‘Guro, also sometimes called Ero guro (エログロ), is an artistic genre that puts its focus on eroticism, sexual corruption, and decadence. As a term, it is used to denote something that is both erotic and grotesque. The term itself is an example of wasei-eigo, a Japanese combination of English words or abbreviated words: ero from “ero(tic)”, guro from “gro(tesque)”, and nansensu from “nonsense”. In actuality the “grotesqueness” implied in the term refers to things that are malformed, unnatural, or horrific. While items that are pornographic and bloody are not necessarily ero guro, and vice versa, the term is often used to mean “gore”—depictions of horror, blood, and guts.

‘Ero guro nansensu, characterized as a “prewar, bourgeois cultural phenomenon that devoted itself to explorations of the deviant, the bizarre, and the ridiculous,” manifested in the popular culture of Taishō Tokyo during the 1920s. Writer Ian Buruma describes the social atmosphere of the time as “a skittish, sometimes nihilistic hedonism that brings Weimar Berlin to mind.” Its roots go back to artists such as Tsukioka Yoshitoshi, who, besides erotic shunga, also produced woodblock prints showing decapitations and acts of violence from Japanese history. Ukiyo-e artists such as Utagawa Kuniyoshi presented similar themes with bondage, rape and erotic crucifixion.

‘Ero guro nansensu’s first distinct appearance began in 1920s and 1930s Japanese literature. The Sada Abe Incident of 1936, where a woman strangled her lover to death and castrated his corpse, struck a chord with the ero guro movement and came to represent that genre for years to come. Other like activities and movements were generally suppressed in Japan during World War II, but re-emerged in the postwar period, especially in manga and music.

‘There are modern guro artists, some of whom cite Erotic Grotesque Nonsense as an influence on their work. These artists explore the macabre intermingled with sexual overtones. Often the erotic element, even when not explicit, is merged with grotesque themes and features similar to the works of H. R. Giger. Others produce ero guro as a genre of Japanese pornography and hentai involving blood, gore, disfiguration, violence, mutilation, urine, enemas, or feces.’ — collaged

 

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Q & A

Posted byu/albert_ara
I do not understand how people can be into gore/guro Pornography.

If you do not know what that is, please don’t google it.

Guro is a category of porn (I hope always drawn, usually in an anime style) where for example someone is having sex with another person they just cut open their stomach and their intestines are gushing out while that person is in agonising pain. Just explaining this makes my stomach turn.

I just want to understand why someone would like that without being completely crazy (I knew a girl that was alright but liked guro, she wasn’t willing to explain why). I just want to understand why.

Posted by Crayshack
Most porn contains an idealized exaggeration of something that the consumer is attracted to in real life. For most people, this is only slightly exaggerated, but for others it is exaggerated past the point of the fantasy being something that is realistically attainable. For example, someone who is attracted to fit women might look at porn like this. At the same time, some people might look at a version exaggerated past the point they are likely to ever encounter such as this. It is the same concept, but taken to the extreme. When you enter the realm of drawn images rather than simple porn photos, you can take the extreme even further past the point of what is even physically possible such as this.

Unrelated to that, sadomasochism exists. It is completely understandable why some people might have difficulty grasping why someone might be a sadist or a masochist, but for me the reason is quite simple. When you experience pain, your body releases adrenaline. The purpose of this is so that you can feel the pain and know something might be damaged, but then have the pain dulled enough to continue whatever task you are doing. However, under the right conditions for some people they can trigger an adrenal release that is more powerful than the pain they experience. For these situations, it turns experiencing pain into a literal high. Once you have enough experiencing pain as way of accessing an adrenaline high, you build a Pavlovian relationship in your mind and start to enjoy the pain itself. Sadism is simply being the one on the outside.

When you combine the concepts, there is a very clear pattern. There is porn of realistic depictions of pain play that do closely resemble how most people do it in real life. Then there are depictions that go beyond what most might try in real life but are still physically doable such as this. Then you have the ones that are physically impossible (at least without killing your partner) such as this.

