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Spotlight on … J.G. Ballard The Atrocity Exhibition (1970)

March 16, 2021 / DC / 10 Comments

‘In 1966, New Worlds, a British science fiction magazine edited by the writer Michael Moorcock, published a “condensed novel” by JG Ballard titled “The Assassination Weapon”. Moorcock was, he remembers, “delighted” to receive Ballard’s copy. “It was exactly what I’d been looking for and I demanded more. He complained I was making his eyes bleed, turning them out. For me it was exemplary, a flag to wave for authors and readers.” Later that same year New Worlds published “The Atrocity Exhibition”, which would become the title story of Ballard’s most notorious book.

‘In 1970 the American publisher Doubleday agreed to print an edition of Ballard’s condensed novels under that title. Marc Haefele, a young Doubleday editor at the time, remembers that a few weeks before publication, the company president was touring a warehouse in Virginia when the book was drawn to his attention. On the spot, he gave the order to pulp the entire print run. A British edition went ahead, but it wasn’t until 1972 that an American edition was published, under the title Love and Napalm: Export USA.

‘Whatever the guardians of public morality found so hard to stomach about The Atrocity Exhibition, it was surely more than dirty words and lèse-majesté. The novel presents fragments or avatars of a traumatised man, variously named Travis, Travers, Traven, Talbot or Talbert, who is conducting some kind of spun-out scientific experiment, which also takes the form of a lecture or media spectacle. Traven is both a researcher and an experimental subject or patient in an institution where white-coated medical science has become contaminated by other things: pornography, celebrity, the imminence of violent disaster. He is observed by one Dr Nathan and has a highly fetishised sexual relationship with Karen Novotny or Catherine Austin or Coma, names for a blank, damaged woman who often seems to be constructed from fragments of female celebrities – Jackie Kennedy, Elizabeth Taylor, Marilyn Monroe.

‘The Atrocity Exhibition visits terrible violence on these female celebrity bodies, in the form of plane and car crashes, nuclear fallout, disasters of all kinds. Ronald Reagan and the car-safety campaigner Ralph Nader get the same treatment. The book’s obscenity, the reason it still has the potential to shock, is a function of its objectivity. It is clinical when, for decency’s sake, it ought to feign emotion. It looks on our sacred treasures, our culture’s real sacred treasures – the imaginary bodies of famous people – and responds with all the violence and lust and revulsion that the healthy well-adjusted citizen suppresses. Decency is what separates rational economic actors, dutifully maximising their personal benefit, from the racaille, from scum. It is the source of order. Ballard’s fictional refusal of it was – and remains – a threat.

‘Each section of The Atrocity Exhibition is a flight over the same apocalyptic landscape, a landscape that is also the human body, observed with a clinician’s eye as it undergoes trauma, as it is anatomised, penetrated, cut and crushed and humiliated, scorched and fucked. This body-landscape is also an image of itself, a mass-media projection made up of Hollywood movies and pornography and news footage of the Vietnam war. Living in the shadow of disaster, Travers is an exemplary modern subject. The only difference between him and the average suburbanite is that he doesn’t disguise his abjection. He is a burnt-out case, a celebrity stalker, a kind of psychological crash‑test dummy with a detached professional interest in the brick wall that’s about to make contact with his skull. He may, of course, also be insane.

‘The Atrocity Exhibition is a melancholy book, fixated on something terrible that it can’t let go. Its landscape is both dead and accelerating, a windblown desert strewn with the wreckage of modernity that is at the same time a place of unbearable speed and intensity. In 1964 Ballard’s wife Mary died suddenly of pneumonia, leaving him to bring up their three children alone. In 2007, when he was already terminally ill, I interviewed him. “I was terribly wounded by my wife’s death,” he told me. “Leaving me with these very young children, I felt that a crime had been committed by nature against this young woman – and her children – and I was searching desperately for an explanation … To some extent The Atrocity Exhibition is an attempt to explain all the terrible violence that I saw around me in the early 60s. It wasn’t just the Kennedy assassination … I think I was trying to look for a kind of new logic that would explain all these events.”’ — A Useful Fiction

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Further

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Extras

The Atrocity Exhibition (JG Ballard and the Motorcar) [1970]

JG Ballard on science fiction, technology and the future

Harnessing Perversity: J.G. Ballard, David Cronenberg, and Crash

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JG Ballard’s Excerpt notes

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Interview

Do you prefer using a specific locale in your work? In The Crystal World, for instance, you set the scene in Central Africa.

