DC's

The blog of author Dennis Cooper

Page 23 of 1101

Please welcome to the world … New Juche HEAT DEATH JOURNAL, Issue 2: BORGO LAPSUS

 

HEAT DEATH Issue 2: Borgo Lapsus
162 pp. Colour & B/W, mixed papers, perfect bound, French flaps.

ARCHITECTURE; RUIN PORN;
SICILY; PHOTOGRAPHY; SICILIAN
BAROQUE; LATIFUNDIA;
EMPTINESS; DE CHIRICO;
NECROPOLIS; IN COUNTRY;
ITALIAN FASCIST ARCHITECTURE;
PROSTITUTION; ECOLOGY;
SPONTANEOUS GENERATION;
SYMMETRY/ASYMMETRY;
ARGONAUT; BEYOND THE FRAGILE
GEOMETRY OF SPACE AND CRIME

My withdrawal from this place of administration was a performance and a penitence. In my living vestment of bees I drifted glacial as time back through the corridor, my arm painful in its frozen salute, and then out of the building’s front entrance, where I found myself at the top of a double external staircase. I looked ahead at an overgrown meadow full of wildflowers, with copses of oak and pine a short distance away, and with no further hesitation I turned left, and with meticulous care climbed down that side of the staircase. With each step more bees flew or fell from my body, my muscles relaxed and my ordinary movements returned, and when I arrived on terra firma I was confident enough to brush the remaining insects from myself and then remove my clothes one piece at a time before taking great deep euphoric breaths as I stretched and preened myself in the tall grass and then began to smile and laugh out loud.

“New Juche writes with the sun-blasted madness of D.H. Lawrence living his final days in Mexico, or as haunted amanuensis transcribing the ravaged dreams of Ezra Pound in his spotlit prison cell tucked away in the night hills of Pisa. Heat Death 2 bears the hallmarks of prophecy, and behind the scarred architecture of a man casting himself adrift lies the clarity of a warrior monk’s keenest vision. No-one is writing like this today. They simply fucking can’t. Read it!“
Philip Best (Amphetamine Sulphate)

“There is no Maslow’s Demon in New Juche’s hermetically-sealed Word Universe. The entropic march toward a complete disassembly proceeds with or without his endorsement. He’s not here to cast a judgement, but simply to record the dissolve as he’s torn apart at the seams himself. Borgo Lapsus is the next step on that pathway toward entropic equilibrium; toward a wiping clean; toward our Heat Death. Read his work, it’s brilliant.”
WasteMailingList

Buy HEAT DEATH – ISSUE 2
Gallows Fruit

 

Excerpt

 

Raw materials & outtakes

 

 

