The blog of author Dennis Cooper

Month: December 2022 (Page 4 of 13)

In Memoriam … Joseph Mills, April 15, 1958 – September 21, 2022

 

Joseph (Joe) Mills was born in Glasgow, Scotland in 1958, where he would live for the rest of his life. He was the author of the novel Towards the End and the short story collection Obsessions. His short stories were published in a variety of anthologies, including The Picador Book of Contemporary Scottish Fiction, The Mammoth Book of Gay Short Stories, and New Writing Scotland 17. He was the editor of the anthology Borderline: The Mainstream Book of Scottish Gay Writing, which featured stories about gay life from luminaries such as Irvine Welsh and Alisdair Gray as well as many other up-and-coming and established Scottish writers (including our very own Jack Dickson). Joe also wrote the screenplay for Edie’s POV, a short film about Edie Sedgwick.

He worked as a librarian for Glasgow City Libraries where he enthusiastically promoted Culture, Leisure, and Homosexuality.

 

George Wines (Misanthrope): Okay, enough of that. I’m channeling Joe there in that first sentence. He would’ve said that he hated this attention but then would’ve talked about it glowingly for years and finally admitted that he was touched beyond belief. That’s how he was. Like, he and I would argue ad infinitum about politics and religion (he was an atheist and a socialist; I’m a Christian and a Libertarian—you can imagine how those convos went…), but then I’d get a short one-off message that read, “Georgie Boy, you know I love you more than you’ll ever know,” along with a link to a music video, usually:

(Joe loved posting his favorite songs and videos over and over. Just check out his Facebook page sometime.)

I first met Joe here on the blog in 2006. (Quick aside: I could wax poetic—or not—for ages about what this blog means to me and has meant to my life, but I won’t. However, I’ll say two things: I’ve met the best friends in my life here, and all the people here whom I’ve met offline have been exactly as they present themselves here.) My earliest memory of messaging with him in the Comments section is when he and David Ehrenstein were trying to educate me on the great gays of the past, everyone from Alexander the Great to Quentin Crisp and Gore Vidal (two of Joe’s favorite writers) to Andy Warhol (another Joe favorite).

I finally got to meet him in the flesh in 2007 at The Tramway in Glasgow, where Gisele’s and Dennis’ Kindertotenlieder was being performed. The UK blogsters all decided to go, and I was like, “Hmm, I think I know them well enough, so why not? And worse comes to worse, Dennis’ll be there….” So I booked a last-minute flight and was in Glasgow in a couple days.

My first encounter with him wasn’t very remarkable or anything, well, except for my thinking he roofied me, his making one of the loveliest people on the planet cry (“What? It was obvious I was joking—”), and the bite mark he left on my neck as we parted just outside The Tramway at the end of the evening.

Soon, we were emailing several times a week, a protocol that lasted until his last day. Tons of arguments about politics and many tons more agreements on so many other things. There were Skype calls mixed in too, though I had such a hard time understanding that thick brogue of his because of my shit hearing. (The last time we were all in London together, Joe said something I couldn’t understand, so I looked to Rigby, assuming that as a fellow Brit he’d know what Joe had said. Rigby just shrugged and said, “Fuck if I know, I can’t understand a word he says.”) And then there were the vacations in London. Four of them. First was in 2012 when I brought my niece along, and then in 2014, 2018, and 2019 (with my niece and nephew in tow).

During these trips, Joe would complain the whole fucking time. We walked too much. We walked too fast. We were late for this, too early for that. This was too expensive, that was an outrage! He’d check how much was on his Oyster card every time he got on the tube and every time he got off. He’d wait in line an hour and a half to get his £5 deposit back before he left to go back home. And then the week would be over and he’d be back in Glasgow and I’d be back in Maryland and I’d get an email saying, “That was the best time I’ve had in a long time. We need to do it again.” Huh?

Some funny Joe-in-London bits that’ll tell you so much about him:

He loved Princess Diana and just had to see the memorial in Hyde Park. He was wholly unimpressed. He just looked around and was like, “Hmm, this is it? That was a waste.”

And he didn’t believe that Kensington Palace was Kensington Palace. I approached the hostess on the ground floor there and said, “My Scottish friend here doesn’t think this is Kensington Palace.” She looked at him like he was crazy. “Of course, this is Kensington Palace. Why would you think it isn’t?” Joe looked around and said with a shrug, “A bit run down.” “It’s four hundred years old, sir.” “Fair enough.”

We stayed in the same hotel in 2018. On the way back one night, he stopped. “You don’t know where we’re going. You’ve got us lost.” “No, our hotel is right up there on the corner.” “No, it’s not. We need to get a cab. My feet are killing me. I can’t walk another step.” So we argued a bit more about this and then a cab came by. I hailed it. I gave the cabbie the address and he looked at me like I was nuts. I said, “My Scottish friend here is very tired and won’t go another step.” He looked at Joe and shrugged and told us to get in. Fifty meters—if it was even that far—and we’re in front of the hotel. I gave the guy five quid and we were out of the cab. Joe apologized. “Okay, I guess I was a bit rash.”

But it wasn’t all hijinks. We would do drag queen trivia night at the Retro Bar off The Strand when we were there. He loved that. It was his element. And he was very competitive and just torn to pieces when we’d lose. We did several museums, another favorite excursion of his. And we’d all spend the late nights together drinking and talking and watching movies. That was his favorite time.


Joe outside the Retro Bar in London 2014

Our last trip to London was in October 2019. Again, I got an email from him afterward saying he had the best time and wanted to do it again. (He also wanted to come to New York City and see all the Warhol sites and Woody Allen movie sites, but he was afraid our cops would kill him on first sight.) We all shared an Airbnb together for a week in London’s “Little Venice” section. Me, Joe, Rigby, Mieze, my niece, and my nephew. He loved that we were like a little family, dysfunctional as fuck but in a place full of love.


London, October 2019, L to R: Joe, my niece Kayla, Mieze, Rigby, me, my nephew David

I often say that it dishonors a person not to remember the bad stuff about them. I mean, they were so much more than just all the good memories. But there aren’t any bad things I can remember about Joe. Annoying things, yes. Irritating things, yes. But I know I annoyed and irritated the living fuck out of him, too. So that’s a wash. Thing is, simply put, he was a good man.

He stopped commenting regularly on the blog years ago, but he was always lurking and we’d talk about the posts in our email exchanges. He always made sure the Glasgow libraries acquired all the books the DLs (and Dennis) here got published. And he read them all too. He was really supportive of everyone here and wanted the best for everyone.

It’s so strange these days. Things happen throughout the day and my first instinct is, “Man, wait till Joe hears about this.” But he won’t. I check my last email on Facebook to him, hoping to see the little icon lit up showing he’s read it. But it’ll never light up. It’s incredible.

My hope is that he’s wrong and that we do go back to the stars or God or whatever and that he sees or feels all this and knows that he was deeply loved and that he mattered. At worst, his light will always shine because of the friends he loved and who loved him and who will remember him always. And Joe, as you used to always say to me, I now say to you (just as I used to), I love you more than you’ll ever know.

 

Mieze Zuber (Mizu): Joe and I had met through DC’s Weaklings blog, but we didn’t really bond until I came back to social media in 2015. He had a subtle dry humor and was a very solitary person, and somehow we just kind of meshed.

We finally met in 2018, when a group of us converged for a short time in London. He was 60 then.

When it was over, and we were both back home, that visit was all he could talk about. It had been his first trip out of Scotland for some time, and against his initial fretting, he’d really enjoyed those few days. He spoke of doing it again… London in 2019. Next time he would stay longer.

So the following autumn, there we all were again, this time in a beautiful AirBnb in Maida Vale. During our first night out I noticed he was shaky on his feet, having stumbled going up the underpass steps. I slowed down and stayed with him, as the others ambled on…. and it stayed that way through the rest of the visit. We’d unspokenly designated each other as walking companions, and he later joked that I was his caretaker.

