DC's

The blog of author Dennis Cooper

‘You’re only young and cute and hot and legal for a short time, and I want to make it count’: DC’s select international male escorts for the month of February 2020

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looking2shootPorn, 21
Prague

Hi, I’m looking for a director or company creating adult material. I would like to model in boy/boy/girl or boy/boy or man/boy scenes. My ass is my calling card and I prefer being the bottom. I have been paid to be rimmed, fucked, DP’d, toyed, fisted with no complaints. I have been reused more than 50% of the time. I am only interested in having sex for a camera and on the record. You’re only young and cute and hot and legal for a short time, and I want to make it count. My request is clear. 🙂

Guestbook of looking2shootPorn

Anonymous – Feb 3, 2020
I can confirm he’s an excellent bottom and photographs far cuter than he is in three dimensions.

Dick L
Orientation Gay
Body Athletic
Body hair Smooth
Piercings No
Tattoos No
Smoking Socially
Speaks Czech, German, English
Position Bottom
Kissing Consent
Oral Versatile
Fisting Passive
Safe sex Sometimes
Rate per hour 400 €
Overnight 800 €

 

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DoingNothing, 20
Paris

I dont like horny broke person
why? im not in to sex !!
dont worry hahah

NOT LOOKING FOR RELATIONSHIT!
why?
why not ? no one know’s, kidding hahahhaa(im serious )

No to free meet up
Why? hahaha
i used to admire people with inner peace ,now i admire people with luxuries

may time so dont worry
when i said i like you , i like you hahaha dont ask why? okay because once i said ,i mean it

looking for:
older than me (same age if you rich hahaha)
Manly( manly !!!!!!)
average boody ( sorry chubbys )
i meet dont worry

Thats all hahaha
okay

Dick XL
Orientation Gay
Body Slim
Body hair Shaved
Piercings No
Tattoos Yes
Smoking Yes
Speaks French, Lebanese, English
Position More bottom
Kissing Yes
Oral Versatile
Fisting No answer
Safe sex Sometimes
Rate per hour On request
Overnight On request

 

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iwantsperm, 24
Las Vegas

hey, my names Levi. im a 24 yo hairstylist in fabulous las vegas. which is also where i was born and raised

second things second. if your the type of guy who arent interested in cute guys then dont bother contacting as your just wasting my time

if your also one of those judgemental arrogant fuck tards who judge based on a profile photo and whats written on a profile then dont waste my time either

i aint got time for time wasters as ive got far more better things do in my life

now if your not one of those time wasting morons then hire me

Guestbook of iwantsperm

Breaker – Feb 1, 2020
He cums so violently I half thought an alien was gonna burst out of his chest like in ALIEN.

Rascal – Jan 30, 2020
I hired him for an overnight. I spent the early evening flattering the poor nervous ninny with lots of oral and edging until he was hot and bothered. Then I put a butt plug in his ass and took him out for a few drinks at my favorite bars. Once he was tipsy I took him back to my place, popped out the plug and used his own hand to wreck his hole until he buried it inside. He fisted himself while I edged him until I decided after about an hour he had earned cumming, that he was worthy of cumming. We flipped a coin to choose who got to eat his cum, and I won, and I sucked him off and it was delicious.

Anonymous – Jan 24, 2020
The heavy ‘tude he throws around in his profile is pure defence mechanism, it becomes quickly apparent in person that he’s sexually inexperienced.

He came to my hotel on the Strip, was very nervous at the beginning, which also meant extending our date an extra hour as it took quite some time before he could deal.

For a beginner he sucks cock well and with a little practice, the depths of his throat seem primed to join the fun.

Gorgeous, tight, smooth ass! When the licking commenced and fucking took over his carefully tamped down femminess escaped and he went relatively nuts!

Levi has loads of potential and when I’m next in the hotel and he’s had a little more experience, I’ll book him again.

Dick M
Orientation Gay
Body Slim
Body hair Little hair
Piercings No
Tattoos No
Smoking No
Speaks English
Position Versatile
Kissing Consent
Oral Versatile
Fisting No answer
Safe sex Sometimes
Rate per hour 200 $
Overnight On request

 

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blond_narcissus, 19
London

“If Superman, Spiderman, the Hulk and Thor would have a child, it would be me.”

⭐️ Living my best life
🌈 Plucky, self-assured, empathetic
🤝 Work in HR (so behave!)
🤳🏻 One of those millennials
🌍 Realpolitik spectator
👽 Horror, true crime
👨🏼‍🤝‍👨🏻 Engaged
📰 Tortoise & Atlantic reader
🏠 Tower Hamlets voter

“Tell or guide your partner around your body. Don’t worry about losing control … ” 😈

✅ Giving anal
✅ Kissing
✅ Receiving oral
✅ Giving oral
✅ Receiving anal

❌ Squoval shaped nails

Dick XL
Orientation Bi
Body Muscular
Body hair Shaved
Piercings No
Tattoos Yes
Smoking No
Speaks English
Position Versatile
Kissing Yes
Oral Versatile
Fisting No
Safe sex Always
Rate per hour 120 £
Overnight 600 £

 

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HisMajesty, 21
Münster

I have to get rid of my sperm every now and then, so you can write to me for low motives. I have my own room and friendly roommates. I feel fairly indifferent to men, but need money at the time, so maybe your offer will interest me and we’ll do lots of things. My dick is 19/4.5, uncut and always hard in action. You can suck it, rimming and cuddling is also okay, but no more is possible. Cash offers from the elderly (anyone over 30 years old) are completely pointless. I repeat: completely pointless.

Guestbook of HisMajesty

HisMajesty (Owner) – Feb 9, 2020
And please be tall… really tall.

Anonymous – Feb 7, 2020
He thinks the rabbit carries the rifle xd sweet

Dick L
Orientation Hetero
Body Muscular
Body hair Shaved
Piercings No
Tattoos No
Smoking No
Speaks German, English, Spanish
Position Top
Kissing Consent
Oral Top
Fisting Active
Safe sex Let’s talk
Rate per hour 80 €
Overnight 300 €

 

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Venerable, 21
Budapest

I’ll pull you off, fuck you if you ask, if not.
You can be old or new, friends, acquaintances, enemies, or clients I don’t give a shit!
The point is, the more I can pull off and fuck you!

Guestbook of Venerable

Unkutslut82 – Jan 24, 2020
I fucking LOVE your face blow yr load in me

james66666 – Jan 20, 2020
Take yr cryptic bullsh*#t and get fu*#ked!

Nadim_ – Jan 18, 2020
You pump you get pumped …cut the shit!!

Dick XL
Orientation Bi
Body Slim
Body hair Some hair
Piercings Yes
Tattoos Yes
Smoking Yes
Speaks Hungarian, German, English
Position More top
Kissing No
Oral Versatile
Fisting No answer
Safe sex Never
Rate per hour 150 €
Overnight On request

 

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Textmebro, 18
Plymouth

I’m down for 3 some and I’m bi curious about being gay so I would take all the dick in the ass and have my mouth filled with cup to the point where there is that much in my throat untill I can’t breathe, i would be a rag doll

Guestbook of Textmebro

Textmebro (Owner) – Feb 4, 2020
I wanna be fully shaved from head to toe but I’m too scared. I’m also 16

Textmebro (Owner) – Feb 3, 2020
If I’m honest, being a whore is something I struggle seeing myself as.

