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‘It seems Brisbane’s experimental music scene may be flourishing again. Peaks and troughs, ebbs and flows are common not just to Brisbane’s music scene but to its very demographic. Census data tells us that huge swathes of ‘young people’ leave Brisbane yearly to live, work and study abroad. The entertainment sector presents us with film titles like ‘All my Friends Are Leaving Brisbane’ and local band nights called ‘God Hates Brisbane’. As an outsider looking in you have to wonder how Brisbane’s creative side feels about itself. The creative arts have had, historically, an uneasy relationship with Brisbane’s conservative and rural minded heritage.
‘Musicians support each other by swapping members between bands, which deepens the level of respect and camaraderie, although finding venues to play in can be a challenge. While there was a shortage of venues over the last 18 months, Brisbane’s musicians took advantage of their enviable weather and planted the scene in backyards. Tom Hall’s regular house party series, Sonic Boom, of last year seemed to be dictated entirely by the idea that good sound is good sound so let’s all get drunk in the back yard. — Cyclic Defrost
‘In terms of the music scene Brisbane is good, maybe better than it has been for ages. Some really inspiring bands around the place. Some pretty cool and unexpected things coming out of Brisbane lately, like the Bedroom Suck label, which is looking pretty promising, and the Negative Guest List ‘zine, which is just one of those crazy opinionated publications that you always hope will come along. Otherwise the city is hot and they are always building new buildings. They re-did King George square, which you might remember is this big public square in the middle of town, in this really expensive landscape-architect’s-wet-dream kinda way. Only problem was they used these concrete tiles that heated the square up to over 50 degrees celsius, and people hated the new square, and goths don’t hang there anymore. Brisbane just isn’t ready for that kind of change.’ — Daniel Spencer
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Primitive Motion
‘This duo is an offshoot of Brisbane’s Deadnotes, and while they share some similarities to that outfit’s stumbling gait, their approach is way diff. Electronics, male/female voices and echo-up-the-wazoo make me think of a creation strain of San Francisco post-punk aesthetic of the very early 1980s. But the label’s reference to the Door and The Window is accurate as well. Very diffuse, non-anti-hippy pop-weirdness. With flute!’ — Byron Coley
live in Brisbane
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Kitchen’s Floor
‘Kitchen’s Floor takes nothing for granted. There is nothing escapist, mystical, or blankly comforting in their music. It’s anthemic, but not in an Arcade Fire sense. That band’s music is about 5% struggle and 95% chest-beating triumph. KF inverts that ratio, to spectacular effect. They know that the beauty exists in the effort, that perseverance in the face of hopelessness can be its own kind of victory. In this sense, KF embodies the experience of most people in their early to mid-twenties. ‘Regrets’ sounds drunk and unfocused, well-read yet barely articulate, profoundly furious and desperately in need of a map. There’s something very early 90s in the way the album straddles the line between fighting to the death and walking away. Barlow, Cobain, Westerburg, et al would be very proud.’ — Collapse Board
‘orbit’
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Feathers
‘Feathers remind me a lot of Vivian Girls; don’t be quick to pan these ladies, that girl-group comparison is only for comparisons sake. Feathers have got just enough rowdiness behind them to keep you engaged but don’t sacrifice DIY pop charm. From the sweet trance jam “Early Morning,” to the up-tempo “Cruel For Love,” there’s some killer sound going on; bass heavy tracks brimming with infectious hooks and stellar guitar. To say Feathers are good isn’t enough. I’m pretty jazzed on this release, as an LP it’s rather strong and I can only imagine how these songs sound live. Potentially my new favorite act.. someone get this band to tour the states as soon as possible.’ — Heartbreakers
Live at Latrobe Tce. Brisbane 15-07-10.
