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The Final Cut
Life size prop. She was kidnapped, tortured, her feet and arms were cut off, now as your guests walk in her head is being cut off. This is one amazing effect; the chainsaw moves in and her head is cut off… the body then falls forward and sprays water or air on your haunted house guests… it really scares them! Includes the life size prop body, chainsaw, lots of metal parts, tourture table HDTV screen, and video play back components. It works out of the box, just add a trigger to start the prop. $3,499.99
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Evil Child Lunger
Child waits hidden behind clothes then child shoots out 5′ turning left to right while lifting arms. 4 independent movements. $2,488.77
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Dinner Time
Full length animated body is gutted out. His head is slowly moving and legs are twitching. This Halloween Animtronic is designed to be filled with ‘blood’ and has a plastic container foamed into the body. Perfect addition to Bubba. Gruesome! Includes movement control, digital sound and speaker. Works great with our BUBBA Animatronic. $2,950.00
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Craven’s Crypt Haunted Shooting Gallery
You and your party have stumbled into Craven’s Family Crypt awakening Lord Craven, who does not tolerate unauthorized visitors to his final resting place. He commands you to leave and when you don’t he summons his dead descendants to drive you from his crypt. 28 different Zombies reanimate before your vary eyes, blasting out of their crypts, the walls and even the floors, as their matriarch the Lord Craven commands them over and over to keep attacking you as you try and defend yourself against the coming horde. Each time you shoot, the zombies react and retreat only to regenerate and just keep coming until finally, the Lord Craven is ultimately defeated and he and his children must return to their final resting places until they can summon the strength to return. $18,899
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Under Pressure
A man runs up to the window frantically trying to open it and causing it to shake as he does. Suddenly, a zombie steps in, grabs his head, and crushes it between her hands blasting viewers with water. This prop is a crowd favorite and will startle even the bravest of patrons. Price includes pre-programmed control hardware, solid state video player, monitor, flow control valves, digital sound, 6in. by 23in. mat switch trigger, and all necessary electrical and pneumatic connections. Prop connects to air lines with a 1/4in. male quick connect coupling. Requires 100psi compressed air and 110VAC electrical. $4050
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Feeding Frenzy
This is our Feeding Frenzy Great white Shark Animatronic shark Spitter. This is one huge Animatronic Tank is 4 feet high and 4 Feet white..Shark comes up to near 7 feet out leeping out of tank..Once up it sprays a mist of water out of its mouth to feel like blood hitting you.. Comes with Controller, Sound, Motion, Tank, Shark, Spitter (Installed), Two Strobes and Smoke Machine. $2.999.99
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Creepy Butler Zombiette w/ Swine Is Served
Creepy Butler Articulating Zombiette All electric character has 5- separate articulations. Swine is Served A large silver covered dish sits atop a fancy rolling butler’s cart, when the lid flips back and an enormous screaming bloody pig thrashes to life from an opening under the dish. Pig character has various lunging, neck, head, jaw movements as well as air blast from mouth. $6,388.77
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Demonica
Something wicked this ways comes – Demonica is her name and she’s rising from the grave. With her illuminated eyes and open mouth, she rises and lowers as if to leave and re-enter the afterworld at the slightest sound. Her head moves as if to cry out in anguish, or to call you to join her. Join in the spooky fun this Halloween when you decorate with this amazing prop. Additional Information The sound-activated Demonica Animated Zombie Prop is an over two foot tall zombie creature who pushes herself out of the grave to over three feet, rising up and down with a moving head and light-up eyes. Requires 4 AA batteries; not included. Sound activated. Optional 6V 3.0a adapter and foot pad activator sold separately. $119.99
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Chain Saw Butcher Pig
CHAIN SAW BUTCHER PIG Waits behind curtain, then curtains fly open, Butcher lunges forward 5′ while lifting chain saw up and down. Comes with Character, pneumatics, programmed controller, motion sensor. (Plug & Play). Custom Sound, MP3 Player & Power Speakers Ships freight. $2,688.77
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Storm Damage
A thunderstorm can be seen through the window when a sudden crash of lightning breaks a tree branch and sends it through the glass. With a rush, viewers are hit with wind and rain while the curtains blow with the storm. Best of all, this prop only requires electricity making it easy to install. Price includes pre-programmed control hardware, solid state video player, monitor, digital sound, 6in. by 23in. mat switch trigger, and all necessary electric connections. Requires 110VAC electrical. $4225
