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ReluctantlyUp4Grabs, 21
Took a year hiatus from these apps, especially this, as they were my Daddy Mark’s favorites. After he physically disabled me and dumped me I wanted nothing to do with kink or sex for a long time. 1 year sober in October. Miss you Daddy Mark! ❤️

– Yes, I can walk indoors. I only use my wheelchair outdoors.
– Yes, I can get hard.
– Yes, I have sense of touch.
– No, I am not paralysed.
– Yes, I do take medications.

If you have a spare room with lots of restraints and other instruments where no one would be able to hear me scream or ever be able to find me if you decided to never release me, then throwing me in there may be a great idea.

Comments

UltimateDespair – Aug 25, 2024
He didn’t say a word but his introversion was unrestrained.

 

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PunkNeedsDoc, 19
Hi, I am a punk boy who is looking for a Cardiophile.
A Cardiophile is one who enjoys the sound of a human heart and wants to listen to one.
I want a man who will listen to my heart/lungs/stomach with a stethoscope.
I also like a little bit of CPR. Cause being saved by someone a la medical drama can be fun. (This is optional.)
Why? I dunno ¯_(ツ)_/¯
No, I don’t like sex, been there done that.
Any other possibility I’ll consider except love.
I need this to happen here in the OC cos I’m in a band.
I will be taking questions at this time.

Comments

Mephistopheless – Aug 10, 2024
🎹🎸🎤🎮 🧠🧛🏻‍♂️🤓😈👊🍑⛓ 🐷🐷🐷🐷🤩🥹🥵🕹️👽👹
When you know, you know.

PunkNeedsDoc (Owner) – Aug 6, 2024
OK, list of what I hate (read hate) and will never do –
Sex (No, can’t you read? You can’t have sex with me, understood? Jesus Christ)
Suck (No, I will not even suck your tiny dick as well as you won’t suck my Moby)
Scat (BIG. FUCKING. NO)
Piss (Go use toilet)
Blood and other gore (Nuh uh lmao :D)
Fisting (:DDDDDD I don’t judge anyone, but please, no)
Sounding (??? What’s that even about)
RECENTLY I WAS ASKED FOR SNUFF AND I WAS LEFT SPEECHLESS. CRAZY SHIT.

 

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CrazyBunny, 22
As much as I struggle with internal shame about it, nothing gets me going quite like a man talking to me like I’m 3 years old. I’m looking for people that I can share that side of me with, because it’s been bottled up (🍼) most of my life. I am currently in month 4 of my 1 year journey back into childhood, and I have had 0 regrets so far. Now that I’m 3 years old, I like to be bound up, gagged then strangled while my little ass is pounded flat as a pancake.

Comments

Hungdouchebag – Aug 9, 2024
I hope you like jockstraps, mine is yellow.

WhiteMan57 – Aug 8, 2024
I’m a 32 y/o white male I’m looking to come fuck your ass I am not gay or bi this is a one time thing. I’m not attracted to guys I just wanna get my dick deepthroated by a lil kid n I’ll prolly fuck the hell out of you just be prepared to deepthroat cause I wanna skull fuck a lil kid.

trulyclashing – Aug 8, 2024
I am in love with him which shouldn’t happen with a 3 year old but he is so sensational I can’t help it.

 

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ImAMinor, 123
i hate faggots

I HAVE A 12 GAUGE SHOTGUN AND I WILLL SHOOT AT ANY FAGGOTS WHO SEE THIS😈😈😈😈😈😈😈😈😈😈😈

Comments

Tooexist – Aug 15, 2024
My name is Alex and I’m experienced in giving traditional spankings. My spankings hurt, as a spanking should.

 

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nootheroptions, 21
Hi my name is ricardo in tijuana and im a cock taker cocks control my brain i worhsip them. I love hot, juicy cocks, no matter whether they’re young, old, shaved, hairy, big, small, cut or uncut. I always spread my ass and always deep throat. I’m open to everything and am mobile and can be visited

Cocks make me weak any on here with one please messge me would to bow down i let anyone, anywhere, fuck me.

Looking for a permanent owner in Los Angeles just tell me where you are in Los Angeles and ill come submit to u willing to live anywhere in Los Angeles to be ur cock bitch

Comments

lustisblind – Aug 16, 2024
Sorry to barge in but if there are any real snuffers reading this I want this boy killed asap. His name’s James, he’s 19, he’s a homophobic bully, and he lives in central Florida.

AnonymousGlovedAssailant – Aug 13, 2024
Hey, Enrique …

nootheroptions (Owner) – Aug 9, 2024
I dont respond because i live in Los Angeles now so whats the point.

EnriquePedrosa – Aug 9, 2024
I want someone to snuff this Mexican boy. Reason why is that when I first met the guy he was very cool. We video chatted, I went to his place, and I fucked his throat on numerous occasions. He became distanced a month or two in and I started to get sad and depressed. He and I would sext sporadically and he would sometimes ignore my messages by leaving it unread or reading it after several weeks. Two weeks ago he removed me as a friend on Facebook and within the last 12 hours removed me on Instagram even though we haven’t spoke in nearly two weeks. I know I should get over him, but I can’t. At this point I want him dead. I want someone to go to his place secretly and execute him in order to bring me peace. I have hot photos of him I can send if you wanna. I can send you more details too.

 

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generaldepravity, 19
I am an aspiring Conceptual Artist looking for people to fund my ideas so I could stop struggling and continue with my artistic work.
I have the head of a TikTok dreamboat Influencer, the body of a young boy in Caravaggio paintings.
I like submitting myself to very conceptual and mind-oriented games (simulacrum of my execution, and a lot of other stuff…), but I do not like pain itself, just its image and its impression.

Comments

generaldepravity (Owner) – Aug 20, 2024
From August 25 I’ll be at Burning Man. No guarantees on my hygiene.

EtherealVenom – Aug 3, 2024
Bullshit, Rex is a pretentious, talentless asshole, intentionally making bad choices that hurt everyone around him. He’s cute (it sucks), but he drinks too much, smokes too much, steals others’ ideas for his so-called “art”, and lies about it. He’s rude to girls, and intentionally breaks their hearts. He backtalks and demeans his daddies and boyfriends, even in the midst of being “executed”. Someone’s gotta finish him off 4real. Read the room.

Blitz – Aug 1, 2024
Rex is a unique human being, charming like none, intriguing, encyclopedically cute, darkness and light, not a slave but something that will magnetise your soul, waterboard your libido, and you cannot do without! He can drive you mad! Pay attention! He is more addictive than meth.

 

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Smashed4life, 20
I started having gay sex last year and after taking my first loads, I had to do it again, and again, and again. I’ve always liked girls romantically, but crave cocks, and since I started barebacking all I can think about is cocks pumping sperm into me by the buckets. Since starting this journey I immediately got on PREP, so I could become a total cumdump. I wanted to do this badly, but now that I’ve started, I realize I’m taking at least 40 loads a week, and I can’t stop. Literally, I cannot go two hours without craving it, and it seems that the more loads I take, the more it takes to satisfy me. I always wanted to get married eventually and have a normal life, but this is so addicting I’m not sure I could ever stop. Is this forever, and to everyone that started this, was it worth it?