*

p.s. Hey. So, before I get into why the blog was away for so long, I want to say how pleased I am to welcome it back by helping to welcome the new work by the great New Juche into the universe. NJ is one of the topmost sterling writers, etc. of our times, and thus I highly hope that you’ll spend this re-inaugural weekend perusing and maybe even scoring the book you see above me. Now, very long story very short, while I was away in the US, my hosting site suddenly announced that my blog was using too much memory, and they shut it down. This was followed by a bunch of back and forth until it was determined that the blog would need to be migrated to a larger server. That was supposed to take a couple of days. Ten+ days later, they finally got on the task only to tell me that the new server they chose also wasn’t big enough. More negotiating before they decided to move the blog to an even larger server. That took days and days, and working out the technical issues that came along with the migration took more days. Finally, on Thursday, I was told the blog was in its new location and wide open again. And here we are. Hopefully everything will run smoothly from here on out, but we’ll see. I’m very sorry for the unexpected delay. It was very annoying. Finally, there are 62 comments. Honestly, there’s no way I can adequately respond to so many comments in my normal fashion today. I would be brain dead before I got a third of the way through. So I’m going to respond briefly to each comment, and, if I miss a question you asked or miss something you specifically want feedback on, please restate those things starting tomorrow when presumably the comment count wil be at its usual doable length. My sincere apologies for any short-shrifting in advance. And, hey, it’s really good to ‘see’ you all again! ** James Bennett, Thanks, pal. I saw an email from you, and I’ll get to it pronto. ** jay, Hi, jay! How’s it? Right, Ethel Cain, that was an obvious miss on my part. I’ll get the Ed Atkins book, great, thank you! Look forward to catching up! ** Katie Jean Shinkle, Hi! I would love to get your new book! Write to me at my email (denniscooper72@outlook.com) or on Insta or Facebook, and I’ll give you my mailing address. Really nice to see you! ** Chris Kelso, Hey. Well, of course (on including your book). What’s the status of your film now? ** Susie Bright, Susie! The great Susie! So lovely to see you, maestro! xoxo. ** _Black_Acrylic, Thanks, Ben. ** Larst, Thanks, L. And for the love and peace and especially for the gnarlyness. ** Malik, Hi, Malik. I’m happy to see you mention Backxwash. I feel like that amazing album has been really overlooked. Wonderful list. I’ll pore over it. ** zach, Hey, hey, zach. I’m not hugely into painting. Or not like I am re: sculpture, installation, videos, etc. Painting is more sellable, and that’s a lot of what the art world is about. ** Alistair, Hi, A! Phil Ochs and 100 gecs in the same list! How cool is that? ** scunnard, Hi, J. Thanks, pal. Things going well on your end with your project(s)? ** Sypha, I’m literally calling Emergency Services to take me to the hospital on account of the extreme state of shock I am in at learning the Lady Gaga album is one of your year’s favorites, haha. ** Dominik, Hi!!!! Unexpectedly long time no see. How are you? What’s been happening? Thank you for the shiny ‘bests’ list. Love wishing he could do a heavy edit of those ‘two weeks’, G. ** Steve, Hi, Steve. Thank you for your lists. I’ll go over them with a fine toothed comb. My plane blockbusters weren’t a revelation although it was interesting to find out that ‘Oppenheimer’ and ‘A Complete Unknown’ were as respectively boring and mediocre as I had imagined. ** politekid, Hi, O! Sad to catch you on a day when I have to move swiftly, so come back. Lots on your lists I want to know intimately. No, I don’t know ‘Petscop’ but I will, thanks to you. ** Justin D, Hi, JD! The States portion of my away time was very good, thanks. I’ll make notes on the things on your lists that I don’t know once I’ve hit today’s finish line and recouped a bit. I hope all’s really good with you. ** MR. OMAR KING, Hello, sir. Very happy and a no brainer to put your lovely book on my faves list. And thank you for your faves. That shirt you liked that Zac was wearing was indeed made by Michael Salerno. You could write to him and see if still has any? @ kiddiepunk.com. ** Tyler Ookami, Hey, Tyler. Thank you for your faves and of course for the links. I’ll head over to them asap. ** julian, Howdy. I’m very happy you liked ‘For Disobeying’. All’s well with you, I hope? ** PL, Hey, hey. I miss talking too. Things are good, busy, film stuff, the usual. I was very young when Nixon and my dad were close friends. I only have one memory of walking into our livingroom and seeing him sitting on a couch with Pat talking with my parents. And even that’s blurry. I hope Sao Paolo was fun. The drawing re: ‘The Sluts’ (thank you) seems to have removed or something? I met Tom of Finland once at an art opening where they were showing his drawings. He seemed nice enough. I just basically said hello. ** BimboFagDoll, Hi. Thank you. I hope you had a good vacation, so to speak, too. Great about the interview. Maybe write to me via email? denniscooper72@outlook.com. ** sasha!, Hi! So great to see you here! Well, of course, re: your book. It’s easily one of my