Steve says, ‘Scroll down halfway the page for the Chenaux review.’ I’ll test the CharliXCX, thanks. ** Misanthrope, It’s true, I think dark stuff might be my fluff and the whimsical stuff might be my substance. Very sorry obviously to hear that about Little Show. That boy is a complicated mess of a mess, but my hopes that he’ll rise above remain. So sorry, man. Good thing you have your love to distract you. Now that Rafa is out, my interest in the French Open is way down, but maybe. What I do need to do is buy tickets to the skateboarding competition at the Olympics since it’ll be happening two blocks from me. ** Corey Heiferman, You do qualify as an old timer around here, but just think about how old a timer that makes me. Hm, no, I don’t think I’ve ever written something targeted to a particular’s venue’s guidelines or taste. But why not if that experimenting sounds fun? ** _Black_Acrylic, Me too re: Bond films in my early youth. What was your fave? ** Justin D, Your dad is, or at least was, so nice. How sweet. I know of ‘Return to Monkey Island’, but I’ve never played the games. Okay, noted. No, I want to restart my video game addiction. I want my resistance to be destroyed. So you’re only helping me. And I feel utmost gratitude. ** Darby🤨, Wait, so Men’s mental health awareness month and Pride Month are the same month? Now that’s interesting. I’ve stood on the fringes of a couple of Pride parades just to see what they actually are and try to understand what feeling they create in people who want their pride to be monumentalised via a public display. Right, that Monet got attacked here the other day. I agree, I think it’s a completely ineffective move on their parts. Uh, I think Tour de France happened a couple of months ago, if I’m remembering right. Ah, no wonder I like Cupcake Man so much. Very good to know. You saved me yet again. Bon week so far, pal. ** Cletus, Hi, Glad you managed to score the book. I hope your week is even better than your weekend. ** Lucas, Hey. Thanks. The meeting was hell, and there’s a part two this morning, which could be even more hellish. Or not. But probably. It was raining so I just barely did Nuit Blanche. Zac did more of it and said there was nothing that wasn’t whatever/so-so. Typical. Sorry about your mixed bag weekend, but I guess it could have been worse. I’m sort of an eternal optimist, if you can’t already tell. Why, I don’t know. Thanks about ‘The Dream Police’. I like some of my poems and think they’re pretty good, but I just didn’t seem to have the chops to get as ambitious with poetry as I wanted to be, so I eased out of the practice or whatever. But thank you. I really appreciate it, and that makes me feel better about them. Awesome squirrel shots. Really cool photos. Where you are right now looks pretty nice. At least from the viewing spot of my cityscape. Happy Monday to you, sir. ** HaRpEr //, Hi! I think it (‘Out 1’) might be on the Criterion Channel? Europe doesn’t have the Criterion Channel, sadly. Everyone, Does anyone here know how to stream Rivette’s ‘Out 1’? If so, please pipe up as it would help our pal HaRpEr //. Thanks. ‘Successive slidings…’ is my favorite Robbe-Grillet film. I hope you can see it, obvs. Awesome that you read ‘Death Sentence’. I’m sure I mentioned that it’s my all-time favorite novel. Yes, as you no doubt know, using neutral pronouns in French is borderline impossible, so when he did that it was a revelation. Really happy you liked that novel. I hope so much that your bad personal stuff passes. I don’t know what I could possibly do to help, if there’s something, I’m here and down. ** Uday, Happily, I’m pretty certain there’s not a library on earth that has ‘Antoine Monnier’ among its holdings. Trust me, you’re better off without it. Yeah, movie stuff majorly sucks at the moment. But everything passes, I guess. Feel good art weirdly can make one feel good if one is in a very uncritical and very happy (and maybe very sad) mood, I agree. Lovely week’s beginning to you and yours. ** Bill, Hi, B. Call me crazy, but I think ‘I Wished’ is probably better if you don’t know the Cycle. But you know I like confusion. That is one of crazy-ass double bill right there, agreed. And your brain is still okay? I think ‘Flunker’ is at the printer, and hopefully it’ll be ready to wing it way to everywhere, uh, soon. -ish. ** Okay. The blog is a Shabby Dollhouse outpost today, and do traipse about with eyes wide open and fingers in action. See you tomorrow.