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Cured Pink
‘Cured Pink is artist/musician Andrew McLellan whose “music may sound like a man raging at (and in) a void” but “is also a defiant act of celebration. These spontaneous howls and improvised song fragments are teetering on the edge of chaos. […] But it’s also fun!” (Mess and Noise magazine). In 2010 Cured Pink appeared at Psycho Subtropics curated by OtherFilm (Gertrude Contemporary Art Spaces), Make It Up Club and Stutter and at Cairns’ On Edge Festival.’ — DISEMBRAINING SINGLES CLUB
Live 23-12-2010 Underneath the William Jolly Bridge
Per Purpose
‘Per Purpose take a page from the Minutemen’s ‘jam econo’ philosophy. Brevity is favoured, and normal song structure is ignored or contorted so that every worthwhile idea can be crammed in to fit. Like that influential trio, this one shifts gears every few seconds, but tends to keep grooving/convulsing along in one malformed way or another. It sounds like chaotic, agitated energy being forced through a conduit of brittle ‘n’ wiry punk-funk.’ — Lee Parker, Five Thousand
live at Format, Adelaide, Feb 27th 2011
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The Lost Domain
‘The Lost Domain are among Brisbane’s most intriguing experimental outfits. Members David MacKinnon (aka John Henry Calvinist), Simon Ellaby (aka Ragtime Frank), Greg Hilliard (aka Papa Lord God), Leighton Craig (aka L Tone), and Eugene Carchesio (aka Mr E) have all been involved in a multitude of visual, aural and performance art projects. In The Lost Domain, they produce a racket that encompasses elements of primal, deconstructed blues, blown out free jazz and irreverent references to rock music. These realms and many more have been explored throughout a two-decade-long discography of innumerable cassettes and CD-Rs.’ — The Thousands
Froggie went a-Courtin’, From Exploding Cinema in Brisvegas #3, 2007
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Sky Needle
‘Sky Needle perform primitive pop improvised along hypnotic waves of clunk in the backwater of the cosmic junkyard on unstruments operated by Alex Cuffe, Joel Stern, Sarah Byrne and Ross Manning. Sky Needle live in Brisbane, Australia. As Sky Needle say, “we are a couple of steps up from banging rocks together in a cave and a couple of steps down from modern music”. You can hear in there, the influences of the repetitive abrasion of 80’s New York post punk/no wave, but it’s got more rhythm and more soul. Perhaps somewhere between post punk and free jazz.’ — Sarah Werkmeister
Live at Burst City, Brisbane 18-07-10
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Blank Realm
‘Blank Realm is a rock band out of Brisbane. They “create a levitating atmosphere built on improvisations that focus sharp into excellent, tuneful songs (Brian Turner – WFMU)”. The band is composed of 3 siblings and a spiritual brother who share a love fine dining, and even finer selections from their well-stocked humidor. While they once sat comfortably next to Brothers of the Occult Sisterhood or Castings, they now sound more at home playing side-by-side with Royal Headache or Boomgates, as they did tonight. This stylistic shift reflects a wider philosophical movement in Australian underground punk music: a dismissal of the predominantly disaffected and angry music that prevailed in the last decade, in favour of something gleeful and celebratory.’ — Mess and Noise
at the ***9 Johnston Street Landslide
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Lawrence English
‘Lawrence English is media artist, composer and curator. Working across an eclectic array of aesthetic investigations, English’s work prompts questions of field, perception and memory. English utilises a variety of approaches including live performance, installation and found sound/vision to create works that generate subtle transformation of space and ask audiences to become aware of that which exists at the edge of perception. For over a decade, English’s audio investigations have traversed a divergent path where musical and environmental sources are granted equal focus. His work calls into question the established relationships of sound and structure – field recordings and musical materials work in unison, acting as suggestive devices. Rather than prescriptive, English’s sound work calls for the listener to construct their own narratives and impressions based on their personal histories and experiences.’ — LPE
live at Serial Space, Sydney July 2009
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*
