_______________

prostitute, 21
Rio de Janeiro

Call Boy Escort (Charges Apply ) Ask me How Much. I Have a Big Dream Like to Become the Lover of a Famous Celebrity and Become a Famous Celebrity Myself for Being His Lover! But is Expensive and Cost the Clothes and the Makeup of a Lot of Money! So Will I Offer Myself as Whore to All Famous Celebrities and They Can and Should Hire With!????

Dick L, Uncut
Orientation Gay
Body Athletic
Piercings No
Tattoos No
Smoking Yes
Speaks English, Spanish
Position Versatile
Kissing Yes
FF No
S&M No
Dirty No
Oral Versatile
Safer sex Condom
Rate per hour 100 $
Overnight On request

 

________________

Darkness_Is_Better, 18
Wellington

I’m more curious about what it would be like to have sex with an old guy than anything and money’s always good.

Also I post memes.
So, if you just want memes I’m down.

Guestbook of Darkness_Is_Better

Darkness_Is_Better (Owner) – March 5, 2019
Based on my two experiences so far I think the ideal meet would be watch a movie and what ever happens happens.

screaminglow – March 3, 2019
He did not like my penis a lot, so if you want that, avoid writing to him.

fakesmile – Feb 28, 2019
He’s new to the whole intergenerational sex world as he said and genuinely seems to want to explore a new side of himself and is open to try most things or at least wants to but you need to have patience with him because he has terrible anxiety and he’s shy so he needs a minute but once he finds his footing then everything moves alot more smoothly.

Dick L, Uncut
Orientation Gay
Body Athletic
Piercings One
Tattoos No
Smoking No
Speaks English
Position Versatile
Kissing Consent
FF No
S&M No
Dirty No
Oral Versatile
Safer sex Condom
Rate per hour 400 $
Overnight 1000 $

 

________________

VillainAdmirer, 22
Denver

This profile is like my dad never around i like shizz live fast eat ass um yeah that’s it

Dick M, Cut
Orientation Bi
Body Slim
Piercings Some
Tattoos No
Smoking Socially
Speaks English
Position No entry
Kissing Consent
FF No
S&M Soft SM
Dirty No
Oral Versatile
Safer sex Needs discussion
Rate per hour 150 $
Overnight 400 $

 

________________

fistfuckmygayhole, 20
Cologne

I’m a paradox–anally passive but not otherwise. I’m too curious to be convincingly oblivious. Most of me is an illusion, but some you can enjoy. For example my ass can be beautiful when framed in context.

Guestbook of fistfuckmygayhole

fistfuckmygayhole (Owner) – March 13, 2019
Back yet again after my latest meltdown.

fistfuckmygayhole (Owner) – March 5, 2019
Happily married to a wonderful man and former client as of yesterday!
Can’t decide if I should quit this app or not…

encrypthis – Feb 26, 2019
110% Total Bottom XD, he doesn’t cum during sex because he doesn’t know what makes him tick, doesn’t like getting sucked either as he’d rather give a banging BJ..

He doesn’t like a tight foreskin, he says he has nothing against it, he just likes to suck all of the cock “you know?”

He loves getting fucked, he lovveeess a massive dick!! If ya fuck his hole, make sure you ruin it!

fistfuckmygayhole (Owner) – Feb 20, 2019
•Same callboy💦 •Reinstalled this profile •Deleted nasty comments and explicit pix •Fuck my haters😋 •I still don’t do s*x w/o payment •No please •

PasSage – Feb 13, 2019
He is a young twink unwise and rascal and very sex, sex, sex

Dick M, Uncut
Orientation gay
Body Slim
Piercings No
Tattoos Some
Smoking Yes
Speaks German, English
Position Bottom only
Kissing Yes
FF Passive
S&M Yes
Dirty Yes
Oral Versatile
Safer sex Never
Rate per hour 1250 €
Overnight 700 €

 

_______________

August19, 22
Beverly Hills

Smooth Smart Slim Athlete with an “extra leg 😉” in life. I dislike guys over 60 years old cuz it’s kinda nasty then 🤢 so sorry.

Dick XXL, Uncut
Orientation Bi
Body Athletic
Piercings No
Tattoos No
Smoking No
Speaks English
Position Top only
Kissing Consent
FF Active
S&M No
Dirty No
Oral Versatile
Safer sex needs discussion
Rate per hour 300 $
Overnight On request

 

________________

break_ass, 18
Leipzig

if you dont have pic, dont write me!
If you want see first my pic, dont write me!
If you want only that you fuck me, dont write me!
If you want to play with your rules dont write me!
You are money im bitch you do what i want.

Guestbook of break_ass

break_ass (Owner) – March 8, 2019
Theyre bite marks, you stupid pig.

All2fantasy – March 8, 2019
You should know that, well, his ass is not smooth because it has stretch marks. He was apparently way fat back when, and his ass has pimple marks also. I’m saying this because otherwise he’s smooth, and maybe it’s big deal to some people here. That’s all.

break_ass (Owner) – March 4, 2019
Looking for a client that is NOT a total asshole. oh, that’s right, no one in the Leipzig area qualifies.

likeamovieline – March 2, 2019
your standards are so high you’re probably gonna be alone forever

break_ass (Owner) – March 2, 2019
It has come to me that it is supposedly quite en vogue to make some sort of lists for your escort profiles, so here you go:

+
sarcasm
intelligence
fancy french cooking
Andreas Feininger
Le Corbusier
Ludwig Mies van der Rohe
Riesling
piano music
traveling
Claude Debussy
Kandinsky

Dick M, Uncut
Orientation Gay
Body Average
Piercings Some
Tattoos No
Smoking No
Speaks German, English
Position More bottom
Kissing No
FF No
S&M yes
Dirty No
Oral Versatile
Safer sex Needs discussion
Rate per hour 350 €
Overnight 800 €

 

________________

Vigyázz_vele!!!!, 19
Budapest

Hi there. Now I describe the story of my death. I got together regularly with a client. David Vargacz. We liked each other. In the first months, everything was fine with us. But after a while he started to not show up on nights. We quarreled over money a lot, but I always forgiven him. Once he announced he was through with me. The thing was very shaken. Then I didn’t know he was infected with HIV virus. It was in January. I became an infusion. My immune system went down. I was weak. my head hurt and I started to see it rude. It got worse. I made glasses too, but after a while I saw it badly. My head hurt so much that I went to the hospital. It turned out that I got brain edema that pushed my brain and my eyes. But for some reason, the situation didn’t improve. Finally they were taken to the hospital. They told me that I became infected with HIV. But since my immune system is full, the jc virus is attacking. This is a very aggressive, fast-run virus. But I didn’t even think they were infected when my head hurt and I saw it badly. I didn’t believe he said he was the one I trusted. If it speaks in time, it won’t happen. it should have only written one sms to be infected. Test yourself. it should have been just that. If it’s on time. But that’s not what happened. when i faced him already i got the jc virus that is incurable. My parents told me I had only a few days left. Then I was no longer conscious. The exem then didn’t come to visit. He was also a coward to face what he did. After a few days, 2018. 08 02 02 04:45 I picked up the menace. Since then, my mother can’t work. She’s in hospital, collapsed nervously. My dad, I come to me for a day and convince a candle. Every day. If I had received that one sentence in time, I’d be here for you. But I did not get it.