Comments

Saudomite-Saudomite-Sodomy – Aug 17, 2024
Category: Buttocks
When the smoke takes effect it infiltrates my thoughts

GreedyFeedee – Aug 12, 2024
I used to be like you but my Master took control of my eating habits and turned my skinny twink body into a disgusting obese slug 🐽. Hope that helps.

 

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YoungWhore, 18
A young whore waiting to get raped somewhere anywhere.
Just pick me up take me wherever and rape me.
I will just publish my address and you guys can rape me.

Comments

YoungWhore (Owner) – Aug 17, 2024
That’s better.

sarcasticnomad – Aug 14, 2024
On his way to the Mojave Desert

YoungWhore (Owner) – Aug 3, 2024
Rapists, where are you? No, because between old dudes who are only interested in licking your body and who treat you as a princess and buying you gifts afterwards, it’s starting to get a little boring.

 

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MikosFantasy, 22
Miko is exploring his fantasies
lmk which one you can help him check off the list
Hmu for details of the fantasy youd like to help Miko fullfill
Below are emoji codes that tell you what each fantasy requires.

#1 Hitting me during any fantasy💯🎭⭐️🤔
#2 Slammed Slumped Cum Dump⭐️🎭🕺🏽😈🤑😬
#3 3 Tops 1 bottom✋🏿🍆🎭🎥
#4 Pimped🤨
#5 Guns🎥🤨
#6 Rape🤨😈🤐
#7 Kidnapped and bondage🤨😈
#8 Used and Abused🤨😈
#9 Porn⭐️🎭🤨🤑
#10 Weird or bad enerygy-👀⭐️🤑
#11 Sugar Dad🤑
#12 Delicate🤯
#13 Gang Gang😬🤨😈💯
#14 Jake🤐⭐️📱👀🤨
#15 Public😬
#17 Make a movie🤔🎥
#18 Naked maid🕺🏽🤑🥵
#19 Lying for no reason🤑📈♾️😃
#20 Knowing who i am before knowledge🍑🤯

IF YOUR FIRST MESSAGE IS ONE OF THESE 💸 THAT MEANS YOUD LIKE TO BUY A FANTASY.
FANTASIES HAVE A BUY OPTION WITH A PRICE DEPENDING ON WHAT THE FANTASY IS.
ITS CALLED A “Fantasy Pass”
HOW TO BUY A FANTASY PASS:
Step 1. INBOX ME THE EMOJI CODE AND NUMBER OF FANTASY
Step 2. RECIEVE PRICE FOR MIKOS FANTASY
Step 3. DEPOSIT INTO ONE OF MIKOS ACCOUNT WITH NO QUESTIONS ASKED AFTER RECEIVING THE PRICE
Step 4. MEET IN PERSON TO HAVE THE FANTASY YOU PURCHASED

FANTASY PASS ACCESS
-AUTOMATIC ACCESS TO HELPING CHECK A FANTASY OFF OF MIKOS LIST OF FANTASY
-FANTASY PLAN AND DETAILS
-PERSONAL INFO DEPENDING ON MIKOS FANTASY
-NUDES OF MIKO
-MIKO NUMBER
-MEET MIKO WHEN YOU DECIDE TO GO OVER
-YOU HAVE THE OPTION TO REQUIRE 🤐

SAFETY
tap out action-SUDDEN ENDLESS HUMMING

 

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PsychiatricHospitalBoy, 19
Tbh just here to take ownership of another person.

Never gonna consider being owned. Dont text me trying to get me to convert. Fuck off.

IM Under Apple GrapE.

Comments

Helladeep – Aug 8, 2024
“Never make someone a priority when all you are to them is an option” – Maya Angelou

 

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Snuffingme, 19
Attempted hanging, almost finally went but barely managed to free myself. Want to finish what I started. Want to be watched while I go in person.

Also have vid of my actual hanging death attempt if you’d like a preview.

Comments

JustMeNewJersey – Aug 13, 2024
I’m looking for trouble. You it?

Snuffme (Owner) – Aug 11, 2024
I may look too young but I just have a baby face.

Snuffme (Owner) – Aug 10, 2024
I know what death is, my whole family is dead.

lucafistsoffury – Aug 10, 2024
He doesn’t seem to understand the full implications of what he’s asking for.

 

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Putasmileonyourface, 23
Definitely not normal.
Classical musician (clarinet, bass clarinet, violin and any saxophone), needy, addicted to Mexican coke, Kretek mint cigarettes and weed.
My dream is to be an orchestra conductor.
The only things I need are musical instruments and a lotta weed.
If I don’t respond quickly, I probably deleted this app in a moment of post-orgasm clarity. Trust me, it’ll be back on my phone within hours if not minutes.

Comments

Putasmileonyourface (Owner) – Aug 9, 2024
If you want me based on that guy’s videos of me when I was younger know that I now don’t do drugs, drink or smoke.
Also my metabolism is a little slower and I like to eat.

Giordano – Aug 8, 2024
I have dozens of videos stashed away on my HDD of this boy in very compromising situations, to upload them for irreversible exposure online.

I need maximum and permanent exposure with no option for deleting the videos at a later date. I need his future life to be irreversibly doomed.

You can upload the videos wherever you want, how often you want, to whatever site you want, preferably accompanied by a suitably humiliating description that I am happy to provide. All the videos will be available via email or a file-sharing website. Most of them are less then 300MB in size.

If you’re interested in this sort of power-play and control-via-video over this young man then DM me.

 

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WeakGirlyBoy, 20
Take the time to learn me well enough to know me better than I know myself and what I’m thinking, and then think for me.

I’m maybe a gay boy, maybe a trans girl. I don’t know.

I never want to use my penis, or get hard, or cum. I hate having it. I want my hole to get big for my man and we call it pussy.

I need someone who understands what I think and replaces that with what he thinks so I can be myself, a weak boy, a weak girl, whoever I have always been.

You can beat me, I know I deserve to get hurt, but I only want to get hurt by one person, but he will protect me from everyone else who beats me, and there have been many.

Nothing is off limits if you’re knowledgeable enough.

I have a therapist, you should as well.

Comments

womanizer – Aug 19, 2024
I so want to tell you something that will excite you! You’re definitely a trans girl but until then you’re a dumb sexy fuckable fag boy loser. Anything else?

Letmetakeaselfie – Aug 14, 2024
Dancing King
Feel your dick in his tambourine
OH YEAH!!

 

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markwyatt, 19
Hi just got told to go on here so here it goes

I like basketball 🏀

I’ve always had this fantasy but like Tom Cruise would stand up and I’d put my face between his cheeks and he’d strap my face in his arse so he can just walk round the house and like sit and watch tv do whatever and just keep my face trapped in his ass the whole time

I’m a fan of gay people

On another note German beer is great

Comments

PoetandPen – Aug 21, 2024
I just want to say I really enjoyed reading your profile. I totally understand and identifed with the observations you make.