We had some good times in that short week.

I remember being with him at the art museum, looking at the Nan Goldin exhibit and listening to the Velvet Underground piped through the sound system of a film viewing room. He stood at the entrance, his head swaying slightly to I‘ll be Your Mirror and Sunday Morning.

There was his intricate and massive undertaking of his roasted potatoes recipe. In the kitchen for what seemed like hours, carefully preparing everything and constantly checking the oven. Those potatoes were good, very good. He was quite proud of having fed us.

And the time at the sweetshop that Kayla spotted near Soho…. Joe’s eyes lit up at the sight of it, so we all went in and he scrutinized the shelves like the librarian he was, until he found some expensive wax-wrapped candies from his youth.


Joe and George’s niece Kayla in London 2019

Back out on the pavement to wait for the rest to finish up he dug into the bag and took out two and handed me one. It was raspberry-flavored dark chocolate; I could smell the heavy scent of it through the flowery wrapper.

Oh, thanks, Joe! That’s kind of you.
He had this little twinkle in his eye as he nodded his head and popped his in his mouth.
Oh, he said. That’s fantastic. I haven’t had one of these in years. Isn’t it good?

And it was.

So there we stood, rolling fancy sweets around on our tongues as they slowly dissolved, smiling at each other. It was sort of like a moment between little kids, when one shares something of theirs held dear with another and between them it creates a kind of sympatico.


Joe in London 2019

————————————————————————————-

The waiting was the worst.

I’d asked the local police for a wellness check on Joe, but I was afraid the request might have gotten lost amid all the other calls Glasgow Police Central deal with. The afternoon bled into the evening, and as night came on, I felt that I already knew what they were going to tell me… that he was not sleeping off a bender at home, nor had some emergency taken him to the hospital.

He’s gone, I told myself. And then pushed the thought away, but it came right back.

Fears almost in check and waiting nearly 24 hours before phoning again, holding on the line for what seemed like forever.

Finally an officer picked up and confirmed it. I‘m truly sorry that this news we have for you, he said. It almost sounded like he meant it.

I heard myself asking if they knew who‘d claimed his body, asked for confirmation that he’d been claimed and buried, asked if there was anything else they could tell me.

There was nothing. I thanked him, and my voice broke.

————————————————————————————–

I went through an illness and recovery this year that left me feeling down and out. There was a moment before I fully pulled out of it in which I was in the garden, smoking a cigarette and trying to focus on the next months, when I was suddenly surrounded by a flock of swallows. They came out of nowhere seemingly and overtook everything. The sky was full of them and they dipped so close I could have touched one if I’d dared. It was a complete anomaly. I had never seen anything like it before.

I’d been writing to Joe every week, regardless of how either of us felt, and so I wrote to him about it. And as it turned out, this was my final email exchange with him:

…Another odd thing from yesterday afternoon, right before Rigby phoned: I was back home and went out into the garden for a cigarette, and there was a flock of swallows all over; the sky was thick with them. I‘d never seen anything like it. Crows, yes. Blackbirds, yes. Never swallows. One flew past so low and close it was no more than maybe a meter from my head. It was… something. After they‘d dissipated 20 or so minutes later, I got curious and looked up the symbolism of a swallow. And it said, “souls of the dead, bringing good luck and happiness”.

Well. Wishing it for you, for me, for us all. Let’s see what the next month brings, yeah?

And this was his reply to me:

I’ve had something like that recently!
We’ve had loads of noisy birds and one of them seemed to be aimed straight at me. I hate birds. I don’t want my eyes pecked out. They are almost as human-less as insects.
“Souls of the dead bringing good luck and happiness”.
I’ll go for that!
We are all atoms and atoms can’t be destroyed.
Maybe someone will work out a way to bring all our atoms back together.

Strangely fitting. His last words are comforting—very much like Joe in-person, really. And so until the day when our atoms might be brought back together, Joe, I’ll be missing you. I still can’t quite wrap my head around the idea that my Scottish librarian is no longer here.

 

Jack Dickson (Jax): I first met Joe back in the early 2000s, when he very kindly asked me to contribute to Borderline, an anthology of gay Scottish short stories he was curating for Mainstream, a small now defunct Scottish publisher—although we didn’t literally “meet” until a year later. See, Joe’s day job was a librarian—in our local library, as it turns out (we lived just down the road from each other). We both had the same publisher at that point—the wonderful Millivers Books in Brighton—but small gay presses were increasingly becoming squeezed out by the big boys and as I was moving sideways into screenwriting, I recommended to Joe that he submit something for commissioning…and blow us BOTH down, did his 15 min screenplay about Edie Sedgwick not get made by the late-lamented Scottish Screen “Tartan Shorts” strand with a premiere at the Edinburgh International Festival?! The Big Day arrived, we got the train through from Glasgow: Joe was nervous, excited (if you ever met Joe, you’ll know that was a potent combination) and slugging extravagantly from a litre bottle of water…and becoming more relaxed by the minute. By the time the film screened he was totally on cloud nine (it WAS a great wee film but seems to have disappeared without trace) not to mention the life and soul of the afterparty…and I had to practically carry him back to the station for the last train home then pour him into a taxi at the other end. Yes, it wasn’t water in that Evian bottle. And, to be honest, I was a bit pissed off (…unlike Joe, who was just pissed) by the secret drinking: if I’d known, I could’ve joined in. But no: this was Joe’s thing. His secret. To my shame, I never really forgave him for getting legless at that event and we kinda drifted apart after that. He was a fine writer with an acid sense of humour. He was also kinda hard work, if I’m being honest. We both continued to live just round the road from each other, in the East End of Glasgow. I can’t believe we never bumped into each other over the ensuing decades but we never did. Joe once told me his favourite part of the week was when he finished work and could go back to his flat, lock the door and shut out the world. I’m sad and a bit guilty that he continued to do that—but I know the world came to Joe via his many MANY online friends from this Blog who made him feel part of a life he wanted to live. The first time he met you all at Dennis’s Kindertotenleider—after the tough Glasgow driver whose bus we took to Tramway, totally smitten by Wolf’s gorgeousness, stopped his bus, got off in order, ostensibly, to point out where to go to us but really to get to spend a few more moments with Wolf, Joe whispered to me “I feel so fat and so bald”: I laughed to encourage him to laugh with me. But he didn’t. I DO know, however, that he loved his time with the friends he met here and felt more at home with you than anywhere else. I hate that he died the way he did and we know so little about what happened in September. Maybe that’s signature Joe, though: always with the secrets. Maybe he’s watching now, from some alternative Dark Matter universe, cringing and rolling his eyes at all the cool things some super cool people are saying about him. But secretly pleased.

 

James Champagne (Sypha): I met Joe through Dennis Cooper’s blog around 2006, and we quickly became friends, perhaps because we both had a lot in common: both of us were lapsed Catholics, we both had an obsession with anything related to Andy Warhol (in fact, we even both considered Edie Sedgwick our favorite Warhol Superstar, though he had refined adoring Edie into an art form), and we were both writers. We also shared an interest in music in some ways. He was really into groups like ABBA, The Velvet Underground/Lou Reed, David Bowie, Chic, Liza Minnelli, the Beatles, Kate Bush, The Smiths/Morrissey, and so on, but he also liked newer stuff (for the time) as well, like Amy Winehouse (who he really adored, to the extent that I can’t hear any of her songs on the radio without instantly thinking of him) and Lady Gaga (he especially liked her song/video for “Judas,” along with the Barry Harris mash-up of Lady Gaga’s “Alejandro” and Madonna’s “Holiday,” the latter of which he was always linking me too, as he knew how much of an obsessive Lady Gaga fan I am). He didn’t publish all that much but was a damn fine writer: I highly recommend both his books, and wish he had done more! I know he had an unpublished novel or two lying around (one of which was a sci-fi novel), but for whatever reason he seemed to lose interest in being published as the years went by. In 2006 he also wrote a short film, EDIE’S P.O.V., though I’ve never seen it.

