The blog of author Dennis Cooper

Mine for yours: My favorite films of all time

(in no order)

Robert Bresson THE DEVIL PROBABLY (1977), LANCELOT DU LAC (1974)

Orson Welles THE MAGNIFICENT AMBERSONS (1942)

Hollis Frampton STRAITS OF MAGELLAN (1977—1980), ZORNS LEMMA (1970)

Alain Resnais PROVIDENCE (1977)

Alexander Kluge ARTIST UNDER THE BIG TOP: CLUELESS (1968)

Sergei Parajanov THE COLOR OF POMEGRANATES (1969)

James Benning 11×14 (1977), THE UNITED STATES OF AMERICA (2022)

Alain Robbe-Grillet SUCCESSIVE SLIDINGS TOWARDS PLEASURE (1974)

Terence Malick THE THIN RED LINE (1998), THE TREE OF LIFE (2011)

Tony Conrad THE FLICKER (1965)

Jean-Luc Godard ADIEU AU LANGAGE (3D) (2014), PIERROT LE FOU (1965)

Errol Morris FAST, CHEAP AND OUT OF CONTROL (1997)

Ryan Trecartin I-BE AREA (2007), TRILL-OGY COMP (2009)

Bruce Conner EVE-RAY FOREVER (1965)

Federico Fellini SATYRICON (1969)

Stan Brakhage DOG STAR MAN (1964), SCENES FROM UNDER CHILDHOOD (1968)

Maya Deren RITUAL IN TRANSFIGURED TIME (1946)

Straub-Huillet CLASS RELATIONS (1984)

Kenneth Anger INAUGURATION OF THE PLEASURE ZONE (1954)

Wong Kar Wai FALLEN ANGELS (1995)

Jacques Tati PLAYTIME (1967)

Steina & Woody Vasulka IN THE LAND OF THE ELEVATOR GIRLS (1981)

Rainier Werner Fassbinder IN A YEAR OF THIRTEEN MOONS (1978)

Bela Tarr WERCKMEISTER HARMONIES (2000)

Peter Greenaway A ZED AND TWO NOUGHTS (1985)

Morgan Fisher () (2003)

Walt Disney PINOCCHIO (1940)

Aldo Tambelini BLACK PLUS X (1966)

Guy Maddin THE FORBIDDEN ROOM (2015)

Eric Rohmer THE GREEN RAY (1986), PERCEVAL (1978)

Ingmar Bergman THE HOUR OF THE WOLF (1968)

Frederick Weissman MONROVIA, INDIANA (2018)

Chantal Akerman TOUTE UNE NUIT (1982), NO HOME MOVIE (2015)

Yasujiro Ozu LATE SPRING (1949)

Martin Arnold DEANIMATED (2002)

Jacques Rivette DUELLE (1976)

Wes Anderson MOONRISE KINGDOM (2012), THE LIFE AQUATIC WITH STEVE ZISSOU (2004)

Michelangelo Antonioni RED DESERT (1964)

Tim Hunter RIVER’S EDGE, 1986

Andy Warhol CHELSEA GIRLS (1966), LONESOME COWBOYS (1968)

Bernardo Bertolucci LUNA (1979)

Werner Herzog STROSZEK (1977), THE GREAT ECSTACY OF THE WOODCARVER STEINER (1974)

Gaspar Noe ENTER THE VOID (2009)

Thom Anderson LOS ANGELES PLAYS ITSELF (2003)

Coen Brothers FARGO (1996)

Jack Smith NORMAL LOVE (1963)

Mel Brooks YOUNG FRANKENSTEIN, 1974

Pedro Costa VITALINE VARELA (2018)

Jeff Keen OMOZAP 2 (1990)

Robert Altman THREE WOMEN (1977), MCCABE AND MRS. MILLER (1971)

Bruno Dumont HORS SATAN (2011)

Peter Tscherkassky OUTER SPACE (1999)

Phil Solomon REHEARSALS FOR RETIREMENT (2007)

Philippe Grandrieux UN LAC (2008)

John Waters SERIAL MOM (1994), FEMALE TROUBLE (1974)

Stanley Kubrick A CLOCKWORK ORANGE (1971)

Michael Snow WAVELENGTH (1967)

Luis Bunuel SIMON OF THE DESERT (1965)

Leslie Thornton PEGGY AND FRED IN HELL: THE PROLOGUE (1984)

Leos Carax POLA X (1999)

Jon Jost SURE FIRE (1990)

David Lynch INLAND EMPIRE (2006)

Luchino Visconti DEATH IN VENICE (1971)

Harmony Korine JULIEN DONKEY BOY (1999)

John Woo THE KILLER (1989)

Jean Daniel Cadinot AIME … COMME MINET (1982)

Paul McCarthy FAMILY TYRANNY: MODELING AND MOLDING (1987)

Lindsay Anderson IF … (1968)