Dick M, Uncut
Orientation Gay
Body Slim
Piercings No
Tattoos No
Smoking Socially
Speaks Hungarian, Finnish, German, English
Position Bottom only
Kissing Yes
FF No entry
S&M Soft SM
Dirty No
Oral Versatile
Safer sex Needs discussion
Rate per hour 250 €
Overnight On request

 

_______________

leadmeastray, 18
Sao Paolo

Ideally I would like our paid trick to become relationship. Someone that I can invite into my real life. But I also want it so I will know my place in the relationship as being someone’s investment. Would like to meet someone I can someday introduce to my family. They expect so little of me that they will be proud of me to know that my body is worth being paid for.

Guestbook of leadmeastray

deadsouls – March 8, 2019
roses are red,
violets are blue,
i will kill everyone,
if i can’t have you🔪

Nathy – March 5, 2019
He’s 16 years old ^^, he knows very well what he’s doing here ..
If you like a lolly hahahahahahaha.
The older the better ..
He loves older men..
I think the best feeling I had was squeezing his neck …

Dick M, Uncut
Orientation Gay
Body Average
Piercings No
Tattoos No
Smoking Yes
Speaks English, Spanish, Portuguese
Position Versatile
Kissing Yes
FF No
S&M No
Dirty No
Oral Versatile
Safer sex Needs discussion
Rate per hour 80 $
Overnight 200 $

 

________________

xxxxxxxxxxyyyyyyyy, 20
Budapest

just fuck me than put money on bed than leave me

want that first than thick about future

Dick S, Uncut
Orientation Gay
Body Athletic
Piercings No
Tattoos No
Smoking Yes
Speaks German, English
Position Bottom only
Kissing Yes
FF Passive
S&M Yes
Dirty Yes
Oral Top
Safer sex Never
Rate per hour 60 €
Overnight On request

 

________________

Rapemelikeaslut19, 19
Krefeld

Hello, I am an educated recent high school graduate seeking to be a sexy hot bimbo cock slut. For most of my life I have not felt like most guys. I have been smart and masculine yet have not felt like a real boy. I’ve been secretly feminine and insatiable. I’ve had to make my own paths but I’m lost now and very broke. I need money and a man to get into my head. I almost want to be brainwashed in some sense, willingly, and be your slaggy female. Play games with me trick me leave me so confused that my secret inner female bimbo bursts out and takes control of me is what I need. I am well spoken smart but also broken inside. I need your money.

Guestbook of Rapemelikeaslut19

yogo – Feb 26, 2019
He worries aloud at length that there’s something wrong with him. SHE SCREAMS WITH PLEASURE!

Dick M, Uncut
Orientation Bi
Body Athletic
Piercings No entry
Tattoos No entry
Smoking No entry
Speaks German, English, French
Position More bottom
Kissing Yes
FF No entry
S&M Yes
Dirty WS only
Oral Versatile
Safer sex Needs discussion
Rate per hour 250 €
Overnight 1000 €

 

________________

myboyfriend18, 18
Madrid

I have pre programmed my boyfriend to be a hypno escort.
In real life he’s a fem bottom but … money talks.
Ask me about his trigger word.
In calls only and I reserve the right to watch and take selfies.
Come on, life is far shorty than most will ever realize.

Yes, I know he’s skinny … if it’s not your thing you don’t need to tell me!

Guestbook of myboyfriend18

myboyfriend18 (Owner) – March 3, 2019
P.S our private life and kinks include a wide variety of large toys, fists ect. Please don’t hire him expecting a “virgin” ass. He’ll be a good escort due to hypnosis. Not because of his tightness x

Dick L, Uncut
Orientation Gay
Body Slim
Piercings A few
Tattoos No
Smoking Yes
Speaks Spanish, English
Position More bottom
Kissing Yes
FF No entry
S&M Soft SM
Dirty No
Oral Versatile
Safer sex Needs discussion
Rate per hour 60 €
Overnight 100 €

 

________________

EvilGoatBlood, 23
Brussels

The one and only 👑

Am not here for idiots am here to look sexy and get naughty so don’t even bother
messaging me or tapping me unless your good looking and have a lot of money

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Guestbook of EvilGoatBlood

EvilGoatBlood (Owner) – Feb 26, 2019
I loved frustrating the fuck out of you.

spookydrew – Feb 26, 2019
Shy as fuck. Scared to do the REAL STUFF.

Dick L, Uncut
Orientation Gay
Body Slim
Piercings Some
Tattoos Some
Smoking Yes
Speaks French, German, English
Position Versatile
Kissing Consent
FF Active/Passive
S&M Yes
Dirty No
Oral Versatile
Safer sex Needs discussion
Rate per hour 400 €
Overnight 1500 €

 

_________________

thatsjulian, 22
Pittsburgh

PLEASE READ THE PROFILE CAREFULLY.
No experience with guys, virgin. I’m mostly a baseball player and fan.

Everything needs to be done while I’m wearing my uniform. Bring me to the bar, to restaurent or downtown while I’m wearing my uniform, then drive me to my game and in the evening I can offer you sex for the night but you must offer me something. All the time in gear.

I prefer that you are fat.

Guestbook of thatsjulian

zak47 – March 7, 2019
i’m very interested but uh please don’t agree to meet me if you’ve had sex or done anything sexual cause it makes me really uncomfortable being with someone that’s done stuff before.

Dick M, Cut
Orientation Straight
Body Athletic
Piercings No
Tattoos No
Smoking No
Speaks English
Position More top
Kissing Consent
FF No
S&M No
Dirty No
Oral Bottom
Safer sex Condom
Rate per hour On request
Overnight On request

 

_______________

Gayoutlaw, 18
London

I’m into whatever you’ll pay to give me.
Text me what you got.

Guestbook of Gayoutlaw

Gayoutlaw (Owner) – March 9, 2019
Correction offer open to anyone except those who like the 80s and Tina Turner.

Yeahboi – March 5, 2019
For me, there is no truer or more authentic sexual pleasure than for a boy to willingly reduce himself down to the status of a Man’s loyal and eager pet …my dog to use as I see fit. I thought of Gayoutlaw not as a human role player, but truly as my dog. He was referred to as such, and treated as realistically as I would have treated any other dog. That’s where the deep sense of gratification came for me, when the play was sexual and not, he was my dog in every sense of the word.

spanker – March 1, 2019
I would describe his nipples as being impossibly sensitive.

Dick S, Uncut
Orientation No entry
Body Average
Piercings No
Tattoos No
Smoking No
Speaks English
Position Versatile
Kissing Consent
FF No entry
S&M Yes
Dirty No
Oral Versatile
Safer sex Sometimes
Rate per hour 200 £
Overnight 750 £

 

________________

skepticalbutoptimistic, 19
Kaltenkirchen

Interested in meeting a doctor. Experience with a lawyer. Bored by the dentist. Afraid of physicians. Soul mates with a juicy financial advisor. Invested in being an architect, poet, and light sleeper. Bitter about mathematics. Need a place, maybe across the street from our clothing pool in a nice field on a hot day, or with the aerosol cans in the fridge. Like to keep a nice breeze in the room. If you’ve come this far, I am a young person who dreams of one day emigrating to the US🇺🇸 You can fuck me only on cloudy days.