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Wizard Giant
This gigantic centerpiece animatronic can be used to help “sell” your attraction (and generate additional revenue). The giant head tilts, turns and talks as the eyes move left and right. Special EFX lighting, fog and strobe are included! Includes movement controls, digital sound, amp and speaker. Custom vocals and programming available for additional cost. Requires air compressor and AC power. Additional $150 crating. $8,493.77
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Earnest Granpa Walker
Geriatric Walkers – these old coots have lost their Depends in a big way, in fact everything from the waist down is completely gone! But, that’s not going to stop them from trying to chase after you!!! Disturbingly funny and frighteningly realistic movements cause these characters to thrash back/force and side/side as they attempt to propel themselves after their victims…… don’t let them catch you! $3,188.77
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Crate Spider
Watch in Horror as this Creepy Spider charges out of it’s crate with full movement. Legs move independently and body curls up while the spider charges out to meet your guests. The Crate Spider Halloween Animatronic is 3 feet long and 32 inches wide. Digital sound is available for an additional $300. Spider Spit Mechanism is available for $350. $5,100.00
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Madame Isabella
(10) function animatronic talking head. Used (2) ways- pre-programmed and recorded or operated Live interactive with a microphone and joy stick. Use Madame Isabella as a pre-Show to tell the tale of your attraction, pacing your patrons thru at a desired interval or use her as a stand alone second or side attraction. Charge extra admission for a seance side show before patrons go thru your main attraction. We can custom design a seance attraction just for you and your budget, making the entire room come alive to create an astonishing 5-10 minute seance allowing (1) operator to control live an entire room full of interactive special effects to astound and entertain your patrons.TLK100 Madame Isabella. $5,888.77
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Crematory Furnace
A man trapped in the fire punches the doors to escape, moving them as he does. With his last ounce of strength, he gives the doors a hard hit knocking them open and blasting viewers with the smell of burned flesh. Price includes pre-programmed control hardware, solid state video player, monitor, flow control valves, digital sound, 6in. by 23in. mat switch trigger, and all necessary electrical and pneumatic connections. Prop connects to air lines with a 1/4in. male quick connect coupling. Requires 100psi compressed air and 110VAC electrical. $4075
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Possessed
She’s possessed! Designed to lay on her back on floor or a table while she shakes violently while moaning and screaming. Soundtrack CD is included. Table and CD player not included. All electric, life size prop Clothing may vary. $349.99
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Squish-O-Matic
This amazing effect will leave your guests bewildered as to what just happened. Pile driver shoots toward actor and appears to splatter their head. Heavy metal construction. Fabric walls are optional. Approx. 5 ft. x ft. x 6 1/2 ft. tall. Includes movement controls, digital sound, amp and speaker. Requires air compressor and AC power. COMES WITH CURTAINS. $3,688.77
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Pig Meister PIG OUT
Watch Out the Pigmeister will get you..this animatronic prop goes for a brutal attack if you mess with his meal. Squealing and trying to hack you up. Works off 100 psi..sound , controller and 6 ft dead body all included. $1.749.99
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Deady Bear
The Deady Bear animated decoration is a tattered stuffed light brown bear intent upon stabbing itself again and again. The motion activated bear stabs itself as its head moves from side to side and one eye lights up. Dimensions: H” x L” x D”- 12.5″ X 7.5″ X 6.5″. $34.99
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p.s. Hey. You guys who have been looking at this place for at least a year probably know that, roughly six weeks before Halloween, my Halloween fetish barges uncontrollably into the blog on a regular basis, and so it begins. So, people who like this blog but don’t like Halloween are going to have a rough next month and a half, sorry. ** Jax, Hey. Idiotic me didn’t check the comments yesterday, and so I missed the live stream, but I’m hoping it’ll still be in storage there today, so I’m going to pray and click that link simultaneously the very second that the last i is dotted. Damn. ** Michael, Hi, Michael! Very awesome to see you! Novel is plunging along. I guess that’s the best way to put. What’s plunging or even tiptoeing