Pierre Clementi FILM OU VISA DE CENSURE NUMERO X (1967)

Tobe Hooper TEXAS CHAINSAW MASSACRE (1974)

Rolf Hammerschmidt DAS FICKENDE KLASSENZIMMER (1995)

Stephen Prina VINYL II (2004)

Agnès Varda THE GLEANERS AND I (2000)

Christian Marclay THE CLOCK (2010)

Woody Allen CRIMES AND MISDEMEANORS (1989)

Bas Jan Ader I’M TOO SAD TO TELL YOU (1971)

Pat O’Neill WATER AND POWER (1989)

 

 

*

p.s. Hey. ** _Black_Acrylic, Hi. Okay then, I definitely will try it. But not before I feast my ears on you-know-what. Everyone, Sonic maestro _Black_Acrylic is back to solarize your physical forms, i.e. ‘The new episode of Play Therapy is online here via Tak Tent radio! Ben ‘Jack Your Body’ Robinson has in store classic Italo, Ukrainian Electro and some new Danish Industrial on the side.’Join the enlightened hordes! Yes, Leeds is happening. If you were an old, rich, horny gay guy, you’d be in hog heaven. ** Dominik, Hi!!! Your taste is top drawer, as always. My guess is that Disney food is terrible because they make it weeks in advance, freeze it, then pull it out at the last minute and either defrost it or stick it in a microwave for a few seconds. Ha ha, your love was so innocent. And nothing better than innocent love. Love turning everything you see this weekend starting at this very second until you fall asleep on Sunday night into your all-time favorite documentary film, G. ** David Ehrenstein, EVERYBODY DANCE. ** Misanthrope, I liked that sentence too. I like weather best it when it necessitates a buttoned up overcoat and a scarf. I did assume that comment was about you, my apologies. I keep forgetting it’s Easter. I know they celebrate it here, but it doesn’t seem to be much of a big whoop. If the Easter Bunny left an Easter basket on my doorstep on Sunday, I would definitely not be unhappy. So I get it. Happy E! ** Bill, My escorts, unlike real escorts, are completely reliable. Facebook is like a screwball comedy without the comedy. Ha ha, about ‘Out of the Blue’. I need to watch it again. So many people on social media are suddenly going nuts about it, and I saw it at a screening with Dennis Hopper hosting way back in the day, and I thought it was, you know, okay. ** Rydonna, Rydonna, ha ha. Nice. Oh, well, it was and will forever be my blog’s honor, sir. The NYC scene in the 80s gets glorified by nostalgia a lot, but I lived there then, and it was pretty fucking cool. Me too: I greatly prefer talking interviews than written/back and forth ones. I’d rather sound inarticulate than spend hours finessing my answers. But we should all be so lucky as to be interviewed at all, so whatever works. I like the idea of interviewing you in theory, but I’m so overcommitted with the film and new theater piece and other stuff that I can’t take on anything else, no matter how interesting it is, sadly. My mom used to say that. There was a time when I was a kid when a lot of people said that, weirdly. Have an extremely splendid weekend! xo. ** Steve Erickson, No doubt. It’s just that, obviously, what brings out the murdering side of their bots and what doesn’t is wack. I’ve never read a definitive answer ons whether ‘Rape’ was staged or not. When I saw it ages ago, it looked authentic enough. The ending is so lame, although I don’t know how it should have ended. I think maybe it would be better if it had just stopped, but … whatever. ** Okay. The other day I got in a mood and decided to update/revise my all-time favorite films list. I post it here in hopes that you guys will hit me back with some your all-time favorite films. They say favorite films lists are windows into their devisers’ soul, so let’s commune souls this weekend, what do you say? If nothing else, you can have a look at mine. See you on Monday.

24 Comments

  1. T. J.

    Off the top of my head….