Guestbook of skepticalbutoptimistic

ATX5BIMM – March 10, 2019
Force It In Him

Dick L, Uncut
Orientation Gay
Body Slim
Piercings No
Tattoos No
Smoking Yes
Speaks German, Hungarian, English
Position More bottom
Kissing Yes
FF No entry
S&M No entry
Dirty No
Oral Versatile
Safer sex Needs discussion
Rate per hour 500 €
Overnight On request

 

________________

Metalboy20XXX, 20
Essen

So I offer a lot. However, I do not charge for time, but for acts. If an act is on the horizon, it’s over 🙂

No sex? No hay problema chico. Without pillaging, it costs only half. Much fun, bitches.

Also low key looking for a sugar daddy sooo 😛😛😛

Guestbook of Metalboy20XXX

Metalboy20XXX (Owner) – Feb 21, 2019
I’ve agreed to be rented for 48 hours by a kinky man. I will travel barefoot to him with my ass plugged. Then I’ve got two whole days of being fucked. He particularly wants me to like fisting. And I don’t but you know what I mean. Its gonna be hell. Let’s not kid ourselves.

Dick L, Uncut
Orientation Bi
Body Average
Piercings No
Tattoos A lot
Smoking Yes
Speaks German, English
Position More top
Kissing Consent
FF No entry
S&M Soft SM
Dirty WS only
Oral Versatile
Safer sex Never
Rate per hour 400 €
Overnight 1500 €

 

_________________

cmlvr_, 19
Cainta

I am looking for a friend that can pay for my college dormitory fees. Please help a boo be able to continue his dream to become a dermatologist. My university is far from where I live that’s why.

Guestbook of cmlvr_

giver53 – March 8, 2019
“The best things in life are free. The second best are very expensive.”

Dick S, Uncut
Orientation Bi
Body Slim
Piercings Yes
Tattoos A lot
Smoking Yes
Speaks English, Filipino, Spanish
Position No entry
Kissing No entry
FF No
S&M No
Dirty No
Oral No entry
Safer sex Condom
Rate per hour On request
Overnight On request

 

_________________

baresex, 20
Szolnok

Who’s out there that wants to eat me out, fuck me bare, breed and felch me for €500?

I will only respond to whose who want exactly what I want. Otherwise no reaction.

Guestbook of baresex

baresex (Owner) – March 8, 2019
I love my life🙂👍👍👍

Everyone-loves-milk – March 7, 2019
Super shy, he was raped into who he is today. Hhu

Peanut91 – March 2, 2019
hey thanks it was awesome xD rawr xoxo

Dick S, Uncut
Orientation Gay
Body Slim
Piercings Some
Tattoos No
Smoking Yes
Speaks German, English, Hungarian
Position Bottom only
Kissing Yes
FF Passive
S&M Yes
Dirty No
Oral Passive
Safer sex Never
Rate per hour 500 €
Overnight On request

 

__________________

MyAssIsYour___, 22
Demmin

So the usual questions I answer hereby

How are you? Good, like you.

What are you looking for? A real rape in Demmin with payment, otherwise I would not have written.

Do you have xxx photos? No have none but you can shoot hundreds

Seeking rape, inseminations, no fun !!!! Otherwise Im kinda into everything except few things that Ill let you know afterwards heheh. Is someone a medic? Doctor. Urologist?

Positions: Doggy and Mission and the like
Poppers and the like are musts

Danger!!!!

SEX ONLY WITHOUT RUBBER
SAFER SEX NEVER

I need your money but dont lord it over me ! If you do t have any money we can probably do a trade of something so let’s talk at least

Guestbook of MyAssIsYour___

MyAssIsYour___ (Owner) – Feb 22, 2019
My client tonite said I’m one of the most beautiful people on the planet!

Dick M, Uncut
Orientation Gay
Body Slim
Piercings No
Tattoos No
Smoking Yes
Speaks German, English
Position Bottom only
Kissing Yes
FF passive
S&M Yes
Dirty Yes
Oral More top
Safer sex Never
Rate per hour 200 €
Overnight 800 €

 

_________________

DunkinBronuts, 18
Baden-Baden

Hi to all.
I Laura (18) and my daddy (36) are looking for tops or daddies or sexual sadist types for short term (1hr – overnight) triangle relationships.

My daddy is a strict dom, perpetually horny and crazy for his girl (me) and in his spare time he is a hobby photographer and likes to build things out of wood.

I am his little ts girl and sexual supplicant. I was born in 2000. Go to school in my free time I write erotic faces and like to go swimming. In addition I am slightly slow in my brain because of a physical accident.

Guestbook of DunkinBronuts

alwayshere4you – March 7, 2019
Nice place you’ve got there.

Dick S, Uncut
Orientation Gay
Body Slim
Piercings No
Tattoos A lot
Smoking Yes
Speaks German, English
Position Bottom only
Kissing Yes
FF Passive
S&M Yes
Dirty WS only
Oral Versatile
Safer sex Needs discussion
Rate per hour 400 €
Overnight On request

 

________________

withorwithoutyou, 19
Las Vegas

I used to have this app about a year ago but was secretly a virgin… way too inexperienced.

And I messed a few people around and chickened out of meeting up with them.

BUT I’ve had a lot of sex now and realise the value of peoples time.

Guestbook of withorwithoutyou

wetsex12 – March 2, 2019
I am a very angry virtual guy who wants to give you an enema make it wet and nasty I am from Pittsburgh Pennsylvania but staying at the Bellagio you must be shaved hairless and skinny but it looks like you already are

vasi301 – Feb 26, 2019
IF YOU HAVE YOUR BRAIN IN YOUR PANTS STAY AWAY FROM HIM

DanielWebster – Feb 25, 2019
The last time this “boy” showed up here I and others decided “he” was some kind of Russian bot targeting the escorting community.

Dick XL, Cut
Orientation Bi
Body Slim
Piercings Some
Tattoos No
Smoking Yes
Speaks English
Position Versatile
Kissing No
FF Active
S&M Yes
Dirty No
Oral More bottom
Safer sex Needs discussion
Rate per hour 400 $
Overnight 1200 $

 

________________

cockychavlad, 19
Southampton

19 year old chav lad not far from Southampton. Into decent make nylon jackets, trackies, trainers and socks. Nothing more humiliating than having my best gear fucked up, want to find someone who’s enough into this to pay. Someone who’s into paying to wreck nylon jackets would be perfect!

I love my jackets, like to keep them in perfect condition so it really is like torture when they’re stained, ripped or just damaged in any way, but it’s also a major turn on! You can’t rim me, finger me or fuck me, but if after ripping you’re so turned on you want to kiss me or something that’s probably okay.

Guestbook of cockychavlad

Anonymous – March 4, 2019
You have a pussy

Dick XL, Uncut
Orientation Straight
Body Average
Piercings No
Tattoos A few
Smoking Yes
Speaks English
Position No entry
Kissing Consent
FF No
S&M Yes
Dirty No
Oral No
Safer sex Condom
Rate per hour 70 £
Overnight On request

 

________________

Shared_18_ass, 18
Elsene

I share my 18yo boyfriend’s slut ass for a cost this evening, between 7 pm and 10 pm. Come breed him 🍑💦 No less than XL please.

Dick M, Uncut
Orientation Gay
Body Slim
Piercings No
Tattoos No
Smoking Yes
Speaks French, English, Croatian, Slovenian, Serbian
Position Bottom only
Kissing Yes
FF Passive
S&M Yes
Dirty Yes
Oral Top
Safer sex Never
Rate per hour 100 €
Overnight On request

 

_________________

EnjoymentBoy, 21
Nantes

I am looking for a very rich and cultured man who has a good career.
A man with an irreproachable education …

Only in Sweden.📌

Luxury 🛍 champagne 🍾 Sweden 🇸🇪

Bring me to Sweden or take me traveling to Sweden, pay the costs, dazzle me, and I am yours lock, stock, and barrel.