A lifelong Glasgow native, I sadly never had the honor of meeting Joe in real life, though we did Skype a number of times at one point around a decade ago (and was always charmed by his accent), and always kept in contact via e-mail and Facebook messaging (though past 2014 we pretty much exclusively communicated via Facebook). Talking with him was always fun, and our conversations covered a whole range of topics, from religion to politics to pop music to comic books to Audrey Hepburn movies to the haunted dog suicide bridge in West Dunbartonshire, Scotland. He was a very loyal reader to me, always buying/reading my books as they came out and getting back to me to tell me what he thought about them, and he made sure that the library he worked at would get a copy of them as well (he was also nice enough to write a blurb for my first short story collection Grimoire). He was also one of the only people in this world who read my unpublished Trinity fantasy trilogy. I mentioned/thanked him in the acknowledgment sections of most of my books, and even gave him a shout-out in my novel Harlem Smoke, where one of the characters spots graffiti on the wall that reads “Scottish Joe hearts Bowie.” Sometimes he would check out things that I recommended to him (I once lent him all 7 copies of Grant Morrison’s The Invisibles comic book), and I myself would pay attention when he recommended things to me, books like Quentin Crisp’s The Naked Civil Servant and Alasdair Gray’s Poor Things, or films like Roman Holiday.

Sadly, a few years ago he began to isolate himself more and more and post less frequently on social media, and our correspondence around 2018 became very erratic/sporadic, bursts of long messages (usually around the holidays) followed by months of silence: my last DM to him on Facebook was late December 2021 (when he thanked me for the Christmas card I sent him, and we briefly talked about Anne Rice’s recent death: he was an admirer of her work, especially her novel The Queen of the Damned). Our last Facebook interaction was February of this year, when he posted the Lady Gaga “Judas” video and I suggested he check out her more recent album Chromatica. This seemed eerily characteristic… I know he had been drinking a lot this year (well, more so than usual), and had spent some time in rehab/a psych ward (when I found out about this, I joked to a friend, “I didn’t think it even WAS possible for a Scotsman to become an alcoholic!”), so I guess things got pretty rough for him by the end. I hate the idea of him dying alone, but he will always be remembered by his friends, and perhaps will hopefully live on through future generations of readers… well, one can only wish! I just hope he’s finally getting the chance to meet most of his heroes and heroines in the afterlife.

requiescat in pace

P.S. Another thing that endeared Joe to me was he was one of my only friends to send me holiday greetings cards, several of which I’ve posted below. The very last photo is the last card I sent him, in December of last year, in which I did my own illustration of the cover of his novel Towards the End (a cover, it must be said, that Joe wasn’t crazy about: as he once wrote to me, “…who’s going to look at that drab dreary picture and think ‘Oh this will be great!’”)






 

Ben Robinson (Black Acrylic): The summer of 2019 feels like the dingy memories of a lifetime ago, before any worldwide pandemics or innumerable UK Prime Ministers being foisted upon the hapless Scottish electorate. In this distant world as it used to be, Permanent Green Light was a film by Dennis Cooper and Zac Farley and it was scheduled to be shown at the Andrew Stewart Cinema, part of the University of Glasgow, with the filmmakers taking part in a Q&A after the performance. My dad Pete and I had travelled by train from Dundee to be there at this screening, with him having no idea what to expect from the event.

The Andrew Stewart Cinema is a curious, uniquely charismatic building and we each took our seats ready for the show to begin. Various DC fans could be spotted by me throughout the room, their social media profile images each triggering a synaptic response from myself in that faint half-light. Sat on the row behind us, a broad Glaswegian-accented figure seemed to clock who I was, and I somehow instinctively recognised this person as being Joe Mills, familiar from however many Facebook discussions we’d had about Hi NRG Disco records over the years. He was however a stranger to me at that moment as I’d never before seen Joe’s face used on any of his online accounts; it didn’t take long before we fell into familiar chat about our mutual obsessions, be they books, films or Pop music from decades gone by. My dad was instantly engaged in our chat and despite his own preference for esoteric Jazz, he was always keen to take part in spontaneous discussions of this kind. Dad and Joe hit it off as if they were longtime best friends and I was most happy to have made their introduction.

As the lights dimmed, we settled down to watch the film, which was of course brilliant. In the days afterwards we’d converse via Facebook on our mutual love of this experience, and Joe and I would go on to share the YouTube clips of our favourite songs. A world without Joe or my dad is difficult for me to understand and their meeting that night in Glasgow is precious, seeming as if it were a lifetime ago.

 

Rigby (Rigby):


Joe aged 3 (he loved cats really)


Rare photo of Joe i snapped in Camden

Just a few of Joesph’s loves.. an avid frequenter of gigs from an early age seeing all the great punk bands both english and american he had a varied taste in music (i even dragged him to a Consumer Electronics gig once).
Although he gained a degree from Glasgow University in literary theory he didn’t much care for it.. describing it as “a circle jerk of sycophants”. So he went on to have his work published outside of that system.. which i greatly admired.

As a friend.. with his unflustered gentle lilt of a glaswegian accent he was lovely and funny to be around.. & very calming. we had some great times both in london & his home town where i’d turn up at his door mudded from an extended hike around the highlands & he’d usher me to the shower before we’d get down to drinking and putting the world to rights.

Here’s his description of the last time a bunch of us got together in that london:

Great week in London. An Air B’n’B place to stay that was near perfect.
Me, George, Mieze, Rigby and the “Mini Wineses” as Rigby labelled them – (Kayla and David).
Got off to a great start. On other visits there was always some mix-up at the start.
I expected them to be waiting for me at the train terminal but they were waiting outside.
Much confusion ensued. Far more confusion than necessary to be honest if we were all or any of us capable adults.

This time George was right there at the terminal. Great. A first! But then we lost each other 10 minutes later.
I got off the tube, turned around and he was gone. This became the Theme of the thing.
Everybody losing each other. I blame Rigby and George!
They walk too fast. They stride out in front with nary a look back at the rest of us.
(Mieze was my carer! She made a point of keeping track of me – awesome adorable support I couldn’t have done without – in many ways).
They even managed to lose the Mini Wineses – 18 and 24 – who ended up crossing London Bridge in confusion.
Have to add – they came running up behind us not much later.
David: “Oi mate why did you abandon us!”
Me to Mieze: “How did they get here so soon?”
Mieze: “Youth”.

I was always moaning about the endless walking. With good reason!
I’ve had a congenital heart condition – Scimitar Syndrome since – uh, birth.
And I know that’s tautology.
Plus a lung in half.
At one point I heard Rigby saying (thinking I couldn’t hear)
“We could WALK to Camden Market – but we’d never hear the end of it”

So we did Camden, which was great – shrines to amazing Amy Winehouse all over.
And The Tate Gallery. OK, but no Warhol that I could find. Though there were films with lots of Velvets stuff.
Then the 70s/80s gay bar ‘Retro’ for the pub quiz – which Rigby/Kayla/David’s team lost by a half point!
He got 17 and a half. But George and Mieze and myselfs team got 16 so not far behind.
(You get really caught up in these things).
Also George did this amazing drawing. It should have won.
The theme was Climate Change, which they went on about a bit too much for me.
I mean it was a pub quiz.
Outside there were all the protests and drum stuff – which we loved.
David: “I want to go over there!”