    Don’t Touch the White Woman (Ferreri)
    Bye Bye Monkey (Ferreri)
    Tales of Ordinary Madness (Ferreri)
    Dillinger is Dead (Ferreri)
    Story of Piera (Ferreri)
    Seeking Asylum (Ferreri)
    Partner (Bertollucci)
    1900 (Bertollucci)
    Luna (Bertollucci)
    The Leopard (Visconti)
    Ossession (Visconti)
    Death in Venice (Visconti)
    Ludwig (Visconti)
    Going Places (Blier)
    Buffet Froid (Blier)
    Merci le vie (Blier)
    General Ida Amin: Dada (Schroeder)
    Maitresse (Schroeder)
    Zabriskie Point (Antonioni)
    The Passenger (Antonioni)
    L’Eclisse (Antonioni)
    Vampyr (Dreyer)
    Day of Wrath (Dreyer)
    In the White City (Tanner)
    Don’t Play Us Cheap (Peebles)
    Stroszek (Herzog)
    Aguirre the Wrath of God (Herzog)
    Even Dwarves Started Small (Herzog)
    Land of Silence and Darkness (Herzog)
    The Bad Lieutenant: Port of Call – New Orleans (Herzog)
    Little Dieter Needs to Fly (Herzog)
    Lovers on the Bridge (Carax)
    Pola X (Carax)
    Holy Motors (Carax)
    Twentynine Palms (Dumont)
    I Can’t Sleep (Denis)
    Nenette + Boni (Denis)
    Beau Travail (Denis)
    The House (Bartas)
    Killer of Sheep (Burnett)
    3 Women (Altman)
    Thieves Like Us (Altman)
    Fool for Love (Altman)
    The Devil Probably (Bresson)
    A Gentle Woman (Bresson)
    A Man Escaped (Bresson)
    Les Dames du Bois de Boulogne (Bresson)
    Les Rendez-vous d’Anna (Akerman)
    South (Akerman)
    Tell Me (Akerman)
    No Home Movie (Akerman)
    Rachel Rachel (Newman)
    I Don’t Want to Sleep Alone (Ming-liang)
    Out of the Blue (Hopper)
    Copkiller (Faenza)
    Property is no longer a theft (Petri)
    The Seventh Victim (Robson)
    The Addiction (Ferrara)
    Remember My Name (Rudolph)
    Trouble in Mind (Rudolph)
    Heaven’s Gate (Cimino)
    Bless Their Little Hearts (Woodberry)
    Coming Apart (Ginsberg)
    Portrait of Jason (Clarke)
    Things Behind the Sun (Anders)
    Clean, Shaven (Kerrigan)
    Dutchman (Harvey)
    Le Trou (Becker)
    A Special Day (Scola)
    Martha (Fassbinder)
    The Bitter Tears of Petra Von Kant (Fassbinder)
    Beware of a Holy Whore (Fassbinder)
    Berlin Alexanderplatz (Fassbinder)
    In a Year of 13 Moons (Fassbinder)
    Celine and Julie Go Boating (Rivette)
    L’Amour fou (Rivette)
    Merry Go Round (Rivette)
    Duelle (Rivette)
    The Intruder (Corman)
    Cruising (Friedkin)
    Sorcerer (Friedkin)
    Bug (Friedkin)
    Andy Warhol’s Bad (Johnson)
    The Skin (Cavani)
    The Night Porter (Cavani)
    Sleeping Beauty (Breillat)
    Brief Crossing (Breillat)
    Anatomy of Hell (Breillat)
    Panic of Needle Park (Schatzberg)
    Cutter’s Way (Passer)
    Born to Win (Passer)
    Without You I’m nothing (Boskovich)
    The Servant (Losey)
    Secret Ceremony (Losey)
    Mr. Klein (Losey)
    M (Losey)
    The Prowler (Losey)
    Patty Hearst (Schrader)
    Cat People (Schrader)
    Guns of the Trees (Mekas)
    The Weather Diaries (Kuchar)
    The Edge (Kramer)
    The Plumber (Weir)
    Rider on the Rain (Clement)
    Mona Lisa (Jordan)
    Taipei Story (Yang)
    Casa de Lava (Costa)
    Day Night Day Night (Loktev)
    Mademoiselle (Richardson)
    Husbands (Cassavetes)
    Love Streams (Cassavetes)
    Hiroshima Mon Amour (Resnais)
    Rosemary’s Baby (Polanski)
    The Tenant (Polanski)
    Repulsion (Polanski)
    Cul de sac (Polanski)
    Ghost Writer (Polanski)
    Essential Killing (Skolimowski)
    Four of the Apocalypse (Fulci)
    Heavy Traffic (Bakshi)
    Twin Peaks: Fire walk with me (Lynch)
    Inland Empire (Lynch)
    Safe (Haynes)
    Carol (Haynes)
    Suddenly Last Summer (Mankiewicz)
    Invasion of the Body Snatchers (Kaufman)
    Cosmopolis (Cronenberg)
    Dead Ringers (Cronenberg)
    Crash (Cronenberg)
    The Fire Within (Malle)

    haven’t done that in over a decade and I’m forgetting stuff but gotta stop ha

  2. David Ehrenstein

    Those Who Love Me Can Take the Train (Patrice Chéreau, 1998)
    8½ (Federico Fellini, 1963)
    Celine and Julie Go Boating (Jacques Rivette, 1974)
    La Commune (Paris, 1871) (Peter Watkins, 2000)
    Playtime (Jacques Tati, 1967)
    The Red Shoes (Michael Powell & Emeric Pressburger, 1949)
    Performance (Donald Cammell and Nicholas Roeg, 1970),
    The Night of the Hunter (Charles Laughton, 1955)
    Force of Evil (Abraham Polonsky, 1948)
    Good News (Charles Walters, 1947)