Textmebro (Owner) – Feb 2, 2020
Still a virgin so please stop asking me if I’m good in bed, idk

Textmebro (Owner) – Feb 2, 2020
I’m not good at small talk or any kind of talk

Dick M
Orientation Gay
Body Slim
Body hair Smooth
Piercings No
Tattoos No
Smoking Yes
Speaks English
Position Bottom
Kissing Yes
Oral Versatile
Fisting No answer
Safe sex Let’s talk
Rate per hour 120 $
Overnight 700 $

 

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🐈🐈🐈🏋️‍♀️🏋️‍♀️🏋️‍♀️, 20
Madrid

🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁

Guestbook of 🐈🐈🐈🏋️‍♀️🏋️‍♀️🏋️‍♀️

🤜🏻🍑🤛🏻 – Feb 6, 2020
(_._)
(_o_)
(_0_)
(_O_)

🍺🍻 – Feb 4, 2020
🚬、

🏗 – Jan 26, 2020
🚧(Baustella)🚧

Dick XL
Orientation Bi
Body Athletic
Body hair Smooth
Piercings No
Tattoos No
Smoking Socially
Speaks Spanish, English
Position No answer
Kissing No answer
Oral No answer
Fisting No
Safe sex Sometimes
Rate per hour On request
Overnight On request

 

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meandmywife, 21
Zurich

Bored of jerking off and watching computer porn? 😉 If you prefer to watch a private fuck show with smell and sweat drops that might hit you in the face, feel free to contact us. Me and my girlfriend fuck in front of you! Patiently waiting for you to fix our money problems!

Dick L
Orientation Hetero
Body Athletic
Body hair Some hair
Piercings Yes
Tattoos Yes
Smoking Yes
Speaks English
Position Top only
Kissing Yes
Oral Versatile
Fisting Active
Safe sex Sometimes
Rate per hour 150 €
Overnight On request

 

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BoySickCockHole, 24
Rotterdam

I got asshole to fuck looking for some cocks right now!
Small, beautiful, enema, waxed for hardcore tearing.
Big cock? I like it! More big cocks? I love it! #GANGBANG
Duo, Trio, Quatro and GANGBANG. 5 THINGS WHAT I WANT TO DO RIGHT NOW!
Tranny/Sissy sex with they is my dream.
Im escort boy. DAP maybe TAP if my gape hole gonna take this.
Deeptroat, facefuck, bare, forced. BBC’s Im here haha! Fisting (easy baby a long time doin that)
Im missing one hand, and who cares, I’m sorry.

Guestbook of BoySickCockHole

BoySickCockHole (Owner) – Jan 24, 2020
It wasnt a smile.

bighandedfistfucker – Jan 24, 2020
I’m heavily into anal sex of all kinds – rimming, felching, fucking, fisting. Have been into FF for a long time – I know what I’m doing. Unfortunately, with huge paws (11-12″ circumference) and a taste for skinny little twinks, finding boys who can take intense punching and genuinely deep play is very difficult. Too many abortive sessions over the years, with boys panting and screaming like they’re giving birth (= waste of everyone’s time..).

Which brings me to BoySickCockHole who let me really stretch him hard. Punch, pistoning, two-hander, elbow-deep, rosebud, prolapse, wanked off inside his guts, felched his hole after it was turned inside out – loved the feeling of those huge lips around my cock. I worked his hole and him to exhaustion – “like sitting on a huge fucking shovel”, is how he put it after, with a very big smile on his face.

Dick S
Orientation Gay
Body Slim
Body hair Shaved
Piercings No
Tattoos Yes
Smoking No
Speaks Dutch, English
Position Bottom
Kissing Yes
Oral Versatile
Fisting Passive
Safe sex Never
Rate per hour 60 €
Overnight 400 €

 

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Sisyphus2020, 20
Edinburgh

My first sexual experience was very, very early and was giving blowjobs to someone close to me over several years. It eventually ended with me running out of the room feeling shame and regret for it all. Looking back, I’m certain it was caused by my unfulfilled need for him to be more dominant and fuck me. When I ran out of the room I was hoping he would come after me and fuck me but he didn’t. Since then, I’ve spent years failing to bring pleasure to girls. I’m attracted to them but mainly because I see them as objects of pleasure for men and due to my passive nature I can only imagine being in their place and that a young man who looks weirdly like me is fucking me instead, if that makes sense. I still experience feelings of shame after masturbating sometimes. All of this is kind of random, but I guess I just want to show that I’m a real person.

Guestbook of Sisyphus2020

BradT – Feb 12, 2020
No session with him feels successful without the exchange of at least three body fluids.

Lobo0927 – Feb 11, 2020
I’m a mutt who go nuts for butts. Woof! And let’s face it you have the best butt in the world! I have some large toys. I’d love to share my toys with you. I like toying, fisting, eating butts …. I’ll add more as I remember LOL.

I AM an animal, but I’m also educated and enjoy butts whose boys are also educated and can withhold an actual conversation like you.

I’m REAL HORNY (probably thinking about wrecking your butt as you are reading this), but also REAL HUMAN.

Love and Respect.

Dick M
Orientation Bi
Body Average
Body hair Smooth
Piercings No
Tattoos No
Smoking No
Speaks English
Position More bottom
Kissing Consent
Oral Versatile
Fisting No answer
Safe sex Let’s talk
Rate per hour 100 €
Overnight 750 €

 

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paulette, 19
Iasi

I’m just CD no real boobs no vigina only ass

I want to go to Switzerland to practice escort work who can help me

I tolerate pain in ass coz its low as compare to pain in love

Dick S
Orientation Gay
Body Slim
Body hair Smooth
Piercings No
Tattoos No
Smoking Yes
Speaks Albanian, Romanian, Portuguese, English
Position Bottom
Kissing Yes
Oral Versatile
Fisting Active
Safe sex Let’s talk
Rate per hour On request
Overnight On request

 

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happy2getfucked, 22
Yverdon

Hi 🙂

Young guy kindly and cool, not haired on body. good in his head and minded. with hyper flexible joints and a complete negative STD test may I say ?

I like to fuck with men not under 35 years old. You can’t be too old, just don’t be too creepy.

I am someone who takes care of those who fucks him ! I work hard so I can shop harder !

Don’t ask me a lot of questions neither. It’s a BIG turn off. Nothing replace a meaningless fuck after few drinks.

Guestbook of happy2getfucked

Idontmind – Jan 31, 2020
Very sexy guy who is cool with a scroungy hole that doesn’t match the impeccable rest of him. It really does the job, but if you don’t have a sling to do him in it might be too scroungy.

xXBulgeTOP92 – Jan 25, 2020
Holy fuck, his face, his bod, his ass, his (black) hole (from outer space) …if a pack of hungry lions had a bank account they’d empty it to eat him for dinner

guywithbd – Jan 19, 2020
Hey if u want to have the best sex of your life rent him.
He can give you what your body really desire.
He want your desires to be his pleasure and that you do not make it live.
He can give you an incredible blowjob.
Or if you want you can give him one.
You can fuck him like you never fucked before.

Dick L
Orientation Gay
Body Athletic
Body hair Shaved
Piercings Yes
Tattoos No
Smoking Yes
Speaks German, English
Position Bottom
Kissing Consent
Oral Versatile
Fisting Passive
Safe sex Never
Rate per hour 130 €
Overnight 600 €

 

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TheBusiness, 24
Boise

Looking for men that are interested in watching me and my friends shooting up drugs and having raw, crazed frysex for all your fantasies. Live and uninterrupted. You pay and get what ever you want. Any detail can be discussed!