For both examples of the gradient, some people will realize that they are getting into weirder and weirder shit as they make their way down it. However, sometimes they won’t notice until they are pretty far along because there will not be many sudden jumps. Instead, they are one day asking themselves “What the fuck did I just fap to?” and find that even once they acknowledge it is fucked up it still turns them on because sexual attraction is not something decided by the conscious part of the brain.

Most people if you ask them, would not be able to articulate this process of how they got into what they are into. At best, they can give you some of the details they fixate on and what little things turn a gore pic from general gore to porn for them. However, that does not mean that they have not gone through this sort of development. Everyone goes through a similar kind of association when it comes to sexual attraction. They start by being attracted to something simple and common, but then they start seeking something similar to that initial influence and start building associative relationships. However, most people simply find themselves spinning back around to something else that is common (for example, someone instinctively attracted to breasts might have known a large breasted redhead when they were younger and they are now also attracted to redheads). There are just a few fringe groups that have managed to developed a sexual association with something more bizarre. Guro is not the only strange fetish you can find on the internet, it just might be the one that is the most disturbing to anyone who has not found there way to it naturally.

 

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Except where identified in the image the artists are unknown

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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p.s. RIP Peter Green. ** David Ehrenstein, Hi. I’ll check out the Rebekah Harkness story, maybe not the song. ** Joseph Mills, Hey, Joe! How great to see you! Is the new WordPress blog differently configured vis-a-vis commenting? I don’t even know. It sure is glitchier. Such a great post you made there, I am forever grateful and honored to be its location’s doer. I hope you’re doing really well. ** _Black_Acrylic, Pretty place you got out to. Yeah, I think with careful social distancing stuff, the outdoors is pretty safe, and it sure does the brain, etc. a world of good. ** Steve Erickson, Hi. Everyone, Mr. Erickson has written about Brian De Palma’s film ‘Dressed To Kill’ to mark its 40th birthday. No doubt a keeper of a piece. And it’s here. I’m sure I’ll overhear the singles from that TS album in public locations somewhere, and I think that’ll be enough for me. ** Okay, then. I’ve been doing a re-investigation of Guro related to something I’m working on, and I thought I would share some of the more interesting and milder (trust me) things I’ve found out there if anyone else is game for the trip. See you tomorrow.

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The true Greats in comedy are those who come up with something totally unexpected. Something that seems to have no obvious influence. Chris Morris first came to our attention with The Day Today. It was an exaggeration of the TV news programs of the day. Monty Python (there I’ve said it) did mini take-offs of TV game shows/continuity indents/presenters but The Day Today was not one of a million Python echoes. What made Python different was that the creators were in the right place at the right time – the end of the anarchic surrealist 60s (and were all immensly talented) . What made Chris Morris different was the same – his luck was to be there when a load of cheap new visual techniques became available. What made D2D different from anything that came before was, among other things, the visual pyrotechnics – allowing completely over the top versions of the form over content style of modern News programs.

There were also some great charicatures. All the different types of newscaster are there – Ted Maul, the ‘this really is the end of the world as we know it’ drama king, Morris as the Hard Man Interviewer (who once started shooting up over the credits), the sexy female presenter, flirting with Morris, the clichéd clod on the sports desk – ‘And that was Liquid Football ‘– ‘Alan Partridge’ – who went on to his own mainstream infinity and beyond – as did many of those from Morris shows – always a good sign.

Brass Eye followed. This got loads of pompous ‘celebrities’ to pontificate on drugs/sex with hilarious results. How they let themselves be duped like that just goes to show how desperate ‘celebs’ are for publicity.

Then there was Jam. Nowdays – at least in the UK – there are few pure comedy series being made, it’s all ‘comedy/drama’.Everybody thinks it began with The Office. In fact it began with Jam. Which is more comic,dramatic – and disturbing – than anything since.

Since Jam, Morris has done a 6 part sitcom satire on young media hipsters –Nathan Barley – which was good and at times brilliant – especially on the meaningless jargon and styles which that tiny self-important gang came up with to set themselves apart from everyone else. But it wasn’t in the same class as what went before.