I’m about to embark on an area of ownership with a twunk not entirely unlike you and found your profile statement really very helpful and humanising.

 

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LeukemiaBitch, 21
It is unlikely I can do this much longer. My health does not permit. As I have grown frailer, my hunger for suffering, service has begun to haunt me, and it keeps growing deeper. All we drug mess ex-porn performers reach that point eventually, I suppose. Either that or you won’t mind if I (hopefully) die in mid-orgasm.

Comments

LeukemiaBitch (Owner) – Aug 6, 2024
4 months ago…

LeukemiaBitch (Owner) – Aug 6, 2024
People were often surprised that I could immerse myself in your mind so that you could reach ecstasy, that’s why some people in the porn world called me God.

Qban – Aug 6, 2024
I must admit I was addicted to your porn. I watched it every day and just about everywhere – at home, on tv, at work and the gym on my phone.

hellomrperfectlyfine – Aug 6, 2024
Your face still matters.

LeukemiaBitch (Owner) – Aug 6, 2024
I can no longer drive a car but I am VERY okay with being picked up and never coming back home again.

 

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DontGiveAFuck, 24
Filigree form, smooth, terror prone, supple, acts cute, curls up (squeals like a tranny) or lets it happen (screams if you’re old people who brutalize me), macho perverted domi hard evil ++++, Hyper sensual, give my toes to cuddle, love big tongues all over and inside my body. Drool, spit, piss, cum squirt(!) everywhere (external-internal) +++, max passive, alone, with you, with a hundred people, I love extreme cock! I love feel pain, homophobe bullies front of the q

Comments

Apatheticfag – Aug 22, 2024
He was a cutie but the little slut made life hell for everybody around him. That he was found beheaded and dismembered in the Mexican desert is no surprise. Death is a form of pesticide. A lot of people are happy the little fucker is dead and wished they’d been there to watch and jack off.

sometimesyou – Aug 19, 2024
He’s got guts.

Anonymous – Aug 12, 2024
✋🏻🛑⛔️Cartel🚨⃠🛑

HungLatino – Aug 8, 2024
Currently only available early Sunday mornings & his pickup times between 4:30am to 6am.

Poz50something – Aug 1, 2024
this is the scumbag who made me relapse to smoking meth after 28 years. everyday i miss the scrumptious twink i used to fuck but that guy is dead. i can’t even talk to the meth head he’s become because that guy has proven over and over again how willing he is to repay my orgasms by destroying my life.

 

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BrianGraham, 19
Lot #4F67D
Auction 08/09/24
Bidding starts @ 20k
Dm for details

Comments

INCONTRASTX – Aug 10, 2024
He’s perfect for someone who’s rich as hell and wants to take things from the computer world into the human world.

Mihailmihailov – Aug 7, 2024
Highest possible recommendation.

heyboybabyy – Aug 3, 2024
To save you time, there’s warrant out for #4F67D’s arrest (murdered his “best friend” and “girlfriend”)

 

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voresubprey, 19
Cute sick and twisted prey boy here looking for ruthless dom Preds wanting a quick snack or full meal. Eat me, swallow me, digest me😋. I wanna leave the earth as a dump in ur toilet after a long feast.

Comments

voresubprey (Owner) – Aug 18, 2024
I am now a growing roided muscle slave with shrinking balls ¯\_(ツ)_/¯

Cumquat – Jul 27, 2024
You have unrealistic expectations and will be looking forever. I don’t mean for my tone to seem negative; it just is what it is.

ImForYou – Jul 27, 2024
I chickened out, but from the back of his neck down to the back of his knees is potential food if I ever saw it.

voresubprey (Owner) – Jul 21, 2024
I should say I’ve never done anything with a guy, but it only feels right under this context.

 

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BloodBank, 22

Looking for red play. Experienced giver for experienced taker.

I am only looking in a 50 mile radius of Lagrange Ohio 44050.

Comments

BloodBank (Owner) – Aug 13, 2024
This website, along with every fucking gay website/app in existence, is filled with nothing but deranged psychopathically horny fags. It is SO FUCKING DEPRESSING. I am not into the gay scene or “gay culture” whatsoever. It is repulsive and disgraceful. If you come off gay, go to gay bars, enjoy watching drag, partake in orgies, or ANYTHING WEIRD & TOXIC like that, WE ARE NOT A FUCKING MATCH. Got it asshole?

 

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MakeMePretty, 22
Hello! I’m a writer in China.
I would like to share with you some beautiful dead body of boys from Asia who were killed by women and their stories.
If you like Dead boys killed by women, I’m happy to communicate with you.

Comments

MakeMePretty (Owner) – Aug 5, 2024
I don’t think I’m a bisexual. Im 22 years. Actually, I prefer women. But I like boys who have been killed by women.

lovesmess – Aug 5, 2024
Welcome how old are you? Nice intro. So you are bisexual? Looking forward to see what you have to share.

MakeMePretty (Owner) – Aug 5, 2024
Third was the youngest one 14 years. Although he is the youngest one, he got his murderer Ma Zheng (age 51 years) pregnant. All the wounds were near his neck. His head was almost chopped off. The murderer must have wanted to chop off his head, but she failed.

MakeMePretty (Owner) – Aug 5, 2024
Second victim Li Xiaolong was the most beautiful boy. He was born on August 2, 1994. He was only 20 years old when he died. He is thin and tall. His friends said he loved dancing. He is really beautiful, if he were alive I would probably marry him (even if he was dead).

MakeMePretty (Owner) – Aug 5, 2024
The first victim was 17. Colleagues say he loved beauty and often wore girl clothes. I think he was also a beautiful bitch when he was alive. The murderer Ms Mao stabbed him multiple times. You can see a lot of wounds on his body. I think he must died in great pain.