p.s. Hey. ** Matthew, Hey, man. Lispector, that’s interesting. Yeah, that’s cool. Good mental move there on your part. Kudos. The working girls/ guys ring is still there? That’s crazy. When I was at the Book Fair, I never left the official grounds except to eat near the Fair and/or smoke, so I didn’t get to check out possible local bookstore finds. I just googled the topic, though. There’s this. You could try that. Yeah, I’ve read some Will Alexander. Very, very interesting stuff. I read, uh, let’s see … ‘Exobiology as Goddess’ and ‘The Stratospheric Canticles’. Maybe one more. I’ve heard great things about ‘Sri Lankan Loxodrome’. I’m going to get it. Hang in there. How has today turned out? ** Allesfliesst, I’m afraid I do, although when I polish it my eyes are usually kind of semi-beat, so it probably doesn’t read like it’s been smoothed. But I do try. Thanks for the celebratory pen rotating on my behalf. Yeah, seriously, doing this blog is like having a full time volunteering job. I try not to think about that too much though because I don’t want to risk coming to my senses. But I like that the blog feels like it just magically appears. You get a pen rotation for suggesting that this place might have been the result of a spontaneous combustion. If only. The buches were good. My plans got fucked up because both of the limited edition ones I wanted got sold out before I reserved them. So they looked more normal this year. You can see a bunch of people plus me eating the best looking one of the two in last weekend’s Varioso post. The one Yury and I ate on Xmas was so normal looking that neither one of us remembered to take a photo. ** Jeff, Thank you, man. A belated Happy Birthday to your mom, and, of course, I’m glad you had a good time. ‘The Collected Connoisseur’ looks/sounds pretty tasty. I’ll see if I can search it out. Thanks again, Jeff. ** David Ehrenstein, Congrats on being one of the winners of the Jon Swift Memorial Prize! Whoever does that yearly wrap-up is very attentive. That’s nice. Everyone, David E.’s FaBlog won a cyber-certificate of very high merit at the Jon Swift Memorial Roundup 2011, which is kind of an annual awards for blogs and posts. Go check it out. ** JoeM, That makes sense about the market size and swift reactions, yeah. I’ll watch the new ‘AbFabs’ when they get available, and I know they will. I watched it the last time they revived it, and it did feel kind of stiffened and too self-conscious, but nonetheless blast-like, of course. I’ll try to be more careful in the future with the fast judgement of long-haired old guys. It’s the old rockers who did it to me. Steven Tyler and the rest of them who I assume think that as long as the cameras taking their picture aren’t too close, they’ll look like they used to. And maybe Bob from ‘Twin Peaks’ influenced me too. ** Killer Luka, Cool, you’re welcome, awesome! ** Ken Baumann, Ken! I quite liked ‘The Last Novel’. See what you think. I’m reading almost only mss. right now that people have sent me either to read or blurb. Tao sent me the Megan Boyle book, and I just got it, so I’ll read that too in the spaces in-between. Best to you, buddy. ** Trees, Hi, T. Oh, yes, I saw Mike’s personal finale of your Xmas Eve-ning together via a video on his FB wall. It looked to have been, um, very effective, ha ha. Very cool about you reading with Lonely Christopher and Richard. Do get someone to put their iPhone in video record mode at the very least, okay? That’s funny ‘cos I’ve been thinking I should try to listen to more older stuff ‘cos I’m in such a phrase of devouring the New these days. Godflesh is awesome, of course. Maybe I’ll go back and start there, come to think of it. But I don’t want to get evil or more evil, hm. You don’t seem evil, so maybe I’ll go ahead and take the chance. Bon everything, man. ** A.r., They/it kind of are, right? It’s fun to see you and Joe go back and forth on Saville. I’m starting to think I should do a post about him. ** _Black_Acrylic, The book is pretty good, yeah. Kind of wandery, but even that feels like it’s happening out of necessity. ** Bernard Welt, Yeah, I think that new ‘AbFab’ thing is coming to the US on some official TV channel or other soonish. I read that somewhere. ** Misanthrope, I get you on the tea thing. That makes sense. I almost kind of wish my tea drinking wasn’t a habit ‘cos it kind of has made me take tea for granted. I will not make an escort joke. I will not make an escort joke. That is weird. I agree with Joe that your job is wacked. Maybe you should do a blog post about it. I thought about adding a ‘ha ha’ there, but then I didn’t. Interesting. I hope what’s-her-butt gets assigned to DC longterm, obviously. I used to spend big wads at Xmas too when I had people around who I had to buy presents for. Like Cody. Every Xmas, I tried to buy him into being a cool and weird guy when he grew up. Seems like it worked or helped at least. ** Chris Cochrane, That Linton thing sounds nice, Oh, the Clock Tower. It’s still going? Awesome, cool place. Is that recording of the Nayland/Ish/you thing watchable by bystanders like me? I’ve always wanted to see it, natch. Yesterday I just listened to the stuff in the post above when I was checking to make sure the videos I imbedded were still there. ** Postitbreakup, Yeah, a few people wrote to me to congratulate me on that lifetime achievement award thing