Met Sailor, who was amazing, like you’ve met in a previous life. Then Gisele’s “Crowd”…
At one point I was thrown off the bus because my Oyster Card didn’t have enough credit.
It was very late. George was brilliant. Jumped up and came off the bus with me at great inconvenience.
Of course we got lost and ended up getting a taxi two minutes from our destination.
Just like last year. Still, He’s my (Super) Hero.
Which reminds me! Kayla got us all hooked on The Boys – a superhero TV series about … oh don’t ask!
But it’s worth checking out.
David for some reason (stoned out of his head/headphones) decided to get on the tube going in the opposite direction to our target. Lost lost lost. Kayla rescued him.
The Wineses are real natural Rescuers – doing it unselfishly because it’s the right thing to do.
Maybe there is something to a Christian upbringing.

Best bit: me, George, Rigby, late night, red red wine, watching “Handsome Devil” on the huge TV screen, commenting.

I’ll miss him greatly

 

Joe Mills’ Works


Joseph Mill’s first novel—the story of Paul Robinson from his final days at school in a small Lanarkshire town through his first job in a bank, to his attempts to find companionship in the Glaswegian gay scene.

Order here.

 


A collection of strikingly original short stories which sharply observe aspects of gay life and the many obsessions which fuel it. Written with a wry wit and a nice sense of both the off-beat and the erotic. A new edition of a book with a proven track record.

Order here.

 


The recent renaissance in Scottish fiction, throughout the ’90s, was accompanied by an equally prolific rise in the profile of Scottish gay writing. Not only has there been a growth in new and exciting Scottish authors being published by gay publishers -Martin Foreman, Graeme Wollaston, Jack Dickson and Sebastian Beaumont, to name a few – but for the first time Scottish gay writers, freed from the shackles of machismo and chauvinism, are exposing readers to an entirely different aspect of Scottish life through more recognized channels and publishing companies. At the same time, the diversity of Scottish cultural experience has been celebrated in the work of the new, younger generation of – predominantly heterosexual – Scottish writers. From Irvine Welsh’s depiction of a young man’s chances of scoring in a gay disco versus a straight one, to a Janice Galloway character’s anxieties over a bisexual boyfriend, and to Gordon Legge’s portrayal of a young gay boy’s homosexuality, post-Boy George/Bronski Beat, amid an oppressive heterosexual environment, the continued attempts by these writers to redress the balance of cultural representation away from stereo types of hard-men and down-trodden women has done much to highlight the value, rather than negativity of, difference. This anthology also includes material from Scotland’s more established writers – quite often with unexpected results. The older writers here are equally determined to present a different view of Scottish life, in all its diversity: Edwin Morgan writes of a searing, brief encounter on a bus; Toni Davidson describes a similar event on a train; Alisdair Gray’s lesbian S&M fantasy “Something Leather” is a wonderfully celebratory piece of writing. As this collection shows, through a range of voices and experiences, there is no definitive outlook for any author/gender/sexuality/race these days – just one massive melting-pot called Scotland.

Order here.

 

 

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p.s. Hey. Joe Mills was a distinguished local, commenter, contributor and large presence on this blog for many years. His recent death was a great shock and loss to many of us who live part-time in this space. Several longtime members of the DC’s community put together this tribute to Joe to remember him, and, in many cases, I imagine, to introduce him to readers of the blog’s current incarnation. I hope you’ll spend some time with the tribute and get to know Joe a little this Xmas weekend. Thank you all very much. ** CAUTIVOS, Thanks, pal. The format of this blog seems to allow me to imbed as many images and videos as I want, and I do sometimes feel bad for people with slow computers. Also, I think this blog is probably a big headache to look at on phones, and yet I continue to do it this way. I hope you have some kind of magnificent Xmas this weekend. ** Dominik, Hi!!! It was quite delicious, and my friends are, indeed, cool, sweet folks. Yeah, I can only assume that RM must’ve had some thoughts of note about his birthday’s proximity to JC’s, right? Ha ha, your love of yesterday was awesome, like a little experimental novel-ette. Love letting this cool looking young, street rat-style skateboarder I saw on the metro yesterday win some contest that he was telling his skateboarder friends that he desperately wants to win, G. ** Charalampos Tzanakis, Hi. Kevin’s poem is great, yeah, I agree. I just don’t have it in me to join another social media site, so Instagram should open itself up and allow visitors to look at it.  That would be a nice Xmas spirit gesture on their part. Mm, no, I don’t think I’ve seen ‘Lifespan’. I’ll look for it. Movie set in Amsterdam … huh, I can’t think of one that has stuck in my memory. That’s strange. I’ll have to think. I lived there for 2 1/2 years, so I know the place pretty well. A related post … interesting idea. I’ll give it some thought. Thanks. ** Ian, Hi, Ian. Buche was yum, yes, thanks. And we’ve been in touch via email, and all is set and great. I hope you have really good days-off/Xmas! ** _Black_Acrylic, Hi, B. ‘Scrubbers’ isn’t her best, but it’s worth watching, for sure. Criterion put out three of her best films on DVD recently, and maybe they’re on the Criterion Channel? Oh, my God, a UK Xmas disaster fair! It’s been ages. How exciting. Thank you, I’ll be scouring that. Everyone, thanks to _Black_Acrylic, you can read about the latest in a long storied history of ripoff Xmas fairs/attractions in the UK aka ‘Mother stunned after paying £47 for two bags of sweets at Winter Wonderland’ here. Merry Xmas, buddy. ** David Ehrenstein, Was she? How curious! ** jade, Hey, jade. Ah, soon those papers will be finished, turned in, have done their jobs, and you will not even remember having applied your brain cells to their composition. Big heads can help as long as they don’t get, like, gigantic. Oh, yes, I’ve had pieces of Mire Lee’s work in a couple of my thematic posts, but I haven’t investigated her work in any kind of thorough way though. I will, starting with the interview. Seems like a good Xmas activity. Thanks a lot! Do you have any big or even little Xmas plans? (I don’t.) I hope the weekend inspires you somehow. Love, me. ** Steve Erickson, Yes, makes sense, right? I.e., JW <3 NG. ‘The Girls’ is really nice. I didn’t know there was a new McLaren bio. Huh. Well, those first couple of records he put out in the 80s or whenever it was had a lot of cultural cache, at least in the circles I ran in. They don’t hold up very well, though. I guess seeing ‘Avatar’ on Xmas makes seeing ‘Avatar’ at all make sense somehow. And how was it? ** Jamie, … and a bottle of rum, Jamie. The RT money stuff has to get sorted out. There’s no other option. It’s just a matter of how much suffering Zac and I will be forced to deal with as a result. No, I have tentative plans on Xmas to see a film and walk around and go to the Xmas fair in the Tuileries, and that’s pretty much it. I love that Tricky song. I don’t know why. It melts me. There’s no way my weekend could ever be as exciting as that bridge. Thank you for the ambition, though. You sound like you have a whole of Xmas ahead of your or already happening. May your Xmas be as exciting as Russell Mael’s sharp intake of breath about 3/4 of the way through the Sparks song ‘Happy Hunting Ground’. Manneken Pis tinkle love, Dennis ** Jeff J, Ditto, man, on the greatness. I think ‘Night Games’ is probably my favorite. There’s a link to it in the post. ‘Dr. Glas’ and ‘The Girls’ are really good. Thanks for the link. I’ve been meaning to read you guys’ conversation. Done imminently. Everyone, Here’s a link a conversation between Jeff Jackson and fellow amazing writer Meghan Lamb about ‘ performance, putting lyrics into other people’s mouths, using your body for musical translations, etc.’. Enjoy! Merry Xmas, Jeff. ** Okay. Have a thoughtful and melancholy Xmas here on the blog and a joyous and madcap Xmas when you’re everywhere else. See you on Monday.

Mai Zetterling Day

 

‘Undervalued and underseen, Mai Zetterling’s directorial work explodes like a firecracker. Even today, more than 50 years since her most fertile period, the films remain fresh in tone, content and form. Filled with transgressive eroticism, they arouse controversy and transcend conventional narrative structures. More often than not, they centre on characters trying to find their place in life – just as Zetterling was when she made them.