I’m bubbly 😌

Guestbook of EnjoymentBoy

hotsportSwed – March 8, 2019
It wasn’t bad.

EnjoymentBoy (Owner) – March 8, 2019
I don’t know if my opinion counts, but it was great with hotsportParis!

Maseratihot – March 8, 2019
@hotsportSwed That doesn’t tell us anything.

hotsportSwed – March 8, 2019
I rented him in Stockholm for 4 days.

Dick M, Uncut
Orientation Gay
Body Average
Piercings No
Tattoos No
Smoking No
Speaks French, English, Spanish
Position Versatile
Kissing Yes
FF No
S&M Yes
Dirty No
Oral Versatile
Safer sex Needs discussion
Rate per hour 300 €
Overnight On request

 

_________________

Harry, 18
London

Hi there. I’m Harry.
I’m a very open-minded Goth lad ready to please you or destroy you. Or both!

I’ve recently turned 18 and I can finally have a try at a profession I have long craved for.

As long as we respectfully agree on terms beforehand, then I’m ready to be treated like the filthy teen whore that I am!

I love to feel cock hit the back of my throat and I love to be fucked rough.
I can be slapped, choked, deep throated or even use me as a toilet if you’d like.

Or maybe, it’s just my cute gothie arseole that you’re after. If you’d like to fuck the living daylights out of me then it can certainly be arranged. Seriously, my arse is delicious as fuck!

Guestbook of Harry

sabbath – March 9, 2019
FUCK im GAY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Harry (Owner) – March 9, 2019
SCREAMS

sabbath – March 9, 2019
i’m boutta murder that ASS bet🕳

Harry (Owner) – March 9, 2019
sabbath murder me baby 🤤🔪⛓💊💉🏥⚰

sabbath – March 9, 2019
wow im omw

Harry (Owner) – March 9, 2019
sabbath wow like bro… I love you🌋😳

sabbath – March 9, 2019
WOW im totally straight but im gay for u bro

Dick XL, Uncut
Orientation Bi
Body Average
Piercings A lot
Tattoos A lot
Smoking Yes
Speaks German, English, Spanish
Position More top
Kissing Yes
FF Active
S&M SM
Dirty No dirty
Oral Versatile
Safer sex Condom
Rate per hour 100 €
Overnight On request

 

_________________

Hibiscus, 22
Warsaw

I am looking a top rich guy for whole life as my husband.

Guestbook of Hibiscus

Farukh231 – March 1, 2019
Gay love is Awesome!

Hibiscus (Owner) – Feb 27, 2019
better have uglyliest husband than handsome. because the good looking one just wanna playing your heart . noted

Dick L, Uncut
Orientation Gay
Body Slim
Piercings Some
Tattoos No
Smoking Socially
Speaks Polish, English, Dutch
Position More bottom
Kissing Yes
FF No entry
S&M Soft SM
Dirty No
Oral Versatile
Safer sex Needs discussion
Rate per hour On request
Overnight On request

 

 

*

p.s. Hey. ** blair mastbaum, Wow, hi, Blair! It’s so, so nice to see you! It’s been ages. I’m obviously very happy that the post intersected with your top five. How are you? What’s going on? I’d love to hear if you feel like sharing stuff. Yeah, really heartening to see you, man! ** John Fram, Hi. Good, good, about the new work. And, yeah, faith comes in ultra-handy, and I think faith, in this case, is trustworthy. If you saw Steve Erickson’s comment yesterday, he wrote exactly some of what I would say, i.e. 1974-75: Patti Smith’s ‘Hey Joe’ single and ‘Horses’ album, the first Television single, The Dictators album, … That was a very formative and important couple of years for punk where a huge amount was a going on, mostly in live performance. 1976 wasn’t the birth of punk, it was just the year punk broke through. So I would say those two years in punk were as active and vital as any. Yeah, I’ll take fried from work over twiddling my fingers any old day, you know? ** David Ehrenstein, Thanks, D. Very interesting Tarantino story. I’d never heard that before. Thank you for that too. ** Sypha, Hi. Well, yeah, I agree about obsession’s ebbing and flowing for sure. Me too re: a bunch of my fascinations. Understood about your issues with the third collection. That concern sounds like a super real and wise one to me. I have no doubt at all that you’ll find the exact mojo you need if you revamp the collection. ** Kyler, Thank you for inspiring the post, sir. I’m glad you found it to be up to snuff. As it were, ha ha. ** Steve Erickson, Hi. I’m sorry to hear you’re in that rough emotional patch. I’m of the opinion that depression is a liar, but that doesn’t help, even if that’s true. I personally don’t see a downswing in your writing at all. I always find your pieces very smart and learned and instructive, and well written, of course. But, yeah, having what you love to do so dependent on the thumbs-up or -down of third parties, that’s obviously hard. And, again obviously, earning a decent income through reviews and essays has never been more difficult. I’m going to, and I am, encouraging you to stick it out and try to think of the value of what you do more than the traffic it may receive, if possible. But yeah. I imagine there’s no money in curating, but I think you’re doing fantastic things with your film curating. ** Count Reeshard, Hi there. Ooh, a bit of envy plus curiosity about the ‘John Wick 3’ mixing, I must admit. Huh, no, I don’t think I know that Malle short. It sounds quite lovely. I’ll see if I can hunt it, or at least its identity, down. Thanks a lot for the alert. And for your kind words. You good in general? Exciting things going on? ** KeatonMyBreathAway, Ha ha, chewy one. Well, your crush being a slut is, like, a gift from god or something, no? Or was his defunct goody-two-shoes-ish-ness the draw? Hot weather, bleah. But enjoy, I dig. Mole sauce is undealable with for me. It’s an impressive thing though. Hope your sleep worked the wonders it needed to work. ** _Black_Acrylic, Hey! Congratulations, Ben! That’s such great and heartening news! Yes! ** Nick Toti, Oh, shit, yeah, I didn’t see the comment. This blog acts weird sometimes. Great about the screening! Of course I’m crushed that I’m not there. And how great that it’s at the mighty Poetic Research Bureau. Please let me know how it went. And, yeah, four leaf clover re: it being the dawning of a series. Everyone, the very fine filmmaker and general artist/human being Nick Toti is a organising a screening this weekend featuring filmmaker/ puppeteer/ musician Jacob Graham’s DIY puppet series ‘Creatures of Yes’ for anyone who might be in Los Angeles. It looks and sounds very exciting to me. Obviously I strongly encourage you to go. And the details can be found here. So cool, Nick! Thanks a lot! ** Okay. The 15th of the month results, as always, in a new batch of starry-eyed, longing-filled escorts. Please check out the new bunch, and I’ll see you tomorrow.

 

‘Louis Malle was born in 1932 into a wealthy industrialist family in Thumeries, near to Lille in northern France. During the war, he attended a Catholic boarding school in Paris. After leaving school, he began a degree course in political science at the Institute D’Etudes Politiques in Paris, but, against his parents’ wishes, switched to a course on film studies at the Institut des Hautes Etudes Cinematographiques.

