The blog of author Dennis Cooper

Category: Uncategorized (Page 307 of 1086)

Xmas

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Tim Alkema High powered rocket Christmas tree (2010)
‘Pretty perfect flight. We were worried it was going to fall apart on the launch pad! :D’

 

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John Baldessari Christmas (With Double Boy on Crutches) (1991)
‘According to Baldessari, the colours of the dots symbolise different feelings: red for danger, green for safety, yellow for chaos or insanity and blue for harmony.’

 

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Tom Burr Christmas Collapse (2005)
Wood, latex, paint, metal, hardware, glass, and paper

 

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Oskar Dawicki After Christmas Forever (2005)
‘An artificial Christmas tree – a product manufactured on a large scale – is standing on a newspaper. At the bottom, around the stand, we can see a vast pile of conifer needles, while the tree itself has thinned-out branches that have but a few needles left. The humorous nature of this project (as the falling of needles is a problem common to all natural Christmas trees) has been narrowed down to something seemingly impossible. However, the title (After Christmas Forever) relates the manipulated object not to a one-time joke, but to a diagnosis: a permanently post-Christmas situation that we are all part of.’

 

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Martin Creed It’s You (2016)
‘This might be momentarily mistaken for a love song, until you see the infinite weariness in Creed’s face. It’s not a lover’s melancholy. It is more like the look on Macbeth’s face when he contemplates tomorrow, and tomorrow, and tomorrow.’

 

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Tom Shankland The Children (2008)
‘A mysterious illness turn children into killers during a Christmas vacation. It’s exactly what you expect from that description and it doesn’t disappoint. The children are effectively creepy, some really nice bloody gory scenes and it doesn’t shy away from violence anyone can die including the kids. You can tell most of the film wasn’t filmed on location, the snow looks really fake and it doesn’t look cold at all which you could argue it’s closer to spring but Christmas is usually pretty cold. That being said blood on snow is always a winner.’

 

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Philippe Parreno Jean-Luc Godard (1993)
‘An installation piece consisting of an artificial Christmas tree hung with fairy lights, teddy bears, and baubles, surrounded by blue canvas chairs on which the viewer is invited to sit and listen to a 45-minute accompanying soundtrack. Delivered via an old-fashioned cassette recorder, this offers a mocked up monologue by the French-Swiss filmmaker, scripted by Parreno, musing on the state of today’s popular culture and society.’

 

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William J. O’Brien Untitled (2015)
Mixed media

 

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Carlos Aires Last Christmas I Gave You My Heart (2010)
Engraved kitchen knives

 

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Paul McCarthy Xmas Pudding (1999)
Glass vessel filled with red rubber

 

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David Hammons Chasing the Blue Train (1989 – 1991)
‘‘Chasing the Blue Train’ is an installation comprising impressive grand pianos, a mountain of coal and a blue miniature train that meanders through this strange landscape to the notes of Afro-American jazz by John Coltrane and Thelonious Monk. The title is a contraction of two titles of Coltrane’s records. The train track and the coal refer to the infamous A metro line that connected Brooklyn to the New York ‘black’ district of Harlem. They also refer to the crisis of 1920-’30, in which thousands of Afro-Americans traversed the US to work in the coal mines.’

 

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Jim Shaw Heap (2005)
plastic, spray paint, resin and metal rods

 

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Cai Guo-Qiang Black Christmas Tree (2012)
‘In the spirit of diplomacy and Christmas, not necessarily in that order, the U.S. State Department tried to explode a large, coniferous tree today. Actually, it was contemporary Chinese artist Cai Guo-Qiang who tried to explode it, following a ceremony in which he and four other artists received the U.S. State Department Medal of Arts. The intent, the Los Angeles Times reports, was to create a “tree image in floating black smoke that will serve as an ethereal doppelganger for the real one.”‘

 

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Yrjö Edelmann 5 paintings (2014)
‘Yrjö Edelmann finds inspiration in the enigmatic presence of wrapped objects. His trompe l’oeil, oil paintings depict hastily wrapped packages, homing in on their creased and wrinkled surfaces and unassuming material.’