‘While still in her teens, she rose to prominence as an actor in her native Sweden, breaking through in Alf Sjöberg’s startling Torment (1944), written by a young Ingmar Bergman. The film’s success led her to the UK, where she played the eponymous immigrant in Basil Dearden’s excellent wartime drama Frieda (1947). A contract with the Rank Organisation followed, but sadly good roles didn’t: she was typecast as a refugee, and then as a sex symbol. A trip to Hollywood for the amusing Danny Kaye vehicle Knock on Wood (1954) paved the way for stardom, but Zetterling walked away, uncomfortable in the spotlight and unsatisfied with the quality of the female parts on offer.

‘Given such a predicament, it’s unsurprising that Zetterling’s own films show a concern for the role of women in contemporary society – something which didn’t always sit well with male critics. Time and again, reviewers refer to her films as ‘cold’ – perhaps because they engage the mind more than the heart, or perhaps because their explicit sexuality and pessimistic attitude towards marriage simply don’t fit with conventional notions of femininity. But even without her former image as Britain’s homely ‘Swede-heart’, Zetterling’s directorial work would feel brazen, bold and anarchic.

‘After directing 4 short documentaries for the BBC, Zetterling made a BAFTA-nominated, Golden Lion-winning short – The War Game (1963) – before returning to Sweden to make her debut feature: Loving Couples (1964). The film was adapted from a suite of novels by Agnes von Krusenstjerna, whose writing was known for its frank, scandalous sexuality and its detailed portrayal of women’s lives.

‘In condensing the 7-volume series, Zetterling utilised an elaborate flashback structure and personalised the material by adding scenes from her own life (recognisable from their description in All Those Tomorrows, her essential autobiography).

‘Set during the early days of the First World War, the story concerns 3 pregnant women (Gio Petré, Harriet Andersson and Gunnel Lindblom) who recall their lives and their lovers as they wait to give birth on a maternity ward. Flashbacks reveal their experiences and, as Zetterling put it, their “attitudes to the fundamentals of life: birth and marriage, sexual relations, human feelings, freedom”. In telling these women’s stories, Zetterling highlights the misogyny of the men that surround them.

‘Nominated for the Palme d’Or at Cannes, the film was condemned for its sexual (and homosexual) content – even its poster was banned. Part of the scandal was down to the director’s gender and misguided perceptions about what women should – and shouldn’t – talk about. Indeed, it was often said that Zetterling directed like a man (whatever that means).

‘For her next film, Night Games (1966), Zetterling adapted her own novel of the same name, which explored the decadence and perversity of the upper classes (serving as a wider metaphor for European society as a whole). Perfecting the flashback structure of Loving Couples, Zetterling fluidly interweaves the childhood and adulthood of Jan (Keve Hjelm and Jörgen Lindström) as he returns to his family home in an attempt to overcome the trauma of his incestuous upbringing. Filled with a baroque grotesqueness and an ending that foreshadows Michelangelo Antonioni’s Zabriskie Point (1970), it proved so provocative that, once again, even its poster was banned.

‘In 1968 came Zetterling’s 2 best films, made back-to-back – Doctor Glas and The Girls – both of which flopped massively upon release. In the former, adapted from a novel by Hjalmar Söderberg, the eponymous doctor helps a reverend’s estranged wife escape her husband’s lecherous, non-consensual clutches. In The Girls, 3 actresses (played by Bibi Andersson, Harriet Andersson and Gunnel Lindblom) go on a theatrical tour with Aristophanes’ Lysistrata and, inspired by their characters, find themselves battling for female liberation in a society dominated by men. Audaciously experimental, the film may be drenched in feminist theory, but it plays like an absurdist comedy.

‘Later, back in England, she was hired to direct the borstal drama Scrubbers (1982), which was originally intended as a quasi-sequel to Alan Clarke’s Scum (1979). Zetterling conducted extensive research, resulting in a compassionate portrayal of the young offenders, and a critical view of the prison system.

‘For her final feature, Amorosa (1986), Zetterling returned to Agnes von Krusenstjerna – this time telling the novelist’s life story rather than adapting her work. The film begins as a fever dream, with von Krusenstjerna being committed to an asylum during the Carnival of Venice. An extended flashback follows, beginning on a joyful note with the Swedish summer and her youthful (same-sex) dalliances, before becoming increasingly unhinged as illness, madness and an abusive husband take hold.

‘Towards the end of her life, Zetterling returned to acting, and there she found more luck with child-friendly material. One of her final roles was as the grandmother in Nicolas Roeg’s terrifyingly good Roald Dahl adaption, The Witches (1990).’ — Alex Barrett

 

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Stills














































 

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Further

Mai Zetterling @ Wikipedia
Mai Zetterling @ IMDb
DVD: Three Films by Mai Zetterling
MZ @ Cinememorial
Mai Zetterling – Nordic Women in Film
Gemini Rising: The Cinema of Mai Zetterling
A Cinema of Obsession: The Life and Work of Mai Zetterling
MZ @ Letterboxd
Directed by Mai Zetterling
Where to begin with Mai Zetterling
Barbara Kruger on “Scrubbers,” Directed By Mai Zetterling
Mai Zetterling and The Girls
Mai Zetterling Takes Us into the Lives and Societal Roles of Three Pregnant Women
EVERY DESIRE: MAI ZETTERLING

 

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Extras


Director of the Week: Mai Zetterling


Hommage à MAI ZETTERLING


Harriet Andersson and Mai Zetterling at Cannes 1965


Interview with Jo Batterham on the life and work of Mai Zetterling

 

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Monologue (1978)

 

