The blog of author Dennis Cooper

Category: Uncategorized (Page 787 of 1103)

David Ehrenstein presents … White

 

“The white race is the cancer of human history; it is the white race and it alone –its ideologies and inventions –which eradicates autonomous civilizations wherever it spreads, which has upset the ecological balance of the planet, which now threatens the very existence of of life itself.” So wrote Susan Sontag in 1966 in a “Partisan Review” that was part of that issue of the publication’s special feature “What’s Happening in America.” So incendiary are her words that 53 years later one can be sent to “Facebook Jail” and banned from posting on it for a week for merely quoting her words.
—- Sontag “walked it back” in the 1980’s.Not because she’d changed her opinion about America’s racism, but because haveing contracted cancer (which eventually took her life in 2004 at 71 years of age) she felt that using the disease “as metaphor” was far too glib. Perhaps. But speaking as an African-American it’s impossible to convey how much her initial salvo warmed me. I keenly recall an afternoon when I was 10 when waiting for Catechism class to begin at “St Ann’s School” in Flushing Queens, a student who I’d never so much as spoken to before walked up and began berating me “You’re Nigger! A Nigger!” I was totally astonished, not only by the violence with which this epithet was flung at me but the enormous pleasure its perpetrator was getting from screaming it.
—- Racism has always been a mystery to me. People “look differently” the world over but we’re at heart exactly the same — wanting life and love, with most opposed to causing others pain and suffering. Those who felt that way were to be shunned. But surely not anyone else. And what was “race” anyway. The majority of people in the world I grew up in were white. So-called “minorities” were Black (like me), “Oriental.” or “Asian.” So what? The seemingly irrational hatred whites hold for non-white speaks of a fear Sontag in her hair-raising essay identified quite keenly. “Americans know their backs are against the wall: “they” want to take all that away from ‘us.’ And, I think, America deserves to have it taken away.”
—- It’s in this context one finds Stephen Miller, the Trump administratio adviser who thanks to what the New York Times has recenty been exposed via “A batch of leaked emails obtained by a civil rights advocacy group” The Southern Poverty Law Center, ” showing Miller to have “promoted theories popular with white nationalist groups to an editor at a prominent conservative publication before he joined the administration. ” The Times article goes on to assert that “Mr. Miller tried to shape news coverage [of the adminstration’s policy of Latino immigrant imprisonment and child separation] with material he found on at least one website that espouses white nationalist viewpoints, including fringe theories that people of color are trying to engage in “white genocide”.
—- Crackpot “theories” promoting the supposed superiority of the white “race”are no new thing. But they have come to enter the cultural blood system quite sharply in recent years as it has become apparent that the “White Majority” is fast becoming a minority. The L.A. punk rock group “Black Flag” sang about this:

“We’re gonna be a white minority
We won’t listen to the majority
We’re gonna feel inferiority
We’re gonna be white minority

White pride
You’re an American
I’m gonna hide
Anywhere I can

Gonna be a white minority
We don’t believe there’s a possibility
Well you just wait and see
We’re gonna be white minority

White pride ”

—- Whether such racist preening was sincere or “ironic” has been subject to debate ever since the group’s 80’s heyday. But “White Minority” might well be Stephen Miller’s theme song. being that he’s the White House adviser chiefly responsible for Trump’s”family separation” policy in which Latino immigrants seeking freedom from opression in their own countries have discovered that by crossing the border into America “illegally” they have “gone from the frying pan into the fire” — thrown into prison without trial or any hope of release while their children have been put into ” Foster Care” or often as not sold outright to select whites as Latino chattel.
—- Such racist undertakings are scarcely new. The Unites States of America was created by genocide — the slaughter of its native population, referred to for some reason as “Indians.” Slavery of Africans — kidnapped and shipped from their homeland to America for free labor was a natural next step. A war was fought, slavery was ended, “Indians” were granted “tribal lands” but racial injustice persists. It’s a wonder I can stand white people at all. But as Rado and Ragni’s song from “Hair” says —

“White boys are so pretty
Skin as smooth as milk
White boys are so pretty
Hair like Chinese silk