Dick XL
Orientation Gay
Body Slim
Body hair Shaved
Piercings Yes
Tattoos Yes
Smoking Socially
Speaks English
Position Versatile
Kissing Yes
Oral Versatile
Fisting Active/Passive
Safe sex Never
Rate per hour 400 $
Overnight 1500 $

 

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redhairedluis, 19
London

Gay probably but totally unexperienced.
Just made this account after confessing my Money problem to an Person which introduced me with this Website.
It would be really nice if someone could explain what to expect when exploring this side of me.

Guestbook of redhairedluis

dudevirgo – Feb 12, 2020
Fire on the head means fire in the bed

Dick M
Orientation Gay
Body Slim
Body hair Little hair
Piercings No
Tattoos No
Smoking No
Speaks English
Position No answer
Kissing Consent
Oral Versatile
Fisting No
Safe sex Always
Rate per hour 120 £
Overnight On request

 

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Glugglug, 24
Leeds

Profile pic = me. I’m a specialty escort into being held underwater and “drowning” and being “brought back to life” with mouth-to-mouth and anything related. Message me if you fancy that!

Guestbook of Glugglug

Glugglug (Owner) – Jan 12, 2020
I don’t like sex 😠 so no one ask me for sex I’m looking for “drowning” 😊

Dick L
Orientation Hetero
Body Athletic
Body hair Smooth
Piercings No
Tattoos No
Smoking No
Speaks English
Position No answer
Kissing No
Oral No answer
Fisting No
Safe sex Always
Rate per hour 200 £
Overnight On request

 

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Icanfeelsounsexy, 18
Helsinki

I’m half Finnish and half American,my dad is from Finland and mom is from the state side.My dad was a business man and my mom was working in the medical field of the Air force.
I was born and grew up in Finland and later relocated to the state with my mom when I was 6 years after the lost of my dad and I really miss him cause he was so caring and understanding man and I’m the only kid for my parent,I don’t have siblings.
My mom later met a man who claim to be her dream husband,they got married and later relocated to UK and I have not heard from my mom since she left with her new husband I’m praying for her to be safe anywhere she is.
I have been through a lot after the lost of my dad and that made me who I am today cause I believe everything happens for a reason and there are always obstacles in life and always try hard to overcome the obstacles and I’m glad for been overcomer.I really don’t know much about my dad’s relatives cause I was young when I left Finland and thinking of going back there if someone pays for it. I am open to all suggestions.

Guestbook of Icanfeelsounsexy

Icanfeelsounsexy – Jan 26, 2020
I need support and I do what you want dear.

pig541 – Jan 26, 2020
€500 to rim your ass no matter what for as long as my jaw can hold up

_Higinia_ – Jan 22, 2020
i love the fact u have no beard

Jinx_Deadly – Jan 22, 2020
what a baaaaaabe 🥵😛🤤

Aditobaidya – Jan 22, 2020
u, r not just sex u need good good friend

Hebert – Jan 21, 2020
Common life does not belong to you. You need a life surrounded by art and beauty alone.

Dick S
Orientation Gay
Body Slim
Body hair Smooth
Piercings No
Tattoos No
Smoking No
Speaks Finnish, Danish, English
Position More bottom
Kissing Yes
Oral Versatile
Fisting No
Safe sex Sometimes
Rate per hour 200 €
Overnight On request

 

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abdulrahman.akkad, 21
Potsdam

Syrian Blogger #LGBTQ+ Rights Activist, Atheist #EX_Muslim based in #Berlin working between Middle East & Europe #10 types of blowjobs

Dick XL
Orientation Gay
Body Muscular
Body hair Some
Piercings No
Tattoos Yes
Smoking Yes
Speaks German, Arabic, English
Position Versatile
Kissing Consent
Oral Versatile
Fisting No answer
Safe sex Sometimes
Rate per hour On request
Overnight On request

 

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joshua_wood, 19
Los Angeles

I really like romantic, loving clients… which can be difficult to find. Often, the client/escort relationship is mistakenly perceived as a power imbalance with no reciprocal affection, which I think is tragic. When a escort gives themselves over to a client for an hour or a night, a client has to express appreciation and affection for being presented such a gift. Cuddling, kissing, holding hands is wonderful. It keeps reiterating that special bond and affection between client and escort (not mutually exclusive). And the escort’s gift can be taken away from the client just as easily as it’s given. Therefore the escort has equal standing in the escort/client relationship. Its just that the roles are a bit different 🙂 Thanks for sharing.

Guestbook of joshua_wood

joshua_wood (Owner) – Feb 8, 2020
If you read this, then I’m still looking for an interlocutor for myself.

joshua_wood (Owner) – Jan 16, 2020
I realise I didn’t say much about myself so I’m loud, cheerful, direct, open, curious, always laughing, always talking, have had acting classes for seven years, tired all day, hyper in the evening, have been paying for my gym for a year but never go there, eat often and so much until I feel sick, only eat Fastfood shit, but complain that I have gained weight, love my office job, always up for a Harry Potter marathon, and should you ask me how I am my answer will always be “I’m fine and myself?”

Dick M
Orientation Gay
Body Athletic
Body hair Smooth
Piercings No
Tattoos No
Smoking No
Speaks English
Position More bottom
Kissing Yes
Oral Versatile
Fisting No
Safe sex Always
Rate per hour 250 $
Overnight 700 $

 

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fuckhimup, 24
Berlin

I’m looking for a genuinely sadistic and brutal guy who’s willing to pay to unleash his violence on my boyfriend. Blood is fine.

Comments

fuckhimup (Owner) – Jan 23, 2020
You want his soul? Just take him, destroy him and dump him.

Dick M
Orientation Bi
Body Average
Body hair Little hair
Piercings No
Tattoos Yes
Smoking Yes
Speaks Czech, Russian, English
Position Bottom
Kissing No
Oral Top
Fisting Passive
Safe sex Never
Rate per hour 500 $
Overnight 2000 $

 

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uDontKnowMeBitch, 18
Sakyo-Ku

anyone ok. i’m actually 17. i’m a fukin masochist. i’m a creampied shit. i’m just learning English. i’m gonna give you a bunch of reasons why you should date me. here they are…

raid
maltreatment
rape
Bare
creampie
Face fuck
puke
Beat
Physical violence
Psychological violence
KO
Unconscious
Ko drops
Clorophorm
To step
Dirty
piss
Scat
snot
torment
injections
catheter
tie up
toys
Torture
wax
clinch
choke
Underwater torture
humiliation
demonstration
Publicity
Dog play
Dog food

I use a wheelchair but it is not a problem as I can crawl on the floor.

Dick S
Orientation Gay
Body Slim
Body hair Smooth
Piercings Yes
Tattoos No
Smoking Yes
Speaks Japanese, English
Position Bottom
Kissing No
Oral Top
Fisting Passive
Safe sex Never
Rate per hour On request
Overnight On request

 

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purewhiteboy, 22
Mildenhall

student seeks an additional source of income to eat something other than plain pasta

i can suggest fellatio, they eat my ass, 69, butt plowing, etc!