while I was asleep. I guess it’s very cool, but as it’s called the ‘Foer/Franzen’ Lifetime Achievement Award, it also seems like it could be mean or something. I’m going to go watch the stream of the awards ceremony thing and try to suss out Roggenbuck’s tone of voice when he gets to my award. Maybe I’ll do that now while I’m doing the p.s. Hold on. Okay, I’m watching it. Man, he talks really loud. I had to turn the volume down to almost the bottom. Anyway, in theory, yeah, that’s pretty cool, I hope. And other awesome people got awards too: xTx, Richard Chiem, Blake, Ofelia Hunt, etc. Thanks for your congrats. I hope next year is your alt lit gossip rewarding year. ** Chris Dankland, I have no tattoos. I’ve never thought of anything that I wanted to be attached to and saddled with for eternity. That tattoo you’re thinking of imbedding in yourself sounds really cool, I have to say. Yeah, nicer the more I think about it. Mm, it’s weird ‘cos I relate to Whitman’s Transcendentalist thing more than I do to Dickinson’s Isolationist thing, but I don’t really like Whitman’s poetry, and I do quite like Dickinson’s. That’s strange. Anyway, I say go for the tattoo. I feel no reservations while encouraging you to do that whatsoever. ** Statictick, Cool, you’re welcome. I’m sure Jeff thinks ‘you’re welcome’ too. I’m so sorry to hear about Moose being sick. Having little kids means one gets sick a lot more than un-childrened guys like us. Well, you get sick way too often too. Anyway, I sure hope it’s just some particularly vexing but brief winter- related thing and that it’s evaporating right now. Let me know what you hear from her, and I’ll check her FB wall too. ** Chilly Jay Chill, Hi, Jeff. Yeah, Coley’s a longtime treasure. It’s very cool how he has remained totally in touch with new music for so long. I thought The Wire’s best-of list was pretty reasonable. It made me go buy some stuff. I hadn’t heard and have just downloaded that latest Ferrero album, for instance. I think it’s interesting that The Wire loves that Reed/ Metallica album when so much virtually no other music review place can stand it. I haven’t listened to more than a fragment. I wonder if I should extend my experience. Have you heard it? What did you think of The Wire’s picks? I hope you’ve nailed the ending of the theater piece now. Endings, yikes. The only Mario Vargas Llosa books/stuff I’ve read haven’t done all that much for me, no. ‘The Cubs’ … I’ll try that. Nice title. But, yeah, his work has never instituted passion in me much at all. ** Steevee, Hi. Yeah, exactly, on the estate stuff. Sure, I’ve heard Francoise Hardy. I knew her work a little when I was living in the States, but I’ve become much more familiar since I’ve been over here. I don’t own anything other than a handful of tracks. I just hear songs there here and there a lot. I’ve liked everything I hear, pretty much. I think her singing/ interpreting is particular in an intriguing way, although I don’t know if I would have picked up on its specialness if I wasn’t so surrounded by the sounds of French chanteuses all the time. See what you think. ** Shannon, Thanks, Shannon! I want to be entirely ridiculous. That sounds so inviting. Any tips? Happy New Year three days early to you, buddy! ** Alan, Is that true about the plural of p.s.? It looks ugly. Or maybe it looks interesting and I’m just being afraid of the new. Let me try something. ‘p.ss.’ But my spellcheck just underscored that spelling with the fatal red line. Let me try ‘p.s.es’ Okay, that’s interesting. The spell check automatically changed it to ‘p.s.s’ How about that? ** Joakim Almroth, Hey, J! I’m doing good, I think. It’s kind of too cold outside, but, wow, here I am griping about cold to you who are probably frozen everytime you even slightly crack one of your windows right now. I feel like I’m being sloth-like too. I guess it doesn’t show up here. I have plans to get less sloth-like today, but I haven’t figured out to do that yet. I think it might have to involve a ride on the metro. Anyway, I hope your distractions are good ones. Love from your pal and collaborator, me. ** Oscar B, Hey! You know, until the night before last, it was really mild in the cold department, not that Kiddiepunk wouldn’t been complaining, ha ha, but now it’s actually pretty cold outside. So maybe this cold right now is a freak thing, and it’ll be all temperate again upon your return? Let’s hope so. How hot is Melbourne? Go ahead, tell me, I can handle it. ** Okay. Uh, yes, quite simply there was the article/scene report in the last issue of The Wire about the experimental music scene in Brisbane, and it sounded really interesting, so I researched it and its music makers and listened to a bunch of things, and, yes, it is very interesting, and, yes, as so often happens in cases like that, a post was born. Meet the Brisbane experimental music scene. Enjoy. See you tomorrow.



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