The blog of author Dennis Cooper

Category: Uncategorized (Page 989 of 1106)

Gig #116: Of late 26: Daniel O’Sullivan, Phew, Zola Jesus, Gravetemple, chris†††, Robert Hood, Ka5sh, Drew McDowall, Félicia Atkinson, Richard Dawson, Yasunao Tone, Circle, Puce Mary, White Suns, Cornelius, LCC, Ectopia

 

Daniel O’Sullivan
Phew
Zola Jesus
Gravetemple
chris†††
Robert Hood
Ka5sh
Drew McDowall
Félicia Atkinson
Richard Dawson
Yasunao Tone
Circle
Puce Mary
White Suns
Cornelius
LCC
Ectopia

 

______________
Daniel O’Sullivan HC SVNT DRACONES
‘VELD is a new solo album of luminous pop incantations, electroacoustic music and shimmering drones from composer and multi-instrumentalist Daniel O’Sullivan. Whether solo or in his varied collaborative projects, O’Sullivan’s work is remarkable in the way it infuses familiar everyday experience with traces of the uncanny, the secret and the magickal. VELD distils these tangled realities into a wonderfully rich and complex record — one of O’Sullivan’s most immediate and moving pop albums to date, yet one that’s strikingly dense and allusive, alive with enticing sonic diversions, hypnotic mantras and eerie biomechanical rhythms. VELD was written and recorded between 2010 and 2016 while O’Sullivan was living on Tower Gardens Road, during the same phase that also nurtured other collaborative projects including Grumbling Fur (with Alexander Tucker) and Laniakea (with Zu’s Massimo Pupillo). This was also the space where O’Sullivan assembled and arranged Ulver’s 12th studio album ATGCLVLSSCAP and the last two Æthenor LP’s (O’Sullivan’s “automatic composition” group with Stephen O’Malley of Sunn O))) and Steve Noble).’ — O Genesis Recordings

 

_____________
Phew CQ Tokyo
‘Like many British teens in the late 1970s, when Hiromi Moritani heard the Sex Pistols, she started her own punk band. But even by the standards of punk and post-punk, Japan’s Aunt Sally stood apart: dirge-y psychedelic rock, piano waltzes, spiky outbursts, a whistling take of “Heart and Soul.” And when Moritani struck off on her own in 1980 as Phew, she bushwhacked her own path. She had Yellow Magic Orchestra member Ryuichi Sakamoto produce her experimental first single. And for her debut album, she tapped a German dream team: producer Conny Plank and Can’s rhythm section of Holger Czuaky and Jaki Leibezeit, who cast a pulsing, harrowing sound. In the almost four decades since, she’s continued to carve out her own peculiar niche in rock, often working with legends who abet her vision, including Anton Fier, Otomo Yoshihide and members of DAF and Einstürzende Neubauten. … The furious “CQ Tokyo” returns her to her early punk roots, barking against a deliriously fast cha-cha beat, as if Yoko Ono snuck into Suicide’s practice space and stole one of Martin Rev’s rejiggered drum machines back in 1974. Menacing snarls of electronics roar alongside her increasingly fraught yells, the drums lurching faster and faster until they lash like a whip.’ — Andy Beta

 

_____________
Zola Jesus Exhumed
‘Classic Zola Jesus is back. It’s clear from the first few seconds of her new song “Exhumed,” with its brisk orchestration, thickly blanketing bass, and ticking industrial beetle-scuttles. Nika Rosa Danilova’s last album Taiga tidied up the fierce immediacy of her early music into more polished textures, but there’s a more elemental and raw sense to “Exhumed,” the first taste of her sixth album Okovi. Danilova moved back to the Wisconsin forests where she grew up to record the project, and nature’s primal instincts are scattered all over it.’ — The Fader

 

_____________
Gravetemple Domino/Athatolhatatlan Felelmek
‘“The aim is to break boundaries and to find new horizons via the challenging of our own concepts of existence via the channels of musical trance. To me, it is like a contemporary way of Shamanism,” explains vocalist and black metal luminary Attila Csihar when asked about the motivation behind Impassable Fears, Gravetemple’s first release in eight years and the trio’s second proper full-length. But while most bands will funnel ideas of transcendental experiences and meditation into a discourse of zen-like, hallowed states of eudaemonia, drone-meister Stephen O’Malley, experimentalist Oren Ambarchi, and Csihar turn their gazes inwards, towards Lovecraftian horrors. Similar to what anthropologist Carlo Severi notes about the Kuna people, the basis of Gravetemple’s modern day shamanism becomes a vivid representation of human suffering exposed through a crushingly oppressive sonic language. They strive to make the anguish of human existence and the inevitable fear of death tangible, only to voyage beyond it.’ — Antonio Poscic

 

_____________
chris††† ytp death
‘chris†††’s social justice whatever begins there, with a barrage of paratactic surges, lost cities of culture juxtaposed next to each other without any logical connectors. It doesn’t work in a linear or plot-driven way, but rather with a strong, vomitlike, and whirly centrifugal pull, yanking that which appears discrepant: the memes, the videos, the cartoon dialogues, the commercials, the vaporwave, the hullabaloo. The album acts as a repository for internet culture and as a portent of how the internet distracts us from mobilizing, stunned online in our minds, frozen from the outside world, yet there, never not unable to be political, but just simply and overwhelmingly inactive about it. Because, for many, the internet comes before the world around us, as real as the reality behind reality & interchangeable like-life.’ — HYDROYOGA

 