I use the locales that seem suitable to the subject at hand. I’m drawn to certain kinds of landscape: deserts, jungles, deltas, certain kinds of urban landscape. I suppose I like very formalised landscapes, like great dunes or sand bars. I’m drawn to freeways, concrete flyovers, the metallised landscapes of giant airports.

As far as naming a particular place goes — well, take something like Atrocity Exhibition. It’s not really set anywhere. It probably is England, in fact, but it could equally be elsewhere. A lot of Americans think it’s the United States. It’s not specifically the U.S. but it could be. It’s really a landscape we see in our minds, which we carry around with us, which we might see as we dream.

Why did you start writing the so-called condensed novels?

I wanted to write directly about the present day, and the peculiar psychological climate that existed in the middle sixties, when I started writing them. I think the key to that book was Kennedy’s assassination in Dallas, which I saw — and still do see — as the most important event of the whole of the nineteen-sixties. It seemed to me that to write about this, and about similar events that were taking place, like the suicide of Marilyn Monroe, and the emergence of political figures like Ronald Reagan, and the whole tremendous explosion of the mass media, the way politicians and advertising corporations were using them — well, it was to try to come to terms with all this. It seemed to me it was creating a landscape around us that was almost like a gigantic novel; we were living more and more inside a strange, enormous work of fiction.

Reality and fiction were crossing each other.

Yes, they’d begun to reverse — the only point of reality was our own minds. It seemed to me that the only way to write about all this was to meet the landscape on its own terms. Useless to try to impose the conventions of the 19th-century realistic novel on this incredible five-dimensional fiction moving around us all the time at high speed. And I tried to develop — and I think successfully — a technique of mine, the so-called condensed novels, where I was able to cross all these events, at right angles if you like. Like cutting through the stem of a plant to expose the cross section of its main vessels. So this technique was devised to deal with this fragmentation and overlay of reality, through the fragmentation of narrative. Although the plot lines are very strong in those stories.

And they’re all variants. Each of the main stories in that collection describe the same man in the same state of mental crisis, but they treat him, as it were, at different points along a spectrum — as you might compile a scientific dossier about someone, explore various aspects of his make up. On the one hand a story like ‘The Summer Cannibals’, where a man and a woman have turned up at a kind of super-heated resort. This is a completely naturalistic account of two people on the level of their sweat glands. In fact they don’t have names, because their names are not important. Right through to the other extreme, where the character is seen as a kind of cosmic hero, a second coming of Christ, in ‘You And Me And The Continuum’. The same character appears in a whole series of different roles. Any of us could be fragmented in the same way, we are all to some extent.

Atrocity wasn’t liked very much by critics.

It had very bad reviews over here, on the whole. But in Europe, oddly enough, the response was completely different. Denmark, Germany, Holland — it had a terrific reception, absolutely stupendous, What impressed me about the reviews was not that they were flattering, but that they grasped straight away what the book was about. Most of the English reviewers seemed to resent not just the technique, the style in which the book was written, but also the subject matter, that I should want to talk about such things.

In America the entire Doubleday edition was destroyed, on the orders of an executive, for similar reasons. The book has just been published in America under a different title [Love and Napalm: Export USA], by Grove Press. As far as response to the stories on the US SF scene goes, you’ve got to bear in mind that there I was seen as the originator of the so called New Wave — terrible phrase — and I was absolutely loathed by most of the American SF establishment. The old guard — Isaac Asimov and company — would almost go red in the face with anger. But that particular storm, New Wave vs. Old Wave, has died down; it was just a sort of last spasm of the old guard, I think,

The Atrocity Exhibition was published in 1970 — could you say anything about what you’ve done since?