along for you? All the best! ** Kiddiepunk, Nice as hell seeing you yesterday, buddy boy. Time for the next time. ** David Ehrenstein, Hi, David. It’s kind of crazy how viral the BEE vs. DFW has gone. I suppose Bret is rolling in clover about that. Wow, ‘The Master’ sucks? I haven’t been as excited by the trailers as a lot of other people seem to be, but suckage is unexpected. I’ll wait patiently for the full opinion-vexing black out to end. ** Cobaltfram, Hi, John. Oh, understood about the schedule change thing yesterday. We’ll sort out another time. When I saw Lynch scribbling, it definitely looked like a ‘leave him alone’ situation to me. That interview with me happened during the year that I was living in an apartment in the Marais. That’s the spartan living room behind and around me. And, if you were to look out that window, you would see the building that I ended up using as the inspiration for the narrator’s loft in ‘TMS’. Same address as in the novel and everything. It was what I always saw when I smoked at the window, and I got to know it so well that I thought I could use it. I think BEE is just stirring it up like he’s always trying to do, and this one just worked the best for him, I guess. It just seems like jealousy to me. I don’t see even the beginnings of a valid critique in what he wrote. ** Chilly Jay Chill, Hi, Jeff. Thanks about the books post. And of course about the novel writing trauma. I’m in a brief okay period right now ‘cos the timeframe I’m writing about at the moment was sort of the happiest, most serene phase of our friendship. Um, it’s really hard for me to be objective about what I’m writing, and I’m just plowing along as steadily as I can. It’s very raw, and I want it to stay fairly raw, although, of course, heavily tended to. I don’t know if it works or not. It could be powerful, and it also could be something I need to do that I will never publish. I’m hoping the former is the case, obviously, but I don’t think I’ll be able to tell until the first draft is finished. Really want to see the documentation of that art show, man. For sure hook me and the blog up as soon as that’s possible. I haven’t read Mishima in ages. I was quite into him for a year or so in the early ’80s. I’m not sure if I would be so into his stuff now, and I don’t seem to feel much pull to revisit him. I thought, like just about everybody does, or so it seems, that ‘Confessions of a Mask’ was the best one. I have always wanted to see that Schraeder film, though. I should do that. ** Math, Oh, that is sweet and awesome. Your new thing, I mean, of course. I slid and searched there a bit, and I’ll click my way to the bottom of it today. Great work, maestro. Everyone, the masterful master of an artist Math Tinder has just launched a new piece/project online, and it’s really awesome. Go check it out. It’s called ‘ash anywhere’, and it’s here. And Math says, ‘hint some drawings are clickable.’ Thank you, dear pal! ** Bill, Hi, Bill. Ah, don’t let the bothering aspect of the Cicero thing ward you off. He’s a particular thinker, as you probably know. It was just the only kind of ‘overview’ of Alt Lit that I could find out there to use. ** Chris Dankland, Morning (or whatever the case may be), Chris. Dude, the boost was so true and heartfelt, man. You are a ruler. The good kind of ruler. The question of what or rather who is Alt Lit is an interesting one. It seems like the categorization is kind of vague at the moment. Personally, I like the idea of an Alt Lit that includes Blake Butler, Amelia Gray, Shane Jones, and others who are slightly more established at this very moment, and separating them out seems kind of weird and artificial to me, but there does seem to be this idea going around that the Alt Lit tag only applies to the writers/scene around Tao and Steve Roggenbuck. That’s one of the problems I had with the New Sincerity tag, because that seemed like it was trying to isolate the Tao/Steve group. But I guess the definition should be up to the writers themselves. That kind of thing can be pretty blurry. I mean, there’s the much earlier and tighter movement tagged New Narrative, for instance, where sometimes Kathy Acker and I and others are included, and sometimes we’re excluded or defined as being outside sympathizers. It’s been about 20 years since New Narrative was invented, and it’s still not defined. I think that’s quite odd about Michael Robbins’s reaction. I guess some writers are really opposed to being grouped or historicized as being part of a collective? Seems really odd. Really nice weekend that you had there, man. The best of everything, kind of. Sweet. ** Gregoryedwin, Hey, G. Yeah, me too, on the busy thing, urgh, but, damn, let’s talk. I’ll missile you. Thanks for saying that about my book/efforts regarding George. Yeah, right. I need and want to feel really close to him, and, yeah, I think it’s a very small sacrifice to make for him. Are you giving yourself, like, a set amount of time to get the writing/ teaching adjustment balanced out? I think it happens naturally, if there’s any relevance between your particular subdivide and mine, but I do think making a conscious, dedicated effort