____________
Robert Hood Pattern 8
Paradygm Shift, the new album from Robert Hood, is a return to minimalism, but not as we might recognise it. The techno of 1994’s Minimal Nation, his career- and genre-defining album, drew strength from simple combinations of drums, chords and hi-hats. Sinewy sounds were held together with smears of bassline funk (“Ride,” “Station Rider E”) rubbery harmonics (“Rhythm Of Vision”) or dial-tuned acid (“Museum”). Paradygm Shift aspires to the “simple, repetitive programming,” as Hood puts it, of his mid-’90s music, but the base materials are larger. If you imagine Minimal Nation’s tracks as rooms in a house, as the Detroit-born, Alabama-based artist once did, then his latest album might resemble a monument of overwhelming scale. The changes on Paradygm Shift don’t seem radical, but they’re consequential. The loops—melodic leads, especially—are more prone to change. This is most apparent on the sliding organs of “Pneuma,” or the braided arps of “Pattern 8.” In these congested patterns, Paradygm Shift tends to lose sight of its focal points. Tracks like “Solid Thought” and “Pattern 8” are caked with accents, effects and counterpoints. The rhythms, carrying this extra weight, can seem as laboured as a run through mud.’ — Resident Advisor

 

___________
Ka5sh I Don’t Need It
‘Ka5sh grew up in Fayetteville, North Carolina, a “super country” military town dominated by Fort Bragg. “I’m still the exact same as I was like younger, but now it’s cool,” they say. “It’s cool to be into bands and shit, and like cartoons, and just be weird and read. But back in [Fayetteville], no, that was not cool. You got called an Oreo.” The most exciting thing to do after dark was wander the aisles of the local Walmart, a cosmic injustice Ka5sh tried to correct by creating immersive performances for their early, Death Grips-inspired musical project, Weirdo. “I wanted to create an experience whenever you saw us live,” they say. “It was completely unappreciated, because I was in North Carolina, and no one got what we were doing. We would get kicked out of venues and stuff because we were just so wild and weird.” Weirdo never caught on, a disappointment Ka5sh understands in retrospect. “It wasn’t me,” they say. “It was just me trying to create a version of me that’s acceptable to everyone, and that’s digestible for rap.”’ — bandcamp daily

 

_____________
Drew McDowall Recognition
Unnatural Channel is Drew McDowall’s follow up to his debut solo album Collapse released in 2015. Like Collapse, Unnatural Channel wallows in modular synths and abstract atmospheres but this time McDowall errs towards a more rhythmic sound melding elements of industrial and techno into his processed experimental work. In interviews Drew McDowall has spoken of his sleepless nights and I feel that may be the most obvious part of the Unnatural Channel referenced in the title. Unnatural Channel taps into the sense of disintegration first found on his debut but while it continues the themes Unnatural Channel evolves into a space distinct to Collapse. In relocating to New York Drew McDowall relinquished his place in the Coil line-up, a role that saw him contribute to Coil’s Equinox work and the acclaimed volumes of Musick To Play In The Dark, as well as the Coil related projects Black Light District and of course Time Machines, which resulted from Drew McDowall’s initial time-shifting experiments with tones and frequencies. It was a move made to secure his sanity but it seems his sleepless nights in New York have been productive musically finding himself within a conducive atmosphere of adventurous electronic musicians pushing industrial and electronic music into new and uncharted areas. Unnatural Channel does that too, taking Drew McDowall and his listeners into new territory, and especially within the mutated, morphed and processed rhythms he directs here.’ — Compulsion Online

 

____________
Felicia Atkinson Visnaga
‘On Hand in Hand, Felicia Atkinson is fascinated by information, in all its heterogeneity. It’s a fascination that has pervaded her recent work and, despite the range that colours this fascination, the information she brings into focus is primarily influenced by exemplary literature. On last year’s collaboration with Jefre-Cantu Ledesma, Comme Un Sel Narcisse, track names were curtailed to a single letter with the full tracklisting spelling out a quotation from Susan Sontag’s On Photography who was, in turn, quoting Charles Baudelaire. On A Readymade Ceremony the year before – the record that seems to have begun the cycle Atkinson is currently in – she blended textual offcuts from her own writings, those of Rene Char and Georges Bataille and various discoveries found in an Italian art magazine. In a way that is truly faithful to the meaning of the term, Atkinson’s work is a collage – a labyrinthine dislocation of source material drawn from what she sets out to read and what she happens to read, and one that seeks significance through contrast and serendipity.’ — Tim Wilson, The Quietus

 

_____________
Richard Dawson Ogre
‘Richard Dawson has said that he really believes in Peasant, his first new album since 2014’s breakout Nothing Important. And you should think so – given that, from its structure and instrumentation down to its most basic themes, it is a bold and almost complete break with the style that allowed him to cross over from the weirdo underground to his current position as the country’s best-loved exponent of avant-folk. Confessional tales of underage drinking sessions gone awry are replaced by a kaleidoscope of character pieces displaced to the pre-medieval Northern English kingdom of Bryneich, while the barebones sound palette of ribcage-busting vocal and spidery electric guitar seen on his previous opus have been replaced by a multi-layered, kitchen-sink ensemble aesthetic. Yet perhaps the most notable move Dawson has made in Peasant is the ambition of its central theme: how community can be reclaimed as a meaningful force in society.’ — Danny Riley

 

______________
Yasunao Tone AI Deviation (live)
‘I have had an idea if I apply the neural network to create my sound work for long time. When I had a performance at Centre Pompidou with Peter Rehberg and other friends I tried to talk about the idea with a French guy from IRCAM. But, he couldn’t understand my idea, which by using neural network the sound I create would never have any repetitions. That was 2002 and I had to wait until 2015 when I had a grant from New York State Council on the Arts through Issue Project Room, then its director Lawrence Kumpf applied for my new work. The grant finally made possible for making my cherished idea, the neural network piece, reality. I had talked about the idea with Prof. Tony Myatt at Surrey University, UK and he developed the software for the piece with a team included Dr. Paul Modler. At the lab in the University a series of my performances of my MP3 Deviation were captured and used to train Kohonen Neural Networks to develop artificial intelligences that simulate my performances. Hence a birth of new piece AI Deviations.’ — Yasunao Tone