Well, my last novel I finished three weeks ago. I’d rather not give the story away as it won’t be published here for a year [presumably Concrete Island; SS]. But a previous novel, entitled Crash, will be published in June by Cape. I spent about two years writing that. As the title implies it’s about the motor car, and its whole role in our lives. It’s a cautionary tale in a sense, how I see the future. Sex times technology equals the future. In the novel I take the motor car as most clearly representing technology in our lives.

Taking off from ‘The Atrocity Exhibition’?

In a sense it’s a follow on, but it’s written in completely conventional narrative. I felt that was the best technique to use.

So you still feel it’s OK to me conventional structures?

I think one has to adjust the style to the subject matter. People have accused me of being an experimental writer, but I’ve written 90 short stories and 6 novels, of which 80 short stories and 6 novels are completely conventional, in technique and form. I think the subject matter comes first; the style and technique serve the subject matter; and I still think there’s a place for conventional narrative. It’s the idea that needs to be needled. My real criticism of most of the fiction written today is that the content is so banal, so second rate, so imitative of itself. It’s a fiction based on fiction, other people’s fiction, rather than based on experience and ordinary life.

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Book

J. G. Ballard The Atrocity Exhibition
Grove Press

‘First published in 1970 and widely regarded as a prophetic masterpiece, this is a groundbreaking experimental novel by the acclaimed author of ‘Crash’ and ‘Super-Cannes’, who has supplied explanatory notes for this new edition. The irrational, all-pervading violence of the modern world is the subject of this extraordinary tour de force. The central character’s dreams are haunted by images of John F. Kennedy and Marilyn Monroe, dead astronauts and car-crash victims as he traverses the screaming wastes of nervous breakdown. Seeking his sanity, he casts himself in a number of roles: H-bomber pilot, presidential assassin, crash victim, pscyhopath. Finally, through the black, perverse magic of violence he transcends his psychic turmoils to find the key to a bizarre new sexuality.’ — Flamingo