 

 

*

p.s. Hey. So, a number of people have told me they’re having trouble leaving comments. The main culprit seems to be a fucked-up verify/Captcha function. I didn’t know that verification thing had been instituted. I’m not sure if you noticed, but yesterday the blog sort of crashed and went down for several hours before I got the host to restore it. I’m not sure if that restoration somehow improved things? I’m going to look into the problem this weekend. If the host allows me to disable the Captcha thing, I will, but I don’t know. In the meantime, I’m sorry for all the problems for those who have had commenting trouble. I guess just keep trying, and I’ll do my best to right things on my end if possible. ** Cletus, Hi. Yeah, commenting issues. I’m glad you got through. That 66 short poems project sounds really interesting. ‘Jesus Freak’ is a really nice, itchy title. Having had no religion growing up, that lens is always quite fascinating to me. Good weekend! ** David Ehrenstein, The first ‘Alien’ is by far the best one, I agree. There are things to like about the Cameron one, for me at least, but it’s still a shadow of the Scott one. Nice Cal Culver story. I used to hang out at this kind of high end hustler bar on Sunset Blvd. next to Greenblatt’s, and Richard Deacon was there hunting prey all the time. ** Dominik, Hi!!! Thank you in advance. I still bite my nails. My parents did the same thing to me! One time they used this very old expired anti-chewing liquid on my nails, and it was toxic and seeped into the flesh under my nails, and I was in so much agonising pain they had to take to the ER. After that, they let me chew. I never chewed my toenails though. A bridge too far. Hm, I was interviewed by Irvine Welsh once, and he seemed very nice, but I wasn’t a cat or dog, of course. Love making pencils as indispensable and widely used as I think they must have been at some point in the past, G. ** James Bennett, Hey. Reassembling and re-finding your rhythm, I certainly know what that’s like. You probably already know, but the gift and impetus always comes back, sometimes strangely easily once you start. It’s a talent/habit that a writer never really loses, I think. Great luck though, should you need any. The Oasis reunion seems to be so 100% about the money that there’s no lovely spiritual aspect at all, it seems. I remember liking ‘Wuthering Heights’, but it’s been ages since I read it. It’s true, I’m not much of a re-reader. Sometimes I’ll pick up books I love and kind of page through them a bit to get back into why I liked them and get a little bit of a rush from the writing, but that’s usually it. Are you a re-reader? Exciting: the Water From Your Eyes gig! I’ve never seen them or have much of an idea of what they’re like live, but I love their records. Cool. Report back, if you don’t mind. I’m going to see Kali Malone on Monday, and I’ve never her play live, so I’m pretty excited about that. Thanks! ** _Black_Acrylic, Right? Oh, a cricketing phrase, no wonder I don’t know it. Cricket is pretty much a total unknown to me. I tried watching it a couple of times, but the very, very gradual tempo kind of warded me off. Give ‘breaking the duck’ the old college try, man. ** jay, Hi. Yeah, I don’t really know why I fastened into the ‘Final Destination’ train so much other than, I guess, them having apparently consistently good credits. Yes, Von Trier and I are like cheese and chalk, if I’m using that homonym correctly. I think the fake bloody meat is a US-originated thing. Avoid like the plague, I say. Linda McCartney makes/made fake meat? That I did not know. I don’t think her brand has made it across the French border. I will, I will, re: The Sims when I dare dip in, and all thanks to you. ** Lucas, Hi. Oh, cool, Barlett was a serious weirdo in a good way. So sorry about the down days. You sound like you’re rising above though. Balzac, interesting. Hm, you know, I don’t think I’ve ever read him. Let me know if there’s a reason to if you end up digging in. Your writing will recapture you probably sooner than you think. It’s an inescapable gift. I never expect my writing to be smooth when I’m writing it. My first drafts are really quite terrible. I do all the smoothing later in the editing phase, and I don’t worry if the first draft reads shittily as long as I can tell it’s not shitty inside. But everybody’s got their own methods. The main thing is not to worry in advance. That’s a writer’s only real enemy, I think. Like I said, I’m going to see what’s going on with captcha thing. I don’t know why that’s suddenly there. ** Dom Lyne, Howdy, Dom. Glad you were taken with it: the post. I especially like the … is it the second? — ‘Halloween’? The one with the evil TV commercial. I’m looking for a chance to see the new ‘Alien’ in 4DX. If I can find that opportunity, I’m there. Thanks for the catch up, pal. Stuff’s okay here. It’s finally fall. That’s the big and happy local news. xo, me. ** HaRpEr in Blogland, Hey! Oh, Jean Rhys is so great. ‘After Leaving Mr. Mackenzie’ is also really incredible. ‘Saragasso’ is actually my least favorite. But ‘GM,M’ and ‘ALMM’ are astoundingly good. Cool. My memory of ‘Variety’ is that it wasn’t so great. Kind of a Downtown NYC celeb-packed thing. I actually watched it in the theater where it was filmed, which just down the block from where I was living in NYC at the time. Obviously, huge luck on getting your room nailed down. Or luck getting it nailed down ASAP. ** Joe, Hey! Dare I ask why you were studying Cassevetes’s head? Odd because I just re-watched ‘Faces’ last night, which he didn’t appear in but might as well have. Yeah, I don’t know if a tumble blogger like myself can get the inner machinations of my blog fixed, but I am going to see if the captcha thing can be deleted. Annoying. So sorry for the trouble, and thank you a lot for persevering. I hope the film thing will start getting righted now too. We’re on our way to finding out. I hope life’s peachy on your side. ** Okay. Well, yes, it’s the end of the month, and the slaves have been unleashed into your eyesight as always. See you on Monday.

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Ginger Snaps (2000)
‘When Ginger Snaps, the cult horror-comedy directed by John Fawcett and written by Karen Walton, was released in 2000, it was an outlier among outliers. In a genre oozing with regressive and often outright sexist portrayals of women, Ginger Snaps was a monstrously funny film about two teenage girls whiling away the beige of suburban Bailey Downs. Ginger and Brigitte did this in their own special way: through elaborate tableaux of suicide and death, photographed and presented as a slideshow for a school assignment. These tableaux form the opening title sequence to Ginger Snaps, introducing the world to the Fitzgerald sisters through a masterpiece of title design. These staged scenes are the girls’ ode to and rejection of suburbia, the sequence becoming a mini-text within the film that lays bare their whirling inner lives; their feelings of connection, nihilism, creativity, curiosity, and disillusionment are all there, laid out neatly among the peroxide and lace. The attention to detail in the grisly gestalts is astounding, with references to everything from children’s fairy tales (The Wizard of Oz, Alice in Wonderland) and classic literature (Paradise Lost) to obscure dead Russians (Pavel T. Shvetsov) and contemporary cinema (Se7en, Heathers). The music, composed by Mike Shields, features violin and cello and smatterings of giggles, deftly wielding a melancholy that manages to avoid dipping into cornball.’ — Art of the Title

 

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The Dunwich Horror (1970)
‘The Dunwich Horror is a tale of birth and death and terrible creatures. Based on the short story of the same name by H. P. Lovecraft, the minimalist graphic title sequence was designed by artist and graphic designer Sandy Dvore. Dvore cut his teeth working with legendary B-movie producer and director Roger Corman, who first courted him after seeing Otto Preminger’s Skidoo (1968) and Dvore’s titles work therein. Skidoo was a light and saucy affair: comedic bickering, singing, boats, sunshine. The Dunwich Horror, on the other hand, takes its cues from the graphic minimalism of the 1960s, Lovecraft, and the terror of the unknowable. His first excursion into graphic animation, the titles to The Dunwich Horror cleverly blend themes from the film through scale and image morphing, each silhouetted form growing and shifting into another. The title sequence acts as prologue and as summary, explaining the cold open of a woman in labour and foreshadowing events to come. The style is reminiscent of leading graphic title designers of the 1960s like Saul and Elaine Bass and Maurice Binder, with hints of Matisse and his Blue Nudes cut-outs.’ — Art of the Title