 

_____________
Circle Terminal
‘A Swedish journalist recently declared Circle the greatest rock ‘n’ roll band in the world after witnessing a particularly intense performance. Listening to Terminal, it’s difficult to find any reasonable grounds to disagree. To demonstrate their unfathomable ways, a few years ago they ‘leased’ the name Circle to an extreme Metal band whilst issuing an AOR-inspired record (not one of the more essential releases in the band’s catalogue which by now extends to a gazillion – well, 52 – releases) under the assumed name Falcon. The six-piece sport spandex and other vintage hard rock paraphernalia on stage whilst mightily wailing vocalist/keyboardist Mika Rättö (also familiar from psych-folk-rockers Kuusumun Profeetta) indulges his enthusiasm for the most ludicrous foot-on-monitor cock-rock poses imaginable. Much-acclaimed live sets push theatrics to an exhilaratingly baffling level where the performance might culminate in a mid-song intra-band arm wrestling match where the loser wounds up decapitated with a bass guitar.’ — The Line of Best Fit

 

_____________
Puce Mary live at Tower Transmissions V
‘Compared to other extreme or underground musics, industrial music and noise have a much more distinct and literal relationship to art. Punk, techno, metal: these kinds of underground musics have evolved much more as folk musics with constraints that limit their freedoms as art while remaining within those genres. These constraints are immensely powerful, just as they have been in other, more traditional folk musics. Historical context, social and economic circumstance, have all aligned to create that musical vocabulary, and to abandon it is to abandon the large majority of what is powerful about playing that music in the first place. While there is a vernacular to specific noise or industrial musics – the most obvious maybe being the violent/sexual ‘extreme limits of the human condition’ of power electronics but obviously other tropes as well – this vernacular lies on a much more grey, intentionally crafted spectrum. It’s a continuum that has alway been shared with art, performance art, musical composition and experimental work that has, frankly, been the domain of the academy since the 60s or 70s.’ — Puce Mary

 

_____________
White Suns A Year Without Summer
‘What guitarist/singer Barry, drummer Dana Matthiessen, and guitarist Rick Visser—who all chip in with electronics—establish is an ignominious sub-industrial alchemy. It’s a doomed space where doubt reigns, where it becomes difficult to separate instrumental components. White Suns’ initial embraces of scum rock and scuzz punk gave way, over time, to a heavier, more chaotic crunch, as the band moved from cassette imprints to labels (Load, ugEXPLODE, the Flesner) for its LP and CD releases. It’s the band’s earnestness—its self-reflexive sincerity—that’s remained steadfast throughout. Psychic Drift adds a fresh wrinkle to the catalog, limiting proceedings to just four extended meditations and swapping out guitars for tangles of synths, samples, and field recordings. The results feel overwhelmingly claustrophobic at moments and misleadingly thin at others; any time a song seems poised to peter out, a dark surge is almost inevitably en route. This vertiginous feeling fits the album’s loose lyrical theme: a modern societal apocalypse, nearly normalized. While Barry has shuttled between spoken word and screaming before, he leans harder on the former here—even as the surrounding sludge threatens to drown him out.’ — Raymond Cummings

 

__________
Cornelius 『いつか / どこか』
‘Is Mellow Waves Fantasma-level good? Nope. Few albums are. But it is a welcome return nonetheless. All through the 1980s, Japan’s avant-garde took jazz fusion and proggy approaches to pop composition and redeemed those genre’s typically grandiloquent tendencies with a rare and winning restraint. Cornelius is a natural extension of this multi-disciplinary yet signature practice, and his densely thicketed shibuya-kei holds up neatly against the temporary contextualizations of trend. Fantasma, like The Avalanche’s Since I Left You three years later, married eclecticism and bliss-out propulsion in ambitious and indelible ways. Neither album has a misstep and both feature an endless series of delightful sound-trinkets nestled in a fetching, fortified advent calendar. The only downside is the massive sugar crash that can follow. But their judicious deployment of stirring emotion calls us back.’ — WILLCOMA

 

____
LCC Aj
Bastet is the Portuguese duo LCC’s 2nd album of dissonant electronic tang and pranging percussions rent in acres of stark negative space. In terms of rhythm and tone, we can detect a tighter, nuanced approach manifest in the marbled detail and gripping sensitivity of Bastet, which lives up to the enigma of its ancient Egyptian namesake – a goddess of music and female power who coerced humans to entertain her and keep her animalistic urges at bay. Constructed from recordings made at the esteemed EMS in Stockholm, the Inter Arts Centre of Malmö, and their own studio in Gijón, the results form an organismic interrelation of ideas that resonates with, say, the work of Pharmakon as much as Andy Stott at his brutal and stripped best.’ — Boomkat

 

_____________
Ectopia Bermondsey Lagoon
‘Ectopia are Adam Christensen, Jack Brennan and Viki Steiri. Previous works have included sound-tracking Jack Smith’s experimental film Normal Love (1963) and Carl Theodor Dreyer’s The Passion of Joan of Arc (1928). For the first release on the Wysing Polyphonic label three-piece Ectopia have created a suite of seven new works in which intricate cello and screeching and spoken word vocals are carried along on a wave of dark electronica, taking the listener on a journey into sad acid house, scratched DVDs, lipstick clogged with rolling tobacco and hangovers with absent lovers.’ — Boomkat

 

 