 

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Otto Dieffenbach 2 drones (2014 – 2016)
‘Drone craftsman Otto Dieffenbach has made a bit of a name for himself building what he calls “Identifiable Flying Objects.”‘

 

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Scott Walker The Day the Conducator Died (An Xmas Song) (2012)
‘The song is loosely about the execution of Romanian communist dictator Nicolae Ceaușescu on Christmas day 1989.’

 

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Karen Kilimnik Switzerland, the Pink Panther & Peter Sellers & Boris & Natasha in Siberia (1991)
stuffed animals, fondue pot, toe shoes, pine bow, artificial snow, candy bars, pine cone with glitter, paper lace doily, bell, two drawings, mylar, cellophane, reindeer, masking tape and decals

 

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Bill Horton World’s Largest Entirely Edible Gingerbread House (2013)
‘The largest gingerbread house ever built, standing 20 feet high and composed of 39,201 cubic feet of gingerbread, has been constructed in Bryan, Texas.

‘Officially recognized by Guinness World Records, the tenaciously tasty treat was built by the members of the Traditions Club, a private golf club. They said they kept with the Guinness rules requiring that the entire outside structure was edible.

“We ate it all along,” Bill Horton, the club’s general manager, told GoodMorningAmerica.com. “In fact, the first day, when the Guinness World Records gentleman came, I was walking him around the building and in his British accent he asked if it was edible. So I bent down, picked up a piece that had fallen onto the ground and ate it. He looked at me and said, ‘Either it’s edible or you’re an idiot.'”

 

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Roman Signer Les Sapins-derviches (2015)
‘In the courtyard of the castle, it is a real ballet of fir-dervishes that we are witnessing! A grove of fir trees of different sizes, decorated for the occasion, measure in their own way the earth’s attraction!’

 

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Ben Quilty The Biggest Bottom Feeder (2018)
‘For his new series, Quilty says he “went on a search for a straight white male figure that I could use, in a sense, to build the armature of what I wanted to say on”. “When I talked to friends, and particularly female friends, about this idea that I had to use Santa … it’s surprising how many them said ‘Oh yes, I remember sitting on Santa’s knee … and feeling his erection’. Some really seedy stories [came up],” Quilty recalls.’

 

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Taryn Simon A Cold Hole (2018)
A Cold Hole, the US artist’s new performance and installation will plunge museum visitors into icy water. A smooth layer of ice will be laid on the floor of a 40ft-by-22ft space and covered with ice chips by Simon and her team, to resemble the uneven surface of a natural frozen lake. A square hole, 5ft by 5ft, will be cut 9ft-deep into the floor to create a plunge pool, filled with salt water and kept at around 40ºF (4ºC). More than 14 tonnes of ice and water will be used, requiring structural reinforcements in the basement below. A Cold Hole invites members of the public—who must be capable swimmers, in good health and over 18 years old—to sign up in advance for cold plunges, held daily throughout the show’s run, at unannounced times.

 

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The Fall We Wish You a Protein Christmas (2012)
‘Released in a gatefold sleeve in a imited edition of 1000 copies.’

 

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Jeffrey Mandel Elves (1989)
There’s ONE elf! Not only that, but they didn’t use a kid or dwarf wearing a suit, they go and make top and bottom halves. You would think it was done that way so the elf could have all sorts of neat facial expressions, but it can barely move. Kirsten, Amy, and Brooke have this weird ceremony in the woods and bring the elf back to life. Soon Santa’s little killer is knocking off bit part actors, including a department store Santa. Hot on the heels of that death toll are the Nazis though, grandfather’s old friends know the elf was resurrected and want to help it mate with Kirsten. Nazis created the elf, and a perfect virgin will give birth to Aryans after it lays her. Mike takes over as the department store Santa and has something for Kirsten. The girls have a sleepover in the department store where Kirsten works. Mike shows up, the Nazis show up, and of course the elf shows up. After that Mike rushes around learning about the Nazis’ secret elf program to save Kirsten.