 

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Trick ‘r Treat (2007)

 

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Abbott and Costello Meet Frankenstein (1948)
‘This 1948 horror comedy film is the first of several in which Abbott and Costello, American comedy darlings of the ’40s and early ’50s, meet various characters from the Universal Pictures stable of monsters. This film was originally meant to be titled The Brain of Frankenstein and features no less than three “titans of terror”: Count Dracula, the Wolf Man, and of course, Frankenstein’s monster. Though he was not officially credited, the playfully spooky opening title sequence was designed by Walter Lantz, co-creator of Woody Woodpecker. In 2001, Bud Abbott and Lou Costello Meet Frankenstein (the film’s poster title) was inducted into the National Film Registry by the United States Library of Congress, who deemed it “culturally, historically, or aesthetically significant.” It’s considered the last of the American golden age monster films.’ — Art of the Title

 

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This Night I’ll Possess Your Corpse (1967)

 

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30 Days of Night (2015)
‘The audience is confronted with a sequence of highly disquieting images that cross-dissolve or fade to black. Details of torn and tainted photographs, northern lights, shadows, a bloody tooth embedded in a thick layer of ice and references to the Alaskan wintercape. Brian Reitzell’s haunting score greatly enhances the discomforting atmosphere. “In production, I built miniature film sets, like details of the houses out of driftwood, soiled carpet, burned wallpaper, anything I could find in skips or on the streets of Soho in London. We asked for photos of cast and family and Sony supplied some, but we sourced most of the pictures or shot our own to look like the town inhabitants. I then filmed plates of these elements along with organic materials to create the vignettes. The time-lapse ice was real but I found treacle to be quite good blood, along with washing powder mixed with course sea salt for snow. Our meeting room was a mess.”’ — MOMOCO

 

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Jigoku (1960)

 

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Videodrome (1983)
‘Videodrome happens to feature one of the most thoroughly effective opening sequences of David Cronenberg’s long career, an opener that would foreshadow the Canadian filmmaker’s frequent and authoritative use of title design to set the stage in subsequent works. Arriving with a hiss, bent and distorted, Videodrome’s bright orange title card coalesces in a storm of static, giving way to a TV station ident: “CIVIC-TV (Channel 83, Cable 12) … THE ONE YOU TAKE TO BED WITH YOU.” The cheerful message is accompanied by the image of a lonely man lying in bed with his television, a teddy bear tucked beneath his hairy arm. These opening moments will tell viewers most of what they need to know about Max Renn (James Woods), the film’s main character — a pioneering television impresario and purveyor of schlock and shock. Renn’s faithful executive assistant Bridey James (without whom it is evident he is completely hopeless) then appears on screen to deliver his docket for Wednesday the 23rd. Month and year unknown. Composer Howard Shore’s dark, electronic score gives Videodrome a foreboding edge right from the get-go, playing over the normally grandiose Universal fanfare. Though overriding the studio bumper is a fairly common practice today, it was an unusual way to kick off a film in the early 1980s. Composed for an orchestra, Shore recorded both a classical arrangement of the soundtrack and a completely digital version programmed into a Synclavier II synthesizer — mixing between the two throughout the film. The latter gradually becomes the more dominant sound as Renn descends further and further into signal-induced madness.’ — The Art of the Title

 

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The Haunted Palace (1963)

 

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Friday the 13th: Part 3 (1982)
‘After the intro sequence where were shown that Jason is still alive, the film goes into this incredibley cheesy but wholly fitting 3D title sequence complete with equally absurd and oddly out of place title music that sounds like something from the late 70’s. You gotta see (and hear) it to believe it.’ — Robot Geek

 

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Jason X (2001)

 

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The Island of Dr. Moreau (1996)
‘From the very beginning of visualizing the title sequence for The Island of Dr. Moreau, Kyle Cooper knew that the theme of biological mutation would be paramount. Through a series of explorations with storyboard artist Wayne Coe, Cooper honed his sequence from an initial direction of eyes splitting and multiplying as if going through cell mitosis to the final direction, which begins by pulling the viewer through a series of animal irises. In this way, Cooper intimates the film’s plot inter-species biological tinkering gone awry. The resulting sequence is aggressively paced to a driving hip-hop beat, a hallucinatory combination of medical and cellular imagery from a number of stock sources that could possibly pose serious problems to epileptics in the audience. “I usually do things with scissors and scan them in,” says Cooper, who admits to a preference for hands-on, low-tech approaches to projects. In The Island of Dr. Moreau, Cooper uncharacteristically turned to Illustrator for help to pull out the edge points of the credit typefaces to render them figuratively red in tooth and claw. The credits appear at first normal, but then the serifs spike out dangerously and begin to mutate and splinter as if they, too, were going through an out-of-control metamorphosis.’ — Art of the Title

 

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The Omen (1976)

 

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The Fly (1986)

 

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Nosferatu (1979)
‘The titles are written in a fairly bold font, with the key part of each letter being thick, and the other parts of the letter being much thinner. It is fairly uniform and formal, each letter being evenly spread apart. The most important titles such as names have capitalised first letters, and the less important titles such as linking words being written in entirely lower case. It’s noteworthy that the title of the film is capitalised in its entirety to give it additional significance. The white colour, font style and sans font all connote the Gothic atmosphere that the film strives for. In terms of positioning, the text is located in the centre of the screen and is vertically spaced apart enough that the images behind the text is still visible. The visuals primarily serve as background detail during the title sequence, and they are animated with a simple fade in and out.’ — Group 3

 

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Troll 2 (1990)
‘The opening credits of Troll and Troll 2 are almost exactly the same, a Goth aesthetic appearing with a brooding score and a large spooky dark house serving as a sinister backdrop… Both movies have formidable looking manors yet only Troll 2 uses their location throughout. The original manor is hidden by the apartment house that it would become, and ultimately attempt to change back into. And the T2 title sequence cuts literally to the chase, showing a horde of goblins running wild. One main difference in the credits are, of course, the names: the original has real actors the likes of Michael Moriarty, Shelley Hack, Sonny Bono, and others mentioned further in, while the super low-budget sequel is full of no-names, including a real life dentist; all were completely unknown and never heard of again until the documentary brought their unprofessional brilliance to light.’ — Skull Island Surfer

 

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Final Destination (2000)

 

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Final Destination 2 (2003)

 

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Final Destination 3 (2006)
‘Once again, a group of young people narrowly escape death, this time at a carnival. Picture Mill filmed the fortune teller, and created the virtual “Game of Death” to help set up concepts that would be seen later in the feature.’ — Picture Mill

 