White boys give me goose bumps
White boys give me chills
When they touch my shoulder
That’s the touch that kills

Well, my momma calls ’em lilies
I call ’em Piccadillies
My daddy warns me stay away
I say come on out and play ”

—- The prettiest of them all was a guy I knew from my gym-going days. I never learned his name even though we chatted frequently and flirted shamelssly. He was about six-feet tall, large-boned and muscular with an overall softness suggestive of a luxury dessert — a white chocolate cake of a man so to speak. He sported nipple ring and a “Prince Albert” which on others might have seemed “over the top” but for him were just right. For one reason or another we never managed to “get it on” which I deeply regret. It’s been decades now and I have no idea whatever became of him. I hope he’s still among viable carbon-based life forms. The image he left on what Lacan calls the “Mystic Writing-Pad” of my mind evokes the end of Edgar Allan Poe’s only novel. a fantastic series of “unreal” south seas adventures entitled The Narrative of Arthur Gordon Pym.
—- “March 22nd — The darkness had materially increased relieved only by the glare of the water thrown back from the white curtain before us. Many gigantic and pallidly white birds flew continuousy nowfrom beyond the veil, and their scream was the eternal Tekeli-li as they retreated from our vvision. Hereuppon Nu-Nu stirred in the bottom of the boat, but upon touching him, we found his spirit departed. And now we rushed into the mebraces of the cataract, where a chasm threw itself open to receive us. But there arose on our pathway, a shrouded human figure, very far larger in its proportions than any dweller among men. And the hue of the skin of the figure was of the perfect whiteness of the snow.”
—- That was as I recall him, But well before me or him, Poe’s evocation of “White” inspired Herman Melville’s “White Whale” Moby-Dick, and Stephane Mallarme’s white page across which he composed his poetic masterpiece Un coup des des jamais n’abolira le hasard which ends with “Toute Pensee emt un Coup des des” — “Every thought is a throw of the dice.” And indeed it is, be it “white” or . . . otherwise.

 

 

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p.s. Hey. This weekend the blog has the great pleasure of hosting this new and previously unseen chapter from David Ehrenstein’s forthcoming memoir Raised by Handpuppets. It is, in classic David fashion, thoughtful, provocative, and razor sharp. I hope you will devote the local portion of your Saturday and/or Sunday to reading and letting it sink in, and, of course, to penning a comment or part of one of whatever sort in David’s direction to let him know you were here and squared away by his gift. Thanks a lot! And, naturally, thanks maximised to you, David. ** David Ehrenstein, Thank you so much for the weekend ‘in person’. I’ll go spend some time with that early Scorcese thanks (again) to you. ** rigby, Hey, Rigster! Delays are part and parcel of this blog’s curious build, no problem. Thanks for filling me in re: you and nature. Focusing … I get that, yeah. It’s certainly way true that being in LA leads one, lead me, to doing nature with hugely more frequency than being here or NYC or Amsterdam allows/allowed or encourages. A lot my experiences being desert-based, but I grew up and later lived most of my LA time in the foothills of mountains, easily bikeable as a kid and a few minutes stroll from where my current, home away from home pad is in Los Feliz. So the non-city was very present, so much so that it was less an escape than sort of an integral part of the day-to-day of life in LA. Antarctica was completely mind blowing. Granted, we were on a ship the majority of the time with daily visits to land itself, but it was an unparalleled thing to be there. If you can go, and it’s pricey, and the ship trip to and fro is hellishly seasickness filled, it’ll do something big to you. LSD-like. But then nature is infused in my head with LSD or mushrooms or etc. since I took a lot of hallucinogens whilst I was out there. All of which is I guess to say, yeah, I totally get what you’re into in that regard, I think. Big best to you, pal! ** Kat, Hi! Me too, about hardly being able to wait and see what we three come up with. Fucking money raising is such a drag. It’s the one thing about filmmaking that I dislike. Writing a novel costs nothing. Well, other than a bit of an electricity bill and printer ink and paper. I listened to a couple of your tracks yesterday before I got pulled into the maelstrom of a work mess, and I was fascinated by them, and I’m going to listen to a ton more this weekend. Big congrats and respect, maestro! Ah, I see, gotcha, about the needed new approach for performing. Peter Rehberg talks about that a lot. He even bought a whole bunch of old analog electronic things and hooked them into his laptop, and now he performs with this giant arsenal of new and old stuff to make his gigs work the way they need to. Have a swell weekend! ** _Black_Acrylic, Your UK politics is kind of unavoidable even over here if one attaches oneself to the news in even a mild respect. Scary. I watched that Deller thing. Very nice. As it were. Enjoy your Xmas meal. Wish your dad happy Xmas for me. He seemed like a really great guy when I got to meet him briefly in Glasgow. ** Steve Erickson, You saw ‘Barbara’. I was assuming it wouldn’t reach outside France at all given that the smallest handful of non-French human beings have ever heard of her. Yeah, we’re excited about Adele being our star. As you’ve probably read, she’s going through a big media stalking firestorm over here right now due to her having called out a director who molested her when young. But she’s managing to hang in there. Good luck both with the MP3 being successful in and of itself and with the scheduling issues re: the voice actor. ** Okay. You already know what your DC’s weekend involves, so please be involved. See you on Monday.