‘While still a student, he was recruited as a camera operator by underwater explorer, Jacques Cousteau. He worked as co-director on Cousteau’s celebrated documentary film, Le Monde du Silence (The Silent World) which won an Oscar and the Palme d’Or at the 1956 Academy Awards and Cannes Film Festival respectively, before working as an assistant for his hero, legendary director Robert Bresson on Un condamné à mort s’est échappé (A Man Escaped, 1956).

‘This experience served him well as an apprenticeship for his first feature, Ascenseur pour l’échafaud (Elevator to the Gallows) made in 1957. Not for the last time Malle showed himself an excellent judge of collaborators, working with an array of talent including novelist Rogier Nimier, cinematographer Henri Decae, up-and-coming actors Jeanne Moreau and Maurice Ronet, and jazz genius Miles Davis. Together they took what could have been a routine film policier and turned it into a bitterly ironic, tragic film noir that was a critical and commercial success and established Malle as a young director to be reckoned with.

‘The film also showed, especially in the evocative scenes of her walking down the Champs Élysées at night, the potential of Jeanne Moreau to become a big film star. In his next feature, Les Amants (The Lovers, 1958), Malle confirmed that potential, casting her as the married mother who walks out on her family for a younger man. While more classical in style than its predecessor, its frank for its time sexual content, as well as its moral ambiguity, created a major scandal. In America it was banned in several states leading to a landmark U.S. Supreme Court case regarding the legal definition of obscenity. The scandal helped the film become a worldwide phenomenon, turning Moreau into a major star and Malle, at the age of only 26, into a leading director.

‘Taken by surprise at the film’s success, Malle had a tough time recovering. He was suspicious that the success had not been deserved and for six months he went into hiding, scouting locations for a film that was never shot. When he finally settled on his next project it was a radical change of gear from what had come before.

‘Zazie dans le Métro was a bestseller written by experimental writer Raymond Queneau about a young girl who causes chaos when her plan to travel on the Paris underground is prevented by a strike. Many considered it unfilmable but Malle decided to take up the challenge because he believed it would give him a chance to explore cinematic language in a way he hadn’t been able to before. The result was a high-energy comedy full of wit and invention, which anticipated and greatly influenced the new trend in film style and technique, which would emerge in the ensuing decade.

‘One critic, who wrote favourably about Zazie dans Le Metro, despite its failure with the public, was Francois Truffaut, now an established director himself after the success of the Les Quatre cents coups (The Four Hundred Blows, 1959). Although he was not a member of the inner circle of what had now come to be known as the New Wave, Malle was of the same generation and shared much in common with the other directors, in particular a love for the great auteur directors and a desire to break with what had become routine in French cinema at the time.

‘In the autumn of 1962, he started writing a screenplay about a young man who commits suicide. The story, loosely based on a book by Drieu La Rochelle, who himself committed suicide in 1945, is about a disillusioned, alcoholic writer who has reached 30 and is looking for a reason to go on living. Le Feu Follet (The Fire Within, 1963), featuring a moving performance by Maurice Ronet in the lead role, was highly praised, winning the Special Jury Prize at the 1963 Venice Film Festival. Malle later described the film as one of his most personal and the first of his works that he was completely happy with.

‘At this time, Malle was going through a crisis in his personal life following the break-up of his marriage to Anne-Marie Deschodt and felt unsure about the direction his career was going in. In order to get away from France for a while, he agreed to direct Alain Delon in one of three segments of a film based on stories by Edgar Allan Poe being filmed in Italy. Working with Delon proved difficult however and after completing work on Histoires extraordinaires (Spirits of the Dead, 1968), he felt more disillusioned with the film business than ever, saying at the time that he was “fed up with actors, studios, fiction and Paris.”

‘Malle embarked in the 1970s on three films with adolescent heroes and heroines, living in provincial France, two set in the recent past, one a fantasy set in the near future. For the first of these, Le Souffle au Coeur (Murmur of the Heart, 1971), the directordrew on experiences from his own childhood for a coming of age story about a 14 year old boy growing up in Dijon. Funny, high-spirited and sympathetic with an exhilarating jazz soundtrack, the film nevertheless caused controversy for it’s depiction of incest.

‘His next film was in its way equally controversial, but on a political level: the experience of the war and collaboration in France. Lacombe, Lucien (1974) is about a teenage boy from a peasant family, who, by a series of accidents, gets to work for the Gestapo in a small town. The film was groundbreaking because it was the first to deal with the issue of collaboration in wartime France, challenging the myth that most people resisted Nazi occupation, and provoking a great deal of debate in France on its release.

‘Black Moon made in 1975 was a dark surreal fantasy set in a dystopian future, filmed by the director in and around his own country estate. The free-flowing narrative, reminiscent of Alice in Wonderland, centres on a confused teenage girl who witnesses a war between the sexes and finds herself involved in numerous dream-like situations. Malle later described the film “as a strange voyage to the limits of the medium.”

‘In the late 1970’s, in search of inspiration, Malle moved to the United States. The first film he directed there was Pretty Baby (1978), in which Brooke Shields played a 12-year-old New Orleans prostitute. Once again the newspapers of the world seized on the sensationalist aspects of the story, but, as it turned out, the film was more about atmosphere and the nature of desire, than eroticism.

‘Malle’s next movie, Atlantic City (1980), is often cited as his best American film. It won numerous international awards, including the Golden Lion at the Venice Film Festival and a British Academy Award for Best Direction. Set in the run down seaside resort of the title, the film features a romance between a small time drug courier (Burt Lancaster) and a waitress (Susan Sarandon). Despite its downbeat subject matter the film, due in large part to outstanding performances by the two leads and a memorable screenplay by playwright John Guare, is surprisingly life affirming.

‘There was acclaim too for My Dinner with Andre (1982), a 90 minute film that featured nothing more than a conversation between experimental theatre director Andre Gregory and actor Wallace Shawn, but which, through the skill of Malle’s direction, managed to hold the audience’s attention throughout.

‘Malle’s greatest triumph came with the film he made after his return to France. Au revoir, les enfants (Goodbye, Children, 1987) was an intensely moving account of what happened at the school Malle went to as a boy when the Jewish children the Catholic priest was sheltering were discovered by the Nazis. It won many awards including three French Cesars, for Best Film, Director, and Screenplay.

‘This was followed by the brilliant, satirical comedy Milou en mai (May Madness, 1990) about a family coming together in a country house to hear the reading of a will just as the student riots of May 1968 are raging across the country. His last two films were Damage (1992), a dark love story filmed in London, and Vanya on 42nd Street (1994), a modern adaptation of Chekhov’s play set in New York.’ — New Wave Film

 

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Stills

 

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Further

Louis Malle @ IMDb
Top 15 des meilleurs films de Louis Malle
Louis Malle @ New Wave Film
Louis Malle’s “Elevator to the Gallows,” and Its Historic Miles Davis Soundtrack
LOUIS MALLE AU PAYS DE DIEU
Louis Malle @ The Criterion Collection
Podcast: Clap sur – Louis Malle
Fonds Louis Malle
CRITIQUE DE FILM; Le Voleur de Louis Malle
Quand Louis Malle filmait le travail à la chaîne
Book: ‘The Cinema of Louis Malle’
LOUIS MALLE, LA MORT D’UN CINÉASTE INATTENDU
Film: ‘Louis Malle, le rebelle’, un film documentaire de Pierre-Henri Gibert
« CHAQUE FOIS QUE JE FAIS UN FILM, J’EXPÉRIMENTE QUELQUE CHOSE »
3 Films by Louis Malle reviewed by Noah Tsik
Au revoir les enfants, toute la pudeur et la culpabilité de Louis Malle
Louis Malle, Equally at Home in France and America, Is Dead at 63

 

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Extras

Talking to Louis Malle – Philip French

Louis Malle (1976)

FUNERAL SERVICE OF FILM DIRECTOR LOUIS MALLE

 

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Interview

 

It’s interesting that your films — even when they deal with subjects like an illicit affair (The Lovers) or incest (Murmur of the Heart) or a twisted fairy tale (Black Moon) or child prostitution (Pretty Baby) — are all very chaste.