Chris Morris has influenced just about every comedian that came after him. Our current greatest comedian – Russell Brand – would not have existed in his present form if CM hadn’t existed.

(The background links are for diehards. If browsing – best clips are Cake, Paedogeddon, Chopped up Man, First Intro)

 

Brass Eye Crime

 

 

Brass Eye 2001 paedophilia special Paedogedoon

In 2001, the series was repeated, along with a new and entirely original extra show, which tackled the tricky subject of paedophilia and the associated moral panic prevalent in parts of the British media at the time following the death of Sarah Payne focused on the controversial ‘name and shame’ campaign of the News of the World. This included an incident in 2000, in which a paediatrician in Newport had the word ‘PAEDO’ daubed in yellow paint on her home.

Celebrities including Gary Lineker and Phil Collins appeared in videotaped interviews, in which they endorsed a spoof charity “Nonce Sense” (“nonce” is a common British slang term for paedophile). Tomorrow’s World presenter Philippa Forrester and ITN reporter Nicholas Owen amongst others were tricked into explaining the details of “HOECS” (pronounced “hoax”) computer games, which online paedophiles were supposed to be using to abuse children via the Internet. These fairly simple plays on words were opaque enough that none of the guest celebrities understood that they were being lampooned until the show was aired, in spite of what often seems to the viewer like plainly absurd subject matter. The Capital Radio DJ “Doctor” Neil Fox, for example, informed viewers that “paedophiles have more genes in common with crabs than they do with you and me”, before qualifying his remarks with “Now that is scientific fact – there’s no real evidence for it – but it is scientific fact”. Viewers were also told by MP Syd Rapson that paedophiles were using “an area of Internet the size of Ireland”, and by Richard Blackwood that internet paedophiles can make computer keyboards emit noxious fumes in order to subdue children (Blackwood even sniffed a keyboard and claimed to be able to smell the fumes, which he said made him feel “suggestible”).

Around 2000 complaints (and approximately 3000 calls of support) were received.There was also a vociferous tabloid campaign against Morris, who refused to discuss the issue. The episode went on to win a Broadcast magazine award .

The show caused a furor among sections of the British tabloid press. The Daily Star printed an article decrying Morris and the show next to a piece about the then 15-year-old singer Charlotte Church’s breasts under the headline “She’s a big girl now”. The Daily Mail featured pictures of Princesses Beatrice and Eugenie, who were 13 and 11 at the time respectively, in their bikinis next to a headline describing Brass Eye as “Unspeakably Sick”. Defenders of the show argued that the media reaction to the show reinforced its satire of the media’s articifial hysteria and hypocrisy on the subject of paedophilia.

 

 

Paedogedoon

 

 

Blue Jam was an ambient radio comedy programme produced by Chris Morris. It aired on BBC Radio 1 in the early hours of the morning from 1997 to 1999.

The programme gained cult status due to its unique mix of surreal monologue, music, synthesised voices, heavily edited broadcasts and recurring sketches.

Archive Blue Jam
Wikieda Blue Jam

 

Blue Jam — More Conceptual Art

 

 

Jam was based on the earlier BBC Radio 1 show, Blue Jam, and consisted of a series of unsettling sketches unfolding over an ambient soundtrack.

Many of the sketches re-used the original radio soundtracks with the actors lip-synching their lines, an unusual technique which added to the programme’s unsettling atmosphere.

Jam is a sketch show like no other and the satirist’s darkest hour. Combining video, full wide screen film, distorted digital video images and even security camera footage Morris creates a twisted reality in which to tackle thought provoking issues, courting controversy and flying in the face of formulaic bland television output as he does so. Not as immediate as The Day Today or Brass Eye but ultimately more entrancing, in Morris’s own words, “It’s loneliness in the modern world, dreams of the ill in a vacuum: welcome in Jam”.