    Also: A Movie (Bruce Conner, 1958),Providence (Alain Resnais, 1977), Lola Montès (Max Ophuls, 1955), .The Illiac Passion (Gregory J. Markopoulos, 1967), Le Diable Probablement (Robert Bresson, 1977), Record of a Tenement Gentleman (Yasujiro Ozu, 1947),Une Chambre en Ville (Jacques Demy, 1982), Some Like It Hot (Billy Wilder, 1959), Made in USA (Jean-Luc Godard, 1966), Singin’ in the Rain (Gene Kelly & Stanley Donen, 1952), India Song (Marguerite Duras, 1974), Palermo oder Wolfsburg (Werner Schroeter, 1980), Che Cosa Sono Nuvole? (Pier Paolo Pasolin, 1968), The Leopard (Luchino Visconti, 1963), **** /Four Stars (Andy Warhol, 1967), La Cicatrice intérieure (Philippe Garrel, 1972), Judex (Georges Franju, 1963), The Palm Beach Story (Preston Sturges, 1942), The Devils ( Ken Russell and Derek Jarman, 1971), F For Fake (Orson Welles, 1974), Star Spangled to Death (Ken Jacobs, 2004), If. . .(Lindsay Anderson, 1968), Rose Hobart (Joseph Cornell, 1936), The Last of England (Derek Jarman, 1988), Sans Soleil (Chris Marker, 1983), Funny Face (Stanley Donen, 1957), Lawrence of Arabia (David Lean, 1962) Der Tiger von Eschnapur / Das Indische Grabmal (Fritz Lang, 1959), Love Streams (John Cassavetes, 1984), The Devil is a Woman (Josef von Sternberg, 1935), The Ghost Writer (Roman Polanski, 2010).

  3. _Black_Acrylic

    This is a v arbitrary list and subject to change whenever the feeling might take me:

    Kenneth Anger – Rabbit’s Moon (1971 version with the Doo-wop soundtrack)
    Věra Chytilová – Daisies
    David Lynch – Inland Empire
    Ryan Trecartin – A Family Finds Entertainment
    Julien Maury and Alexandre Bustillo – À l’intérieur

    Funny you should mention Leeds being the place to be, because this week I put a reservation down on the new flat around the corner. Not even been finished yet but in July I’ll be expecting to move in the place and make it my home. A new phase for me, but one that I’m very much looking forward to.

  4. fervorxo

    Thanks for sharing Dennis, what a fabulous resource for me. Do you recommend any places to see Ryan Trecartin besides Youtube?

    My pruned list of all time favorites:
    Nicholas Ray – Rebel Without a Cause
    Wim Wenders – Paris, Texas
    Elem Klimov – Come and See
    Nicolas Roeg – The Witches
    Danny DeVito – Matilda
    Lars von Trier – The Idiots
    Wong Kar-wai – Chungking Express
    Todd Haynes – Safe
    Gregg Araki – Mysterious Skin
    Wes Anderson – The Royal Tenenbaums
    Paul Thomas Anderson – The Master
    Jonathan Glazer – Under the Skin
    Darren Aronofsky – Mother!
    David Lynch – Twin Peaks: The Return
    Fernando Frias – I’m No Longer Here

  5. Bill

    I’m terrible at these all-time favorite lists, Dennis. A few items off the top of my head and my letterboxd profile:

    Shane Carruth, Primer
    Brothers Quay, Street of Crocodiles
    Pedro Almodovar, The Skin I Live in
    Louis Malle, Vanya on 42nd Street
    David Cronenberg, Videodrome
    Leon/Cocina, The Wolf House
    Chris McKim, Wojnarowicz

    Bill

  6. Dominik

    Hi!!

    Oh, what a wonderful weekend treat! I have to admit, I’ve seen very few of the movies you shared, so I’m more than excited to dive in and explore them. Thank you, thank you! It probably speaks of poor taste or something, but I watch way more series than movies nowadays. Still, my favorite films are Trainspotting and Natural Born Killers. And the two that made the deepest and longest-lasting impression on me are Irreversible (by Gaspar Noé – I remember that we talked about this one) and Utoya: July 22.

    Okay, Disney food *does* sound disgusting…

    Oh, wow. I’m not doing anything this weekend, but I prefer my weekends to be exactly like this and I’m reading (and enjoying) Poppy Z. Brite’s Liquor, so it might very well become a favorite documentary of mine. Thank you! Love wondering why the hell Dick is a nickname for Richard, Od.