Guestbook of purewhiteboy

purewhiteboy (Owner) – Feb 9, 2020
turns out i need chems to enjoy this shit

purewhiteboy (Owner) – Feb 1, 2020
i need to get a smoke session in before any dates. if you’re into it, let’s do it. if you’re not, that’s cool, i’ll smoke before i get there

Dick L
Orientation Gay
Body Athletic
Body hair Average
Piercings No
Tattoos No
Smoking Socially
Speaks English
Position More bottom
Kissing Yes
Oral Versatile
Fisting Passive
Safe sex Let’s talk
Rate per hour 80 £
Overnight 400 £

 

________________



ForceMajeure, 24
Székesfehérvár

Oi Metalheads! I’m looking for a paying date/companion for Nova Rock 2020 Festival during June 10-13. I’d like to share my tent with a gay or bi man beetween 45-65 who also loves heavy metal and live music!

Attracted to:
Long haired masculine men, tattooed and pierced, with long facial stubble and mustache, or beard, especially full beard, or yeard even better, VIKINGS!

Most excited for:
Deichkind, Korn, Disturbed, Steel Panther, Heilung, Black Veil Brides, Battle Beast, Liedfett, Skillet.

About Sex:
I am mostly fuckable type, but sometimes also fuck. Depends on where the beer and drugs and Metal take us!

Dick L
Orientation Bi
Body Slim
Body hair Little hair
Piercings No
Tattoos Yes
Smoking Yes
Speaks Hungarian, English
Position Versatile
Kissing Yes
Oral Versatile
Fisting Active/Passive
Safe sex Let’s talk
Rate per hour On request
Overnight On request

 

________________

lastbutnotleast, 19
Milton Keynes

I am a simple, sincere young man who enjoys simple things like the sun, the moon, the stars, the mountain, the sea, the moon and everything that belongs to the beautiful, I am alone, independently in my decisions and broke, very very broke, really needing something from a daddy, I will do anything you want no matter how crazy try me

Guestbook of lastbutnotleast

Stuffnjack – Feb 4, 2020
He has a angel ass with lots of room inside that you can move into like a house or at least like a hotel.

1wildcat1975 – Jan 30, 2020
His measurements are:
6’0” 170lbs
31” waist
5” cock
Size 11 foot

waitingforitnow – Jan 26, 2020
I just wanted to give a blowjob to a normal dude and I did.

Dick M
Orientation Gay
Body Average
Body hair Some
Piercings No
Tattoos No
Smoking No
Speaks English
Position Versatile
Kissing Yes
Oral Versatile
Fisting Passive
Safe sex Sometimes
Rate per hour 180 £
Overnight On request

 

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AllYours, 19
Bangor

I’m Alex!! I had an account a while back but some bitch thought I was underage and reported me. IM 19 EVERYONE. Now that that’s out of the wayyyy, hi I am a bottom to the extreme. I will not top! Ass just isn’t my cup of tea. I have never done anything before. I have social anxiety so give me some time. And I get nervous so again I just need time. Ok ily all byyyeeee!!

Guestbook of AllYours

AllYours (Owner) – Feb 6, 2020
If I don’t respond, it’s most likely because I’m drinking beer.

Dick XL
Orientation Gay
Body Slim
Body hair Shaved
Piercings No
Tattoos No
Smoking No
Speaks English
Position Bottom
Kissing Consent
Oral Versatile
Fisting Passive
Safe sex Never
Rate per hour 150 $
Overnight 1000 $

 

________________



Millioneuromouth, 21
Fulda

Hi everyone (: i don’t like monotone things, i like to be different then anyone. mind blowing young boy. and i do aswell speak 5 languages. I also love long kisses. you can suck andchew my mouth right off from my face. + lots of cum … multiple splashes .. lots of splashes. cock size is relatively no matter the main thing it comes out neat what.

Guestbook of Millioneuromouth

TheHungerArtist – Feb 8, 2020
I honestly hired him too just try and find a bottom who’s easy going and is totally down too let me bareback him! I’d only been in a guy once with condom and the whole experience was extremely disappointing.. I’m not super kinky I don’t think just have a fetish for giving my bottoms load as often as possible alhto I did depossit five load in him before we finish, I also like him giving me head but prefered too finished in his booty! He accidently shit, it happens, but it’s not a huge downer for me, I just stop fucking for one seconds and taken care of it and keeped going.

Dick M
Orientation Gay
Body Slim
Body hair Shaved
Piercings Yes
Tattoos No
Smoking Yes
Speaks Latvian, German, Italian, French, English
Position Bottom
Kissing Consent
Oral Versatile
Fisting Passive
Safe sex Never
Rate per hour 50 €
Overnight 400 €

 

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John-Blitz, 20
Oakland

Me watching humans being tortured, dismembered, brutally killed etc. : 🤩🥰🔥 Me watching animals being hurt, shouted at or even just touched meanly: 😤🥺😡

Guestbook of John-Blitz

MisterChen – Feb 3, 2020
Cold but innocent-looking.

John-Blitz – Jan 28, 2020
Why if I want to shoot ? 😭

zerofilthshit – Jan 28, 2020
Took me a sec to notice the gun
Please take your booger hook off the trigger

John-Blitz – Jan 27, 2020
I like to have sex in my mask, I like to see people who can’t see me.

John-Blitz – Jan 27, 2020
Burlap

zerofilthshit – Jan 27, 2020
what material is that?

John-Blitz – Jan 27, 2020
yup

zerofilthshit – Jan 27, 2020
You make that mask?

Dick M
Orientation Bi
Body Average
Body hair Some
Piercings Yes
Tattoos Yes
Smoking Yes
Speaks English
Position No answer
Kissing No answer
Oral Versatile
Fisting No answer
Safe sex Sometimes
Rate per hour 500 $
Overnight 3000 $

 

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FuckBuddyReno, 18
Reno

FIRST OF ALL don’t hmu with that “hey” or “hru baby” bs. If you’re going to text me pleasse tell me about yourself, address me as the slut I am, and send some hard dick pics so I know you’re a legit top who can satisfy a slut, etc. Anywayssss hi I’m Alex! I’m a bisexual looking to have a real crazy fuck and earn some dough. And not just one. I want to be very busy etc. I’m into hardcore. My limits are armpits, kissing/making out, and incest. Other than those I’m an open book willing to get paid to do almost anything! I have NUMEROUS nude pics and vids so if u want some just ask! In conclusion, I love u all, and hmu so I can get my tight hole and mouth compensated!!

Guestbook of FuckBuddyReno

FuckBuddyReno (Owner) – Feb 8, 2020
If you want to get into a relationship with me be sure you can sleep well knowing I’ll be out getting fucked hard regularly.

Dick L
Orientation Bi
Body Muscular
Body hair Shaved
Piercings Yes
Tattoos No
Smoking No
Speaks English
Position Bottom
Kissing Yes
Oral Versatile
Fisting Passive
Safe sex Let’s talk
Rate per hour 250 $
Overnight On request

 

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DeLuxeBoy, 20
Vienna

Boy avaialable16-18h/7 discreet’s
DeLuxe garantated 100% cute😻😎
DeLuxe garantated 100% fuck 👉🏼👌🏼 😏🤩
DeLuxe garantated 100% clean and sexi holes🔝💕
DeLuxe garantated 100% good investition🤑🤝

Guestbook of DeLuxeBoy

ethical_amour – Jan 16, 2020
he give what i ask for. he can swing the way i want. for the pleasure and satisfaction which i seek. we lose some calories together with the dripping essence of life. the cock is small.