ultra-favorites of the year. ‘“Crawlspace” by chat pile’: will do, straight away, thanks! Of course I would totally love to read your pro-wrestling novel whenever. Wow. What an amazing idea. Thanks so much for coming in here. ** lotuseatermachine, Thanks. Things with the film went really well. Thanks for the nudge on your stuff. I will. I’m a little behind as seemingly usual. Thank you a lot for your faves list. ** LQ/Lily, Hi. I’ve always been hugely into the New York School poets since I was in high school. They were very influential on me. I think there just happened to be bunch of books by or about them this year. No, I mostly see art in Paris and then wherever I happen to be traveling. Thanks a bunch. ** oliver jude, Hi, oliver. The screening went really well. Totally, there were so many self-driving taxis in SF it blew my mind. Spooky. I’m glad your LA trip went so well. With any luck, I might be able to announce a NYC screening somewhat soon. Just waiting to see if we’re lucky. ** Hugo, Hi. It was great to get to meet you in Paris. Sure, you can send me your novel. I just can be very slow, that’s what you need to know, but yes! ** Alice, And it was awesome to see you and hang out in Paris! Very cool about the games. I utterly agree re: the ones I know. Sorry to have to be in a rush today, but we can talk/catch up more vociferously next time. ** Bill, Hi, Bill! Yeah, it was so great to see you in SF, and I’m so happy you like the film. Zac was really happy to meet you. Thanks a lot for your exciting looking list. I’m going to have to wait just a bit to look through it carefully ‘cos today’s a whopper. Great! Alls well since we left? ** William, Hi. I did like the new Deerhoof, yes, but I wasn’t sure if it was a total fave, but it’s still accumulating in me, and the year is youngish. Thanks. ** Joe, Hi, Joe! And there you are right up above there. Thanks so much for giving the blog the honor. xoxo. ** Carsten, Hey, man. It’s not bad form to ask, no. I saw Neil Young live the other day. It was great. It was like experiencing something from another time. It was very interesting. ** HaRpEr //, Hi, HaRpEr //!!! The US/traveling part of my time away was very good, thanks. And the summer hasn’t been too, too brutal since I’ve been back. Yet, obviously. ‘Castration Movie’ played at the same festival we were at in SF, and it won the Audience Award for best film. Wild. I’ll go check your list once I’m finished scurrying through the big comments pile. Thank you! Great to see you! ** Nicholas., If there’s anyone who needs a *poof* return today, it’s probably me. I’ll check your site. Everyone, Nicholas. has updated his site Closed Practice, Go check it out. Here. Dinner … uh, pasta, capellini, with Basilica sauce mixed with Mushroom sauce and lots of Parmesan. ** Steeqhen, Blog is back later than expected but better than nothing. Thanks for the catch up own your recent artistic experiences. I’ll have to come back and concentrate later/tomorrow as my brain is staring to fade. ** Darbz 🎃, Hi, Darbz 🎃! You’re making me even more excited for Halloween. I’m really glad you’re out and feeling better. My trip was good. The film went down well. Saw friends, you know, good things. I remember Chaos Magic being very tricky. Really nerdy in a great way. I’m still kind of new at Instagram. I just post links to the blog and do announcements about the film and stuff so far. But it’s cool to find so many super interesting people and lost friends there and stuff. It’s really good to see you, my friend! ** nat, Hi. Yeah, the technical stuff was a big hassle, but maybe we’re in the clear now. Here too: tourists everywhere you look. But they’re all wide eyed at Paris, and it’s kind of sweet. Cool, talk with you better and more soon. ** Bernard Welt, Bernard! Yeah, it’s a pile, but it’s a great, heartwarming pile. I was given a copy of Crooked Fagazine when I was in LA. It’s very cool. Is it #10? Wow, I’ll check back. I love Wes Anderson’s films. I get that he has become even more ‘Wes Anderson’ with time, but he gives such pleasure, as far as I’m concerned. Rachel and I are pals, and we go quite a ways back. She’s great. ** horatio, Hi! Thanks, pal. Another Backxwash fan, excellent. Thank you a lot about ‘Permanent Green Light’. That’s so nice to hear. And obviously I’m chuffed that you’re liking GbV. Best of luck with MIX NYC. To us too. How cool if we could festival neighbors. ** SP, Hey. I’m disappointed with ‘I AM MUSIC’ to be honest. There’s great stuff in there, but the totality is so bloated, and I’m disappointed that he did the standard thing of packing the record with guest superstars. I was hoping he wouldn’t go that route. I think my expectations after ‘Whole Lotta Red’, which is one the most exciting records in years, I think, were maybe too high. So I like the new one, or parts, but it didn’t blow my mind. What do you think? ** rewritedept, Acid, nice. I’m back in relatively sane France, yes. Thanks for reading ‘Enter at Your Own Risk’. I like that book. I wish it would get reprinted. Theremin, yes, wild, congrats. And for finding the perfect ass. Anyway, you caught me after my brain exhausting set in, sorry, but we’ll talk more soon. ** Kavita Choudhary, Wow! ** Tosh, Hey, Tosh! We’re back. I’ve missed your eyes. ** Right. We’re back and hopefully on track. Enjoy New Juche and your weekend at large, and I’ll see you on Monday.