 

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Andrea Fraser A Monument to Discarded Fantasies (2003)
‘A pile of discarded Carnival costumes gathered from the streets of Rio de Janeiro.’

 

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Gary Hume Back of a Snowman (2002)
The 10-foot-tall, half-ton, faceless snowman stands outdoors. Hume has described the snowman as “the perfect sculpture, viewable from all sides, immaculate from all angles.”

 

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Gregory Markopoulos Christmas USA (1949)
Christmas U.S.A is not a primarily erotic film, containing no nudity or even nods to the act of gay sex. Instead, the film is a narrative about the gay psyche, surviving, enduring and eventually defeating oppression by the America so lovingly elevated in Post War America. Markopoulo’s looks upon the familial unit with revulsion and fear. Mother is haggard, kid sister is suspicious, even Father with his newspaper looks to his shirtless son in fear. The boy of our narrative wanders a Kafka-esque homestead of conservatism, kept propped up by mothers domesticity and fathers glowering presence. His mere presence, glowing shirtless like a ivory Greek statue, makes the dark rooms glow with eerie brightness, as he rests his head between his masculine arms. He cannot be contained, a ceremony occurs beneath a bridge, perhaps a known cruising spot in our humble town, a clean cut boy holds a candle stick, walking towards another boy, his arms spread like Saint Sebastian, bowing to him.

 

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Honoré d’O Gnome, extended (1999)
‘GSConnect is a complete implementation of KDE Connect especially for GNOME Shell with Nautilus, Chrome and Firefox integration. It does not rely on the KDE Connect desktop application and will not work with it installed.’

 

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Alexander Calder Santa Claus (1974)
Etching

 

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America’s Tallest Singing Christmas Tree (2015)
High School Choir Performs as 67 Foot ‘Singing Christmas Tree’

 

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Per-Ingvar Tomren & Magne Steinsvoll O’Hellige Jul! (2013)
Coming from a group of enthusiastic Norwegian amateurs, O’Hellige Jul takes place in a small town the days before Christmas. Norway’s horror scene is still in its infancy, which means that mainstream movies play safe and independent movies are the ones pushing the envelope. No horror movies with two, three or four million dollars budgets have tried to be innovative in Norway so far, and O’Hellige Jul therefore joins the ranks of movies that are produced on shoestring budgets but still manages to go beyond most of what’s been seen before (FYI, a Norwegian shoestring budget could be 5 or 15.000 dollars, not the 300.000 dollars Americans call low budget).

 

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bd594 Christmas Jumper (1998)
A video was posted by YouTube user bd594 from Toronto, Canada, over the weekend. Not only does the knit from Goodwill feature a festive tartan, it is adorned with a tinsel Christmas tree and is attached to a working toy train set which has also been decorated with cheap LED lights.

 

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Gehard Demetz Life without Christmas (2017)
‘In his sculptures Demetz merges personalities and describes the process in which alien views, motives and behaviors merge into one’s own self. Demetz recognizes in this process the emergence of an autonomous form; two or more individual stories dissolve into each other and form a new, independent sculpture.’

 

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Norman Rockwell Christmas Rush (Tired Salesgirl on Christmas Eve) (1947)
‘Rockwell consistently strove to imbue his paintings with a strong sense of authenticity, contributing to the idea that they were painted from life. Yet in reality the artist’s most complex compositions were thoroughly planned and staged productions. In 1937, encouraged by a younger generation of illustrators that included Steven Dohanos and John Falter, Rockwell similarly began to use photography to assist with compositional design. He typically began the creative process by sketching the scene as he imagined it. Only after painstakingly collecting the appropriate props, choosing his desired models and scouting the locations required to achieve his desired scene would photography sessions begin in his studio or elsewhere on site. Rockwell rarely took these photographs himself, however, preferring to be free to adjust each element while a hired photographer captured shots under his direction.’