  7. Marilyn Roxie

    Love the ones you mentioned that I know, will have some watching to do of others. Here is my list in no particular order:

    Blue (1993)
    Like Cattle Towards Glow (2015 – of course!)
    Pink Narcissus (1971)
    American Psycho (2000)
    My Own Private Idaho (1991)
    Caravaggio (1986)
    We Need to Talk About Kevin (2011)
    Il buono, il brutto, il cattivo [The Good, the Bad, and the Ugly] (1966)
    The Producers (1967)
    Female Trouble (1974)
    哀しみのベラドンナ [Belladonna of Sadness] (1973)
    Mysterious Skin (2004)
    Beyond the Mind’s Eye (1992)
    My Winnipeg (2007)
    Nowhere (1997)
    Sebastiane (1976)
    Computer Chess (2013)
    The Flying Luna Clipper (1987)
    Wild Tigers I Have Known (2006)
    怪談 [Kwaidan] (1964)

  8. l@rst

    Hey D-

    Slacker
    Stranger Than Paradise
    Once Upon A Time In America
    This Is Spinal Tap
    The Long Goodbye
    The Long Good Friday
    Fargo/Big Lebowski/No Country For Old Men
    Rushmore/Royal Tenenbaums/Moonrise Kingdom
    American Movie
    7-Up Series
    Weird Science
    Flirting With Disaster
    Pulp Fiction/Jackie Brown
    Harold and Maude
    One Flew Over The Cuckoo’s Nest
    Star Wars
    Children of Men
    Band of Outsiders
    Blade Runner
    Solaris
    The Outsiders


    Here’s a handful of my favs (I’m such a white american male, geez…) Crimes and Misdemeanors is def one of my fav Woodys too.

  9. JS

    Looking forward to reviewing the list + comments for things to watch.

    1. The Missing Picture – 2013 – Rithy Panh

    2. If… – 1968 – Lindsay Anderson

    3. Battle In Heaven – 2005 – Carlos Reygadas

    4. Murmur of the Heart – 1971 – Louis Malle

    5. Holy Motors – 2012 – Leos Carax

    6. The Great Beauty – 2013 – Paolo Sorrentino

    7. The Time to Live and the Time to Die – 1985 – Hou Hsiao-hsien

    8. The Twentieth Century – 2019 – Matthew Rankin (Guy Maddin protege)

    9. The Rules of The Game – 1939 – Jean Renoir

    10. Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, – 2013 – Geoffrey Farmer

  10. Steve Erickson

    I made a list of my 150 favorite films in 2007 and posted it to my blog, but it probably deserves an update.

    If I were doing so, it’d take hours to figure it out, so here’s a quick top 10:

    DAISIES (Vera Chytilova)
    MORGIANA (Juraj Herz)
    SUSPIRIA (Dario Argento)
    WRITTEN ON THE WIND (Douglas Sirk)
    LE BONHEUR (Agnes Varda)
    CASTING BLOSSOMS TO THE SKY (Nobuhiko Obayashi)
    STILL LIFE (Sohrab Shahid Saless)
    CURE (Kiyoshi Kurosawa)
    MEMORIES OF MURDER (Bong Joon-ho)
    SERENE VELOCITY (Ernie Gehr)

    Do you know when this year’s Sight & Sound poll comes out? I’ve been thinking about pitching an essay around it, but it’s hard to come up with a fresh angle.

    My dad tripped and hurt his leg on Friday. He spent most of that day in the ER, but he was not seriously injured. It seemed much worse at first.

  11. Mattia

    Thank you for sharing, Dennis, always a treat to ravage through your big lists. As for me:

    Fire Walk With Me + Inland Empire – David Lynch
    The Five Obstructions – Lars Von Trier, Jorgen Leth
    Four Lions – Chris Morris
    Entertainment – Rick Alverson
    Stardust Memories – Woody Allen
    Before the Revolution – Bernardo Bertolucci
    Salò – Pier Paolo Pasolini
    Yellow Submarine – George Dunning
    First Love – Matteo Garrone (can’t say I love it per se, but it might be the most haunted/cursed film I know and deserves a spot just for that)
    The Meaning of Life – Monty Python

    Some I saw in the last 4/5 years that are probably going to make the list:

    Zama – Lucrecia Martel
    Les Garçons Sauvages – Bertrand Mandico
    Innocence – Lucile Hadzihalilovic
    The Death of Stalin – Armando Iannucci
    All You Can Eat Buddha – Ian Lagarde
    Casting JonBenet – Kitty Green
    Dark Horse – Todd Solondz

    Pretty run-of-the-mill, so let me try and make it up with some short films:

    The Giant – David Raboy
    Harmony – Bertrand Dezoteux
    Hätäkutsu – Hannes Vartiainen, Pekka Veikkolainen
    Koït Dessur la Neige – David Lebrun
    Crazy House – Aaron Mirkin
    Beetle Trouble – Gabriel Böhmer
    Hillbrow – Nicolas Boone
    Les îles – Yann Gonzalez

  12. Juan

    Hi Dennis! This isn’t relevant to this blog post but I couldn’t find any other way to contact you, so here I am.