*

p.s. Hey. ** Mieze, Mieze! Hey, Mieze! I’m so glad that my blog got so lucky. Lots of love to you. ** H, Hi. Well, totally okay of course that you didn’t go the event. I wasn’t expecting that you would. My pleasure about the Bataille post. Have a great weekend. ** David Ehrenstein, Thank you, sir, yes. ‘Guilty’ is wonderful, I agree, yes. Another book about Warhol?! Jesus. I’ve heard of Richard Natale. Maybe he’s an FB friend or something. ** Steve Erickson, Hi. I haven’t read all of your windfall of pieces yet, but the ones I’ve read so far have been enlightening. I think I read your ‘Detroit’ text on FB. I haven’t seen the film, and I doubt I will, but I’m generally always very suspicious of the ‘torture fetish’ accusation when it’s made towards books, films, and the like. Everybody, One last goodie from Steve Erickson before the week entirely ends. Here he is: ‘I saw Kathryn Bigelow’s DETROIT last night and was really pissed off by it. This exact same text was posted on Facebook, where some people here may have read it, but I also gave it a more permanent home on my blog.’ I think it’s pretty worth checking back with your old reviews re: that book possibility. You can always fiddle with them. Rights-wise, I know there was no problem whatsoever getting the rights to all the pieces I wrote for lots of different places re: ‘Smothered in Hugs’.** Dóra Grőber, Hi! I’m very glad the book intrigued you. Titles are really tough, but then a possible perfect one will just pop into one’s head magically. Well, if it matters, I would say borrowing a Burroughs quote as your title is not a problem whatsoever, but that’s spoken by someone whose first novel swiped the title of a whole Joy Division album. No, I haven’t heard anything about that event I Skyped/read for yet. It doesn’t seem that anyone I know bothered to go, or else they did and are being discrete or something. Everything else is good, no real complaints on my end. I hope the period between now and Monday is both peaceful and incredibly exciting for you. Was it? ** Tosh Berman, Hi, Tosh. I picked ‘Blue of Noon’ off the shelf the other day and reread some chunks, which inspired the post. It’s pretty fucking great. ** Sypha, Hi, James. Do you know why he didn’t actually start that secret society? I’m curious. ** Brendan, Brendan! B-man! Howdy, pal! I’m so happy that the post inspired that reverie. Man, how are you? What’s going on? Catch me up maybe? Bear hugs. ** _Black_Acrylic, It’s better now. Excellent about the inspiring meeting with Donna. Yes, it doesn’t take a rocket scientist to double down on your self-suggestion to write more. A Y’n’Y business model? Like Y’n’Y as a … company or … ? Fascinating. Good, you sound good, my friend. Have a lovely weekend. ** Nicholas, A big hello back to you, big N! Thanks for lending ‘God Jr.’ to your friend. Yeah, I mean, I’m happy to try to answer her questions if she wants. New places to live can be nicely altering or something once you get through the utter hell of physically relocating. Or that’s been my experience. Well, thank you for the kind words, man. The new Blondie is good? I’m always really wary of records by bands who start making records again after a long break when they’re in their relative dotage, but … I’ll peek. Erik Visser! Wow, I was thinking about him the other day and wondering what in the world he’s up to these days. How is he? If you communicate with him again, please give him very warm hugs and respect from me. ** MANCY, Hi! Yeah, it was a sad day when I fully realized what gelatin was made of. Very sad. The vegan ones are … okay, but they’re never imaginative. Or bouncy, squeezy enough. But oh well. Cool, a guest-post! Thank you so, so much! I’ll go find your email, and I’ll get back to you soon. Wow, thank you very, very much. Excellent Saturday and even better Sunday to you! ** Misanthrope, Hi. That’s not sad, that’s what it is. Only so many hours in the day and all of that. I liked candy corn as a kid. I used to sprinkle them on ice cream. Not now. Although I do want to try those Halloween-only candy corn Oreos just out of curiosity. One tiny bite. If I see Jedward fisting each other or something, I’ll IM you very fast. Your friend and I could be distantly related. My dad once told me that 80 or something percent of Americans named Cooper are related by blood, albeit very, very thin blood in most cases. ** Jeff J, Hi, Jeff. I would say that gummi post did its number on you exactly as I had dreamt it would do to someone, anyone. I am a fan of Dieter Roth, yes indeed. I think I’m a fan generally. I like his overall practice and at least most of what his practice produced. Maybe I’ll do a galerie re: him or something. I haven’t done an Arte Povera post, no. I’m not generally much of a fan of those guys: Pistoletto, Kounellis, Merz, Boetti, et. al. Their work just doesn’t speak interestingly to me. I do, of course, like some of the artists who inspired that work or who are proto-Arte Povera like Manzoni and Fontana. Including Beuys in Arte Povera is really stretching it and fishing. I think Arte Povera has been defined such that the vast majority are Italian artists. Anyway, I can’t help you with AP ‘cos I’m not very into it at all. ** S., Hi. What does ‘being Catholic’ mean? I’ve heard people say that, and I know they’re not saying they’re Catholic believers or whatever. It’s about some quality or something that they call ‘Catholic’? Do hurt oranges hurt crocodiles, or is it a way to pet them safely? U2 a neat band? You mean their clothes and bathing habits? ** Right. I have a concert for you this weekend. I hope you will attend. Thank you. See you on Monday.

Meet Hucow, CreatingPerfection, jellyboy, horriblehuman, and DC’s other select international male slaves for the month of July 2017

______________

only, 20
for reasons i will not explain under any circumstances i offer my cock and balls for cbt, torture, cutting, fire, ball rupturing and busting, penectomy, castration ……

i cant keep jacking off 3 times a day to the idea and i need to make it a reality.



 

_______________

Slave2plastic, 24
Slave who worships plastic. Salve who lives for plastic. My whole life is dominated by plastic. Plastic is my Master. So what are your plans for today?

 

_______________

Lowlifecunt, 24
Born a faggot. Exists as a faggot. Serves dominant superiors as a faggot. Will die a faggot.

Lowlifecunt has served black mixed-race middle eastern asian and white straight bi and gay teen middle-aged and elderly dominant men.