Changeling presents … Improbable Children of the Sand: Syrian Gazelle-Boy vs Saharan Gazelle-Boy *

* (restored)

 

This is supposed to be Syrian Gazelle Boy. Here he is in LIFE Magazine, 9 Sept 1946. He looks pretty cross. It might be because he is bound in a really desultory way – that always pisses me off. The ‘It tastes like heaven’ caption refers to some prune juice rather than Gazelle Boy. I think.

OK, so this kind of famous picture is obviously faked.

 

These letters to the editor of Oct 14 1946 point out that ‘Gazelle Boy’ has some rather obvious tan lines going on. Then there’s the whole fringe thing – I like the hairstyle, but I’m not convinced it was perpetrated by gazelles? Gazelles have these really flat teeth designed to grind up the kind of tough vegetation that their diet consists of – they’re not really up to cutting hair. ‘Gazelle Boy’ is some local kid with a casual approach to grooming posed by some bored photographers probably – or some kind of WWII desert soft porn.

There’s another missing photograph, obviously I can’t show it to you because it’s – missing. Jean-Claude Armen’s seen it – so has at least one other person, but I haven’t. You’ll have to take my word for it. Apparently it’s just like the one above, only much more authentic.

 

 

So this hoax photograph pretty much invalidates the whole idea of some superfast desert kid raised on gazelle milk and scrubby grass – except – I don’t know? There’s these stories …

A wild boy had been caught in the desert straddling Transjordan, Syria and Iraq. Amir Lawrence al Sha’alan, chief of the Ruweili tribe, was out hunting in this inhospitable region, whose only inhabitants were the staff at the British-run stations of the Iraq Petroleum Company.

“I was astonished to see what looked like a boy running amid a herd of gazelles we were chasing,” said the Amir. “I called to the occupants of the other cars to stop shooting. We were still far away, but could see that the boy was running as fast as the gazelles. We chased the herd in our cars for 50 miles (80km), during which time he kept up with them, bounding along with a half-human, half-animal gait. Suddenly we saw the boy stumble and fall. When we came up to him we found that his leg had been injured by a large stone. He looked up at us with fear starting from his luminous eyes and shrank from our touch, emitting cries like a wounded gazelle.”

The Amir tried to feed and clothe him, but he kept escaping, so he took him to Dr Musa Jalbout at one of the Petroleum Company stations, who later passed him into the care of four Baghdad doctors. Dr Jalbout said he acted, ate and cried like any gazelle, and had no doubt that he had lived all his life among the gazelles, being suckled by them and cropping the sparse desert herbage along with the herd. He was thought to be aged about 15.