    I’m in a band from MA and we’re using a pretty sizeable chunk of one of your texts as a vocal sample, with me reading it outloud. Currently, this is being recorded to a tape we’re putting out in the near-future. We wanted to contact you and formally ask for permission to use it. In case you agree, we’d credit you in the liner notes. In case you don’t, we’ll just replace it with something else. The text is your story The Worst, from Ugly Man. This is also the current name of the song, though it’s only a placeholder.

    Here’s a link to a Google Drive with the song in question. The actual length we’re gonna use is about two minutes, but this is the original demo where the idea came from: https://drive.google.com/file/d/1j4oQ3PIJkFCOcd2K1WSr_Wrtcc47y5GY/view?usp=sharing

    And my email is [email protected], if you wish to write me there.

    Thank you so much for everything! Take care.

  13. Toniok

    Hello Dennis!

    Batman Returns – Tim Burton
    Stand by Me – Rob Reiner
    Night of the Living Dead – George Romero
    Kids – Larry Clark
    Evil Dead 2 – Sam Raimi
    La jetée – Chris Marker
    The Thing – John Carpenter
    Léolo – Jean-Claude Lauzon
    Conversation Piece – Luchino Visconti
    Lawrence of Arabia – David Lean
    Shadows – John Cassavetes
    Night Tide – Curtis Harrington
    My Own Private Idaho – Gus Van Sant
    Once Upon a Time in the West – Sergio Leone
    In a Year of 13 Moons – Rainer Werner Fassbinder
    Pecker – John Waters
    Indiana Jones: Raiders of the Lost Ark – Steven Spielberg
    Arabian Nights – Pier Paolo Pasolini
    Arrebato- Iván Zulueta
    Toy Story 3 – Lee Unkrich
    JFK – Oliver Stone
    The Tree of Life – Terrence Malick
    Mad Max: The Road Warrior – George Miller
    Akira – Katsuhiro Ōtomo
    Bonnie and Clyde – Arthur Penn
    Ivan’s Childhood – Andrei Tarkovsky
    The Dark Crystal – Jim Henson
    The Adventures of Prince Achmed – Lotte Reiniger
    Apocalypse Now – Francis Ford Coppola
    Otra vuelta de tuerca – Eloy de la Iglesia
    Barton Fink – Coen Brothers
    The Wall – Alan Parker
    Zéro de conduite: Jeunes diables au collège – Jean Vigo
    Interview with the Vampire – Neil Jordan
    Mononoke-hime – Hayao Miyazaki
    Lost Highway – David Lynch
    Track of the Cat – William A. Wellman
    Le feu follet – Louis Malle

  14. Jeff J

    hey Dennis – LOVE this list. Always a favorite moment in the blog when you share these type of favorites and other people reveal theirs. Great to see everyone’s picks!

    A few things on your list are totally new to me. What is Stephen Prina’s film? I don’t know the Morgan Fisher and Steina & Woody Vasulka films either. I’ll try to track them down. Have you done an Aldo Tambelini post here? I love the few bits of his work I’ve been able to see.

    I’ve wanted to watch Akerman’s Tout Une Nuit forever. It seems like a number of her key films from the 80s have vanished — that one plus Night and Day and The Eighties.

    I didn’t know that Weissman film on your list even existed and now excited to check it out.

    I’ve seen some Bruce Connor, but not Eve-Ray Forever. He’s another one whose films are mysteriously out of circulation. Wasn’t there some story about him trying to destroy the negatives or copies of the prints before he died? Or maybe that was just a rumor?

    For my picks, I tried to avoid overlapping with favorite directors you’d already mentioned (Rivette, Wong Kar-Wai, Welles, Resnais, Lynch, Bresson, Korine, Tati, Godard, Kubrick, O’Neill, Deren, etc.). That seemed to make it easier and maybe more interesting. So here they are, in the spirit of too much list action isn’t enough:

    Chris Marker: Sans Soliel
    John Cassavetes: Husbands and A Woman Under the Influence
    Theo Angelopoulos: The Weeping Meadow and Suspended Step of the Stork
    Werner Schroeter: Death of Maris Malibran and Eika Katappa
    Buster Keaton: Sherlock Jr.
    Andre Tarkovsky: Mirror and Stalker
    Hou Hsiao-Hsien: The Assassin and The Puppetmaster
    Alan Clarke: Elephant, Christine, Penda’s Fen
    Oliver Assayas: Cold Water and Irma Vep
    Clair Denis: Beau Travail
    Carl Dreyer: The Passion of Joan of Arc
    Victor Erice: Spirit of the Beehive
    Alfred Hitchcock: Vertigo
    John Ford: The Searchers
    Terrence Davies: Distant Voices, Still Lives
    Francis Ford Coppola: Apocalpyse Now
    Powell and Pressberger: The Red Shoes
    Charles Burnett: Killer of Sheep
    Chris Petit & Iain Sinclair The Falconer
    Mark Rappaport: The Scenic Route
    Robert Frank: Me and My Brother
    Janie Geiser: Fourth Watch
    Ferdinand Khittl: The Parallel Road
    Philippe Garrel: The Inner Scar, La Revelateur
    Bruce Baille: Castro Street
    Chick Strand: Soft Fiction
    Martin Scorsese: Raging Bull and Mean Streets
    Adam Curtis: Century of the Self
    Jem Cohen: Chain and Lost Book Found
    Craig Baldwin: Tribulation 99
    Seijin Suzuki: Branded to Kill
    Shuji Terayama: Pastorale: To Die in Country
    Vera Chytilova: Fruit of Paradise
    Jim Jarmusch: Dead Man
    Shane Carruth: Upstream Color
    Patricio Guzman: The Battle of Chile
    Robert Kramer: Milestones
    Jonas Mekas: Reminiscences of a Journey to Lithuania
    Lucile Hadzihalilovic: Innocence
    Barbara Loden: Wanda
    Raul Ruiz: Dog’s Dialogue