Faggot has no thoughts, ideas, or opinions. You will not be the same once you own me. Contact me soon though. The offers to own me are pouring in!

Comments

Valentino – Jul 13, 2017
It could be argued that choosing to wear your hair in dreadlocks and piercing your face is evidence of thought, ideas, and even of an opinion.


 

_______________

JamesPadded, 20
I wear diapers because of medical issues/incontinence after a car accident last year.

If your into boys who wet themselves then we’ll get on haha.

Maybe older maybe younger.

Not keen on sweat, which a lot for people seem to like here on this website.

Not a transsexual but will wear stuff if made to and provided with stuff.

I think men with casts are hot.



 

_______________

i_wonder, 23
Hi, now a new profile.
Now I’m much better
Now perfect sex
No passive problem

 

_______________

puppy4ever, 19
I’m a str8 male on the outside, but inside, underneath I’m gay and only attracted to males wearing dog costumes :)) Does any dog male want 2 own a human :)) I want 2b ur mans best friend 😛 Also would be nice 2 have a human brother :)) Willing to hang out also ;>

Comments

GREAT_DANE – Jul 8, 2017
He is passive his ass and good good, he have a very good human ass and very hard to satisfy.

CanineHouse – Jul 3, 2017
His ass is a pleasure to sniff and work with.

Fido-67 – Jun 27, 2017
her dog lovin’ ass is … humm, delicious, without enema


 

________________

mimii, 18
j ai 14 ans et je cherche une relation sérieuse avec des monstres ente 14 à 17

Guestbook

purline – Jul 20, 2017
j’ai 14 ans et je suis un monstre et vous êtes mignon mais je n’embrasse pas les grenouilles, désolé mimii.

 

________________

CreatingPerfection, 22
Everyone can be muscular. But, my ambition is to be so perfect! I want to build so aesthetic and ripped body, like never seen before! Own me, follow my progress in close detail, be the only witness and responsible for creating perfection!

 

________________

DeadBoyWalking, 21
Misunderstood but still trying, looking for people who’ll get me.

Likes: Very very very dark shit, ask me
Dislikes: People who see bad shit happening that has nothing to do with them and call the police
Ultimately: No fucks left to give, can I help you?

Comments

Most_szbad – June 29, 2017
you could’ve been a star

Anonymous – Jun 23, 2017
I am very difficult to please but he did’n give up and finally succeeded, which I appreciate very much.

 

________________

fuckit, 18
I enjoy getting fisted and fisting my own ass and think it’s time I felt a man’s whole arm in there. I’m Chinese if it matters.

*You’ll need to pay me a little money or, for example, jewelry instead of money.

Comments

Soccer1817 – Jul 11, 2017
Warning: He neglects to mention that he’s 5’1″. I’m 6’2″. I measured my arm against his bod and my fist would have ended up in his mouth.

bigpunchbuilder – Jul 4, 2017
My name and is Bashscript or just Bash. Alpha cocky dom. Yeah, cocky as hell. I know. I don’t need your words to praise me. Coz words nothing to compare with my body. I can punch you hole far as my shoulder with full speed, non stop for hours. Better if you prepare yourself with chems. I can make you go up to heaven when you uncontrollably piss and cum when my muscular fist and arms get deep into your hungry hole. If you are cumdump pig who are craving for getting bred after I fist your body into a train tunnel, then you are perfect. My pigs no cry, just crave for more. You’re hot, my hand is clenched and arm is trembling at the sight of your ass, but you’re a little soft. If you’ve gained even three pounds since you took those photos, you can only dream of having me fist you.


 

________________

youyouyou, 24
Hey. I’m Al. I love balloons, I love helium – and most importantly – those two things put together.

I’ve got on fine without a Master but I want to try new things.

But don’t get funny ideas about my ass. It might look like a balloon but it’s not. Big difference.

If you’ve come across the balloon thing before and you’re not sure about it, I can help.



 

_________________

Leaving_human, 18
Lets It Begin…. Been thinking to it for long time and ready to be sn*ffed

And one last point, You sn**ff me But Not mean You cant be cruel to me, I just human, I got a feeling

And please We will have a good time…. Just sn*ff me

Comments

dash12281991 – July 8, 2017
How about a compromise? I’m into boys playing dead, being played around with, sucked, fondled, caressed, posed, humped, licked, etc. while they’re “dead”. I don’t actually want you to be dead though lol

Anonymous – Jul 2, 2017
please someone talk him out of it, i fucked this boy, he’s worth saving.

Ger_Man – June 20, 2017
first of all, FAKE. second of all, just for the sake of argument, what would cruelty- and meanness-free snuffing involve because that’s a concept that’s difficult to get my head around?

 

_______________

SmallSlave, 19
I’m a dwarf.

Comments

YAMIKAMI – Jul 19, 2017
Dead inside.

 

________________

DirtyBastard, 24
I am a bastard who has everything to do with himself.

Slim, willing, resilient and rattly anyway.

I lick you all body, also your feet and armpits, tail, eggs and ass anyway, even if you were not grad under the shower. You can fuck me, blow you from me, fist me, spit me and also piss on and even attach and if you like it really violently beat also.

Everything secret. If you have chems in extremely large quantity I don’t have problem with nothing.

Comments

Anonymous – Apr 12, 2017
Bring your knife he is a disposable and execute

Anonymous – May 15, 2017
he looks like watercolour paiting.

DirtyBastard (Owner) – Feb 13, 2017
Don’t contact me for the next month.