Apparently speechless, he was covered in fine hair and ate only grass – although a week before Karim’s report he had had his first meal of bread and meat. He could allegedly run at 50 mph (80km/h), twice the Olympic record. He was 5ft 6in (1.7m) tall, “so thin that the bones could be counted easily beneath the flesh, yet stronger physically than a normal full-grown man.” (Amir Lawrence al Sha’alan, as reported in The Sunday Express, maybe)

In 1946 a wild child was discovered in Syria, with some gazelles, a boy apparently twelve to thirteen years old whose galloping leaps enabled him to move as quickly as his animals. It was possible to follow the running child through binoculars, but he was caught only after being chased by an Iraqi army jeep. Though he managed to maintain a speed of 50km/h, he was eventually captured and shamefully bound hand and foot. Tall and slender, with a bushy mop of black hair, powerful ankles and muscles like steel springs, the boy resembled the youths of the Koniagui tribe in Upper Gambia, who hunt with bows and run as fast as their dogs, forcing hares and even antelopes to run for their lives. The child was then entrusted to the care of peasants, who never managed to prevent his constant breaks for freedom. Still alive in 1955, he was taken into the charge of the country’s public assistance authorities, but he proved refractory to all education. In the course of yet another and quite spectacular attempt to escape, he jumped from one of the first floor windows of the establishment, spreading panic in the streets of Damascus with his giant bounds; it seems that his ‘educators’ had no hesitation in subjecting him to a sinister and revolting surgical operation, in which the Achilles tendons were mutilated to prevent him making further attempts to escape. (André Demaison, Le Livre des Enfants Sauvages, ed. Andre Bonne (1st edn.), Paris, 1953. Quoted in Jean-Claude Armen, Gazelle –Boy, (Trans. from the French by Stephen Hardman) London, 1974: pp 98 – 99)

I lived in Damascus in the early 50’s. At that time I was teaching at Damascus College and the USIS. In the main Market, there was an extremely thin, wiry, tall boy who was called the “gazelle boy”. I was told that he was found in the desert running with the gazelles and had been captured by hunters in a jeep… at first the Syrian Authorities wanted to study him and refused to let American doctors or French doctors take him for study. When the funds weren’t forthcoming, the young man was left to live in the streets.

He supported himself living in the “Souk” near Hamidiyee taking handouts.. and people would give him about 25 cents (equivalent) to run alongside a taxi. I saw this several times… about l952- 54.

I remember the Gazelle Boy had long stringy dirty hair and clothes that were blacken with age and grime… he had a pointed face… really animal like… but one did not feel threatened by him.

I used to take him food when I went to the Souk (Hamadieyah Market) a very long straight street ending in a Mosque (now) but had been a church in the second and third century. (J Rocca, quoted at: feralchildren)

Syrian Gazelle Boy seems a kind of forlorn story now. Compare the picture – the pinkish one with the healthy guy running with the gazelles ( I don’t know where it’s from – sorry – maybe it’s the missing photograph?) with these other(s) degraded and hobbled, or not hobbled but reduced to performing circus tricks for small change. This space between the stories is roughly the same size and shape as Saharan Gazelle Boy.

 

 

There he is, nibbling some desert bush – untrammelled by a hairstyle.

I got this book the other day: GAZELLE-BOY – Beautiful, Astonishing and True – A Wild Boy’s Life in the Sahara. It’s written by Jean-Claude Armen, a kind of half-assed pseudonym employed by Basque poet, artist and anthropologist Jean Claude Auger

The book describes Armen/ Auger’s solitary travels in the Rio de Oro in 1960-1. He meets some Nemedi people in the middle of nowhere and after supper a boy sings and mimes this story about a fennec and a jackal:

 

 

Then he tells this cool story about a boy raised by ostriches. M. Armen/Auger is obviously keen – on the Nemedi boy and the wild child story:

“Noticing my intrigued look, the young Nemdai comes up to me and promises me a much greater surprise of the same kind, at a màrhala (stage) of one days march (nazir-at-yoûm)” (Armen, Gazelle Boy, p 53)

You can guess what the ‘greater surprise’ is, can’t you?

 

 

Yeah, you were right – it’s another Gazelle Boy. This next section of the book is pretty great, Armen heads off with his camel and his fennec and soon locates Gazelle Boy and the rest of his herd. He then spends a month or so hanging out with them, making his naive manga-ish drawings and these great diagrams about gazelle code:

 

 

It’s all really idyllic, trippy and magical – Gazelle Boy is completely integrated into his herd, he’s fairly clean, strong and well nourished, joyful to the point of ecstasy, and , most significantly, free. There’s a lot of blissed out watching, sniffing and licking going on.