Mine for yours: My favorite fiction, poetry, non-fiction, music, film, art, and internet of 2025 so far

Fiction
(in no order)

sasha hawkins FOR DISOBEYING (Calamari Press)

Thomas Moore WE’LL NEVER BE FRAGILE AGAIN (Amphetamine Sulphate)

Victoria Brooks SILICONE GOD (House of Vlad)

Grace Nissan THE UTOPIANS (Ugly Duckling Presse)

Kenward Elmslie THE ORCHID STORIES (Pilot Press)

Danielle Chelosky BABY BRUISE (Filthy Loot)

Lynne Tillman THRILLED TO DEATH: SELECTED STORIES (Soft Skull)

Francis Whorrall-Campbell THE REVOLUTION WILL NOT HAVE BEEN DOWNLOADED (Good Press)

Gonçalo M. Tavares A GIRL IS LOST IN HER CENTURY, LOOKING FOR HER FATHER (Dalkey Archive)

Garielle Lutz WORSTED (Calamari Press)

Kit Schluter CARTOONS (City Lights)

Arreshy Young CODON (Calamari Press)

Tony O’Neill FORGED PRESCRIPTIONS (Far West Press)

Mr. Omar King AN ODYSSEY OF DINGBATS! (IP)

Joshua Escobar DEMONS OF EMINENCE (Publication Studio)

Brittany Menjivar & Erin Satterthwaite, eds. THE CAR CRASH COLLECTIVE ANTHOLOGY (Metalabel)

Logan Berry DOOM IS THE HOUSE WITHOUT A DOOR (Inside the Castle)

Grant Maierhofer TRAUMNOVELLE (Erratum Press)

Matthew Kinlin SO TENDER A KILLER (Filthy Loot)

Joe Westmoreland TRAMPS LIKE US (MCD)

 

 

Poetry
(in no order)

Amy Gerstler IS THIS MY FINAL FORM? (Penguin)

Gloria Frym LIES & MORE LIES (BlazeVox)

Emily Skillings TANTRUMS IN AIR (The Song Cave)

David Trinidad NEW PLAYLIST (Pitt Poetry Series)

Paul Cunningham SOCIOCIDE AT THE 24/7 (New Michigan Press)

Elaine Equi OUT OF THE BLANK (Coffee House Press)

Margaret Ross SATURDAY (The Song Cave)

Ron Padgett PINK DUST (NYRB)

Thomas Moore I RUINED YOUR LIFE (Kiddiepunk)

Tony Towle LATE SKETCHES & STUDIES (Kulvert Books)

Ariana Reines THE ROSE (Graywolf Press)

Brian Alan Ellis THE ERRORS TOUR (House of Vlad)

Cletus Crow JESUS FREAK (Pig Roast)

Sholto Buck LIGHT FILM (Pilot Press)

Kit Robinson TUNES & TENS (Roof Books)

Dom Lyne THE SKY WAS EMPTY, BUT THE THUNDER STILL ROLLED (Queer Mojo)

 

 

Nonfiction
(in no order)

Avital Ronell AMERICA: THE TROUBLED CONTINENT OF THOUGHT (‎Polity)

Ian Penman ERIK SATIE THREE PIECE SUITE (Semiotext(e))

Yasmine Shamma, Rona Cran, eds. CONVERSATIONS WITH NEW YORK SCHOOL POETS (Edinburgh University Press)

Naomi Falk THE SURRENDER OF MAN (Inside the Castle)

Peggy Ahwesh SOURCEBOOKS (Visual Studies Workshop)

Lidia Yuknavitch READING THE WAVES (Penguin)

Ron Padgett DICK: A MEMOIR OF DICK GALLUP (Cuneiform)

Robert Ford, Trent Adkins, Lawrence Warren, ed.THING (Primary Information)

Mike Hoolboom WORK (Canadian Film Institute)

Chris Kelso ON MELTING: ESSAYS AGAINST THE BODY (Filthy Loot)

Stewart Home FASCIST YOGA (Pluto Press)

Joe Brainard LOVE, JOE: THE SELECTED LETTERS OF JOE BRAINARD (Columbia University Press)