There used to be a tradition in my country of introducing man says it was. So anonymous to introduce. Actress filmmaker my. Myself as I can Mr August and. Myself is also a philosopher runaway Queen Christina will shock the world. So. The Characters in Search of those. You know I am not on my way to heaven. I’m just the morgue. With a civic registration number. The proof that I. And when I die my number would be put onto another computer. This way I was never. Taking a bird’s eye view of a my. Team which would be named city of light and water. City of. And great. City between. There are many stuck on and the name of many people but for me it is the city of my childhood. The city of a thousand trades. This idiot decide and grow. The city with. The city of no. City. Hidden people. City with a creative on. The city of prosperity. The city would it’s hard because. Here we have problems with. Described. The largest monopolies in the world it’s a simple nodded as they drank chain store for of course. The city of Doc winters and many do me Mom there is a drop in marriages and the divorce rate has risen. The city that provide commute to tickets for dogs. On trains and buses. Stock comp is probably the most law abiding town in Western Europe the city with many laws and restrictions. Reforms protections against almost everything. The city with architecture of seven ten trees and it least seventeen. The god is a silent Lutheran God with little impact on society. Efforts have been made to disestablish to Lutheran Church first junk people or most people who are negative or indifferent to. It. This. Is the city which has been regarded by the world as a model city. Socially and culturally. However there is a system of compulsory military service for men between the ages of eighteen and forty seven. This is a city situated between east and west and who has the highest life expectancy in the world and the highest standard of living in Europe. Everything is organized for the people. Except sleep. Culture is on the top of the list of recreation. The National Theatre. Both pray to God when the two great Bergman’s Ingmar and Ingrid were connected with the star factory it has been called. It has a school with a three year course so I took my carriage in both hands and entered that monumental thing. I used to sit on the steps with my eyes down cost and didn’t think I really belong. But to my great surprise I was accepted at the age of eighteen and already off to one I paid big bucks in Shakespeare and Jane Doe. I was an actress. Our great dramatist all this when I have a lot to say about acting and actress. The art of acting seems to be the easiest of all. As any person can walk tall. Make gestures but of course that person is a self and that is not art. Give a person a role to play and the difficulties begin at for the dawning of the stage that a D.L. little woman she knows she has a charming figure lovely leg and a pair of flirtation. Being is all machines and she uses it. Because certainly nothing to do with talent. If she has words to say. We usually cannot hear them and if we do that is no depth behind the words. And their where about darling one knows she has a lovely voice. She only listens to herself and does not take into account what the author has to say. I should know I was married to two charming darling actresses myself. Poor old Strindberg women always women. He even went as far as thinking that the gang of women intellectuals were after him trying to seduce him being a misfortune is that would have been a feather in the hot foot as they couldn’t seduce him he then thought that they were after the plight he called them a bunch of blue stockings. Man haters. Half women. Self-centered little bitches trying to take over the world he was being persecuted. When its friends called him paranoid he denied it he could never get the fundamentals and tighten that exist between the sexes. Once upon a time he had thought that he could find pieces to a woman but that had turned out to be the worst of all. Strindberg Blue Tower the prison he used to call it he lived here without women and didn’t stop writing about everything stands just as listed now it is amusing on the shelves of the plays. Obsessed with interesting women the beginning and the end the beginning being mother. His first love was his mom. I wanted my love the me he screamed. CD My first wife. Little devil. Them blow a hole in the drawing room a lady in bed I wanted the opposite. Freedom My second wife she attracted me to people I hated her because I loved. My third wife cannibal gave me back my you. Said you want a little child with me you see she didn’t but that is that everything about a woman is a riddle. Everything about women one solution. Pregnant and I must agree with a sometimes strange creatures. Confused. Likely to for. Pointing to a man. We are still out of touch with his word. We are the square pegs in the room. So we are treated with suspicion. Sometimes women have more courage than men. The call to be a woman take great courage. Tell me why do you hate. Women. I’ve never done that. Unfortunately. You know I always thought it was them that give me. A. Woman is a particularly fight I’m intelligent and militias. Once you said that woman was the most perfect thing on a human. To that you had to submission. What professionals do you think a suitable for women white mates. Nurses. Because their children more like. Actress sunset thing at. Queen’s. Of course the female on the specious is more good to see them to me. What are you looking for in life. Love In fact. I’m unhappy. Woman is. Because like nothing. I’m frank and. Show you a bit about a Lonely Planet as I painted it in advance of my time they said like everything else about. Shit green landscape fifty guys and should look for a tree that Sweden or you. Join the even went further I don’t think I’m exaggerating when I maintain that the Swedish nation is a stupid to conceited slavish enemy is an uncouth nation. Something seemed to suggest that we yet there is no region joke that goes there is only one thing wrong with this week. A Swede says Yes look look at a small place we Swedes have made for a look at how do we work and how will we look after each other so beautifully organized so please. Everything is just. In the book where it is middle aged. Why is the rate of suicide. Why has mental illness with. Some green the. Only thing wrong with that to me is that they are. A. Sixteenth century traveler once called stock on a trading village which things which is a city that was true then but now it is a boom town which things it is a big if population has almost tripled in only half a century it is a young city yet very near the heart of the city the old village feeling you’re thinking Oh God. Every part about countries represented here. Every style. Manor house in peasant women. Old in. It is a well known and well loved point stock I’m just called scum. James out knew it well too. He used to come here for ALI MOORE Now trying to free his mind from the demon and the angel that seemed to leave him no peace. But you only moments away into the price that stock one has to pay for the brilliant people Oreo but some of the culmination comes from that very important day for City mid-summer whether singing and dancing all through the night and defecated drinking is was. Now you can read the newspapers midnight without any artificial light. Nobody seemed to know the night is luminous the light has an intensity that has to be seen to be believed even the animals refuse to face. Dance and by the way is a logical God is great for now the animals living relatively open in law to space is not caged in it has been a model to other similar situations and you know what is beautiful but it has. One. Deceived it is cold. Matthew. Godless and create a demolished Saturday night when he was rather tired. I was bald women world there was a mistake to be sure most looked over his own. Soap. Man must command woman must obey all else is computer. Oh yes yes of course it’s only those damn angels I keep on following me about. I’m frightened. I’m frightened. I’m frightened of women will be the death of men. They will never forgive them what they’ve done to them. That think they’re sick women and elephants never forgive women an elephant never forgives. I’m frightened I tell you. I’m frightened of women. Pregnant from the. I’m frightened of the police was going to lock me up sooner or later because of something written law because they think I’m mad. I’m Frank No my success my friend has to say first. I’m frightened you’re here. I’m frightened of myself. I’m frightened of the Dems. Once upon a time there was rather is stupid little man who could think of nothing and. One night he was forced to walk home by. Although the movie for and giving him plenty of light it will still be very frank. When he had done and so he so shadow he thought it was the devil when he dared to go back he saw a little bit of his hair standing on end with fear he thought it was. He ran as fast as his little legs could carry him and when he came home he dropped down. We see. I forgot to tell you about another fear much more. The sweetest nation in nineteen hundred and ten the guarding the military build up. I said it’s a dangerous to make weapons in peace time or so if you have such a big Amish surely must use it. I’ve looked at the past and I can see I’m free. Attack. Neutrality has been a key note allow foreign policy it had no war since eight hundred forty our last prime minister had this to say on the subject. Only no believe in evil was once I know it is that it’s on the to believe that he had to have a military defense it is a month in the world believe him and the minister added to recently it is of course impossible to say exactly how strong our defenses must be but they must be strong enough to make her sister’s worthwhile at least to certain types of attack. Hence this large underground Children dot com which was built as a protection against nuclear attack in deeds time it is used as again a. Bond that one of the best to bad come to single payer to be than those two. To. If war comes there are eleven pages at the back of the telephone book that will tell you what to do. Listen for the alarm signals. Put on the radio for the customs find a safe place and take with you some warm clothes a sleeping bag food and drink for two days. Identity cards etc. Funny really when one knows what just one single megaton bomb can do. Striking the center of the city it would create vast of a station and hundreds of thousands of casualties and radiation would create long term genetic defects and can do it with human. People are feeling alienated in this society a feeling of apathy has crept in small ways in a large beat a machine you say no it doesn’t really matter of the thing. Once. Upon a time one man said to another want the rulers of a country supposed to get rid of unhappiness and make happen is possible for everyone. What do you mean by happiness and unhappiness. Said the other one. When men make wars. When the people mistrust their rule is when there is no love I call that an have been. Why do you think that happened is still exist in a time when we have a good you think there is some lack of understanding between people. While And then he said. Now days we are told how to love and worship our own country. That’s called nationalism and that’s why they go to war against other nations a person is taught to love and take care for themselves. That’s why people are still evil. Now how are you going to change the fate of says said the other one. Was you we must start treating other countries like Iran. We must love and neighbors like ourselves. Did you think that people are going to love it you and call you a little bit of an idea and instead the one. I don’t understand it’s all so simple if you love others they love you if you had to get up the abs that hate getting kids and the ones that kids will get punished Don’t you see it’s all a matter of love. Love is Wall fell. You need more coverage to get married then to go to war. Crean Christina you shocked the world by refusing to get married and again when you have to Katie and you wanted to explore the philosophy of the day you brought the most famous of philosophers to catch up to your cool wet I’m afraid he died. Was it from the draft to rule needs in your castle over to string that killed him. Who moves. This exhibition is called aggression. Scenes aggression. Just like marriage. Marriage being a desperate action of a coward. Let it stop the circulation. Is dicta deny your sister the. Marriage is a vicious circle. Donna kill filters in which we can stop. Them. What do you think of marriage. Marriages with the two people. Madam. Marriage is. Responsible. Susan. This is a city that is prepared for practically everything. Keep this if you keep the traffic flowing keep the city clean. Trust no man safety. Again so they say we are better prepared than most cities singular at this are gods the overall control of the. Say the police drunkenness is a problem. Still on aquatics like everyone else. So is traffic and so indeed is boredom with nothing to do. The teenagers from the suburbs coming to town with their minds been to instruction the police are demanding more control into the city getting they emphasize that it is a mix of her. Home and on. Each year nodded I’ve been she once wrote he who put six system of his foes to live afraid of love. We’re one gold medals for our safety the one prices on the continent. Double trouble. The insurance companies and the police seem to prefer our high standards of to anyone. We are certainly a consumer society. Ourselves the stores are in the lead with coupons and premium to you we are being called a gadget society and they have been discussed which kind of society people really want. Shelby continue with this so-called God society and if you know what do we want him to. Show you something very special. That’s the impulse char it’s a very special project. Swedish. What’s impulses that is Dr Schauer can change between home code in special impulses you regulate the impulses here that something like a song you get hot cold cold and for this you feel very nice and you will be refreshed. Pricing The. Calling it is when you. Know you. Want give us run by. For advertising the unnecessary in calling it could. You. Give us was frantic by. The for the advertising the unnecessary and pulling it toward the. U.N. it is. You. Give the up front take your buying and selling for advertising the un necessary and calling it good business. When it is no good for you. Once upon a time there was a man who had only one thought in his head it was to own. One day he walked into a big jeweler’s shop and stuff you found in his pockets. Then he will start to get out of course a pretty found ones and they are still. There are so many people in the shop. How could you possibly think you get away with. A man on said. I didn’t see the people I only just saw the to. Talk on a golden city surrounded by frozen water leading to the Bulls. The city bridge in the city with its true big red. The city with at least one for every one hundred fifteen have been. As recently as in the mid nineteenth century we were one of the poorest and most underdeveloped countries in Europe. Very soon there will be two cars per family unit this. Country for telephones in the world. The city between. A popular most a little and when our modern stock was born the name spoke means logs which were connected with chains and thrown into the water to protect the island against inflation. Was a contemporary word for island though. The only town is the home it’s a jumble of narrow streets cozy with trolls. Small square where there’s usually someone trying to calm this time it is college physics talkin to Butch crunching to provide gazed indoors and the leads will open just in time for these. Stock and was built in the wrong page as city officials it not long ago when the only times the rule is didn’t want to make it comfortable with thinking of military strategy a place difficult to get at them directed certainly is being guarded by a GREAT are cheaper to go. The only town was described by one Monarch a long time ago as a dancer and a godly. This is ghost of a buffer. Who’s supposed to have been the greatest Rula we have ever had he looked upon stuck on as the nation’s greatest. Fortress he was regarded as the founder of the modern Swedish nation and has been called the George Washington of Sweden. Once upon a time there was a woman who had lived most of her life away from my native land. One day when she was there and a phrase she decided that she paid this it to her home town with her friends. They. Are bit so they said we don’t talk to your town don’t you remember. She looked she didn’t remember but she said they moved. And dad is the screen and the hopes that you live for the apparent. The tears welled up in her eyes and look they said that’s why your father and mother were buried. She couldn’t contain a set of any longer and the tears ran down the cheek. Have friends who are little bit embarrassed by this and they said sorry dear only trying to teach you this is just a little village you were born in a very big town which is grown bigger over the years. She was a bit taken aback by their teaching but she didn’t really mind. When. Once they arrived in her hometown and she saw the street and the house which she had lived when with her parents she was very surprised that she wasn’t moved to tears because that’s what she had been and have friends. She looked again. And what did she see. She sought a town like any other town a street like any of the street a house a grey. So. You’re sure to have a warm welcome when you arrived in Stockholm but don’t be surprised that if you’re right in mid-winter to get something lethal common cold the last second a kind of melancholy induced by too much Dr Who. And the upturned face. Ever briefly the sound aside I’m so. So. Would. Hope. Ther. Are you. Acting. You know. Yes. Or. No. The Royal Palace dominates the otoh a large cumbersome please. Christina preferred streets the opening of the study or the theatre. According to ministers she squandered the money of the people on the list game. Thanks to cold. She couldn’t convince them that she thought the theater just as important as bread and that is of course an arguable point. Green Christine one of the strangest and most fascinating creature of God is a made. That’s why I wrote a play about. I have just written some no From our discussion. She had made intelligence. I could have talked to her. Always agree that security is our greatest enemy. That patriotism is a been ition psychotic all of it is. That more weapons bring on board. And that the more powerful the weapon that the nation has the mall in secure it the. That when you have a deep freezer for there might be some lack of spiritual. That marriage is a high. For which no compass was ever invented. That man on the whole like the company of ladies as long as they keep quiet. That men still say. That must something wrong with a woman who is intelligent and one to learn. Then we can all agree. That life is an incurable disease that goes on and on by and that every woman. Every man. In the end is as lonely as a light. A pleasant evening it with friends. Sure. The more daring than careful when you’re willing to cheat. Times when I get so confused that I believe that everything I’ve written is more real than reality itself. It’s all a dream an illusion. Perhaps I’ve been away from stock on too long. I don’t seem to have the same kind of wishes of my complexion. Here a minute. In a group in securing. Love. You say you. A thing you are.