Excerpt

p.s. Hey. If anyone out there would like to hear Diarmuid Hester talk about my work and me on the Bad Gays podcast, you can do that here. ** Dominick, D-ster!!!! Yay!!! Everyone, It’s a great day among days because the new, eighth issue of Dominik’s key lit/art zine SCAB is now available to peruse, absorb, scour, and more. The new issue has tons of amazing stuff in it including pieces by DC’s familiars Josiah Morgan and Golnoosh Nour. Set aside most of your brain cells and click this ASAP. I saw the announcement yesterday, as you know, and I’m going through and loving the issue to death. You rule, maestro. Great work! I think there’s a Zoom meeting about the fundraising in the next day or so, so I’ll know better then. That duo you chose would make very fine Cooper characters indeed! Hm … I think my first assignment for them is to, first, become the embodiment of love in two parts, then to silkscreen SCAB onto every article of their clothing and make signs advertising SCAB to carry around with them everywhere and print out piles of SCAB #8 and set off into the wide world with orders to employ their yumminess in service of that great cause, G. ** Misanthrope, The escort posts do seem too becoming more and more comedic. Whereas the slave posts seem to be becoming more and more horrifying. I wonder why. Going on ‘Rise of the Resistance’ is one of my biggest dreams right now. Sigh. Being parents to overgrown children is good for your soul maybe? ** David Ehrenstein, One hopes, yes. ** Jeff J, Hi, Jeff! Yeah, a pretty good batch, I thought so too. So happy to hear the darkness is abating, man. And that you’re into the novel, which is, obviously, the best news. Sure, Skyping sounds great. I’m around, by default. Let me know when is good. I read that Tobias Carroll interview a while back. Nice convo. He’s cool. Everyone, Jeff Jackson is interviewed about the connection between his novel ‘Destroy All Monsters’ and band Julian Calendar by the fine-minded Tobias Carroll at Vol 1 Brooklyn here, and it’s a goodie. Yes, I did a Robert Kramer post. Let’s see … Here I don’t think I’ve seen ‘Guns’, no. I’m due a visit to the Re:Voir shop and I’ll look for it. Will do on the Milford Graves doc too. RIP to that great one. Great to see you, bud! ** Nathaniel Kochan, Hi, Nathaniel, welcome. Thanks about my stuff. At my first quick peek, those videos look amazing, I must say. Thank you! I’ll go check out the lot of them later. And go see your show at Le musée du Fumeur if at all possible (I’m a bit bottled up with a film shoot this week, but I think I can swing by). Funny, my friend and collaborator Zac Farley lives practically across the street from that place, and I’ve walked by it a billion times and never entered. Thanks! I’ll do that. Take care. ** Steve Erickson, Best of luck quelling the deal with your super, obviously. We don’t in fact have a strict lockdown here. Closed restaurants/cafes/museums and a 6 pm curfew is what we have. The govt. is trying to do everything possible not to lock Paris down again because the economic disaster and public outcry that would ensue, but it is looking more than a bit grim. I know the name Emmanuel Mouret, but I don’t think I’ve seen his films. Huh. Your description of that one film isn’t a huge magnet towards it, but I’ll keep my eyes peeled. ** Mark Gluth, Hi, Mark. I totally understand your thinking or deliberative lack off thinking about your process. As much as I graph things out for my work, I still feel pretty confused when I’m actually writing it. I guess it’s like wanting the safety of a conceptual path in which to lose myself or something. It’s funny, the US has seemed like such a total disaster over here about the pandemic, and yet at the moment everyone here is envying the speed of your recovery. The French authorities have really fucked up the vaccine roll out. It’s very surprising. I hope we’ll be in the hopeful phase over here, god, soon. ** Brian, Totally tip-top, tremendous Tuesday, Brian. ‘Playtime’ is a sublime masterpiece if there ever was such a thing. I know I’ve seen Yang’s ‘That Day, on the beach’. Maybe another one, I can’t remember. He seems like a good director to take a dive into. Thanks! My yesterday wasn’t one for the books either. Today my collaborators and I will be at the Pinault Foundation trying to firm up our ‘home haunt’ event with them, meaning trying together them to agree to pay for it. That’s today’s crux. I hope your Tuesday finds and rewards you. ** Thomas Moronic, Mr. T! I know that feeling when you find out someone whose work you admire likes your work. It’s really just the ultimate feeling ever, no? Well, if our govt. is to be believed, ha ha, you might just get to pop over here and gorge on espressos with moi by April or so. Hey, you never know. Love, me. ** Right. I decided to spotlight my favorite JG Ballard book today, and that’s what I’ve done. See you tomorrow.

“I know you are out there and I don’t care what you look like.”

March 15, 2021 / DC / 10 Comments

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RapeFuck, 18
Ahogbohoué

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CleanguyOK – March 10, 2021
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crushyousenseless, 18
Tunis

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crushyousenseless (Owner) – March 1, 2021
I would like to point out that I don’t kiss or make love or any of that kind of shit… and that I am a little effeminate.

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mygreatass, 22
San Juan

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hearseboy, 19
San Diego

im a drummer thats all ik abt me. my favorite food is spaghetti and fried chicken both stewed. i like try new recipes when im at home w my grandma. also ik how to make alot of bombs so like idk if thats improtant lmao. im low key obsessed with bbc. ive never been w a guy because theres not many black peeple where i live idkw. and i need me a cashcow without a doubt.

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Rate per hour 100 $
Overnight 500 $

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el_boy_hot, 18
Lima

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Guestbook of el_boy_hot

el_boy_hot (Owner) – March 11, 2021
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el_boy_hot (Owner) – March 1, 2021
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el_boy_hot (Owner) – Feb 20, 2021
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Calebanthony (Owner) – Feb 25, 2021
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Teenlooking4work, 19
Lodi

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whowantstosuckmydick – March 7, 2021
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Vancouver

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Passiv-Twink, 20
Essen

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Guestbook of Passiv-Twink

biguy – Feb 27, 2021
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Speaks German, English
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FF Passive
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Overnight 800 €

_____________

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Brooklyn

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readyforyour$$$ (Owner) – March 9, 2021
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FF No
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charlie, 18
Verviers

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Guestbook of charlie

UserOfMeat – March 11, 2021
I am looking for fresh meat and I am looking at you. Been in the meat hunting lifestyle more than 30 years and there’s not much I haven’t done or seen. It’s not about your age or your butthole it’s about your meat. You accept the fact that you were born different, that you were born meat. This is not about sex this is about MEAT! What is a man? Well for starters it’s not you…you might have been born with genitals but you are now and have always been meat. If you don’t understand this don’t write to me. If you do, write to me and I will give you my definition of meat.