 

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Blake McKinnon Slay Bells (2021)
Slay Bells is a Christmas-themed survival horror game inspired by 80’s slasher movies and PS1 horror games. Try to make your way home on Christmas eve as you’re stalked by a maniacal axe wielding Santa who is out for BLOOD. Traverse city streets, back alleys and an abandoned subway station, find a variety of useful tool and weapons and avoid Mr Claus at all costs! Oh, and the flashlight does NOT run out of battery.’

 

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Thomas Hirschhorn North Pole (2004)
Wood, cardboard, trestles, blue fabric, tape, chain, red spray paint, prints, bowl, screws, nails, hammer, screw gun, wire

 

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‘French chocolate company Alain Ducasse has released a dried fruit and nut-covered festive chocolate tree that comes in a flat-pack box. The 20-centimetre-tall tree, created by graphic designer Pierre Tachon, is made up of six dark chocolate discs that gradually decrease in size to form a cone shape when stacked together. Each of the discs has a hole in the middle, which allows them to be assembled around a central chocolate rod that makes up the trunk of the tree. A separate cone piece attaches to the top of the tree to complete its appearance, and a thicker disc of chocolate creates a standing base. The box also includes a pair of white gloves to stop the chocolate from melting during assembly, and to keep the builder’s hands clean.’

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Trent Parke The Christmas Tree Bucket (2007)
‘Parke photographs friends and family at Christmas. The viewer is left to make imaginative sense of images of barbeques, screaming children, a burning gingerbread house and even the photographer himself vomiting into the infamous Christmas Tree Bucket. Says Parke: “It was there–while staring into that bright red bucket, vomiting every hour on the hour for fifteen hours straight–that I started to think how strange families, suburbia, life, vomit and in particular, Christmas really was.”‘

 

 

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p.s. Hey. ** _Black_Acrylic, Hey. Cool, yeah, me too: the Cornish. I didn’t watch the match but Japan’s win did make me happy, as did Germany’s loss for some reason. Have a footie weekend! ** Gick, Ha! Thanks. I hope your weekend lets you barrel through it like a train. ** Steve Erickson, Hi. Oh, yeah, I agree that it’s a much more interesting list than the prior ones. Who wouldn’t have quibbles. The fact that the only experimental non-narrative films they could think of were the obvious Deren and Marker candidates is depressing, but very unsurprising. The social media offended male hoo-hah is so predictable and sad. I hope your mom’s knees improve and right themselves ASAP. I’ll check out your musical recommendations, thank you. Everyone, Steve reviews the gay male rom-com movie ‘Spoiler Alert’ here if it’s on your moviegoing agenda for some strange reason. ** malcolm, Ah, a fellow Nace fan. Do you like Body/Head too? His new album’s a beauty, and the two other videos from it are pretty much just as beautiful. I know the name Ethel Cain, but I haven’t heard the work yet. She’s playing here? But, oh, sold out, okay. I’ll find her recordings and get them in my bank. My bank being my mind, I guess. I’m basically alright now, health wise. Do you have any glory planned for your weekend, and did glory infuse the two days by choice or accident, I hope? ** Dominik, Hi!!! Oh, you know, taste is taste. The thing is to listen to whatever excites and inspires you, whatever that is. I’m just getting my desired hit mostly from the experimental wing of music these days for whatever reasons, but it’s all good. Well, except for Foo Fighters, ha ha. I’ll light a billion votive candles to supplement love’s efforts to get that company on the fiction track. Love projecting the gif at the top of this post on the living room wall of everyone’s house or apartment in the world for three hours starting now, G. ** NIT, I did! You are correct again, sir! And I spaced out and didn’t credit you, Jesus, but I have now corrected that. And if this blog could give you royalties, it would. Oh, dude, do work on stuff all day! I mean, … no brainer. Give Mr. Gluth my hugs and wishes for his impeccable well being. So great to see you, S! Love, me. ** Okay. It’s Xmas on the blog this weekend. Merry Xmas, everybody. See you on Monday.