Dick M
Orientation Bi
Body Athletic
Body hair Smooth
Piercings No
Tattoos No
Smoking Socially
Speaks Czech, German, English
Position Versatile
Kissing Yes
Oral Versatile
Fisting Active/Passive
Safe sex Sometimes
Rate per hour 300 €
Overnight 800 €

 

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Shyandhorny, 19
Thun-Interlaken

“Hetero-Boy” with great weakness for cocks and swallowing sperm is looking for straightforward blowjob dates in your car

Guestbook of Shyandhorny

Anonymous – Feb 10, 2020
I don’t recommend it to anyone and it’s very, very crap

Dick M
Orientation Hetero
Body Slim
Body hair Average
Piercings No
Tattoos No
Smoking Yes
Speaks German, English
Position Bottom
Kissing No
Oral Top
Fisting No
Safe sex Always
Rate per hour 40 €
Overnight On request

 

________________


Uare4Me, 21
Paris

I’m Daniel. I am a solitary and introverted young man. I love walking in the park and in the forest. I sometimes write poetry. Walks in the park inspire me to write new poems on love. I visit the pool several times a week. I have been engaged in swimming for some time. My hobby makes me happy. I like to listen to music, famous genres, pop, jazz, blues and classical music. Sometimes when I listen to music, I dance. I am not a sociable young man, so I can speak reluctantly on any subject.

Guestbook of Uare4Me

Uare4Me (Owner) – Jan 28, 2020
I guess I am kind of not into a lot of weird stuff.

hungmonkeybear – Jan 28, 2020
He didn’t seem to mind if I wanted to play with his dick, but he seemed to prefer to think it’s not there. With his ass, his dick got small and soft when I played with it, and when I got too familiar he clenched his cheeks and accidentally urinated.

Dick M
Orientation Gay
Body Slim
Body hair Smooth
Piercings No
Tattoos No
Smoking Socially
Speaks French, English
Position No answer
Kissing Consent
Oral Versatile
Fisting No
Safe sex Always
Rate per hour 100 €
Overnight 500 €

 

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ben_meyerowitz, 20
Tel Aviv

Ey, what’s up to all those who take an interest in me. I don’t know anything about prostitution other than the intense feels I get about just the thought of people liking me so much they’d pay to do the deed with me.

That’s why I got this account, surely there are men who know where I’m coming from.

Guestbook of ben_meyerowitz

ben_meyerowitz (Owner) – Feb 13, 2020
I think I’m starting to get the hang of this 🤘

Anonymous – Feb 5, 2020
Know that “liking me so much” means he expects you to like that he chain smokes cigarettes and thinks it’s “stupid” to shower or change his clothes or brush his teeth more than once a week

Dick XL
Orientation Bi
Body Slim
Body hair Average
Piercings Yes
Tattoos No
Smoking Yes
Speaks Hebrew, English
Position Versatile
Kissing Consent
Oral Versatile
Fisting No
Safe sex Let’s talk
Rate per hour 380 ILS
Overnight On request

 

________________

PoodleBoy, 20
Manchester

I want to be dressed up as a pink fluffy poodle and lead around town on a leash. Please remind me that I’m not a person, but a fluffy, pathetic poodlefag.

If you’re not interested please use Paypal and tell me why in the cruelest way possible.

Guestbook of PoodleBoy

happyy – Jan 31, 2020
hello you. soon alive, bye

Dick S
Orientation Gay
Body Slim
Body hair Smooth
Piercings No
Tattoos No
Smoking No
Speaks English
Position No answer
Kissing Yes
Oral No answer
Fisting No
Safe sex Always
Rate per hour On request
Overnight On request

 

________________




travelinghole, 19
Montreal

So crazy idea that I’d like to discuss. I have a fantasy where I’m housed, fed, and financially supported in return for being psychologically broken down systematically until I can’t function as a normal person anymore or live in the outside world. While being turned into a mindless, dead on the inside sex bot.

I mean to the point where it’s literally nonconsensual. Like if I want it to end too bad and it doesn’t stop until I just accept this is the way things are.

All my hopes are crushed and I’m suffering from some weird mix of Stockholm and learned helplessness.

Eventually brainwashed into thinking that I like it and was born this way and never had any other purpose. Like a forced belief system that makes me a completely obedient slave.

Actual punishment for thinking for myself. Cut off from the outside world and “bad influences who don’t understand *what* I am”.

Until it’s so ingrained that I can’t shake it off or bounce back. And I’m so mentally crippled that there’s no way I could ever be normal again.

Totally made helpless and kept in a position of dependency that I eventually can’t shake free. Just take whatever is dished out and be too afraid to even think twice about it.

When I’m totally broken keep me forever. Want it to keep going forever, not be thrown out when it’s done.

Anyone open to really following through on this or the closest version possible within the confines of reality, please hit me up.

Dick S
Orientation Gay
Body Slim
Body hair Shaved
Piercings No
Tattoos No
Smoking No
Speaks English, French
Position Bottom
Kissing Yes
Oral Top
Fisting Passive
Safe sex Never
Rate per hour On request
Overnight 8000 $

 

 

*

p.s. Hey. ** David Ehrenstein, Yes, I remember that chapter well. And, yeah, so fortuitous that he had Candy Darling in his work since she’s not in a lot of films, sadly. Happy Valentines Day. I forgot all about it until near-bedtime. It is celebrated here, but not enough to be inescapable. Everyone, Mr. Ehrenstein has reviewed the new documentary film about Bill Cunningham, and it is sure to be very helpful and useful. Here. ** Bill, Hi! I did do a kind of limited post about him years ago, but it wasn’t up to the snuff of my current standards, so I made a new one instead of hoisting it from the ruins. I didn’t get to 1909, but I’m going to try to go today ‘cos I’m going to a book launch in that vicinity. There are still new, really good bookstores opening here quite frequently. Quite astonishing that there’s the readership to support that here, but, ah, France! ** Jeff J, Hi, Jeff. Yeah, I was surprised to find that short online. ‘Eika Katappa’ … I don’t think I’ve seen it, no, but I might be spacing on the title. I’ll try to find it somewhere. Still computer shit?! Jesus. You need a tech exorcism or something. You sound very productive and busy despite that trouble. Good news about the gig and sculpture installation and, of course, re: your new novel! I love the finessing the charisma part. It’s kind of like the religious part of the writing process or something maybe. No, no actual publishing news, or only in the sense that the novel’s many months of being a static, stuck thing seems to be finally ending, and it’s in motion again, which I’m relieved about. But, yeah, this lag-time has been driving me nuts. I haven’t pursued my fiction idea yet. I’ve been finishing the new GIF novel, which is now finished. I might try to get into fiction before the TV script becomes a hands-on issue again. Great to see you! ** Quinn R, Hi, Quinn! European art cinema is an amazing, huge world to explore if you ever get the jonesing to and the access. It’s pretty much my bread and butter, as they say. Ah, you’re coming to Paris! Have you been here before? Very cool in any case. It’s highly likely that I’ll be here, yes. Pretty for sure, so let’s meet and hang. I’ll have a think about what’s best that’d going on here then. If you’re still here at the end of May, you can see Gisele Vienne’s and my theater piece ‘This Is How You Will Disappear’ which is having a return engagement. But I’ll look ahead and make notes for you. Paris is super easy to get around in. The metro system is fantastic, and the center is small enough that you walk a lot of places if you like walking. I’m good, thanks. I’m thrilled and honored about Diarmuid’s book, and I’m only very into it being contextualised in academia, if that’s even possible, ha ha. It’s his perspective and filter on my work, not mine, so I feel sanely distanced from the book and just excited and curious to see what it does. So, I look forward to seeing you here, and I trust I’ll get to interact with you in the meantime. ** _Black_Acrylic, Awesome you managed to see those films. You definitely have a good DVD provider. Happy weekend! ** Steve Erickson, Hi. Everyone, if you’re sitting there torn as to whether you should buy/download the new Mhysa album, Steve can help you out. And his helpfulness is located here. Obviously hoping the professional decluttering works. House-cleaning can have a pretty inexplicably magic effect. I saw that about the Ottinger retrospective. Pretty cool. ** Misanthrope, Hi. Right, his co-founding of The Paris Review is the big theoretical feather in his cap for me. I have to say I don’t find that TPR/CIA supposed connection plausible at all, but, hey, what do I know. Ha ha, I’m weird. When I see something described as a ‘page turner’ my interest wanes. Enjoy your three-day weekend and even the orthopedist appointment part. There must be a way. ** Right. Yep, mid-month and they’re back again to tempt or appall or amuse or depress you. See you on Monday.