YoungPowerDom – March 10, 2021
I don’t care if you are broke, in debt, drug addicted, mentally ill, or what ever situation. You are MINE. No matter what I have to do I will do it in order to have you. Each interaction we have will be a reminder of your place on this earth as MINE. Words don’t do the burning desire to have you that consumes me.

Dick M, Uncut
Orientation Bi
Body Average, Smooth
Smoking No
Speaks French, Spanish, Dutch, English
Position Versatile
Kissing Yes
FF No
S&M Soft
Dirty No
Safer Sex Let’s talk
Rate per hour On request
Overnight 550 €

_____________

samyourtype, 19
Philadelphia

The short of what I am offering is: I come over, strip to my undies and you give me an enema, you make me suck your dick, I puke on it, you cum in or on me, and I leave in dirty undies.

Important: being able to mess my undies is required for me to play with you, if I can’t enjoy myself then I am not interested.

Dick L, Uncut
Orientation Gay
Body Slim, Shaved
Smoking No
Speaks English
Position Bottom only
Kissing Depends
FF Passive
S&M Yes
Dirty Yes
Safer Sex Sometimes
Rate per hour 150 $
Overnight On request

_____________

AdvantageTaker, 18
Longview

Kinky camping
Cottage away
Warehouse
Deserted Beach
Live in maid
Polyamorous harem boy
Frat house whore
Furniture concealment
Wild satyr/forest nymph/incubus
Secret societies

Guestbook of AdvantageTaker

fucking_machin – March 8, 2021
I don’t recommend the Wild satyr/forest nymph/incubus option.

Dick L, Cut
Orientation Bi
Body Slim, Shaved
Smoking Socially
Speaks English
Position Versatile
Kissing Yes
FF No
S&M Soft
Dirty WS only
Safer Sex Let’s talk
Rate per hour 100 $
Overnight 600 $

_____________

seenohearspeakno, 21
București

I’m gay. That’s it.

Available for bread.

Guestbook of seenohearspeakno

seenohearspeakno (Owner) – Feb 22, 2021
Ok this isn’t as gross as I expected … for this reason I am now doing this on a normal basis! I try to scrape together the money so that I can lead a normal life again!

linxiao09 – Feb 17, 2021
That’s his bed.

Drillhardfucker – Feb 16, 2021
Hygienic with nice set of teeth

seenohearspeakno (Owner) – Feb 11, 2021
Bread as in the hippie word for money

Dick L, Uncut
Orientation Gay
Body Slim, Smooth
Smoking Yes
Speaks Romanian, German, English
Position More bottom
Kissing Yes
FF Active/Passive
S&M Yes
Dirty No
Safer Sex Sometimes
Rate per hour 80 €
Overnight On request

_____________

clown4all, 22
Budapest

Hi there been serperated from my gf for a year not really here to give my life story.

Guestbook of clown4all

ATLTraveler09 – March 3, 2021
I want you to stay at my house for a long time with no clothes on 24/7. You’ll do my chores and I’ll make you food with my ass.

RelaxWithMe – March 1, 2021
Me sucking his dick.

nalg333 – Feb 27, 2021
I want to put things in your butt mostly.
I wanna see what I can fit in there

Dick M, Uncut
Orientation Hetero
Body Slim, Smooth
Smoking Yes
Speaks Hungarian, English
Position Versatile
Kissing Consent
FF Active
S&M Yes
Dirty No
Safer Sex Sometimes
Rate per hour 90 €
Overnight On request

_____________

My pretty dolled up face, ready to be totally plastered in cum

My overfucked bitchin girly ass, likes double and triple penetration

heavyblue, 18
Los Angeles

I’m an animal and have no qualms living as one. I’m intelligent but ultimately a failure. Though through this, rather surprisingly, I am content. I accept who I am in this bag of bones. I come from a poor, rather tough background. I have been on grindr since I was 13. I have always felt at home on a dirty mattress with 7 or 8 guys holding me down and raping me however I would not consider myself trashy. I have little experience in non sexual interaction however I have been told I have a nice smile. I didn’t want to bore anyone with an essay but I did want to present a clear picture of who I am.