Gig # 159: William Fowler Collins, Rabit, Adrian Corker, Maxine Funke, Richie Culver, Dale Cornish, Heith, isomonstrosity, Lykotonon, Bill Nace, Pink Siifu x Real Bad Man, The Soft Pink Truth, Shake Chain, Faxed Head, Loraine James


Steven Purtill

 

William Fowler Collins
Rabit
Adrian Corker
Maxine Funke
Richie Culver
Dale Cornish
Heith
isomonstrosity
Lykotonon
Bill Nace
Pink Siifu x Real Bad Man
The Soft Pink Truth
Shake Chain
Faxed Head
Loraine James

 

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William Fowler Collins Opening Scene
‘The clip was directed by Navajo filmmaker Blackhorse Lowe, who has recently been directing episodes of Reservation Dogs. Opening Scene serves to set the tone for Hallucinating Loss in a desolately cinematic way, and the clip manages to harness the blend of the starkness of the New Mexico landscape and the internal psychedelic atmospheric denseness that Collins creates over this remarkable new LP.’ — Jason Heller

 

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Rabit Angelica (feat. Eartheater)
‘If the floating metaphor for the previous releases was the mechanic, Rabit’s gorgeous new album What Dreams May Come is all about the flesh. It cuts deep as the tracks explore vulnerability, intimacy and queer politics. “Nothing is private if you must be seen,” laments British-French vocalist Lauren Auder, whose voice easily matches the emotional intensity of ANOHNI, into dreamy landscapes of ‘Epiphany’. Rabit always worked as an editor who manipulates samples to the point the source is untraceable and finds unusual connections. Instead of assemblages, he gathered an ensemble of vocalists and instrumentalists. The album’s roster includes Eartheater, Jack Donoghue of SALEM, and multi-instrumentalist CJ Calderwood of Good Sad Happy Bad.’ — Miloš Hroch

 

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Adrian Corker Major
‘Adrian Corker is a musician and composer who has written extensively to picture having started working with director Antonia Bird. Having met earlier this year when TIBSLC played at an album launch in London for Jack Sheen at Cafe Oto, Corker asked if they would be interested in taking the tracks as raw material to create a new set of pieces. The original acoustic worlds of the tracks, a combination of contemporary composition and electroacoustic techniques , are transformed into complex ever shifting digital landscapes. Performances by players such as Aisha Orazabayeva, Tatsuhisa Yamamoto and Ligeti Quartet are dissolved into strata of sound with fragments appearing from time to time like hints of archaeological ruins.’ — Constructive

 

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Maxine Funke South Dunedin
‘In the first of his Six Memos for the Next Millennium, Italo Calvino reframed the idea of lightness as a positive quality. He emphasised that lightness in literature is a thoughtful but not ponderous characteristic, that it is precise rather than haphazard. He attempted to remove what he called the excess weight from his writing and, in doing so, created stories that seemed to float free of structure and yet remained direct and immediate. If any artform beyond literature can benefit from this approach, it is surely music, and if any musician is capable of following in Calvino’s footsteps, it is Maxine Funke.’ — Thomas Blake

 

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Richie Culver Create A Lifestyle Around Your Problems
‘The resonant barrage of concrète clatter and MRI machine churn of ‘Create A Lifestyle Around Your Problems’ swells at the beating heart of I Was Born By The Sea, the devastating debut album from iconoclast, outsider artist Richie Culver. Unfurling as relentless friction, a Sisyphean surge and retreat that evokes trying and failing, again and again, to break out of an itching cycle of frustration, the track’s DIY sonics sandpaper a malleable surface upon which Culver inscribes his observations from the fringes that take on cavernous emotional potency with each repetition of his dissociated delivery. Here, the artist looks back at the “hardest working man in the job centre,” this “habitual bastard,” the “most underrated person in your family,” pinned under the crushing weight of his home town, obsessing over the need to escape while battling the apparent absurdity of such ambition: “you and god on a rollercoaster.”’ — FACT Magazine

 

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Dale Cornish 3RENSA (remix by Merzbow)
‘Dale Cornish’s new album, Traditional Music Of South London, serves as a “psychosexual-geography of London’s lost gay club haunts,” according to a press release, which also adds that it includes songs about “masculinity, [Cornish’s home base] Croydon and trainers.” The record marks the producer’s debut for Manchester-based label The Death Of Rave.’ — Christian Eede