J. Hoberman EVERYTHING IS NOW (Verso)

Jeff Copeland LOVE YOU MADLY, HOLLY WOODLAWN (Feral House)

 

 

Music
(in no order)

Sparks MAD! (Transgressive Records)

Um, Jennifer? UM COMMA JENNIFER QUESTION MARK (Final Girls)

Destroyer DAN’S BOOGIE (Merge)

Kali Malone THE SACRIFICIAL CODE (Ideologic)

Dean Blunt ft. Elias Rønnenfelt LUCRE (World Music)

Tashi Dorji WE WILL BE WHEREVER THE FIRES ARE LIT (Drag City)

Guided by Voices UNIVERSE ROOM (Rockathon)

Lucy Railton BLUE VEIL (Ideologic Organ)

The Fall SINGLES LIVE VOL. 1: 1978-81 (Bella Union)

Jenny Hval IRIS SILVER MIST (4AD)

Haswell & Hecker UPIC DIFFUSION SESSION #23 (Editions Mego)

Youth Code YOURS, WITH MALICE (Sumerian)

Kevin Drumm IF TOMORROW GETS HERE (iDeal)

Backxwash ONLY DUST REMAINS (Ugly Hag Records)

Stephen O’Malley BUT REMEMBER WHAT YOU HAVE HAD (SPGRM 015)

Anthony Braxton B-X0 N0-47A (BYG Records)

Collapsible Shoulder Big Band A MAP OF BOOKS (Cuneiform)

 

 

Film
(in no order)

Harmony Korine BABY INVASION

Mona Convert UN PAYS EN FLAMMES

Albert Serra AFTERNOONS OF SOLITUDE

Wes Anderson THE PHOENICIAN SCHEME

Julian Castronovo DEBUT, OR, OBJECTS OF THE FIELD OF DEBRIS AS CURRENTLY CATALOGUED

Robina Rose NIGHTSHIFT (restoration)

Alex Ross Perry PAVEMENTS

Gary Hustwit ENO

James Benning LITTLE BOY

 

 

Art
(in no order)

RAMMELLZEE (Palais de Tokyo)

Mark Leckey AS ABOVE SO BELOW (Lafayette Anticipations)

Alice Coltrane MONUMENT ETERNAL (Hammer Museum)

Bruce Nauman PASADENA YEARS (Marian Goodman, Los Angeles)

Julius Eastman and Arthur Russell WORLDS OF ECHO (Red Cat)

Deana Lawson (Pinault Collection, Paris)

Lecia Dole-Recio ESSAYS ON ABSTRACTION, PART 3 (The Fold Gallery)

James Turrell AT ONE (Le Bourget)

Jason Yates HURTS TO WALK (Gatto Pardo)

Amy Sarkisian THIS. (Alto Beta/Night Gallery)

 

 

Internet
(in no order)

Zona Motel
SCAB
ASTERISM
Anna’s Archive
zlibrary
The Wire
Original Cinemaniac
GAMESCENES
Skullcrushing Hummingbird
Internet Archive
VK Video
PLAY THERAPY V2.0
Solidarity Cinema
otherppl
WAKE ISLAND
Mattazine Society
pixiv
{ feuilleton }
SHABBY DOLL HOUSE
too scared to tell my mom
espresso bongo
X-R-A-Y
Art and Trash
Legsville
Rhizome
Theme Park Review
ok.ru
Musique Machine
ANGUSRAZE
PEPPERLAND SPICERACK
Beaucoup
Expat
SOAP2DAY
Volume 1 Brooklyn
Experimental Cinema
The Los Angeles Review of Books
3:AM Magazine
largehearted boy
pantaloons
Locus Solus: The New York School of Poets
giphy
The Wonderful World of Tam Tam Books
Hobart
Ubuweb

 

 