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Final Destination 4 (2009)
‘The client’s brief was to create a sequence for the fanboys that used the equity that existed in the deaths of the first three movies within the franchise. For legal reasons we were not allowed to show any of the actors in the previous films, so we almost couldn’t use any of the actual footage from those films. The problem was therefore how to show those very specific deaths without any of the footage. The truth is, even if we were able to use that footage, none of it was shot 3D. The X-ray idea took care of that problem, and conceptually it seemed authentic to the spirit of these movies, to show deaths in new and innovative ways. We then intercut the X-rays with footage from the previous films that did not show any actors, and with footage we shot of our own actors, in exactly the same death scenes. Finally, the whole sequence has a stereoscopic dirt pass, with specks both in and outside of the screen. It also has a grain pass that sits slightly inside of the screen to avoid engaging the screen plane in any way, and so creating a real window to a stereoscopic world.’ — Jarik van Sluijs, Art director

 

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Final Destination 5 (2011)
‘The opening sequence was done by Kyle Cooper who is an amazing title sequence creator and in fact was responsible for the original titles for the movie Se7en. I told Kyle up front, ‘Look, nobody’s done a really good 3D title sequence. I want you to do what you did for the titles in Se7en for that genre, to do the equivalent of in 3D for a 3D movie’…At the same time Brian Tyler did an amazing main score with that complimented the images and those two things I think told the audience right away, ‘strap your seatbelts in, this is gonna be a fun ride.’ — Daniel Rutledge

 

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Dario Argento’s Deep Red (1975)
‘The shadow-stabbing murder next to the family Christmas tree will do nicely! Dario Argento does Not like to keep the audience waiting for its first scare.’ — aesthetic of the image

 

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Cabin in the Woods (2011)

 

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Spider Baby (1964)
‘The cackle of Lon Chaney Jr. shatters the silence, and so begins Spider Baby or, The Maddest Story Ever Told. Cute cartoon caricatures begin to pop up, smiling ear-to-ear like they were made for a bubblegum wrapper. Chaney sings about cannibal spiders, ghouls and skeletons, the song lilting up and down like a bumpy forest road. Illustrations of hearses, spiders, and creepy kids start to pull this parade into Addams Family territory, but even the Addams’ classic jingle doesn’t include the line, “This cannibal orgy is strange to behold in the maddest story ever told!” Cannibal Orgy happened to be the film’s original title, because director Jack Hill thought that sounded funny. In stark contrast to these cartoon cavalcades, a man is stabbed in the eyes in the very first scene, two kitchen knives plunged into his skull by a little girl. Designed by EIP (who still remain a mystery, and director Jack Hill cannot recall), the opening sequence to Spider Baby treats the approaching acts of dismemberment and perversion with all the gravity of a Hanna Barbera cartoon. To dissuade anyone from getting the wrong idea about the scruples of anyone involved with the film, Spider Baby establishes that this is all one nutty punchline, serenaded by a song composed by Ronald Stein (Attack of the 50 Foot Woman, The Haunted Palace), which mentions werewolves and mummies as if the ditty was at one point meant for the animated Mad Monster Party. “We just went into a recording studio and [Chaney] knocked it out,” said Hill. “He had a great time doing it.”’ — Art of the Title

 

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The Haunting (1963)

 

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The Grudge (2004)

 

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Blacula (1972)
‘The opening title sequence to William Crain’s Blacula, designed by Sandy Dvore, is the story of a predator, fluttering alone in a strange and stark world. Amid the rough grain of paper and close-up ink textures, a black bat stalks a round red dot through a maze of white veins. The dot transforms into the crimson figure of a woman and in one small scene after the next, the bat hunts and feeds, taking where it can. This animated sequence appears seven minutes into the film, immediately following a stiff opening prologue, and injects the film with style and levity. Its spirited animation and funkadelic groove aids the film in shifting gears, transitioning from past to present-day Transylvania. The minimalist approach and colour palette harkens back to the graphic execution of Dvore’s previous title design effort for The Dunwich Horror. The genres of horror and Blaxploitation experienced a great crossover in the early- to mid-1970s, resulting in a number of Blaxploitation horror films, but the first and most often remembered is still Blacula. It was so successful that the studio, American International Pictures, produced a sequel immediately. Scream Blacula Scream, released only 10 months later in 1973, also bore a title sequence designed by Sandy Dvore.’ — Art of the Title

 

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Candyman (1992)

 

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CHROMESKULL: Laid to Rest (2011)

 

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Psycho (1960)

 

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Zombieland (2009)
‘The rules and title sequence evolved separately, but in the end came to a more understated simple approach. The goal was to integrate the type into the film and propel the narrative without becoming heavy-handed. The film is essentially a comedy, and we felt that punctuating the humor with a simple typographic approach was the way to go. As the concept for the title sequence evolved, the marriage between type and image became more apparent. Certain shots that at first felt perfect in an initial edit found a new place as the type began to take shape. The interactive animation of the type first started with the rules and eventually made their way into the main title sequence. We wanted to seamlessly integrate the type into the scene, making the type become another character. We were inspired by the tension between beauty and horror that the slow motion footage created. The goal for the type was to respond to that horrific grace, to react to the movement. First our lead designer, James Wang, set the type; this was then handed off to our 3D team who would model and texture the type. After the modeling and texturing was in good shape it would be handed off to an animator to apply the motion. During this time a lighting artist would be applying looks, eventually the animation would be approved and the lighting would be further polished until finalized. This particular job was accomplished using the requisite Adobe suite of tools and Maya. Our pipeline was essential in accomplishing this job, a labor of love that creates an ease of use for the creative team while being simple enough for production to effectively do their job.’ — Ben Conrad, Creative Director

 

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Night of the Living Dead (1968)

 

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The Ward (2010)
‘In clever shadow play, the title type is the very thing you pass in the darkness that makes your blood run cold. With shifting shards and a spine-tingling soprano, the opening titles to John Carpenter’s The Ward create a graceful unease. Fractal lobotomies and fractured woodcut prints fly, the images depicting men and women wracked to the tools of torture. We are shown the early days of mental health practices in which similar and yet more evil devices were used to “cure.” The designers, Gareth Smith and Jenny Lee, known for their work on Up in the Air and Juno, exacerbate the already robust sense of dread that exists regarding the sensed helplessness. The system is broken. The shards cut deep.’ — Art of the Title

 

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Re-Animator (1985)

 

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Invasion of the Bee Girls (1973)

 

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Halloween (1978)
‘John Carpenter’s menacing theme for Halloween sends some into a panic and some smiling. Composed and performed by the man himself, Carpenter’s influences were Bernard Herrmann and Ennio Morricone, with whom Carpenter worked on The Thing. The opening sequence shares some similarities with a film that Carpenter adores, Roy Ward Baker’s Quatermass and the Pit. The sequence plays like a blackhearted processional we’d like to writhe away from but the pull of this simpleton’s grin has us ensnared. A flicker to contemplate and a well-timed fade to black leave only Carpenter’s credit and his music. And our eyes, open with fear.’ — Art of the Title

 