Armen decides Gazelle Boy – who appears to be that generic mythical age of ‘about ten’ was probably Nemdai in origin, fell out of some camel held basket during the night as an infant:

“Moorish children travel in baskets placed on the side of the camel. In all probability, this one of mine fell from a camel at the rear of a caravan, during the night ( the torrid heat of the day would not have spared him). All it would have needed would have been a herd of migrating gazelles spending the same night in the vicinity, and a pregnant female in a nervous state or a female that had lost her fawn (through sickness or to a predatory jackal).” (Armen, Gazelle Boy, p 53)

Armen seems perfectly happy with his sketchy hypothesis – Nemedi kids are well advanced in the motor skills department apparently – an eight or nine month old infant could keep up with a herd of gazelles, no problem.

After about a month the gazelles head off somewhere on urgent gazelle business – Armen/ Auger limps back to human civilisation starving, dehydrated and covered in cuts and sores, but really, really pleased.

Back in the Basque country Armen/ Auger relates his ‘discovery’ to his old boss at the Institute Français d’Afrique Noire, Professor Théodore Monod. You can check out his letters here.

The crux of the whole Saharan Gazelle Boy story lies here, I think, in the authors expressed intention not to publicise his amazing discovery:

“We agreed not to let this discovery become generally known, for what was at stake was the safety of a creature still too fragile to defend itself against the enterprises of men, well intentioned or otherwise.”(Armen, Gazelle-Boy, p 80)

Armen/ Auger is intentionally separating his gazelle boy from the host of other stories about feral children. He is basically suggesting that by removing a child from it’s adoptive animal parents and subjecting it to the invasive gaze of ‘civilisation’,we aren’t necessarily doing it any favours.Although Armen/ Auger is some big romantic, Rousseauian proto – hippie, I can’t help but admire his touching attempts to undermine the most fundamental of all western capitalist precepts: that society is necessarily a clear-cut hierachy, with the white, western, industrial world right at the top and gazelles somewhere near the bottom.

Armen/ Auger returned to the Rio de Oro two years later and re-established his relationship with the boy and his herd, this time somewhat impeded by the nearby presence of a French military captain and his aide-de-camp. I don’t know why the author led the military to his gazelle boy – their protestations that they too are merely curious seem implausible to me but whatever – Armen/ Auger ends up in some pursuit and capture situation very reminiscent of those detailed above in the Syrian Gazelle Boy stories, with the boy clocking up some impressive speeds of about 50 km per hour (Usain Bolt’s estimated maximum speed is 44.7 km per hour, if you were wondering.) Armen/ Auger heroically wrestles the controls of the military jeep away from the captain and Saharan Gazelle Boy escapes into the desert.

A further attempt at capture is reportedly made by American NATO officers in 1966. They spot the boy and return with two helicopters, a net attached between them, but despite repeated attempts, the boy again evades capture. This is the last sighting of Saharan Gazelle Boy.

 

 

Neither of these gazelle boys has a particularly rich cultural life outside of their initial stories – although you’d be pushed to find a Middle Eastern homoerotic poem which doesn’t make some kind of gazelle/boy analogy I guess.

I found this theatre piece: The Wild Child which juxtaposes the story of the Saharan Gazelle Boy with that of Victor, the Wild Child of Aveyron, (you know, the one in the Truffaut movie?)

“Based on true accounts of children raised by animals and “rescued” by humans, The Wild Child combines the story of a scientist attempting to civilize a feral child with the journey of an artist into a stark desert where she encounters a wild boy living among gazelles . Masks, shadow puppets, song, life-like bunraku puppets and original sound composition combine to create this rich and rewarding performance. The four-actor ensemble switches between characters, gazelles, and puppeteers before the audience’s eyes, as the tight walls of the Doctor’s closet dissolve into the spare beauty of the desert.”

 

 

And there’s a musician from Kansas who calls himself Saharan Gazelle Boy but I can’t really see the relevance of this name choice.