*

p.s. Hey. I thought I would leave you temporarily with my annual mid-year favorites so far list. There are undoubtedly things that would be in there if I wasn’t spacing out and/or had managed to get to them yet. Please share some of your faves of 2025 here if you don’t mind. So this’ll be the last post for about two weeks, and the blog and I will be back in our usual forms on Tuesday, July 1st. I hope everyone reading this enjoys themselves maximally between now and then. ** Julian, Hi. No problem, happens all the time. Happy about Fad Gadget’s and ‘Berg’s’ entree into your inner world. She’s an incredible writer. No, no online Little Caesar archive. It’s been talked about for years. It’s mostly logistics. I don’t have copies of all of the issues to scan, so it would have to involve finding all of them somewhere. There’s also been talk of doing a facsimile book of them, but I think getting the rights to the contents in that case would be too difficult. Anyway, I hope there will be something like that. I’ll get back to seeing how it could happen. Thanks for wanting such a thing. Take care! ** Dominik, Hi!!! It’s complicated. If you make a film in French in France there are all kinds of grants here you can ideally get to fund it. To shoot in English in the US, there are no grants, or hardly any, so the funds would need to be raised through … I don’t know. We went through semi-hell raising the money to make ‘RT’. So we would need to find a US producer who thinks they could raise the money. It’ll be an inexpensive film to make, for sure, but still. So that’s the deal. Also, France has all kinds of rules and restrictions that come with their grants, how much everyone needs to be paid, how long you’re allowed to shoot the film (not very long), which makes shooting films here hard in another way. We’ll figure it out. Thank you for asking. Triplets! That’s a lot! Good luck to love in that circumstance. Love making your next two weeks the most valuable to you in the longterm of any two week period you have thus far lived through, G. ** _Black_Acrylic, Happy you have some solid stuff to tide you over. Have an excellent couple of weeks, Ben. ** Joe, Hi. Oh good, whew, that ‘The Sluts’ is still out there. I really like early Handke, basically almost all of his books up through ‘Repetition’, which I agree is great. ‘The Left-Handed Woman’ and ‘The Goalie’s Anxiety at the Penalty Kick’ I remember being especially strong. Awesome that he’s inspiring you. Thanks, Joe. ** Hugo, Hi, Hugo. It is great. Pretty much all of her books are great. I do love Firbank, yes. Other British fiction writers I really like? Let’s see … Henry Green, Christine Brooke-Rose, Muriel Spark, Brigid Brophy, Barbara Pym, Jean Rhys, … Those are the ones who spring to mind. Me too on obsessing over sentences and details. Works for me, and surely for you. There are novels of mine after the Cycle that I prefer and think are probably better, but the Cycle took me ten years of intense work and thinking, and I’m obviously really proud of it. Thank you. Luck with the wandering and working. I look forward to getting back into that mode myself. ** Steve, Oh, man, I’m so sorry. But onwards and surely upwards. I don’t know NTS, but I’ll look into it. All the luck in the world with them. Of course hopefully you won’t need any. The 2025 MIX NYC festival is in November. Later November, I think. If you check their page on Filmfreeway, that has all the info. ** Uday, No, I avoided that film. Seems like that was probably a wise idea. Nice Leibowitz quote. Boy, is she good at sound bites. Thanks about the trip, and, yeah, I’m not going to think about that crash, of course, and you have some kind of blast for the rest of June, okay? ** Arno, Hey, Arno! How really great to see you! I’m happy Quin is getting translated into Dutch. Very nice Quin anecdote. Naxos. I’ve heard of that island. How nice, although, the presumably hot weather, ouch. But you’re by the sea, etc., so best case scenario. Honestly, I’m not the biggest Thomas Ligotti fan. Nothing against his writing, he’s just a little too nihilistic for me, and that irks me. But he’s singular, and that’s important. I would second your reluctance to go the US whilst the monster and his monster-ettes are in charge. I’m curious to see what it’s like on the ground and up close. But scared too. But it’ll be okay. Anyway, yeah, so nice to see you and hear you sounding so good. ** pancakeIan, My pleasure. Yes, and my friend does a punch perfect imitation of Piper Laurie’s voice, and impressionists are almost always pleasurable. It’s really only the summer that mosquitoes decide to venture far enough from the Seine to find my apartment. I’m used to the long flights by now, but yeah. I think going by ship would be a lot more hellish, theoretically. Have a swell couple of weeks, my friend. ** Carsten, Hi. Saw your email, thank you. I’ll probably have to get to it once ensconced in the US, but I