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Halloween II (1981)
‘The opening title sequence is similar to the opening of Halloween. There is a pumpkin of the left hand side of the screen and credits on the right. As the credits go by the camera zooms in on the pumpkin. the difference this time around is that as the camera zooms in the pumpkin slowly opens up to reveal a skull inside of it. By this sequence the audience is told that the movie is going to be related to Halloween in some way, by the pumpkin. And that the movie is going to deal with death, by the skull inside. What makes it effective is that it starts out like the original does, making people think it is going to be just like the original but it grabs their attention by having something happen, opening up the pumpkin to reveal a skull. This tells them to not expect this to be a copy of the original, that there will be some surprises in store for them.’ — halloween2horror

 

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Halloween III: Season of the Witch (1982)
‘I mean, up to this point in my career, I had specialized in creating animation that looked like it was computer generated. What I actually used were animation cameras, lithographic negatives, colored gels, etc to create the effect of computer animation. However, for this project, I did it for real — I made the decision to actually use a computer to generate the animation. So I purchased my first graphics machine, a Z-2D system made by Cromemco, and entered the world of digital animation. The Halloween III animation was fairly simple. I enlarged the logo that production used for their TV spots and had it printed out on a grid. That made it simple to manually generate X and Y data for the logo. The program that animated the reveal of the scan lines was written in Fortran. I could control the speed of the lines as they animated onto the screen, and did several detail animations of different parts of the logo, as well as the entire pumpkin. The animation was basic enough that we could shoot it off the display monitor in real time. My friend and later business partner Greg McMurry helped us sync up the monitor to the film camera. One interesting aspect of shooting the graphic was that Tommy wanted some occasional static and video breakup to it. This posed a problem, since the monitor we were using was being fed directly from the computer, and it produced a consistent, stable image no matter what we tried. What we ended up doing was piping the video through the wireless link of a Steadicam monitor system. We added video glitches by messing with the antenna system on the unit!’ — John Walsh, Designer

 

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Halloween 4: The Return of Michael Myers (1988)
‘Halloween 4‘s opening moments more than effectively convey the vibe of a small town Halloween and the feel of those glorious autumn months, as leaves blow past the screen and various different decorations and harvest-related items are seen, laden with the movie’s title and credits. In only a minute’s time, without a single word being spoken, it’s clear that we’re once again back in Haddonfield, and the intended atmosphere is very much felt – just as it is throughout the movie. The simple score of doom suddenly begins sounding a whole lot more familiar as the action begins, signaling the long-awaited return of Michael Myers.’ — Halloween Love

 

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Halloween 5: The Revenge of Michael Myers (1989)
‘There are a great many moments that don’t make sense in Halloween 5: The Revenge of Michael Myers, but the first instance of confusion comes directly after the “Moustapha Akkad Presents” title card flashes across the screen. It’s here that the film’s title is revealed, but according to the opening of the movie, its title is simply Halloween 5. There isn’t a “Revenge” or a “Michael Myers” in sight. I always found this odd.’ — Consequence of Sound

 

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Halloween: Resurrection (2002)
‘The beginning of this movie features a good two minutes or so of opening credits with orange text against a black backdrop with the classic Carpenter score playing in the background. There was no ingenuity, there was nothing to it. Basic as anything can get. Even Halloween 5 had a pretty cool opening title sequence. I asked myself, how lazy can some people be?’ — ohmb.net

 

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The Conjuring (2013)
‘Welcome to Parapsychology 101, ladies and gentlemen. Employing overhead projectors and viewfoil, Becker Design takes audiences through an unsettlingly academic post-mortem of Director James Wan’s The Conjuring. Smiling family portraits, faded newspaper clippings, and photo negatives are clinically presented by an unseen lecturer. As shadowy fingers move transparencies in and out of frame, layering on the creep factor with each new sheet of acetate, subtle, sometimes troubling changes can be observed. For many, the decidedly analog presentation of The Conjuring’s main-on-end title sequence will evoke memories of darkened classrooms and dull lectures. Joseph Bishara’s disquieting score, however, will drum up a baser instinct — the musical equivalent to the hair on the back of your neck standing up. This blending of the ordinary and terrible, the mundane and the malevolent, serves as a fitting endnote to one of the most infamous paranormal investigations in recent memory.’ — Art of the Title

 

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Insidious (2006)
‘In the beginning of the title sequence for Insidious the camera tracks down on a lamp, we then see the camera tilt and the text tilt the opposite way. This makes the setting seem “off” and makes the viewer uneasy about what we see. The camera tracks down and moves along a boy’s bedroom. The high angle in the shot along with how the camera moves(slowly) make it seem like someone is watching the oy and we are looking from that perspective. The camera continues to track along down a hallway where we see a woman in the dark holding a candle. We don’t see who this is at first and the camera moves in slowly, all in one shot, to create tension. This tells us that it is a thriller or a horror movie. The next thing we see is the title pop up and flicker in the darkness. The typeface used looks evil because it looks like it has forked tips like a snake’s tongue or the devil’s tongue/horns. The text is also red like blood and sharp and pointed like blades. After the title, the rest of the sequence is shots of parts of the house, the shots are often from a really low or high angle or from behind a corner to nake it seem like someone is sneaking around the house. The shots are very dark toward the edges in a vignette style, this is used to make the shots seem claustraphobic and to also obscure the viewers vision to create tension, the viewer doesn’t know what is going on around them. The soundtrack in this sequence is eerie and sounds like a slow screeching. When the title for the film comes up the screeching gets more intense and then dies down and gets slower again for the rest of the sequence. The soundtrack fits well because it creates tension, it builds up and crescendos at the title to shock the viewer.’ — Charlie Mead’s Media Blog

 

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Insidious: Chapter 2 (2013)

 

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Midnight Movie (2008)

 

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Alien (1979)
‘We float over a planet as white forms appear, dismembered. They work their way from the outside in, everything pointing to the centre. That is where they come from — the middle of you. As the pieces come together, forming a word denoting, in the most basic of terms, The Other, we are enveloped in a steady and dark tension. This was Richard and Robert Greenberg’s second major film project as a company, R/Greenberg Associates. The first, the teaser and opening title sequence to 1978’s Superman, gave them a start, but their second, Alien, established them as a creative voice. In this opening sequence, a disjointed version of Helvetica Black is used to instill a sense of foreboding, the letters broken into pieces, the space between them unsettling. This usage of type, in which letters are simultaneously message and medium, a lens through which ideas are both displayed and distorted, as structure and as obstruction, is a motif to which Title Designer Richard Greenberg would return again and again.’ — Art of the Title

 

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The Wicker Man (1973)

 

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The Taint (2010)

 