 

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10 of Mai Zetterling’s 18 films
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The War Game (1963)
‘Mai Zetterling’s short film The War Game (1963) offers up an indictment of how young children (especially boys) are indoctrinated into a worldview that accepts and valourizes violence. Two boys rampage through an urban landscape fighting to possess a real gun, consistently ignored and unacknowledged by the few adults they encounter. A substantial success (it won best short at Venice in 1963), the film launched Swedish actor Zetterling’s directorial career.’ — tiff

Watch it here

 

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Loving Couples (1964)
‘The title of Mai Zetterling’s boldly iconoclastic debut feature—adapted from a cycle of seven novels by the provocative feminist writer Agnes von Krusenstjerna—drips with irony. In 1915, three pregnant women from varying social backgrounds (Harriet Andersson, Gunnel Lindblom, and Gio Petré) enter a maternity ward. Cue a swirl of perspective-shifting flashbacks that, with searing psychological insight, illuminate the divergent yet interconnected experiences that brought them there—and that came to a head during one lavish, debauched Midsommar celebration. Wildly subversive in its treatment of sexuality, gender, class, religion, marriage, and motherhood, Loving Couples is as electrifying a first feature as any in cinema history, announcing the arrival of an uncompromising artist in pursuit of raw emotional truth.’ — The Criterion Collection


Trailer
Watch it here


Excerpt

 

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Night Games (1966)
‘One of John Waters’ all-time favorite films, Mai Zetterling’s scandalous sophomore directorial outing was denied a public screening at the 1966 Venice Film Festival. (The jury viewed it privately.) This lightning rod of a movie also prompted former child star Shirley Temple to resign from the board of the San Francisco Film Festival when they refused to pull it from their program. It tells of an unstable man who brings his fiancée to his palatial childhood home. There memories of his Oedipal fixation on his dissolute mother (Ingrid Thulin) begin to undermine his current relationship. “A wickedly sensuous Strindbergian drama, handled with a sharp eye for decadent details.” – Holt Foreign Film Guide.’ — cia.edu


Trailer

Watch the entirety here

 

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Doctor Glas (1968)
‘A doctor is tortured by his love for a patient, by his adulterous desire and his professional scruples. As per Zetterling, it’s about sex and pleasure but also about disgust, and about love and pregnancy but also about infidelity, abortion, euthanasia and murder. The contrast and focus of the monochrome photography are pushed to extremes as the doctor’s mind and self-control disintegrate.’ — Pamela Hutchinson


Excerpt

 