towards making that split work is pretty important. ** Pilgarlic, Hi, man! Always a great pleasure to lay my eyes on your text. You’re very kind about my suffering/novel. I hope so. I hope it’s not just a cathartic explosion of love and pain that deserves no better than a diary, but we’ll see. Ugh, about the low offer. You feel like you should take it? You think that’s basically the ballpark you’re stuck with? I’m so sorry, man. As if the emotional loss isn’t hard and unfair enough. Love to you, my friend. ** Steevee, Well, wasn’t BEE talking about how ’50 Shades … ‘ was a masterpiece or something for a while? I still think Bret’s Twitter feed is at least mostly a prank/project. ** Mark Gluth, Mark! Awesomeness! Long time no see, man! I can’t believe some asshole stole your bike. Sweet that you not only got to hang with Mancy but saw his band. Yeah, if you see him before I do, tell him that I heavily second the recording suggestion. Great about the interviews, but you didn’t say where I can find, you tease. Where can or will I and the others be able to read them? Pony up. How is the new novel going at the moment? ** _Black_Acrylic, Hi, B. So excited about the new Korine! And super cool about Rachel Maclean asking you to write that text! Enjoy the Leeds time. Is the fundraiser going well? I haven’t checked lately. I hope so. ** Bollo, Hey, J! Welcome the hell back! No way, the Black Metal Museum is no more? Wtf?! What happened? The last I’d heard, they were working to move it into a proper semi-museum-like building. Shit. Great about the new pieces-in-progress. What exactly are you doing at the sound/ performance event on Friday? ** Dom Lyne, Hi, Dom! Well, I guess if you can’t fully make the treatment into the Grand Marshall of your upcoming life, the thing is to tap into your passivity and pragmatism or something? Like, I don’t know, here’s the cliff, and there are the guys with the gun to your back, and, uh … jump? I think I kind of understood that Wikipedia description of the treatment. In theory, it has its ace aspect, but that’s why they call them theories, I guess. Yeah, I hear you about the difficult prerequisite to any new relationship. I don’t know if this relevant or helpful at all, and it’s obviously a different situation, but I’m writing this book about George Miles right now, and, very long story very short, he had pretty extreme things to deal with, and that people who knew him also had to deal with. He was severely manic depressive, even as a kid, and he was diagnosed as psychotic in his ’20s, and I think there were a lot of other things that were never diagnosed, probably because it was back in the ’60s through the early ’80s when people weren’t as intricately diagnosed. He was already pretty beset with issues when I met him at 12, and they only got much worse/clearer, and I knew that about him and experienced it daily from the outset, but, man, I loved him like I’ve never loved anyone else in my life, and I would still be with him if that had been possible, and the things his condition forced into our relationship were nothing compared to the complete privilege and joy that every minute with him gave me, so I guess maybe I’m saying there are surely amazing things about you that you don’t have any idea are even there or that could impact other people and that totally compensate for all the trickier intricacies of you. ** Sypha, Hi. I didn’t see ‘Magic Mike’, but it doesn’t take a rocket scientist or a psychic to know that it can’t possibly do any better than lick the soles of the boots of ‘Moonrise Kingdom’. ** Schlix, Hi, Uli. I put together a post about The Sound yesterday for the near future. I hope you’ll think it’s okay, and thanks a lot for suggesting it. Man, totally weird that I somehow never got into their stuff at the time. ** Misanthrope, I don’t think I’ve ever watched an episode of Dr. Phil. I think 90% of the time that I’ve watched him do his thing, it was in the context of parodies of him. I think Dr. Drew is a sleazy moron. Man, knocking on wood and throwing salt over my shoulder for you re: the job until you give me the good word. ** Starlon H, Hi! Oh, sure, the Tao Lin hatred is very familiar and omnipresent. I don’t think I’ve ever read anything written by someone hating on Tao that wasn’t just self-indicting and obviously jealousy/ bitterness-based. I also don’t get what’s supposed to be so bad about so-called hipsters. What’s wrong with ‘hipsters’? What’s wrong with people wanting to be stylish and ‘in’? Who cares? I think ‘Richard Yates’ is my favorite of Tao’s books too. I’ve liked them all, though. The only Sam Pink book I’ve read is ‘Person’, which is kind of weird. I liked it a lot. I really need to read more of him. Great, and thank you about the growing love thing re: ‘TMS’. That was my masterplan, or … is it my trap, ha ha? So lucky of you to get to see that Swans/Xiu Xiu double bill. Tell me how it was, okay? Take care, pal. ** Right. How about letting my filtering of Halloween start exciting you today, please? That would be for the best, for me, for you, for the blog, etc., and, yeah. See you tomorrow.
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