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Rosemary’s Baby (1968)
‘The opening title sequence is undeniably haunting and evocative. It begins with a few sharp keys on the piano and then fades into Krzystof Komeda’s chilling main theme, with Mia Farrow providing the vocals. Mia begins to sing the la-la-la’s, and the viewer is instantly unnerved. While the theme plays, the camera pans over an establishing shot of New York’s Upper West Side. We follow this shot as it transitions from hard, brown New York buildings to soft, bushy greenery in Central Park, then slowly to a closer composition of one peculiar building that is slowly revealed to be the Dakota/Bramford. Throughout the sequence, the superimposed credits are a bright, pink, and swirly cursive with all the flourish and girlishness of the young Rosemary. You somehow, oddly, get the impression that this is her handwriting. This credit sequence establishes not only the role of the building itself in the narrative, but also a central theme of Rosemary’s Baby: the juxtaposition and eventual marriage of the masculine and feminine. The aesthetic of the score and credits offer typical representations of the feminine, flouncy and blushing, while the buildings are sturdy, ruddy representations of the masculine. These two are amalgamated in the ornate yet rigid Dakota/Bramford. Like Rosemary, a stylish gal-about-town carrying the child of Satan in her womb, the building comprises both hyper-feminine and hyper-masculine attributes. Finally, if you freeze frame around the 1:40 mark, the elaborate “Written for the Screen and Directed by Roman Polanski” credit briefly rests atop the Dakota/Bramford building, appearing like a shiny bow wrapped around the building.’ — Examined Media

 

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The Thing (1982)
‘When I did the effect for the title I used… a fish tank that was about four feet wide by two feet high. I put smoke in the fish tank and on the back of the tank I put the title that was drawn on an animation cel and behind that I had a piece of plastic garbage bag which I stretched over a frame and behind that I had a light pointing through the letters. When I photographed it, I put a flame from a match to the plastic. The plastic would open up and let the light through the letters. That is how the letters look like they form and burn on with the [light] rays. It was a simple process but we went through a lot of takes; one take only formed the letters “N.G.”’ — Peter Kuran, Designer

 

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Dead Silence (2007)

 

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The Blob (1958)

 

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Ernest Scared Stupid (1991)
‘Ah, rubber-faced Ernest P. Worrell. With your denim vest and baseball cap, you regaled a generation of children and their parents from the late ’80s and well into the ’90s. The fourth film to star Jim Varney’s Ernest character, Ernest Scared Stupid (also known as “Ernest Saves Halloween”) sees our hapless hero battle an army of monstrous trolls in order to save a small town on Halloween. Scared Stupid’s opening sequence perfectly zeroes in on that intersection of base physicality and esoteric film knowledge. Varney’s facial contortions are intercut with a slew of clips from vintage horror and science fiction films and shots featuring the limbs of various creatures (likely designed by the Chiodo Brothers), creating a montage that was modern in its use of typography and live-action while harking back to its campy influences. The clips include such classics as Nosferatu (1922), White Zombie (1932), Phantom from Space (1953), The Brain from Planet Arous (1957), The Screaming Skull (1958), Missile to the Moon (1958), The Hideous Sun Demon (1959), The Giant Gila Monster (1959), The Killer Shrews (1959), Battle Beyond the Sun, and the Roger Corman-directed black comedy The Little Shop of Horrors (1960).’ — Art of the Title

 

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Dracula (1931)

 

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Le Frisson des Vampires (1971)

 

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Signs (2002)
‘A sibilant breath is slowly drawn across catgut: in and out, up and down the strings of a violin. Matching the sighing notes of the unseen fiddler, a light diffuses out of the shadows before dissolving again — a malfunctioning flashlight in a darkened farmer’s field? Whistled by winds and bleated by horns, a frantic three-note motif replaces the calm respiration. Something is out there in the blackness. Bold words are glimpsed fleetingly in the flickering light, like names shouted into the empty night. Employing only text, light, and shadow — along with James Newton Howard’s alarming and Hermannesque main theme — the title sequence for M. Night Shyamalan’s Signs relentlessly increases the tension before anything remotely suspenseful has even happened. Though it finishes on a name now synonymous with cinematic twists, Picture Mill’s main titles have a gleefully old fashioned tone that lays the groundwork for Shyamalan’s surprisingly twist-free scary movie opus.’ — Art of the Title

 

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The Hills Have Eyes (2006)

 

 

*

p.s. Hey. A couple of people told me that they’ve been having trouble commenting here in the last few days. Nothing seems to be amiss on this end, so hopefully it was just some glitch, but if people keep having problems, let me know and I’ll investigate further. Sorry. ** jay, ‘Tis. All right, I’ll see if I can take a little tour of Sims 4 and get the lay of its land. I’m good with vegan material shaped like old fashion meat products. I ate veggie dogs just last night. What I don’t like is that new type that appeared in the last few years where they give the ‘meat’ fake blood and a meaty smell. Those make me nauseous. But I go back and forth between vegetarian and vegan, so that might make a difference? Get yourself a Consumptive Poet TikTok channel, and maybe it will. Later gator. ** kier, Yes, apparently. Mine is better but, boy, it’s really taking its sweet time becoming my good old ear that I never even have to think about. Mine doesn’t hurt, it’s just clogged and the clog kind of, I don’t know, tickles or something. Is the application for anything potentially exciting? How is your work going? What’s going on? Zac’s bike should be approaching Paris right about now, but it’s supposed to start pouring rain in about an hour, poor him. But I should be able to blow him your kiss from a foot away pretty soon. Tons of love from me! ** Dominik, Hi!!! Moving that book up the stack is not a bad idea. Let me know if that trauma book is worth pursuing. Sometimes I like to chew on toothpicks, so hopefully love can work his magic with bits of wood too. Surely. Love replacing the act of birth with really cool opening credits, G. ** _Black_Acrylic, It’s a beaut. Yay! Double yay! About your story. I’ve never heard that phrase ‘broken the duck’. That is an odd one. Maybe you could write a story about a guy breaking a duck. ** Diesel Clementine, Hello, Diesel’s husband. It’s a fine thing to get to meet you and replace Diesel’s hintings with flesh and blood. Or with type at least. I’m so sorry about your gran. It sounds like her life was a rich, strange one, which I guess would be all of ours lives’ goal. Mine was a taxidermist and painter who believed I had been a bear in one of my past lives and called me Denny Bear. Thank you so kindly for the kind words. I wil try to keep eeking out appealing words. Take care. Hope to see you again sometime. xD. ** HaRpEr in Blogland, Hi. Nice name, actually. Yeah, some people seem to be having problems commenting, but I can’t figure out why. Wow, you found a video of ‘A Couple…’ I wonder why I couldn’t find that. Thank you, I haven’t seen it in ages, and I suspect the low quality was there from the outset. Great luck with the ideas coming up phase. I’m bouncy if you need something to bounce ideas off of. True, true, about ‘Autoportait’, and, as usual, beautifully put. His last novel ‘Suicide’ is great too, although much heavier. (He killed himself immediately upon finishing it.) ** nat, Hey, nat. Wow, weird and interesting, that it was your first book. Quite a decent start. Obviously, I hope you like the Kristof. Fairly quiet here too. All hail the uneventful, I guess. ** Okay. Maybe it was my fucked up ear, but I thought today’s post was a good and interesting idea for a post apparently. And I still kind of think so, but I wouldn’t bet money on it. Anyway, please give it a shot. See you tomorrow.