Werner Schroeter Day

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‘Like his contemporaries Fassbinder, Herzog, and Wenders, the late Werner Schroeter was one of the New German Cinema’s seminal figures, if far more marginal in terms of recognition. He started out as an underground filmmaker in 1967 before making a critical impact on the international festival circuit and winning a devoted cult following. His films, shot through with a predilection for operatic excess and artifice, defy categorization, and are infuriatingly obscure for some and entrancingly poetic for others. His cinema occupies a transitional space between avant-garde and art cinema, neither quite narrative nor quite abstract. In the second half of the Eighties he became widely known as a theater and opera director, staging a range of hyperstylized productions in Germany and abroad that outstripped even his films in their ability to provoke both intense admiration and hostility. His flamboyance and reputation for refusing to compromise with the mainstream attracted outstanding talents willing to work for little or no money, some of whom became his regular collaborators. Foremost among the performers was Magdalena Montezuma, the splendid German underground star and Schroeter’s muse until her death in 1985. Subsequently French stars such as Bulle Ogier, Carole Bouquet, and Isabelle Huppert gave him an additional art-house aura. Throughout his career and thanks to major retrospectives, including events in London, Paris, and Rome, Schroeter’s films kept garnering new, if select, audiences.

‘Schroeter’s stylized, performance-centered aesthetic draws on opera, pop music, stage melodrama, contemporary dance theater, and cabaret. His films consist of overt allegories and fables driven by the Romantic impulse, distilling moments of desire, loss, and death in all-consuming emotion. The central figure in Schroeter’s films is always the outsider—the mad person, the foreigner—and his major theme is ineffable longing for passionate love and artistic creativity. Although Schroeter was gay, homosexuality is rarely an explicit topic, though arguably the female protagonists who are foregrounded in his films become vessels for the displaced expression of gay subjectivity. Visually the characters are framed in sumptuous tableau compositions underscored by a highly manipulated post-synchronized soundtrack. Music is crucial to all of Schroeter’s films but more for the content than for the mood: it offers commentary and counterpoint, and one of his major strategies was the juxtaposition of classical and popular music. For example, he often puts the opera diva Maria Callas side by side with Caterina Valente, the German popular singer, blurring the hierarchical distinction between high and low culture, art and kitsch.

‘After attending the 4th experi-mental Film Festival at Knokke, Belgium, in 1967, the 22-year-old Schroeter started to make his first 8mm films, most notably Maria Callas Portrait (68), in which he animated stills of Maria Callas and overlaid them with a soundtrack of her singing. The figure of the diva, personified and immortalized by the voice and fate of Callas, became for Schroeter the embodiment of artistic creativity and intensity in his quest for the representation of emotions. In these early nonnarrative films, images, music, and sound are not synchronized; and their live performers mime to the lyrics or spoken words on the soundtrack in an exaggerated fashion.

Eika Katappa (69), a radical 147-minute camp appropriation of opera, is arguably as spectacular as a Hollywood epic and features more musical climaxes than even a 19th-century Italian bel canto opera. Schroeter paraphrases the climaxes from such operas as Puccini’s Tosca and Verdi’s La Traviata, alongside pop songs and orchestral music. The various episodes are driven mainly by the lyrics and sometimes by tableaux such as St. Sebastian’s ecstatic death. The film exemplifies the tendency in Schroeter’s early period toward incorporating explicitly dilettantish performances of the Western cultural repertoire, staging them in makeshift sets, and linking scenes through complex montage (for example, there is a kaleidoscopic replaying of previous scenes from the film in the final section).

Eika Katappa, which was self-financed, won the Josef von Sternberg prize (for “the most idiosyncratic film”) at the 1969 Mannheim Film Festival and enabled Schroeter to break into television. Ironically, his “total cinema” films, which work more through spectacle than narrative, were almost exclusively produced by Das kleine Fernsehspiel (“The Little Television Play”), a small experimental department of the German public-service station ZDF. During this period, Das kleine Fernsehspiel supported some of Schroeter’s highly controversial projects, beginning with The Bomber Pilot (70), a grotesque parody of Fascist revue shows, which was probably the first German film to engage with the “cultural myth” of Nazism. Similarly, Salome (71), Macbeth (71), and Goldflocken (Flocons d’or, 76) provoked strong and contradictory reactions: critic Eckhard Schmidt called Schroeter “one of the most talented young filmmakers,” while others dismissed his films as trivial ritualistic exercises in appropriation.

‘Sublime and bizarre, The Death of Maria Malibran (71) is considered by many, including Michel Foucault and Schroeter himself, to be one of his best films, but it’s also one of the most difficult. The tragic life of the eponymous 19th-century opera diva is merely a starting point for a dense network of references and allusions centered around the idea that artistic perfection is only attainable in death. The fragmentary and opaque narrative is conveyed through the intense stylization of gestures, poses, tableaux, and music. Malibran’s life is condensed into metaphorical and imaginary situations that reflect on an artist’s existence beyond the boundaries of a historical reality and gender identity. The life, or rather the death, of the singer is audiovisually refracted through prerecorded operatic arias, pop songs, literary citations, and romantic platitudes (ranging from Goethe and Lautréamont to Elvis Presley). Highlights include the passionate suicide of two female lovers, pastoral musical interludes, and performances expressing ineffable longing, despair, and madness.

‘With Kingdom of Naples (78) Schroeter shifted toward more plot-driven art cinema, maintaining his hallmarks of pathos and melodrama but with more obvious narrative and political intent. Schroeter commented about this change “that it is much more radical to play with the content than with the aesthetics of the image. The era of independence is over. Our society has not fulfilled the promises hoped for around ’68-’70.” Greeted with an unaccustomed consensus of critical acclaim, Kingdom won many prizes in Germany and internationally, and became his first commercial release. Shot on location by Aguirre, Wrath of God DP Thomas Mauch with several nonprofessional actors and using local dialects, the film is reminiscent of Italian neorealism in its approach, and on first viewing, its chronicle of a poor Neapolitan family and their community, spanning between 1944 to 1977, appears to be grounded in conventional melodrama. Yet it is highly stylized and constructed in the manner of a 19th-century serial opera with music being used not only for its emotional power but as a form of critical commentary.