 

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Heith A Venus Flytrap in the Circus Lodge
‘Heith’s first album for PAN manifests a practice that draws on both the spiritual and the artistic, folding in elements of psychedelia, psytrance, freak folk, stoner metal, harsh noise and early electronic music into a singular sonic language, inspired in equal parts by biological forms of plant communication and the logic of dreams. This focus on alternative methods of communication extends out of phonetic expression and into speculative inscription with Angel’s Hair, an alphabet of vegetal glyphs and mycological characters devised by Heith in collaboration with the visual artist Pietro Agostoni. The alphabet shares its name with the folkloric substance siliceous cotton, a sticky gelatinous substance of unknown origin, claimed by believers and zealots to be produced during UFO visitations and miraculous manifestations of the Virgin Mary, respectively.’ — Henry Bruce-Jones

 

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Isomonstrosity take me back (ft. Empress Of)
‘With their self-titled debut, Isomonstronsity might just have done just that. A supergroup made up of producer Johan Lenox, famed for his work with Travis Scott, Kanye West and Lil Nas X, Pulitzer Prize-winning composer Ellen Reid and crypto pioneer Yuga Cohler; across a dozen songs, the trio chart a trek across cinematic-sounding classical landscapes and fractured pop. Along the way, we get to meet a revolving cast of guest vocalists and contributing artists who deliver constant surprises despite being thrown miles from their comfort zones, from progressive rappers Danny Brown and 645AR, to Kacy Hill, Danny L Harle, Empress Of, Vic Mensa, Tommy Genesis and Zacari.’ — Dominic Haley

 

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Lykotonon The Primal Principle
‘Lykoton’s debut release, Promethean Pathology, is a deep dive into the depths of experimental extreme metal. For the act from Denver, the brutality of death metal and the eeriness of black metal can be augmented through additional means. For the first part of Promethean Pathology, the focus is more on the black metal side, the traditional riffing shining in “The Apocryphal Self” and enhanced with an industrial backbone. Melodic inclinations still rise, both the ending of the opener and “The Primal Principle” revealing the act’s intrinsic ability to unleash powerful hooks.’ — Spyros Stasis

 

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Bill Nace E:E
‘For Nace, the relevant musical unit is not the note or the chord but the burst of noise. Having produced towering blocks of vibration, he rearranges them into structures based more on their inherent timbral quality than any notion of traditional songcraft. Walls of distortion are decorated with filigree traceries of treble as if to guide the eye across a Brutalist facade. Co-producer Cooper Crain, of Bitchin’ Bajas, deserves credit here for helping to realize Nace’s blueprints by recording and editing his tracks.’ — Matthew Blackwell

 

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Pink Siifu & Real Bad Man Looking For Water (Ft. Boldy James)
‘Pink Siifu is rap’s foremost chameleon. If music needs some serious shaking up, this guy is usually instigating something at the vanguard. Just witness Siifu’s live shows alongside co-conspirators Negro 6 and prepare to find your head shaking in subtle disbelief; how effortlessly he reconfigures the erstwhile DNA of Parliament Funkadelic, Bad Brains and Sun Ra, all while maintaining the urgency of his contemporary hip-hop peers.’ — Jasper Willems

 

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The Soft Pink Truth La Joie Devant La Mort
‘The Soft Pink Truth is Drew Daniel, one half of acclaimed electronic duo Matmos, Shakespearean scholar and a celebrated producer and sound artist. Daniel started the project as an outlet to explore visceral and sublime sounds that fall outside of Matmos’ purview, drawing on his vast knowledge of rave, black metal and crust punk obscurities while subverting and critiquing established genre expectations.’ — Thrill Jockey

 