Guestbook of heavyblue

heavyblue (Owner) – March 12, 2021
A few things to add

~my house is a sleaze free abode, stop begging me to cum to mine, either at your place or a garage or hotel or somewhere else.

~there is no ‘i’ll try to fuck you hard’, you will commit to a 100% hard fuck with me.

~i demand 100% rough and nasty when you fuck me, it’s not your time to be thinking, i will do the thinking for the both of us.

~the harder you fuck me, the more you will feel free.

Dick S, Uncut
Body Slim, Smooth
Orientation Gay
Piercings A few
Tattoos A few
Smoking Socially
Position Bottom only
Safer sex Let’s talk
Kissing Yes
Dirty Yes
S&M Yes
FF Passive
Rate per hour 100 $
Overnight 500 $

_____________

icallitdarkness, 24
London

Back on this god-forsaken site a bit frustrated with people.
Goth Witch Boy, into tarot, crystals and being sucked.
People who like the skin of pudding also worship Satan and drink children’s blood.
I have a fiancé and different women I’m seeing but I love money.
I’ll add something here every now and then because I’m a fucking self-promoter like everyone who’s online in 2021.
I know you are out there and I don’t care what you look like.

Guestbook of icallitdarkness

ng15du – Feb 26, 2021
Wow. That was a lot messier than I thought it would be. I fucked him silly and the cum splashed all over the place every time I pulled out and pushed back in. It was hot, though 🙂

icallitdarkness (Owner) – Feb 25, 2021
What!?!?!

ng15du – Feb 25, 2021
I’ve been freezing loads in a little container in my freezer off and on for about a year. Over half the loads are my own, but there are a few fuck buddies and randoms mixed in there too. Today I went to get the container to add another load since it’s been a while and noticed it was pretty dang full. So, I thawed it out. After letting it sit and melt into a bunch of gooey goodness, I filled up 5 jello shot syringes. Each one is 1.5 oz, so that’s 7.5 oz. I’m about to go hookup with this Goth boy and shoot it all into his ass. A full cup of my cum in his ass. Mmmmmmmm……

bitchdont – Feb 19, 2021
Before the sex he needs to meditate, do a ritual with his crystals, watch some anime to chill out but then if you start by giving him a blowjob he can be fucked for hours.

Dick XL, Uncut
Orientation Gay
Body Average, Smooth
Smoking Yes
Speaks English
Position Versatile
Kissing Depends
FF Active/Passive
S&M Soft
Dirty WS only
Safer Sex Never
Rate per hour 120 £
Overnight 900 £

_____________

DeuxPassivesHOT, 20
Paris

what you see is what you fuck.

Dick M, Uncut
Body Slim, Shaved
Orientation Gay
Speaks French
Smoker Yes
Position More bottom
Kissing Yes
S&M Soft
Dirty WS only
FF Passive
Safer Sex Sometimes
Rate per hour 200 €
Overnight On request

_______________

Thehardestjock, 19
Taos

I am gonna be honest, I like the idea of being a whore to someone, but I don’t like submitting myself to anyone.

I am not easy to get naked or in bed. And I like that.

I like the fact that people have to try their hardest to have sex with me.

I am ashamed that I want this but I really do.

I can accommodate sometimes in a house but always in my camper van.

Guestbook of Thehardestjock

Thehardestjock (Owner) – March 7, 2021
My dick isn’t small, I just didn’t get hard. And that wasn’t cum, it was pee.

Qilly55 – March 7, 2021
I needed to suck some cock. I’ve been going through a dry spell and this guy looked hot but he has a small cock. Really small. I need my mouth feeling full when I suck cock. And his cum it just tasted yuck.