Anonymous – Feb 1, 2017
Yesterday DirtyBastard had the privilege to meet me. I arrived to a very warm welcome. First impression he was fuckable enough but unremarkable in looks, a twink you would “settle for” “in a pinch”. I was a little anxious at first because we had agreed to do some very heavy things and he seemed so average that I wasn’t sure if I could go through with it all, but I quickly started feeding him drugs and poppering him up and he turned beautifully wasted and pathetic. We decided to see if we could find someone to join us. He showed me some photos of doms who had done numbers on him before. Within 20 minutes this monster called Clay arrived at the door. Throughout what became our very depraved encounter Clay helped me sex DirtyBastard up from limb from limb with this reckless savagery that was just the inspiration I needed.


 

_____________

jellyboy, 19
japanese slave owned by ukranian backpacker will be traveling with him to berlin tomorrow and would like help to try to escape from him.

we go to the opera on saturday where i can excuse myself to go to the toilet and that could be the time it can happen. we will need to hide until wednesday when he returns to ukraine because he will try to kill us both.

if all good will arrive to berlin tomorrow night.

 

_____________

Hucow, 22
I’m Alex, a young farmer who loves the great outdoors and working outside in all weathers. The area of farming I am in is dairy.

Absolutely adore cows and love giving the cows lots of cuddles.

I am also a Hucow and have been for many years. I adore love the headspace that being a hucow puts me in, I feel completely at ease with everything and relaxed. When I become a hucow it’s one hundred percent authentic, and I can only Moo. The breed of cow I am is Holstein Friesian, and my hucow name is Jess. Have a cow patterned rubber catsuit, rubber cow ears and rubber cow tail.

Well educated and polite and I enjoy a good conversation.

Comments

The_Smith – Jul 17, 2017
you got some real fucking issues buddy

Tsar – Jul 17, 2017
What the…….

MeatAbstract – Jul 17, 2017
Hey man I ain’t judging you. This is just….unexpected. To each their own. In any case I’d love to eat you if somebody else does the dirty work.

Downward – Jul 16, 2017
Why do people always expect acceptance on this website? Go kill yourself you ugly hoe, go get cancer.

The_Smith – Jul 16, 2017
i feel sorry for your parents

Eraserhead – Jul 15, 2017
I SAID I WOULD ONLY ALLOW MYSELF 1 MEAN COMMENT EVERY 5 DAYS stop testing me

Eraserhead – Jul 15, 2017
I’m against feeding cows antifreeze but in this case… wheres its bowl


 

_____________

VeryHighLevel, 20
WEAK
WEAKER
WEAKEST
that I Am
boy FUCKED UP BIG TIME
Im in 18 years old , and also im not Sprotman my ass size is small and soft !
Im soft Asthetic boy and i like to broke my asshole , You never have try somting like ME !



 

______________

Underwear-Swimwear, 21
I honestly don’t know how to start these kinds of things but I’m new to this and am looking for a master to train me? Introvert, looking for someone to take lead, experimental but to a point? If that makes sense?

I’m going for long term, but would start short term first? I mean, I want to know what your into also and see from there. And idk if subs can make demands or not but I always want to cuddle afterwards?… if that’s okay?

No youngers. No ‘5-minutes-fucks’. No Asian. No girly guys. No public. No Festivals, saunas and other shits. No cyber sex. No scars, I have enough. No ‘hot sex’. I’ve lost too much time just having sex already and I hate it.

I’m get pretty weird once I open up to you (I mean who isn’t?)


 

______________

NolimitspainpigDRUGme, 22
World the time come to push the button. Your finger is on the button. Push the button.

I’ve always been messed up, it takes some real violent dirty shit to get me off. I want a psychotic fucker to take advantage of that.

LIMITS
1. Don’t make me sick. Meaning don’t give me some incurable disease. Curable disease is ok. “Gonna puke” sick is ok.
2. Don’t blow my cover. Like most people I do this secretly. There are people who would literally kill me if they found out. So don’t take sneaky pictures.
3. I’m 76% sure I don’t want to bleed.
4. I like to shout a lot also.

Comments

pomped – Jul 19, 2017
Well what to say other than I love the form of a boy. Desires are to transfer imagination into reality. I wont crack a mirror when I look in to see wicked sister. Just need you.

Now_Kris – Jul 3, 2017
I FUCK ONLY WHIT COOL PEOPLE YOU ARE NOT


 

_______________

horriblehuman, 20
PLEASE TAKE 1 MINIT AND READ MY PROFILE THANK YOU VERY MUCH

Hello all together I would like to ask for help, I have vouched for a friend of me with I together have grown up and now has 97.200 Euros owe mine has live lost my work and now I am homeless I am old 20 years and would like to have mine rebuild and, please, around help I would be glad if they could give me a small help all the same how many I am to me certainly we create it and I can have mine again construct it she(it) does to me sorry if I has bothered or has wasted their(her) time thanks very much I wish you all sincerely all the best you are my last chance
IBAN: DE88300700240022113500
BIC : DEUTDEDBDUE

 

______________

Blahblahblahblah_hole, 18
I mostly created this cause I was told somebody was using my pictures but turns out this is actually a cool site.

 

_______________

GabrielVent, 21
Hi Guys Im an escort who’s slipping over here into the dark world for business purposes. For 1000 pounds I’ll give you the best experience you’ve ever had or will ever have in your lives, up to absolutely anything. Don’t be proud, just fork the money over and take anything you want from me, from whatever you like in bed no matter what to anything you want/expect from me when Im standing on two legs. I never say no, I never disappoint, I will not contradict you. Thats a spoiler.

Comments

topxxldominant – Jul 5, 2017
He only looks attractive when you stand at the exact angle from which the photographer took that picture.

 

________________

MeatHole, 22
I never feel truly alive outside of when being used like fuck meat. Do anything, say anything, stuff anything in me, I won’t stop you.

I warn you I am apparently very high maintenance. Almost every guy who’s fucked me said my ass was worth the baggage, but not a single one of them has ever returned my calls afterwards.

I was messaged by a Master (KingGeorge) before who really got to me mentally and emotionally. If that was you please message me again I’ve changed my mind.