  15. Florian-Ayala Fauna

    Brilliant list! Have you ever seen the film Threads? It’s the one about nuclear warfare made around the 80s I believe. I could call it a favorite since I think it’s amazing, but it’s honestly too upsetting to call it that haha. Not something to watch too often, at least for me.

    Do you have any quasi-recent favs for horror by the way? I feel the Eyes of my Mother is a definitely good and underrated one.

    No worries on not getting to the album btw, no rush at all.

  16. Misanthrope

    Dennis, I think DavidE has a few. See above. 😉

    Man, puts me on the spot. I haven’t seen that many movies, as compared to my friends here and on FB. My artsy fartsy friends. I’ll think of a few. Hmm.

    My Own Private Idaho
    Thumbsucker
    Call Me by Your Name
    Parting Glances
    Maurice
    I Origins
    Another Day in Paradise
    The Dreamers
    Enter the Void
    The Mudge Boy
    This Boy’s Life
    Hobo With a Shotgun
    Freddy Got Fingered

    Really, all movies that meant something to me at some point in my life.

    I did get and make Easter baskets for David and Kayla. Fucking nutty, no? 21 and 27 years old. And a little gift to go along with each. A football for David and a Grogu Bop It for Kayla. I’m making everybody chicken parmesan tonight.

    I’ve eaten way too much candy today. Just ate a gummi crabby patty and don’t feel so good. Probably the fucking sorbitol in it. I rarely put shit like this in my body anymore, hahaha.

    Kayla, my mom, and I went to the cemetery and put new flowers on my brother’s grave. Then drove around Waldorf looking at the million-dollar homes in this city (all relatively new areas of our city, all doctors and politicians and dentists and shit). Now, we’re all feeling sad and poor. Had to hide the razor blades when we got home. 😉

  17. Rafe

    Hi Dennis! Thank you for your list !!! and it’s so cool to see everyone else’s. Excited to get watching. I love I-Be Area and all of trecartin’s stuff I’ve seen. They remind me of the movies I’d make as a little kid on the webcam or on my moms shitty camcorder; something so special about those.
    Here are some of mine .. j a few fish floating near the surface:
    Peter Vack – Assholes
    Richard Linklater – Waking Life
    Pasolini – Salò
    Danishka Esterhazy – Level 16
    Sean Byrne – The Loved Ones
    Hitchcock – Vertigo
    Alejandro Jodorowsky – The Holy Mountain
    Roy Andersson- You The Living
    Gillo Pontecorvo – The Battle of Algiers
    Xavier Dolan – Les amours imaginaires (Heartbeats)
    Hope your weekend was good—mine was quiet and I had some cool dreams.