will, And thanks for the wishes. You have a fine, fine time yourself. ** Måns BT, Hey! She’s great. And happy your friend chilled out. Mehringdamm … no, I don’t know it. I don’t know Berlin all that well. It’s not a place I immediately think to travel to except when I have some kind of gig or something to take me there. It’s probably okay. Berlin is pretty fully gentrified to some degree these days, I think? Good, I hope the film people will be cool with November. If so, we can just go ahead and lock it down straight away. Yay! I’m reading two books that don’t come out until the fall. Laura Vasquez’s ‘The Endless Week’ and ‘Practicing Dying’ by Charlotte Northall. Both really good. Take care, pal, and enjoy everything there is to enjoy for the next coupla weeks. ** Alistair, Hey. Everyone I know in the States is going to a protest today. It’s pretty exciting. Are you prone to getting into fights? Is it possible people would be less likely to fight you given that their knuckles could get shredded? ** jay, She’s great. Oh, do I inordinately fix on suicide artists here? Not intentionally or consciously or something, but then again that doesn’t surprise me. Fun: that AI poetry writing session. I’ve never ever done anything with AI. There just hasn’t been the occasion. And maybe I’m a little afraid to dip into that cookie jar. Oh, sure, I think you’re right about the porn models performing for themselves. That’s why people ‘go nuts’ at concerts and sporting events and stuff, I think? Thanks, hopefully the trip and film screening will be worth the flight costs and jet lag. Probably. I like the Cycle books as individuals too. But I think it’s inevitable that they’ll get culled into one volume in the future for cost saving reasons if nothing else. And better that than the books just going out of print and disappearing into the rare books sites only. Have 14 or so days of as much fun as can be imagined. ** HaRpEr //, Hi. It’s so great. My favorite novel of hers is ‘Tripticks’, so maybe try that one next? ‘Castration Movie’ is playing in the SF festival that ‘RT’ is in, but I think we’ll up there too shortishly to spare those hours. Let me know how it is. What do I know, but I have a strong suspicion you won’t be insane by the next time we interact. Call it a hunch. I do hope the weeks give you beaucoup things of immense stimulation. Take care, and see you on the other side. ** Steeqhen, Oops, sorry, about the backslide. Mm, try not to dwell on it? I don’t know how. Luckily, I never cared about the grades my schools gave me. I never wanted to go to some high end university, so it didn’t seem to matter. I would go to the Charli concert. If you go, there is the chance something about it might lift you upwards. If you don’t go, there’s probably a lot less chance that something you will do at home during that time will. That’s my logic. ** Bill, Hi, B. ‘Tripticks’ is my favorite of her books. Yes, so happy I’ll get to see you. We’ll sort out the location stuff in the next days. Great. ** Alice, Japan is as amazing as everyone always says it is. And, yes, there are some crazy stores in Tokyo. Lots of them. That’s such a nice story about your young trans masc friend. I have so many good friends who are trans, masc and fem. And being the age I am, of course, all of them are younger than me and often significantly younger. The adventurousness and aiming for originality is so beautiful and inspiring. And I can totally relate to it even as someone whose given gender identity has never bothered me. Anyway, that’s great. And very interesting about the found, overheard encounters’ influence. That feels exciting even over here to me. I really like ‘A Crack Up at the Race Riots’. It’s terrific. Enjoy your friends fully, and I too look very much forward to our future conversations. ** lotuseatermachine, Hi. I’m excited to read your stuff. I may have to get to the West Coast before I can stop thinking about what I need to pack, etc. and have a free brain. Me too, about the festivals, and thanks. I’ll look into the Brisbane festival, thank you. Take good care. ** BimboFagDoll, Well hello there! Yeah, I talk back to everyone who comments here. It’s weird, haha. Curiously, I believe I saw a new profile by you yesterday when I was searching around. Yes, it would be fascinating and excellent to interview you. What a great idea. I’m going away for two weeks starting tomorrow and shutting the blog down while I’m away, but I and it will be at back at the beginning of July if you want to talk more about that and ideally set something up. Thanks a lot. All the best to you for now. ** Okay. You know the drill. So, again, have an awesome vacation from the blog. I’ll probably peek in at the comments while I’m away once in a while, so feel free to share your faves or talk about whatever, and I’ll get back to you starting on July 1st. See you then.

 

« Older posts Newer posts »

© 2025 DC's

Theme by Anders NorénUp ↑