Recently found out I am POZ.

Comments

AlessandroAndrea – Jul 22, 2017
;_;

KingGeorge1000 – Jul 21, 2017
Hey you all bitches , now I own this cunt , this slave piece of shit I’m KING GEORGE and that’s my name it will always need to address me by that or it face straight punishment get that cunt …. my way is to order and it is as a bitch cunt piece shit is to obey I got no mercy yes I mean that so it don’t try playing have mercy oh master I’m gonna whip that damn face and ass into ribbons .. as my slave Bitch it live by my rules and it die by it because that’s what guides it for a better life it got no life I will give it the fuckin life it deserve now I make it cry under my powers and say to me master I don’t wanna live I wanna die as you bitch yes that’s what I will make it because that’s what I need to do to fulfill its long lasting dreams … it only live for a master who will give it life and death , I now make its life a living hell as its master and remember it got no life till I give it the life it deserve .thanks for reading.

AlessandroAndrea – Jul 19, 2017
Jerry, go back on your meds! You know how you get when you aren’t. You know this is NOT YOU!


 

_______________

IntensiveBoy, 20
Intensive Boy, Masculine yet Subtle, Creative Person with Brains, chasing & burning the moment, feeling & intensity rather than just sex.

Involved someone, passionate, very stylish & intensive, very oversexualised & loving sex.
Creative but with manners and knowledge. Someone with brains.

Someone to play with your imagination and someone to influence & be driven.
Someone which really burns, every time he gets the feeling, and he always gets the feeling.

Someone with A LOT of feelings. Someone gentle, but also very very rough, if the feeling drives the moment.

Someone creative, talented & really extraordinary. I like to FEEL & EXPERIENCE.

Every time I’m faced with a decision, I close my e

Comments

Jaffa01 – Jul 1, 2017
Erik, please come back to Zurich very quickly. What are you doing in Austria?

xEcho – Jun 28, 2017
Broken hearted Master. Just looking to have some quality chats with you. Going through a hard time at the moment. I feel like every slave I look at I’m trying to find him in them. By him I mean the slave who has my broken heart. I’m scared because it’s never hurt so much. When I had him my biggest fear was losing him, now he’s gone I’m scared I won’t find another slave that will ever make me feel what he made me feel. Life is scary… The depressive spiral is in full force. I’m not sure about anything at the moment.


 

_______________

alexikovalev, 22
Adopted from Smolensk, Russia when I was about a year and a half years old. Adoption was a sham and I have been sold for sex ever since (twenty years). I never had school and having sex with men is all I know how to do and not having sex is the only fun I have in life. Ideally I seek a master who is not attracted to me.



 

_______________

imcrazy, 18
I am literally only using gay sites for sex and that is it. I want you to pin me down and shove a penis pump in my ass and the suck my insides out. I want you to double fist me until I fun. I want you to tie me up and use extra strong clamps on my nipples and the spray me with a high pressure hose. I want to do cbt until I have to urine through a tube in my kidneys. I want kicking punching and slapping to my head until my brain is no good and I think very stupid like a frog. Idle you’re about that violent sex, then hit me up. If not, bye.

Comments

T0praghav – Jul 8, 2017
HI FIRST I INFORM YOU LOTS OF PEOPLE IS USING YOUR FACE SO DONT GO ANYWARE I AM REDY TO PLAY YOUR FACE LOTS OF SMOOCHING KISSING

imcrazy (Owner) – Jul 6, 2017
Youre no fun

Samb11 – July 6, 2017
No one who looks like the boy in those pix would ever want what you say you want done to you. How gullible do you think we are? If you’re actually ugly, put it out there. You’ll find takers, maybe even me if the age is accurate. If you’re some kind of twisted mindfucking master, good job because knowing I can’t actually destroy the boy in those pix is fucking torture.

imcrazy (Owner) – Jul 4, 2017
Why not

Anonymous – Jul 4, 2017
Why?



 

_______________

Gogo_Boy, 18
Basically I’m a severe, uncontrollable vampire freak. I’m addicted to them. Always been obsessed since the age I can remember and I have always wanted to be one. At the moment I’m still human but really wanna find one to turn me into one. Because I’m so desperate to be a real life vampire.
If you want something in return, I’ll give my virginity to whoever agrees to do this. This exchange has worth to my eyes, if it doesn’t to yours, please reconsider. It goes without saying that you can bite my neck too.
Please do not pretend to be a real vampire if you are not and make me lose my virginity for nothing and in return I won’t make taking my virginity boring.
Yes, I am aware that only my word testifies of my virginity. I am a honest person. Contact me by message. I can send close up pictures of the virgin ass.

Comments

Nowman – Jul 21, 2017
Hello Go_GoBoy, I am a vampire. I only speak Russian using a translator.
I will be in your city from 12 to 17 October.
About your transformation I agree in advance because in your city there will not be time to go on the Internet.



 

________________

submissiveandstuff, 23
“A damned queen of the underworld ! The first woman of Jesus named Lilith, who had escaped from the heaven in order to make the hell chaotic by giving birth to every demon, while she would slave to no one. Except for Lucifer. Yesss, she needs her own Lucifer. Is she insane ? I wouldn’t say so. She just knows what she wants, and she only wants what she gets !” – a small part of my latest project – a novel.

HELLO I AM YAROSLAV STRANGE BELARUSIAN BOY, I AM NOVELIST AND WHEN I HAVE TIME I DO SLAVERY WITH SEX.

My pictures are genuine , they were not taken on Halloween ,
I am the same boy who will open the door.

 

________________

loserROBERT, 19
I will be moving to Eugene next summer. I am just stationing my profile in the area for now.