Ever since The Lovers, I’ve always tried to avoid fucking scenes in my movies because I find them boring, difficult and embarrassing to shoot and to watch. For me it’s practically impossible. I mean, whether you do it or simulate it, you have to repeat it, you have to have ten people around — you have to tell the actors that they’re not in exactly the right place for the light…. It’s extremely boring and it seems to me that it practically never works — to me the exception is Oshima’s In the Realm of the Senses.

I remember the days when the code in Hollywood was very strict and when you had comedies like Pillow Talk, which were the most obscene pictures ever made, without showing anything on the screen. They all revolved around sex, in a very matter-of-fact and obvious kind of way, but of course there wasn’t one explicit scene in any of them. If you have to deal with sex, films like Pillow Talk are a lot more interesting.

So you’re against pornography on aesthetic rather than on moralistic grounds?

Yes, I’ve nothing against it on moralistic grounds at all, it’s just that it’s much more interesting to steal the imagination of spectators by not showing the thing. If we try to go a little deeper, there’s something intensely private about sex — even if you indulge in orgies it has nothing to do with that — but there’s something so… it seems to me it’s never really worked on a stage, as a performance — and God knows that throughout civilization it’s many times become a performance, usually in periods of decadence — but it never really works. It would be interesting to discuss the real explanation: it certainly has to do with aesthetics, and also with the act itself.

Perhaps modesty has something to do with it.

It certainly does. Take Murmur of the Heart: there was no way for me to escape from, at some point, showing that this boy and his mother were making love; if not, there was no movie. Which was extremely difficult for many reasons, especially because the actress who played the mother and the actor who played her son hated each other [laughter]. For a director it was a very difficult situation. I ended up with close-ups of two faces, but obviously the actors had to pretend to some kind of simulation of a sexual act… and I hated to do it… because everybody was very embarrassed. And they were probably embarrassed mainly because of the fakeness of it.

The result was an almost “charming” encounter — just the opposite of an anguished Freudian revelation of a trauma: René Clair instead of Ingmar Bergman.

That’s what I wanted. Actually it worked… with a lot of problems, but it worked. You see, there’s no guilt. One of the key pieces of dialogue in the movie occurs after the events of that night, and the mother talks to the boy and tells him he mustn’t be ashamed of it. In our culture, it’s considered obligatory that sex and guilt come together, which is not necessarily true, although you know, in the script for Murmur of the Heart, I did have some traces of guilt, even unconsciously. In the film, after the boy’s been with his mother, she goes to sleep and he leaves the room, goes downstairs and fucks the little girl he’s been courting for the past two weeks. In the script, however, he went to the bathroom, took the razor blade and started playing with his wrists… and that’s how I first shot it. The idea was to be ironical — I wanted to be ironical about this obligatory guilt feeling. It was interesting, but it just didn’t work. And it didn’t work because the boy who played the part didn’t like the scene, he didn’t want to do it and he didn’t do it well.

There are obvious limits to what a director can do when there’s something that bothers an actor — especially a nonprofessional one — about a scene or a situation or some piece of dialogue. You’re going to be in trouble, so you’d better change it, and that’s what I did. But there was a lot more guilt involved in the first draft of my script.

Why did you make Murmur of the Heart?

Well, I was working on an unfinished book by Georges Bataille called My Mother, which is really a book about incest — very, very erotic, very full of guilt. I worked on it for several months, but wasn’t pleased with it… I couldn’t cope with it, it was much too heavy. And so finally I went to my house in the country, and in the meantime all kinds of memories of childhood came back to me — very personal stuff — and what happened is that one day I started writing and worked for about five days practically nonstop and got to the end of a long treatment with absolutely no plan, no structure. It was a plot based on my own childhood memories, but very much transposed. And then I fought with it for about two months, trying to change it, because I didn’t think it could come forth just like that. But, practically, the picture resembles the initial movement — that surge of things coming out as a story.

What was it your mother said about the film after the saw it?

Well, my mother’s a little crazy, so she said that it brought back so many things to her, which is true, there are so many things from my past in it — the Italian nanny and the three brothers and everything we did. And I did have a heart murmur–it all happened to me. The only vast difference is that I didn’t sleep with my mother — maybe I should have, but I didn’t — and also the characterization of the mother in the film is very different from my mother in real life. Actually, I took it from a friend of mine, a Brazilian woman who, at the time, was having a sort of incredible flirtation with her son. She was very extroverted, very crazy, very warm, very Latin, living in a very stiff, French bourgeois family…and that’s where I got the idea. Lots of people told me I was a coward for not portraying the mother as a Frenchwoman, but I just loved the idea of somebody who couldn’t, even it she’d been there for fifteen years or twenty years, really adjust to the French ways of being a bourgeoise.

What makes films like Murmur of the Heart and Pretty Baby so enticing is that the characters in them are so charming while their relationships are so provocative.

Yes, it’s only the proposition that’s shocking, and that’s what I like. When Murmur of the Heart opened on the Champs Elysées, people coming out of the theater were under the charm of it, but at the same time they did sort of a double take on it, and they’d stop and say, “My God, What did I see?” It’s like forcing people to think about incest — why do we have to put such an incredible weight on it, why has it become such an incredibly heavy taboo? You get all the biological and cultural reasons, there are all kinds of explanations for the taboo. But even today you find out that there’s a lot more incest than is reported.

Look at Buñuel’s films.

And what about Bresson? I know how he chooses his heroines because I’ve worked with him: they’re usually fifteen years old, they’re very bourgeois types — Dominique Sanda being the archetype when she started… She’s older now and she’s lived a little. Anne Wiazemsky. They all look alike and talk alike and…[laughing] I’m talking about my old master, I shouldn’t say that, but it’s so obviously his own fantasy that he expresses in film.

But I want to make the point right away that in my film, you know, I’m not expressing my fantasy when I’m dealing with child prostitution, because actually I’m not sexually… Let me tell you the truth, I’m not sexually titillated by children. Let’s say there’s something of a voyeur in Buñuel, obviously…Well, to me it’s exactly the opposite. I’ve many times made films about adolescents dealing with adults, and I’ve always tried to put my camera exactly the other way…I’m always trying to have the children look at the adults. It’s true in Pretty Baby, just as it was in Murmur of the Heart and Lacombe, Lucien… and also when I was shooting many scenes of Phantom India — that’s where I found it, the trick I’ve been using since, of having people look at the camera. You come to see them, but they look at you. And in Pretty Baby you have those shots of Violet looking at you. That’s my point, because in this disordered and decadent period in which we live it’s fascinating to watch people who are coming of age having to deal with this world of hypocrisy and preconceived values and having nothing to do with any of it. They’re just there because they’ve always been there, and just their look is a judgment. If there’s anything moral in my pictures, you have to find it in the close-ups of those children in my films looking at you. That’s where it is, there’s nothing else.