‘Schroeter was a great globe-trotter who took advantage of invitations to film festivals or Goethe Institut presentations of his work to make films. Many who regarded him as a maker of fantastic fables were surprised at the politically hard-hitting if still associative and nonlinear documentaries that resulted. Smiling Star (83) is an extraordinary collage documentary on Marcos’s corrupt regime in the Philippines, shot clandestinely while Schroeter was a guest of the Manila International Film Festival, while For Example, Argentina (83-85) is a denunciation of Galtieri’s military dictatorship: “First we kill the subversive elements, then the sympathizers, then their henchmen, and last of all the weak.”

‘Schroeter’s gay sensibility is expressed as an aesthetic that could be described as high camp, since he insists on a Romantic and operatic vision of homosexuality. In The Rose King (86), an excessive and entrancing hallucinatory fable of perfect but doomed love, and his most explicitly gay film, the symbol of the rose is employed to signify love, passion, and perfection at the moment of death. The titular Rose King merges the ideal of the perfect rose with the body of his lover and at the sexually climatic moment grafts multiple roses onto him. This visceral scene of ecstatic mutilation, heightened by the rhythm of a Viennese waltz, is intercut with shots of fire, ink, water, and the sea washing over a nude male body. The juxtaposition of images and sounds is as horrific as it is beautiful.

‘After his theater and opera productions in the late Eighties Schroeter returned to filmmaking in 1990 with Malina, a relatively high-budget literary adaptation based on Ingeborg Bachmann’s 1971 novel. Scripted by Elfriede Jelinek, and featuring an original avant-garde score by Giacomo Manzoni, it stars Isabelle Huppert as an unnamed female writer caught between passion and creativity, and between her platonic love for the rational Malina (Mathieu Carrière) and her consuming desire for the sensual Ivan (Can Togay). This is represented not as a conventional ménage à trois but rather as a visual and sonic staging of (literally) burning passion and glacial voids that lead to the disintegration of the writer’s identity. On a psychoanalytic level Ivan is a projection of a desire for absolute erotic love, while Malina represents the rational male alter-ego that clashes with the female emotional ego and finally obliterates the female identity—suggesting that it is only possible to be a writer at the expense of femininity and desire. Huppert’s tour-de-force performance of exaltation and self-destructive despair is familiar from Schroeter’s repertoire, and so is the film’s nonlinear narrative with its operatic climaxes—albeit now psychologically motivated as nightmares and hallucinations. With its musical cadences and its mise en scène of ornate mirrors and consuming fires, Schroeter’s Malina transforms Bachman’s literary text into an idiosyncratic spectacle and aural feast. Despite receiving mixed reviews in Germany, the film won the German Film Award in Gold, but internationally this sumptuous but difficult film was considered too obscure to win much acclaim.

‘With Love’s Debris (Poussières d’amour, 96) Schroeter re-engaged with the cult of the diva—this time employing living, breathing, but aging opera divas. He invited a few of his favorite opera singers, young and old, to a 13th-century French abbey, in an effort to understand what gave rise to the emotional intensity in their vocal performance. The most affecting scene centers on the 65-year-old diva Anita Cerquetti, who gave up singing upon losing her voice at the height of her career, when she was barely 30 years old. We watch Cerquetti listening and lip-synching to an old recording of her sublime vocal performance of “Casta Diva” (“Chaste Diva”) from Bellini’s Norma. This apparent sonic synchronization becomes a hauntingly nostalgic experience through the accompanying visual mismatch: the aging body cannot anchor the youthful operatic voice. The fleeting restoration of Cerquetti’s full, rich voice is followed by her recognition of its irrecoverable loss. It is a moment of great poignancy.

‘Schroeter’s penultimate film, Deux (02), was written for Huppert, and she provides another virtuoso performance playing contrasting twin sisters, separated at birth and unaware of each other’s existence. This surreal fantasy, with its dreamlike associative editing, literary citations from the Comte de Lautréamont’s 1869 verse novel Les Chants de Maldoror, gay iconography, and periodic arias is reminiscent of the director’s earlier episodic films. In its engagement with the myth of Narcissus and the German Romantic concept of the doppelgänger, Schroeter claims that the film contains autobiographical episodes that transfigure his own memories and dreams into art. The film premiered at Cannes where it received some praise, but failed to find a German distributor. Although at the core extremely subjective, Deux also contains references to European art history and literature, and this balancing act, while doubtless intriguing for dedicated Schroeter followers, is likely too opaque for the uninitiated.

‘Schroeter’s swan song, Tonight (Nuit de chien, 08) was shot nocturnally on location in Porto (Portugal) while the filmmaker was enduring the debilitating effects of cancer. It is a dystopian fable about the failure of a revolution and a darkly luminous nighttime odyssey across a port city and its brutalized inhabitants. Christiane Peitz’s obituary of Schroeter describes the film as “a long journey into darkness, a hymn to life in the face of brutality and terror.” And Schroeter explained in his own posthumously published autobiography: “All my films, including Tonight, bear witness to my quest for a form that communicates vitality, the pleasure of creativity and beauty, which is a gift of our profession. In beauty, in recognition of beauty resides a hope—malgré tout, despite all. It expresses a hope even though the theme of the film deals with the darkest night aspects of existence . . . Without pain and a quest for truth there is no beauty.”

‘The nature of Schroeter’s lifelong quest is eloquently explored in the lyrical and elegiac 2011 documentary Mondo Lux: The Visual Worlds of Werner Schroeter by Elfi Mikesch, Schroeter’s close friend and collaborator. But a much earlier tribute was paid in 1979 by his friend and rival Rainer Werner Fassbinder, who welcomed the art-house release of Kingdom of Naples as Schroeter’s emergence from the underground. Fassbinder graciously acknowledged Schroeter’s decisive influence on himself and other German filmmakers, and suggested that the director’s very underground exoticism had kept him at the margins of film culture. Perhaps this continued detachment from the commercial mainstream makes Schroeter’s films that much more precious.’ — Ulrike Sieglohr

 

____
Stills

































































 

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Further

Werner Schroeter Official Website
Video: ‘Werner Schroeter, l’inédit’ @ Arte
‘Gifts After Death: Werner Schroeter’s Photos’
Conversation entre Michel Foucault et Werner Schroeter
Werner Schroeter @ Senses of Cinema
Olaf Moller ‘But Farewell: Werner Schroeter’ @ Cinemascope
Gary Indiana on Werner Schroeter
DVD: ‘Werner Schroeter Collection’

 

______
Extras


Young Werner Schroeter filmed by Fassbinder


Werner Schroeter speaks @ Venice Film Festival, 2008


In person: Werner Schroeter

 

_________
Interview
from Kulturchronik Magazine

 

You like the philosophy of Michael Foucault, don’t you?

Werner Schroeter: Yes, I find him highly intelligent, and one could devote a life just to his work. Around 1973 when two of my films were shown in France, THE DEATH OF MARIA MALIBRAN and WILLOW SPRING, about which Foucault wrote an article in a film magazine, I came across his books for the first time and his definition of the vital differences between love and suffering particularly pleased me. I read him and was impressed by how close he came to my feelings on the philosophical level.