  18. Bernard

    Ok, why not?:
    Chris Marker: La Jetée
    Orson Welles: Citizen Kane
    Charles Chaplin: City Lights; Modern Times; Monsieur Verdoux; The Great Dictator
    Alain Resnais: Hiroshima mon amour; Mon oncle d’Amerique; Providence
    Luis Buñuel: Discreet Charm of the Bourgeoisie; The Milky Way
    Federico Fellini: 8 1/2
    James Whale: Bride of Frankenstein
    Alexandr Dovzhenko: Earth
    Vittorio De Sica: Bicycle Thieves
    Fritz Lang: M
    Ingmar Bergman: Wild Strawberries
    G. W. Pabst: Kameradschaft; Secrets of a Soul; Pandora’s Box
    Alfred Hitchcock: Vertigo; Psycho; Shadow of a Doubt; Rear Window
    Roberto Rossellini: Rome, Open City
    Preston Sturges: The Lady Eve; The Miracle of Morgan’s Creek; Sullivan’s Travels
    John Ford: The Man Who Shot Liberty Valance; Stagecoach;The Searchers; The Grapes of Wrath
    Billy Wilder: Double Indemnity; Some Like It Hot; Sunset Blvd.
    Stanley Kramer (and Dr Seuss): The 5,000 Fingers of Dr. T
    Jacques Tourneur: Cat People; Curse of the Demon
    Michał Waszyński: The Dybbuk
    Jean Vigo: Zéro de conduite
    Douglas Sirk: Imitation of Life; All That Heaven Allows
    Stanley Kubrick: Dr. Strangelove
    Nikita Mikhalkov: A Slave of Love
    Disney Studios: Pinocchio
    Marcel Carné: Children of Paradise
    Dziga Vertov: Man with a Movie Camera
    Carl Theodor Dreyer: Vampyr
    Thomas Vinterberg: Festen (The Celebration)
    Jean Renoir: La règle du jeu; Grand Illusion
    Buster Keaton: The General; Sherlock, Jr
    Busby Berkeley: The Gang’s All Here; Footlight Parade; Gold Diggers of 1933
    Rouben Mamoulian: Love Me Tonight
    Kenji Mizoguchi: Ugetsu
    Carol Reed:The Third Man
    Bernardo Bertolucci: The Conformist
    Don Siegel: Invasion of the Body Snatchers
    Akira Kurosawa: Throne of Blood; Kagemusha; Ran
    Robert Bresson: Pickpocket; A Man Escaped
    John Huston: The Maltese Falcon
    George Waggner (and Curt Siodmak): The Wolf Man
    James Cameron: Terminator; Terminator II
    Paulk Verhoeven: RoboCop: The 4th Man
    Peter Bogdanovich: Targets
    Robert Altman: The Long Goodbye; McCabe and Mrs. Miller
    Lewis Allen: The Uninvited
    Victor Fleming (?): The Wizard of Oz
    Duan Makavejev: W.R.:Mysteries of the Organism
    Masahiro Shinoda: Double Suicide
    Gene Kelly and Stanley Donen: Singin’ in the Rain
    Chantal Akerman: The 80s
    Chuck Jones: Duck Amuck
    Bob Clampett and Arthur Davis: The Big Snooze
    Yasujiro Ozu: Ohayo
    Terence Davies: The Long Day Closes
    Peter Greenaway: A Zed and Two Noughts
    Mike Leigh: Topsy-Turvy
    Henri Clouzot: Les diaboliques
    Lindsay Anderson: If . . .
    Paul Morrissey: Trash
    François Truffaut: Au revoir, les enfants; Black Moon
    John Waters: Cecil B. Demented; Serial Mom
    Curt McDowell: Boggy Depot; Thundercrack
    Richard Linklater: Waking Life

  19. Conrad

    Hi !

    Thank you for this beautiful list.

    Bas Jan Ader is so good. Not that long ago, I saw a documentary about him : it’s not bad, it’s on YT here : https://www.youtube.com/watch?v=wW9PDCMI1iA The man telling BJA’s story and his relationship with him is a bit annoying. You probably know it already.

    Yesterday I thought about this : maybe I could only be a DC’s remixer, like I’d be going through the blog’s archives and doing a DC’s remix blog. Just saying this because I found the Paul Clipson post, which was really interesting. + Listened to this really good album by Brett Naucke : Seed.

    My easter week-end was mostly walking in the parc de la Courneuve (Georges Valbon) which is one of my favorite places. It was strangely empty at noon on Saturday. Sometimes it looks like an old Windows XP screensaver. Certainly it’s not a jardin à la française.
    Here’s a picture of it : https://conradkonrad.files.wordpress.com/2022/04/dsc_1247.jpg
    And another one : https://conradkonrad.files.wordpress.com/2022/04/dsc_1124.jpg

    Read this book you recommended here : Janice Galloway’s The Trick Is To Keep Breathing [Penser à respirer], which is excellent. The first twenty pages where quite difficult, but then you understand what she wants to do, and it’s so nicely done.

    Well, here’s my little list – which might be considered as just a remix of your list…
    Chantal Akerman, Je, tu, il, elle
    Robert Breer, A man and his dog out for air
    Philippe Grandrieux, Un lac
    Ingmar Bergman, Fanny and Alexander
    Rainer Werner Fassbinder, In a year of thirteen moons
    Apichatpong Weerasethakul, Cemetery of Splendour
    Sharon Lockhart, Exit
    Agnès Varda, Les glaneurs et la glaneuse
    Harun Farocki, Sauerbruch Hutton Architects
    Werner Herzog, Nobody wants to play with me
    James Benning, The United States of America
    Coen Brothers, Fargo
    Lila Monin, Torsade
    Abbas Kiarostami, Where is the friend’s house ?

    I loved The United States of America. The woman who did the little introduction before the film told us : wail until the end of the film, there is big surprise… and maybe if you don’t wait until the end you won’t understand the film : which was a really stupid thing to say.

    Hope you got some good Easter chocolate.

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