 

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15 of Louis Malle’s 33 films

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Crazeologie (1953)
‘This short student film is the first credited work of Louis Malle, and is noteworthy for that bit of history only. Described as “an attempt at cinematographic depiction of the absurd in theater and literature,” Crazeologie employs some of the subtle, conversational humor of Malle’s later work. Largely unremarkable, the choice to name the film after a Charlie Parker work suggests Malle’s awareness and appreciation for jazz, which would later inform his decision to use Miles Davis’ improvised score for his masterful debut, Elevator to the Gallows. It may have taken another 4 years, but it is hard to believe that Malle would come from these humble roots to create such a confident, outstanding debut feature as Elevator to the Gallows.’ — Matthew B, letterboxd

the entire film

 

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Elevator to the Gallows (1958)
‘“Elevator to the Gallows” isn’t a New Wave film, but it is significant for its proto-New-Wavishness, its efforts toward originality and modernity. More specifically, such incidental elements as a big American car and the theft of that big American car, the accidental discovery of a handgun in the glove compartment of that car, the thief of that car committing a murder with that gun and going on the run in Paris with his young and innocent girlfriend, the young woman’s cramped one-room apartment, the record player and art poster in the apartment, the classical music playing on the record player as she and her boyfriend go to bed, the fugitive who sees his picture on the front page of a newspaper—all of these details should seem familiar, because they all turn up in Jean-Luc Godard’s “Breathless,” which came out two years later.’ — Richard Brody

Trailer

Excerpt

Miles Davis Records the Score for ELEVATOR TO THE GALLOWS

 

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The Lovers (1958)
‘Louis Malle unveiled the natural beauty of Jeanne Moreau in his breakthrough, Elevator to the Gallows. With his follow-up, the scandalous smash The Lovers (Les amants), he made her a star once and for all. A deeply felt and luxuriously filmed fairy tale for grown-ups, perched on the edge between classical and New Wave cinemas, The Lovers presents Moreau as a restless bourgeois wife whose eye wanders from both her husband and her lover to an attractive passing stranger (Jean-Marc Bory). Thanks to its frank sexuality, The Lovers caused quite a stir, being censored and attacked for obscenity around the world. If today its shock has worn off, its glistening sensuality and seductive storytelling haven’t aged a day.’ — Criterion Collection

Excerpt

 

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Zazie dans le métro (1960)
‘Welcome to the dizzying world of Zazie in the Metro, a film by Louis Malle based on the novel by the genius of experimental literature Raymond Queneau. Zazie is a young girl with a mission: to come to Paris and ride the Metro. Much to Zazie’s dismay however the Metro is closed due to a strike. Not that it will stop our heroine from diving headfirst into the chaos of the city. A riot of colour, wordplay and cartoon-like activity, the film brings to life the playful spirit and frenetic energy of the book. Full of jump cuts, speeded up scenes and slapstick comedy with moments of sublime surrealism (see the ship captain hit by a wave on the Eiffel Tower or the pearl that Zazie finds in a mussel), it’s a joyful merry-go-round that never lets up.’ — Books, film & bloudjinnzes

Extract

Malle sur “Zazie dans le métro”

 

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The Fire Within (1963)
‘After garnering international acclaim for such seminal crowd-pleasers as The Lovers and Zazie dans le métro, Louis Malle gave his fans a shock with The Fire Within (Le feu follet), a penetrating study of individual and social inertia. Maurice Ronet (Elevator to the Gallows), in an implosive, haunted performance, plays Alain Leroy, a self-destructive writer who resolves to kill himself and spends the next twenty-four hours trying to reconnect with a host of wayward friends. Unsparing in its portrait of Alain’s inner turmoil and shot with remarkable clarity, The Fire Within is one of Malle’s darkest and most personal films.’ — The Criterion Collection

Trailer

Excerpt

 

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Calcutta (1969)
‘When he was cutting Phantom India, Louis Malle found that the footage shot in Calcutta was so diverse, intense, and unforgettable that it deserved its own film. The result, released theatrically, is at times shocking—a chaotic portrait of a city engulfed in social and political turmoil, edging ever closer to oblivion.’ — The Crierion Collection

the entire film

 

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Murmur of the Heart (1971)
‘Murmur of the Heart is overwhelmingly Oedipal, and it would be easy to point out incest as both a primary theme and the ultimate point of the film. This is a mistake. There is a certain amount of shock value in Laurent and Clara’s relationship, and the final act of the film, where a jealous tension builds between Laurent and Clara’s unseen lover intentionally does not shy away from its depiction of illicit sexuality, but Malle does well to keep the tone gentle and innocent. A scene where Laurent lays out his mother’s undergarments in her shape while she is away, giving him a tangible, temporary, surrogate mother, speaks simultaneously to his youth and his budding sexuality.’ — popoptic

Trailer

Louis Malle discusses ‘Murmur of the Heart’

 

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Lacombe, Lucien (1974)
‘With a superb music score by Django Reinhardt, this is a Louis Malle film about the German occupation of France. Based on his own experiences in France during the occupation, Malle’s film does not paint a pretty picture of the French Resistance and eventually he emigrated to America because of the critical reaction to this film. Essentially the tale of a young boy who wants to join the Resistance but is shunned by them because of his youth, he joins the Gestapo. Unfortunately, he then falls in love with a young Jewish girl. Push comes to shove and he suddenly has the unsympathetic Resistance and the Gestapo hot on his trail. Not a pretty picture of either side.’ — RT

Trailer

Excerpt

 

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Place de la République (1974)
‘In Place de la République (1974), Malle takes a more direct approach to the lives of working people, simply training the camera and microphone on anyone who happens to stroll by one short stretch of sidewalk in a working-class neighborhood of Paris. Malle asks them questions about themselves and playfully comments on the camera’s role in the film. The result is a surprisingly penetrating examination of the very real, material factors that affect people’s happiness. Money, race, religion, sex—they’re all there in this elegant experiment, which embodies the curious, compassionate sensibility that informed all of Malle’s films, and especially his documentaries.’ — Michael Koresky

Excerpt

 

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Black Moon (1975)
‘Louis Malle meets Lewis Carroll in this bizarre and bewitching trip down the rabbit hole. After skirting the horrors of a mysterious war being waged in the countryside, beautiful young Lily (Cathryn Harrison) takes refuge in a remote farmhouse, where she becomes embroiled in the surreal domestic life of an extremely unconventional family. Evocatively shot by cinematographer Sven Nykvist, Black Moon is a Freudian tale of adolescent sexuality set in a postapocalyptic world of shifting identities and talking animals. It is one of Malle’s most experimental films and a cinematic daydream like no other.’ — The Criterion Collection

Trailer

Excerpt

 

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Pretty Baby (1978)
‘Despite the scandalised yelps about child pornography, a film of disarmingly subversive innocence, set in a New Orleans bordello (1917 vintage) where the pretty baby of the title eagerly awaits her twelfth birthday and the deflowerment which will inaugurate her career. All red plush, ragtime and Renoir nudes, it would be candy confection except that vice is viewed here partly through the enchanted eyes of the child (Shields), partly through the candid camera of a photographer (Carradine) who sees flesh and its desires as the stuff of art and beauty. The Nabokovian relationship between these two asks some very pertinent questions about the hypocrisy of conventional morality.’ — Time Out (London)

Trailer

Excerpt

 