 

Wikipedia Jam

 

Jam — Suicide with an Escape Clause

Jam — Phone Sex Doctor

Jam — Sex for Houses

Jam — Living Outside

Jam — Spot Remover

Jam — School Competition

 

 

 

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p.s. Hey. ** h (now j), Hi. Thank you, and you’re most welcome. ** Ferdinand, Hi. I did a post on a Leduc book. Let me find it, should it be of interest. Here. ** Thomas Moronic, Hi. It makes sense somehow that you would love the Schuyler novel too. Cool. Great news, obviously, on the start of a new novel. Such a great feeling, no? I need to start one. Rennes was good, very productive, made very good progress on Gisele’s new piece. Take care, sir. ** David Ehrenstein, Indeed. I am among the many millions who never read Chester Kallman despite his name popping ups in interesting contexts forever, and there’s obviously some kind of reason there. Exciting about your and Bill’s upcoming new photo book! Wait, it’s already out? Those were a speedy couple of weeks. Well, if you want to send me a ‘welcome’ post for it, do, and I’ll do my part. My email is: [email protected]. ** _Black_Acrylic, Hope you dig the Diarmuid tome, B. I need one of those USB turntables. Huh. Have fun doing the translating. ** Adam Martin, Hi, Adam! Thank you so much for coming in, and I’m happy to meet you. Oh, yes, your exhibition was fantastic. I remember it well. Hm, I don’t remember how I found out about the show. Likely through artist friends, perhaps even a friend or two we both know personally? That’s a guess ‘cos I’m spacing on the means of my discovery. Thank you a whole lot for the video/link. I’ll watch it greedily as soon as I’ve finished this involving p.s. thing. Well, yeah, if you want to share more or ask a question that would be a boon for me. Have a really solid weekend. ** Misanthrope, It’s hard to imagine anyone not enjoying ‘What’s for Dinner?’ but I suppose there must be people who don’t. Any development on the David thing, externally or internally? ** Max B, Hi, Max! Yes, I loved the song, and I’m excited for more, and I can be patient and wait for the official release, no problem. Thank you again for clueing us/me in. Have an excellent one. ** Bill, Hi, B! Surges I know. I really like that new Eyvind Kang. Rennes was good. Not too many stories, as we spent the time in the theater rehearsing. The new piece is Gisele’s adaptation of a Robert Walser play that he wrote as a teen, and it’s very verbose and kind of didactic, so mostly I was there to do a pretty heavy edit on the text, which I did do, and which seemed to make a big difference, and to do my dramaturg thing on the piece as a whole. It was good, it needs a bunch of work, but it’s getting there. ** cal, Hi, Cal. The house is in this ultra-pretty valley/town called Sils St. Marie, mostly where people go to ski these days. They shot that old movie ‘Heidi’ there. Impressive location to be absolutely sure. ** JM, Hi, Josiah. I miss my turntable a lot. And I have a big stack of unplayed vinyl-only releases here. And yet I can’t seem to must up the whatever to buy one. Sorry you’re a little ill, but, yes, aren’t we all a little. Excellent about your new chapbook! Obviously hit us up when that’s gettable. And I’m honored/curious to see what part ‘Frisk’ plays, very naturally. I’ve always been too wary of teaching to go there. It def. does cut into and hamper some artists’ work who go that route, for sure. I do have friends for whom it has no effect on their ambition and output, but, yeah, I’m a ‘better not to take the chance’ type, so … understood Great, healthier weekend to you, sir. ** Daniel, Hi, Daniel! Always joyous to see you. Ooh, that Ashbery thing, Wow, I had no idea that existed! Jesus, it must cost beyond a fortune now. Hopelessly want! Thank you, kind sir. You good, I really hope? ** Steve Erickson, He’s somewhat less off the radar in Europe. There was retrospective here in Paris, oh, three years ago, I think? Trip was a good, productive, which was all it needed to be. Yes, travelling here is pretty non-stressful thanks to virtually everyone following the protocols. But we all know that could turn any day or week now, so we’ll see. Traveling in the US to the South … that does not seem like a great idea whatsoever, nope. ** Okay. This weekend I restore a post from ages ago made by onetime blog d.l. JoeM about the irrepressible British artist of the comedic Chris Morris. Enjoy the show, I hope. See you on Monday.