I am not going to lie, I am + and detectable, no meds. Ironically, not one to give my ass away easily until that happened. Thought I was straight or bi, in fact. But shit happened and I incorporated it. Now everything starts as insatiable rapist vs slut bottom first with me. If it evolves more than a rape, I won’t stop it.

Book Currently Reading:
Mein Kampf-I mean, who isn’t interested in what the most ultimate top man in history has to say for himself?

 

 

*

p.s. Hey. ** Jamie, Hi, Jamie! Wait, you get your wifi back today, don’t you? Am I dreaming? I’m good, I’m fine. And you? Reading is good. The One Direction movie, ha ha, wow. Is there one? Oh, it’s a concert-centric thing, isn’t it? What do I know? What was the horror in the cinema? Yeah, we had to do a logline for both of our films. I think each of them were three sentences. Like a haiku. It’s a weird, difficult form of advertising-mets-cliffhanger or something. Did you sort yours? My weekend was just me lolling around doing random things and making blog posts and reading a little and kind of an almost nothing-filled pleasantry. Bluray love, Dennis ** David Ehrenstein, Thank you, sir. Well, we continually look for opportunities to do Gisele’s work in the States, but it is hard. Places just don’t have the dough to import the work, or not the dough to import work that isn’t ‘big name’. ** Tosh Berman, Hi, T. Oh, cool, thanks! How I met Gisele: It was 2003. I was living in LA. I was invited to do a reading and lecture in Lyon. Gisele, who was doing a residency in Lyon, heard about the event. She wrote to me, said she liked my books, sent along DVDs of her work, and asked if I would consider staying a few extra days after the event and try to collaborate on a dance/theater piece. I liked what was on the DVD, so I said, Sure. We spent three or four days working together (also with Peter Rehberg and three performers), and, by the end of that, we had essentially made what ended up being ‘I Apologize’. It went so well and was such a pleasure that we’ve been collaborating ever since. I think she read my books in English, but I’m not entirely sure. Well, I certainly agree that moving here is easily among the best things I’ve ever done. It’s been amazing, and it just keeps being more amazing. Thank you a lot, Tosh! ** Steve Erickson, Hi. Oh, okay, I understand. I think the vast majority of the films I’m drawn to and see aren’t soaked in politics. That’s a difference, I guess. Well, I’m glad you found an almost suitable computer substitute, emphasis on the ‘almost’. Hang in there, or maybe I mean I hope it does. I don’t think I’ve ever prepared a response to a possible question in advance, no. I do try to think about the possible problems that people could have with my work and analyze what I do and why I do it in a general way, which I guess ends up being preparative. Usually it’s more a matter of being better prepared the second time a difficult question is asked. Zac and I were interviewed before and during the film shoot for a forthcoming article about the making of ‘PGL’, and there were questions around the film’s relationship or not to suicide bombing/ISIS and the atmosphere in post-Bataclan Paris. And now I realize that will probably will be a regular and prominent question we get asked. So I am occasionally dwelling in thoughts related to how to explain the film’s careful and complicated lack of relationship to those seemingly obvious identifiers. ** Bill, Hey hey. Cool, and, yes, Belmer is a massive favorite of and influence on Gisele and her work. What is the language called python? That’s probably too huge a question? How is the new Jodorowsky? ** H, Hi. Oh, gosh, thank you! Cool if you can go to the Remains event. I’m very curious to hear what it is/was. No, I don’t think there’s any reason to look back at ‘Guide’ before. If I was in NYC, I’d take your poetry book collection, but … don’t you want to keep them? ** Dóra Grőber, Hi, Dóra! It seems like Gisele’s work would/will get to where you are. It seems like it might have already in the past? I’m not sure, I’ll ask her. Oh, the dark one-person show was irritating to me, I think, because, one, he talked incessantly in this weird/fake voice, and, two, because his talking fast and using that voice made it very difficult to understand what he was saying because of my low-level French comprehension. My weekend was kind of like yours, I think, except without the family encounter. I feel like I didn’t do anything, but I obviously did. Nearly all of my friends are away from Paris right now because Parisians always go away during late July and early-to-mid August, so it’s very quiet. But I have thoughts of finding something fun to do in the exterior today. And what did you make of today? ** Misanthrope, In fact I was there when you met Dame Vienne. She’s not a ‘punch in the face’ type, as far as I know. In her fantasies, oh, very possibly. Oh, shit, your co-worker died. I’m so sorry to hear that, George. That’s very tough. God, death sucks. Death sucks so much that it makes Trump seem like a bauble. I’m with Steve: finish the novel and ship it to FSG. Good lord about that giant headache and fever. Man, when are you seeing the doctor? You never said what ultimately happened with that. Get checked! ** Wolf, Wolf the Emma-ncipator! Do you see what I did there? Uh, this week has been okay. Pretty low-key. Late summer in Paris. Tourists everywhere acting like they own the place. Parisians browning on distant beaches. You can rant to me when I see you if you still have that bee in your bonnet. Your last paragraph was the best chunk of prose I’ve read in ages, and I’ve read some pretty hot prose within those ages. I find your current life really poetic. I know, I know, don’t hit me, I just do. Counting the days and sub-days ’til you guys are here walking there rues. Love, me. ** _Black_Acrylic, Howdy, Ben. Oh, right, you saw ‘The Pyre’! I remember. Man, I wish that piece wasn’t so in mothballs, but we made a way too expensive-to-mount piece at the absolutely worst time economically. If you remember the boy in it, Leon, Gisele just told me two days that he’s 6 feet tall now! Okay, that interview with Donna does sounds a whole lot more encouraging and hopeful. Very good. Really hope she can point you at some exciting wheels and help grease them. ** Okay. Yeah, it’s the end of the month, and the slaves are back to remind you that your rent payment is due tomorrow. And to do their usual thing too. See you tomorrow.

« Older posts Newer posts »

© 2025 DC's

Theme by Anders NorénUp ↑