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The Girls (1968)
‘Mai Zetterling’s cinema reached new heights of exuberant experimentation and fierce political engagement with this pointed and playful touchstone of 1960s feminist cinema. As they tour Sweden in a theatrical production of Lysistrata, performing to often uncomprehending audiences, three women (national cinema icons Bibi Andersson, Harriet Andersson, and Gunnel Lindblom) find their own lives and marriages mirrored in the complex, combative gender relations at the heart of Aristophanes’s play. Onstage drama, offstage reality, and a torrent of surrealist fantasies and daydreams collide in The Girls, a slashing, sardonic reflection on the myriad challenges confronting women on their path to liberation, and on the struggles of the female artist fighting to make her voice heard over the patriarchal din.’ — The Criterion Collection


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The Moon Is a Green Cheese (1977)
‘What starts as a naturalistic drama in the archipelago of Stockholm is quickly melting down into a psychedelic, dadaistic pallet of colors and imagination. Mai Zetterling doesn’t hold back on the surrealistic imagery, veering into litteral clownery as the film is drenched in colors and circus as two clowns stuff each other with spaghetti in quite the unsettling way. It’s odd and aesthetically flashy.’ — Xplodera

 

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Stockholm (1978)
‘It’s not a loving picture that mai zetterling paints of stockholm, but i can’t help feeling so warm after watching this. about fifty years has passed since this was made and nothing has changed, which should make me sad, but i feel too much at home!!’ — kasja


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Scrubbers (1982)
‘“It ain’t fun to rot in prison and have shit thrown on your head,” bemoans a young woman as she is led back to her cell. Such pungent musings are the stuff of Scrubbers, a film by Mai Zetterling, which abruptly displaces some of the hackneyed clichés of the women’s-prison genre. It introduces clarity and wit into this sadly predictable arena of semi-circuitous T and A, which is usually marked by a glowering absence of presence (or vice versa).’ — Barbara Kruger, Artforum


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Amorosa (1986)
‘The disconnect between myself and Zetterling’s cinema seems to be one born of the division present in her own formal qualities. Her displacement of being through the compromising etiquette of higher powers – be it the spiritual slave state, the hierarchy of family or the classism in wedded nobility, is rendered in such a mentally cavernous esoterica. A real freak flow of psych deterioration that has warped chronology into an indiscernible ruin of time and space, the wants of sexuality written as a bodily pleasure suffered through the depths of conservative hell.

‘But it’s in her turn to the conventional definitions of existentialism that the mouth runs amuck with Bergman-esque literalist monologues. The plainly stated chamber discussion shifts the philosophical away from the deeper forms of consciousness that would otherwise be explored with such surrealist texture (must stress – Zetterling has a phenomenally expressive view for such inserts, stretching all the way back to her debut with Loving Couples), leaving only that which is forthrightly articulated. It’s an appeal that pleads from confines seemingly insurmountable. But when Zetterling opens on the sight of the feminine apocalypse, a procession of bound sensuality thrashing between asylum inquisitors atop the Venice canals, it’s hard to accept the banality of one lost soul asking another whether they believe in god.’ — Jack Russo


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Betongmormor (1986)
‘Shows projects built by Skanska all over the world. In Germany, Algeria, Indonesia, Greenland, but also Sweden; Stockholm, Åre and Helsingborg.’ — IMDb


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p.s. Hey. ** Dominik, Hi!!! Cool!!! It takes a very unspecial person to bring out my assholishness. Yes, love got me and the buche to the destination safely. This is it, and these are my friends Ange, Zac, Adem, and Alex who were about to eat it with me. It was very yum. Was it RE’s birthday yesterday? So close to the mythical JC’s birthday. That must mean something. Love putting the X in Xmas, G. ** CAUTIVOS, Thank you! Oh, hm, I don’t know of an entire Xmas themed poetry book that isn’t doggrel. I really love James Tate. Maybe I recommend his Selected Poems. ‘Howl’s’ great. I don’t think much else of his poetry is. James Tate’s poems don’t take a long time to take hold, so, yeah, try him? Same for your wishes, sir. ** Tosh Berman, Thanks, T. I tried. Bukowski does get to people. The French love him, for instance. He’s pretty good with punchlines, I’ll say that. Open mindedness is always the goal, no? Except when fascism, etc. is the subject. ** _Black_Acrylic, Happy to have lead you into the time-appropriate spirit. Oh, no, about the course cancellation. That fucking sucks. Is there no alternative? But hey, don’t let that stop you, for goodness sake. ** jade, Hi. Oh, I’ve never communicated with KS ever. We just look at each other’s social media feed and, I guess, read each other’s stuff, but we aren’t personally acquainted in the slightest. I don’t think you need to worry about anything, though. My impression of you is only inflating, trust me. Ah, papers to do. Yeah. My short time at university was good, but I sure don’t miss writing papers. Sure, you can put the poems on your blog, no problem, and that’s a compliment if anything. Nice poems you picked/liked. Me too, I guess obviously. Oh, wow, I’ll try that sneaky route into Z-Lib. Everyone, Psssst … Jade says there’s a roundabout way to access the tragically murdered Z-Lib site. I’m sure going to give it a shot, and you can seemingly sort it out too, if you want, but going here to start. Thanks! I would love to have that site available again. Talking with you is great for me too. A boon, indeed. Your comments are registering, but I guess you can’t tell. That happens sometimes and is one of the blog’s weird behavioral ticks. Love, me. ** Jamie, Hi, J. My, you know, total pleasure. Writing routines are one of life’s secret cures. Or not life’s but … wait, yeah, life’s. What else is there? Placing submissions: yes, thumbs way up. When I’m writing and confused by what I’m writing I tend to assume that’s what they mean about the muse and shit. Movie stuff progresses. There’s so much to do, but I think we’ll be fine. Continual terror that the person responsible for raising the last money we need isn’t going to fulfil his promise, but that’s out of Zac’s and my hands. Cool you saw that short Akerman. The main girl in that was so fantastic. Kit Kats can be a mouth party’s but, at the same time, their abilities are highly overrated, so comfort yourself thusly. You know exactly what I would most like my day today to be like. How did you do that? I hope Tinkerbell flutters around your head all day. “Diss Never (Dig Up We History)” by Tricky love, Dennis. ** l@rst, Thanks, pal. I love the idea of ‘the real poet-deal’, and I think I know what you mean. Can’t wait to dig into your chapbook. It’s on deck. The personal reports and reviews of the ‘White Noise’ movie are so extremely polarised. It does make me warily curious. ** Steve Erickson, I should ask Gaspar, but I really think you’re right. Xmas Day? Zac and I might go see the new Serra film and ride the Xmas themed dark ride at the Paris Xmas fair, but, other than that and enjoying the empty streets, no plans. You? Cool. I’m so interested to see ‘SKINAMARINK’. ** Robert, Hi, Robert. You’re very welcome, glad you liked it/them. Right, the big winter storm. It’s headlines even way over here. Ashbery is my all time favorite American writer so big up on the idea of you reading him. Paris is okay. It looks great at Xmas. It’s not that cold. It’s raining too much. Work on the film is constant, and it’s going pretty well. Oh, so sorry about you having skip out on Chicago if you have to. Grr. When you get to that point in something you’re writing, you just need to put it aside and not even look at it for a while. That’s a pretty common short term problem, at least for me. And taking a breather almost always does the trick. Hope your today is usually and spectacularly wow. ** Meg Gluth, Deserved words are mostly kind to the speaker of them. Which made sense in my head before I typed it, I swear. ** World❤Princess, Hello, World❤Princess. How lovely to be able to make your acquaintance. Thank you so much about ‘I Wished’. That novel means a lot to me, so hearing that means a great deal. You wrote your own ending! Awesome! Oh, gosh, I don’t suppose I can read your real ending? Well, if you ever feel silly or not silly at all and want to comment again, do feel free. It’d be cool to get to know you. Thank you again, take care, and Merry Xmas! ** Right. Do you know the really interesting films of the Swedish director Mai Zetterling? If not, you can start here/today, if you like. See you tomorrow.

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