Dick L, Uncut
Orientation Bi
Body Athletic, Smooth
Smoking No
Speaks English
Position Prefer not to say
Kissing No
FF No
S&M Soft
Dirty No
Safer Let’s talk
Rate per hour 20 $
Overnight On request

_______________

TheMidnight, 24
Berlin

I call myself Prince Neptune here. I’ve made a name for myself in the alternative literature and performance milieu. In addition to erotic off-space art, I passionately practice the art of seduction. Outside of this world, I am a willful dilettante, adventurer, hedonist, sometimes provocateur, convinced late riser and perfect time waster. I am a loyal friend of the Marquis de Sade, Pierre Loyuis, Oscar Wilde, Honore de Balzac, Charles Baudelaire and Michel Houellebecq.

I am the descendant of a family of artists who came to life precociously: very sensual, empathetic, a bit decadent, sometimes dreamy and obsessive. I enjoy exquisite encounters with chosen people – men, couples and even women who want to experience new states of consciousness and flee into my floating fantasy world.

I have the physical and psychological prerequisites to trigger a feeling of adoration in you. When it comes to eroticism, I inspire new, crazy, irritating, unusual and special things. Since I am sapiosexual by nature and have proven literary and artistic talents, I have also mastered the art of making others mentally, intellectually and emotionally explosive.

Dick XL, Uncut
Orientation Gay
Body Slim, Shaved
Smoking Yes
Speaks German, English
Position Versatile
Kissing Yes
FF Active/Passive
S&M Yes
Dirty Yes
Safer Sex Never
Rate per hour 300 €
Overnight 1000 €

_______________

kyleflavored, 23
Salt Lake City

I now live alone and no longer have to be considerate of elderly people.

For the same reason, I no longer say no, thank you.

Guestbook of kyleflavored

Dave26Dave26 – Feb 14, 2021
One of those guys that make you think if asses had eyes you could gaze into his forever.

kyleflavored (Owner) – Feb 11, 2021
I called myself kyleflavored because some person when I was young said my ass tasted like the ass of someone named Kyle and it stuck.

Infernosex – Feb 11, 2021
I’ve hired this boy many times. I’ve always been addicted to his ass. It brings me to my knees each and every time. My current record is three hours under him probing and rimming nonstop while he relaxed after school with a beer watching a soccer game. If you want an incredible hole, by all means, put your face to work.

Dick M, Cut
Orientation Gay
Body Athletic, Shaved
Smoking No
Speaks English
Position Bottom only
Kissing Yes
FF Passive
S&M Soft
Dirty WS only
Safer Sex Let’s talk
Rate per hour 150 $
Overnight 1000 $

______________

extraordinaryking, 18
Le Chesnay-Rocquencourt

I’m Bryan Im chill cute funny Frenchy and I love Louis Tomlinson and Romeo Beckham and I like to do fun things haha yk what I meant lol like I wanna rip ur shirt off and then whip my ass with it and feel ur naked body all over mine and then drink ur cum so if u reading this plz pay me up 🤙 and a cool fact is that I have a great ass will that’s what I think lmao thx u

Guestbook of extraordinaryking

scaredbutneedsthis – March 12, 2021
I kiss my mind.

Grit0075 – March 11, 2021
his teenaged blathering will zone you out but when you get him in bed he will be all yours as he is a weak willed wimp.

hey_honey – March 9, 2021
astonishing boy who can makes ur dreams come true

Dick M, Uncut
Orientation Gay
Body Slim, Smooth
Smoking No
Speaks French, English
Position More bottom
Kissing Yes
FF No answer
S&M Soft
Dirty WS only
Safer Sex Sometimes
Rate per hour 100 €
Overnight 550 €