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Atlantic City (1980)
‘Playwright John Guare wrote Atlantic City, which he came up with when Malle told him that he had the funds to make a film but no script to shoot. That spontaneous quality works in favor of what’s essentially a character sketch, more interested in the texture and tone of its title city than in delivering plot twists. That said, Atlantic City does tell a story, which becomes especially gripping down the stretch, when Sally and Lou are on the lam, playing for bigger stakes than any they’ve been involved with before (but petty in the larger scheme of things). This is a gentle, warm, well-acted movie, and easy to like. Post-Venice, Atlantic City went on to land five Oscar nominations—but didn’t win anything in the year of Chariots Of Fire and On Golden Pond, two other films that straddled the line between arthouse and mainstream. Nevertheless, it remains a sensitive portrayal of two people united by their commitment to each other’s vision of who they should be.’ — The AV Club

Trailer

Excerpt

Wallace Shawn talks with Louis Malle about Atlantic City

 

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My Dinner with Andre (1981)
‘In this captivating and philosophical film directed by Louis Malle, actor and playwright Wallace Shawn sits down with his friend the theater director André Gregory at a restaurant on New York’s Upper West Side, and the pair proceed through an alternately whimsical and despairing confessional about love, death, money, and all the superstition in between. Playing variations on their own New York–honed personas, Shawn and Gregory, who also cowrote the screenplay, dive in with introspective intellectual gusto, and Malle captures it all with a delicate, artful detachment. A fascinating freeze-frame of cosmopolitan culture, My Dinner with André remains a unique work in cinema history.’ — The Criterion Collection

Excerpt

Excerpt

 

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Au Revoir les Enfants (1987)
‘Louis Malle’s quasi-autobiographical masterpiece Au Revoir Les Enfants from 1987 is now re-released in cinemas in the same week as Holocaust Memorial Day. It remains breathtakingly good. There is a miraculous, unforced ease and naturalness in the acting and direction; it is classic movie storytelling in the service of important themes, including the farewell that we must bid to our childhood, and to our innocence – a farewell repeated all our lives in the act of memory. As an evocation of childhood it is superb, comparable to Jean Vigo’s Zéro de Conduite and François Truffaut’s The 400 Blows – perhaps better. Every line, every scene, every shot, is composed with mastery. It has to be seen.’ — The Guardian

Trailer

Excerpt

 

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Vanya on 42nd Street (1994)
‘In the early nineties, theater director André Gregory mounted a series of spare, private performances of Anton Chekhov’s Uncle Vanya in a crumbling Manhattan playhouse. This experiment in pure theater—featuring a remarkable cast of actors, including Wallace Shawn, Julianne Moore, Brooke Smith, and George Gaynes—would have been lost to time had it not been captured on film, with subtle cinematic brilliance, by Louis Malle. Vanya on 42nd Street is as memorable and emotional a screen version of Chekhov’s masterpiece as one could ever hope to see. This film, which turned out to be Malle’s last, is a tribute to the playwright’s devastating work as well as to the creative process itself.’ — The Criterion Collection

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p.s. Hey. I only found out after I’d launched yesterday’s post that an exhibition of Emma Kunz’s art will open at the Serpentine Gallery in London later this month if you’re there and interested. ** David Ehrenstein, Really glad it interested you. ** John Fram, Well, hi there, John! Good to see you! No doubt I’ve said this before but having another novel or project underway when a book comes out is highly recommended as a way to cope with the stress and how different getting a book published is from how you hope/imagine it will be. The worst thing you can do to yourself is to speculate about your future career since that’s 100% unpredictable and out of your hands. Or that’s how I deal with that stuff. Yeah, ‘Please Kill Me’ is really great book. Uh, I started going to NYC semi-regularly in the late 70s and moved there in ’83, by which time New Wave was the big thing. The punk scene I knew very, very well and was involved in is the LA wing. It was lovely seeing you too. Very best of luck re: coping with the weird interim phase. ** Corey Heiferman, Yeah, how about that. Well, superb news about you starting film school this year, man. You’ll be ready. Honestly, I’ve always been very driven and disciplined since childhood, so no particular period stands out as a peak off the top of my head. Or I’ll say I can’t remember a time or phase when I particularly slacked off. ** liquoredgoat, Hey, bud. Jan Beatty … no, I don’t think I know that work. Huh. Definitely sounds intriguing. Okay, I’ll go hunt down her work ASAP. Thanks! And, well, I hope you like ‘Period’ obviously. Take care. ** _Black_Acrylic, Hi, B. Yeah, Klint. Her work is such a big deal right now, I guess because of the surprise bonanza success of her Guggenheim retrospective. And I wouldn’t be surprised if that opened the door for an appreciation of Kunz, i.e. the imminent Serpentine show. I love that title ‘Joy, Super Smeller’. Cool, Ben, sounds ace. ** Jeff J, Hi. I think the Klint mania will help, but I would guess Kunz’s use of her work as a tool in her practice will marginalise her more? I liked Home’s ‘Blood Rites of the Bourgeoisie’ from 2010. I haven’t read the most recent two books yet for no good reason. Oh, sure, if Tony’s ‘dub’ post can be successfully resurrected — i.e, if the links/videos aren’t all defunct — I’ll happily bring that back to life. Great idea. Man, I wonder what in the world its up with Tony these days. He’s become an internet ghost, unless I’m missing something. ** Steve Erickson, Happy you liked her work. Everyone was saying that about Facebook yesterday — I don’t have Instagram — but everything worked fine for me, so maybe it was a US problem? Ah, the schedule is for real! I’ll pore through it and feel envy for the proximate. Everyone, and especially you in the NYC environs, Mr. Steve Erickson has curated a festival featuring four of the amazing Iranian director Kamran Heidari’s films at Brooklyn’s Spectacle. Here’s the scoop and schedule. And here’s Steve: ‘I’d love it if any blog readers in the New York area are interested. I will be introducing the opening night screening of NONE OF YOUR BUSINESS on April 2nd and conducting a Q&A with Heidari via Google hangout after the 10 PM screening of I AM NEGAHDAR JAMALI AND I MAKE WESTERNS on April 18th.’ And I add my passionate encouragement to you to attend. ** Sypha, Hi. It’s the rare obsession that doesn’t eventually burn out if you’re really obsessed. Okay, I trust you on your vibe to abandon that collection. Onwards! ** Bill, Hi, Bill. Yes, it’s a sad, sad thing how currently forgotten Bo Huston’s work is. I trust that will change. I’ve encouraged a few presses to reprint his books, but nothing has stuck so far. He was great, and a very dear friend. His novel ‘The Dream Life’ is a classic in the making, I think. Very happy you’re reading him. ** Nik, Hi. Cool, I’m happy you like her work. If you were in London, you could see a bunch of them in the flesh in a couple of weeks. As could I. How am I going? Fried. There’s way, way too much work and things that need to be done right away at the moment. I’m usually good with multi-tasking, but this is overload. The poster: Kind of a compromise. We can use the poster we like online and in promotion, but the printed poster for the theaters will be a more conventional one. So better than nothing, I guess. Great if you can catch PGL in NYC! I’ll alert you as soon as the dates are set. I did read your email, and I think I’ll be able to write back today, and thank you so much. How’s your stuff? ** Right. There was some discussion started by d.l. Kyler here recently about Louis Malle, which made me realise I’d never devoted a post to his films, and now that hole is filled. See you tomorrow.