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Shake Chain Mike
‘When Kate Mahony’s vocals butt in, things slide sideways. The most accurate description of her voice that I can muster is if you imagine Diamanda Galás repeatedly performing the “I want out” line from Fugazi’s ‘Full Disclosure’ intro in an array of increasingly shrill vocal styles. Her falsetto drawl is a slurring wrecking ball careening from syllable to vowel to ponderous whispers and banshee shrieks, continuing a lineage that cuts from The Slits, through Bikini Kill, into Sleater Kinney. It’s a welcome antidote to the male-centric lad vox of most other post-punk acts.’ — Jon Buckland

 

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Faxed Head Don’t Turn Out Like Me
‘All glue-sniffing teenage survivors of a suicide pact gone horribly awry, Faxed Head is a decidedly twisted death metal band, despite its members’ new physical (and to a certain extent, mental) handicaps caused by their ordeal. Placed in a series of county and state rehabilitation programs, the bandmembers underwent physical reconstruction and mental therapy at the Coalinga Youth Hospice before forming this band. The most recent Faxed Head lineup is composed of headless/elongated-neck guitarist Neck Head, plaid-tartan skin-graft victim/wheelchair-bound vocalist McPatrick Head, oddly-handicapped musician Jigsaw Puzzle Head on bass, LaBrea Tar Pits Head on drums, and local mime/metal-detector-operator named Fifth Head providing electronics.’ — Web of Mimicry

 

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Loraine James Choose To Be Gay
‘Queer London electronic artist Loraine James pays homage to composer, pianist and singer Julius Eastman in Building Something Beautiful For Me, an at times stunning electronic album that continues his radical, minimal legacy, while Anglifying some of his messages. Her hypnotising chimes recall the holographic, mesmerising dream loops of Oneohtrix Point Never, while her flattened, low key vocals and loops for days conjure up solo tracks from another working class provocateur, Hackney’s Dean Blunt.’ — Claire Sawers

 

 

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p.s. Hey. ** Ian, Hey, man. Your good sounds good. Awesome if you can find the space to write starting at Xmas. Perfect and deserving Xmas self-gift. I’m good. I’m pretty much eaten up by all the work needed to get ready to shoot the film, and I’m working on the text for Gisele Vienne’s new theater piece in-between, and trying to get some short fiction things finished. A lot, but a good lot. Have a big day. ** Gick, Hopefully the slave would love the idea too. That Duras book is fantastic, and it’s really short to boot, about the length of a poetry collection. I’m feeling pretty okay, yeah, thanks. Stay warm. ** _Black_Acrylic, Hi, B. It is, right? How are you? What’s new in your new world? ** Charalampos Tzanakis, Hi. I have seen ‘Les enfants’. I liked it. It’s not among my favorite of hers. There’s a great video of Duras interviewing a 7 year old boy if you haven’t seen it: here (excerpt). That must be psychedelic: knowing you drew something but not recognising it. Huh. ** David Ehrenstein, Agreed! ** Dominik, Hi!!! No, I don’t like Foo Fighters. They just seen like the epitome of mediocrity to me, and it always really bugs me when people think the mediocre is great. Although that happens all the time, of course. But, as you can tell by today’s gig, they aren’t exactly up my musical alley, so … who knows? That was a sentence worth rescuing. Thank you, love. Love?, G. ** Bill, If you’re not sure, it only takes about an hour to read the whole novel. It’s Hsu-sized, ha ha. It’s cold here too. My coat feels like a huge teeshirt. Brr. Angel on your prepping shoulder. ** Steve Erickson, It’s exciting to see Akerman top the list, but that list is pretty wack. ‘Portrait of a Lady on Fire’?! ‘Get Out’?! ** mlp, Hi, welcome! Those are my favorite Duras novels too! High five! Thank you. What’s up? ** Robert, Hi. Oh, cool. It’s a really short novel. You’ll be glad on numerous fronts, I think. Oh, no, shit, get better. Do what you need to do. Yeah, everyone I know is under the weather here right now. Me as well. Yeah, take care, pal. ** Right. I made you another one of my gigs featuring things that have been making my ears, and my eyes in some cases, feel more sated and productive recently. Here’s hoping for some crossover. See you tomorrow.

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