So who wins? I know I presented this as a kind of contest, but I’m not that sure now, what criteria I should judge it on. Saharan Gazelle Boy wins, hands down, if we’re comparing evasiveness and retention of freedom. If we compare acquired gazelle super-powers, it’s a pretty even match and if we want to contrast authenticity …? Syrian Gazelle Boy is generally regarded as a pretty piece of fakery – maybe one with a background in some sort of skewed mythical reality but really, just a hoax. Saharan Gazelle Boy on the other hand is often presented as the real deal.

Auger/Armen’s story has a lot of holes though – his gazelle child was freaked out by the camera apparently, all we get are a bunch of cute drawings. There are many moments in the text when the reader (me) doubts whether Auger/Armen has ever actually seen a regular boy, let alone a gazelle boy – his description of the boy during his second encounter includes the phrase:

“…but the pubic hair still has the characteristics of childhood”

Which is sort of odd, I would have assumed ‘absence’ to be the primary childhood characteristic of pubic hair.

Wikipedia suggests that Serge Aroles, Belgian author of Les Enigme des Enfant-Loups (2007) tracked Armen/Auger down in 1997 as part of his wider research into feral children. Armen/Auger admits to Aroles that he had made the whole thing up – Gazelle-Boy was essentially a “book of fiction”. I tracked the passage down in Aroles’ book – and yeah,sadly – it’s there:

” En 1997, l’auteur, auquel je disais avoir enqueté sur les terrain l’année précédente, me confessa par téléphone avoir “fait une oeuvre de fiction” et avoir été supris de la naiveté générale qui en fit une histoire authentique”(Serge Aroles, Les Enigme des Enfant-Loups (2007) p 270)

I spent a really long time stalking M. Armen/Auger – you know, like the web was a desert, the author was a gazelle-boy, and I was a jackal, or an American tourist or something? Inevitably he proved to be completely elusive. I did make some super-dodgy new internet ‘friends’ though. I really wanted to ask him in person – whether he really saw a gazelle-boy, and also why he ate so much fennec shit? I’m just curious.

GAZELLE-BOY – Beautiful, Astonishing and True – A Wild Boy’s Life in the Sahara, Jean-Claude Armen, (1971)

L’énigme des enfants-loups : Une certitude biologique mais un déni des archives, 1304-1954, Serge Aroles, (2007)

www.feralchildren.com

Fortean Times: Wild Things “The Gazelle Boys are near the bottom, just above the Big Cat Boys.”

Want to learn how to run like a gazelle?
—-

 

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p.s. Hey. ** David Ehrenstein, Hi. I didn’t see ‘Barbara’, but it got very good reviews here, and the couple of friends of mine who saw it thought it was pretty interesting. Everyone, Mr. Ehrenstein pays Davidian tribute to Nancy Pelosi in his new FaBlog entry: Nancy Finds Her Inner Faye. ** _Black_Acrylic, Ho, Ben. Excellent about the driving lesson. I’ve been meaning to ask you how that was going. Nice that you have a potential test date and one that’s not too, too far away. Ace! ** Kat, Hi! Yeah, we’re super excited that Puce Mary is doing the sound/score for our film. We’ve had a couple of long talks with her about it, and she’s totally into it, gets what we want, and has thrilling ideas. It’s going to be very noisy film, as you can probably guess, unlike the super quiet PGL. She’s amazing and such an awesome person. Thank you a lot for the bandcamp link! I’ll get over there today. All of Paris — France, really — is having a gigantic transportation (and most of everything else) strike, as you may have read, so I’m stuck close to home for the next while. Excited! Everyone, The amazing artist and longtime DC’s commenter and contributor Kat has a music project under the name West of Eden, and here’s a link to the bandcamp page where you can check out and hear Kat’s sounds. Super highly recommended, folks! I love the mental and sonic image of you performing your music live. I hope that happens, obviously. Is it a matter of you figuring out how the presentation would work or ‘look’ best or transmit most effectively or … ? Great to see you, buddy! ** Right. Today’s restored post comes from way, way back in the blog’s history, and it’s pretty interesting, I think, and it was made by a long lost commenter and distinguished local of this blog who titled themself Changeling, and please spend your local Friday with it, won’t you? See you tomorrow.

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