p.s. Hey. ** David Ehrenstein, You might have to make that snuff yourself. ** Misanthrope, I know Creative Massacre still exists out there, albeit under her real name. I’m friends with her on Facebook. Kayla had dreamy stories, no doubt. I hope she added her push to your mom’s mission. ** Tosh Berman, Hi. Yep. Well, and a fair number of Japanese were wearing precautionary masks even before this whole deal erupted. I’m dreaming of getting there before it turns summer/hot, but that’s probably just fantasy fishing. ** _Black_Acrylic, Hi, Ben. I hope your weekend wasn’t too shabby. ** John Newton, Hi. I am very gradually restoring my old blog, or some of it, by inserting its posts into this blog. But I have to reconstruct each of its posts by hand because they’re just a shambles of code. Whenever I post a ‘restored’ post here, it’s from my murdered blog. In Japan? As all over as possible. Zac and I tend to gravitate to amusement parks, so we’ll probably chase their locations. The places we always go are Tokyo, duh, and the Naoshima Art Islands. I’m healthy, following the protocols, just extremely impatient for the vaccine, mostly so I can think about traveling again. I take Melatonin every night. My dreams, when I remember them, are virtually always about trying to escape someone or something that’s trying to kill me, so I don’t mind not remembering them. My weekend was solid, thanks, and I hope your week is super fruitful. ** Dominik, Hi, Dominick!! That is a huge project. Did you … finish what you needed to? Are you temporarily free? I’m okay. The hacking continues at the same high speed 24/7, and I’m just doing my best to pretend it isn’t happening. Not easy. Yeah, I think because I’m so focused on the film fundraising, having tons of money seems like the ultimate nirvana at the moment. Your love was horrifying, ha ha. Love in the form of Teenlooking4work but with more flexible services, G. ** Steve Erickson, How many have I seen? Uh, hm, hold on. I’ve seen ‘Guinea Pig 2’, ‘Aftermath/Genesis’, ‘Audition’, ‘Sturmgewehr’, and ‘Slaughtered Vomit Dolls’. You? my theory, based on my own experiences, is you can never find all the mouse holes. The vaccine roll-out problem is organisational and logistical and I don’t know what else. It’s a big scandal. The govt. is promising things will be up to speed in the next two weeks, but they’ve said that before. It really sucks, and the cases are still going up when they should be going down. ** Thomas Moronic, Hi, T! Uh, hm, I guess if you haven’t seen any of the Guinea Pig movies they might be a start point. Fantastic about the novel work you got done! I’m doing this Zoom book club kind of thing every two weeks with Amy Gerstler, Benjamin Weissman, Jack Skelley, and two young poets, and ‘Alone’ was the subject of much across-the-board raving on the one we did on the just passed Saturday night. So if you mysteriously felt like pouring glasses of water on your ears that evening, that’s why. Life is okay and pretty productive at the moment, so I’m all right. Fantastic to see you, pal! ** Brian O’Connell, I know, Brian, drat! I liked ‘Audition’, but it’s been ages since I saw it. Andersson’s films are very special and unique and singular, I think. Super auteur filmmaking, my favorite kind. And, yes, investigate the great, great Tati, starting with ‘Playtime’ or ‘Mon Oncle’ if you do. Hard to imagine anyone not liking ‘PM’. Happy for and wistful about your vaccine progress over there. I need to get a VPN so I can watch The Criterion Channel because it’s not available over here. We don’t get Daylight Savings for two weeks, so we’re an hour closer to you guys at the moment. My weekend was okay. The book club Zoom thing was great. I think I maybe figured out what to give to this anthology book project that I promised something to and whose deadline is scarily soon. Otherwise, chill, work, emails, blah blah. I hope your busy week ahead is also a buzzy week. ** Mark Gluth, Hi, Mark. Cool. The novella thing is working the same way Zac’s and my scripts do. We talk stuff over thoroughly, then I go home and write up a draft since I’m ‘the writer’, then he goes over that draft in detail and we meet and make changes, and I go home and implement the changes. Etc. It works well. So his input is conceptual and detail-oriented, and mine is that too plus figuring out the right words. So far so good. Yeah, thanks mostly to France’s fucked up non-roll out of the vaccine things are getting worse, which is pretty infuriating. Just hoping the vaccines get up to speed and help before they try to lock us down again. I think people here will lose their shit if we get another lockdown. Anyway, happy week to you, maestro. ** Okay. What does the 15th of the month always mean vis-a-vis DC’s? That’s right: escorts. See you tomorrow.

DC's

Page 556 of 1089

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