What role does France play for you?

WS: After initial difficulties I find interesting the contrast between life and art and the way in which the French live.

You also love Italy and Mexico City.

WS: Yes, I was always attracted by the harsh contrast, here the North and there the South. I yearned for Italy because it was there that I first really fell in love. Then came the passion for opera. Verdi’s BALLO IN MASCHERA constitutes an opposite to Wagner’s TRISTAN which consists of an abundance of subtleties and superimpositions. The one is as beautiful as the other, but during my youth I felt much more attracted to this linear Latin music.

And Mexico City?

WS: There I felt very much at ease. Such wellbeing is important for my creativity since I’m not a masochist in that respect. It was the people there who filled me with life. I once said on Mexican television that I feel myself to be a European. From Mexico City Paris is just around a corner but Los Angeles is a whole world away. I think Mexicans wonderful with their clear-cut passion and sensuous lives, coupled with Prussian discipline.

You make no secret of your homosexuality. Do you comprehend your gayness as a chance to make less conventional art?

WS: Certainly that is one advantage, provided that one has the necessary personal constitution and has the wish and the will for such expression. The unconventional way is certainly more fruitful than what is already laid down. Baudelaire already asked, why do something in a straight line if you can do it crookedly. More happens. That’s obvious since one must be ready for much more resistance. One also operates out of much greater internal friction. That’s certainly the case with all outsiders. However for someone who cannot really express themselves or has no chance of putting it to creative use, that can certainly be a great problem because he allows himself to be intimidated. But I certainly don’t feel myself to be an outsider since I’m always integrated in more extended social contexts.

Did you experience something like a coming out?

WS: Homosexuality was never a concern in my family, and there was a time when I alternated girl and boy friends, whereby the erotic ties with the boys were greater than with the girls – and I also slept with them. My father, who liked most of my friends both male and female, was convinced by the human rather than the sexual qualities. That was quite normal. I turned up with a boy friend and that was that. On this level I couldn’t be forbidden anything. I was calm and gentle and quiet but had a certain strength involving a kind of non-violent authority. In addition my mother was a loveable and loving woman, full of faults like everyone else. She struggled greatly for her children’s love. My father was an exceptionally liberal man whose tolerance seemed almost indifference when I was a child. Only years later did I discover that this was his form of social acceptance. As far as influence and behaviour are concerned, I believe that we are much more influenced by the family than by whether we are gay or not.

You had a special relationship with your grandmother, didn’t you?

WS: My Polish grandmother was a dynamo of imagination who shared her fantastic world. In 1951, shortly after the war when I was five, we lived in a rapidly developed workers settlement outside Bielefeld. Everything I could see outside was so alien to my sensibility that my grandmother and her dreams became my world. She, who had neither experienced repression nor practiced it, translated everything into fantasy. I still remember very well how she once suddenly transformed the rails used by Bielefeld’s trams into an Indian trail. A chair became a palace and a flower pot a jungle. This freedom in dealing with things captivated me, and there was a place for us in strange daydream reality.

For her a sense of reality was completely present in a vital irony. With her fantastic dreamworld she prepared us for a life of resistance. After all imagination is resistance and the only thing that can turn upside down the unbearability of reality. Without it there would be no revolution, which involves not only mass dynamics but also the development of fantasy regarding something so as to surmount it. With her kind of flight from the world my grandmother created a new reality which could take place everywhere. That is certainly the source of my freedom vis-à-vis what people nowadays call realistic depiction or naturalism. For me it goes without saying that with determination and imagination mountains –imaginary ones of course—can be moved.

What themes initially attracted you as a maker of films and theatre?

WS: Initially the mystery of woman in society and my great closeness to women on the level of friendship. During my short marriage I also sussed out the identificatory aspect. I am interested in women in art as sensitive beings, even a membrane, since women have a great talent for self-mastery. Then something shifted and a larger context was established.

You make no secret of your homosexuality. Do you comprehend your gayness as a chance to make less conventional art?

WS: Certainly that is one advantage, provided that one has the necessary personal constitution and has the wish and the will for such expression. The unconventional way is certainly more fruitful than what is already laid down. Baudelaire already asked, why do something in a straight line if you can do it crookedly. More happens. That’s obvious since one must be ready for much more resistance. One also operates out of much greater internal friction. That’s certainly the case with all outsiders. However for someone who cannot really express themselves or has no chance of putting it to creative use, that can certainly be a great problem because he allows himself to be intimidated. But I certainly don’t feel myself to be an outsider since I’m always integrated in more extended social contexts.

Your productions seem wonderfully connected with your vital force and that of the actors involved. They work on the basis of improvisation, demanding that the actor relies on him or herself.

WS: That’s impossible without the intuition. Theatre is community work where I am the originator and director of the performance. The actor must provide at least as much creativity as me. In order to get things moving I come with a very strict concept even though I know from experience that it will be thrown overboard after some days of rehearsal. So I gradually give up this concept because what is involved in the encounter with the actors leads it to pale into insignificance. But things don’t work completely without a concept. You must allow yourself the freedom to abandon what you thought up. Only then does there come into being something that is more vital than the preconceived idea. Basically I offer my ideas as motivation. However at the end of this process the original basic idea is redeemed in a more beautiful, advanced, and essential form than it would have been in working according to routine. I must accept the play I have chosen with all its weaknesses and other characteristics. What matters is to find a way of doing justice to it.

Underlying what you do is curiosity about something completely other.

WS: Yes, since I know anyway what I want. If I were only to force my will onto another person and press him into my form, allowing everything to cool down, it would be completely dead. Only a few forms of theatre really touch me. For instance the theatre made by Tadeusz Kantor, who unfortunately died some years ago. This man, who worked on productions for two years, certainly utilized a similar work process. Only he went much farther than me. He worked until an organic experience had occurred between the actors.

 

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12 of Werner Schroeter’s 41 films

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Neurasia (1968)
‘NEURASIA is a silent movie with Carla Aulaulu and Magdalena Montezuma in the leading roles. “NEURASIA is a paradise of furious gestures. A Luna Park of emotions. On a black-gray stage-image-surface, infinitely repeatable particles of musical and melodramatic exaltations, extremely retarded gestures of adoration, love, despair, religion, insanity, and death are enacted.'” — Sebastian Feldmann


the entirety

 

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Maria Callas Porträt (1968)
‘Animated stills of Maria Callas and overlaid with a soundtrack of her singing.’ — letterboxd


the entirety

 

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Salome (1971)
‘Schroeter’s film Salome, 1971, is one of the most beautiful adaptations of the text to film ever made. Filmed at the ruins of Baalbek in Lebanon, the decadent carnality of Gustave Moreau’s painting Salome is recalled in the jeweled costumes of Herod and Herodias, in the somnolent pallor of Salome’s face, in Magdalena Montezuma’s androgynous performance as Herod. Pans and zooms within long sequences, invisible cutting, Oscar Wilde’s hypnotic text, and a densely packed sound track form a seething tapestry of contradictory cues and visual blandishments.’ — Gary Indiana

Watch the trailer here
Watch an excerpt here

 

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Der Tod Der Maria Malibran (1972)
‘Werner Schroeter’s hyper-melodramatic films tend to provoke either intense admiration or outraged hostility. He is one of the most controversial filmmakers associated with the New German Cinema. Der Tod der Maria Malibran , sublime and bizarre, is considered by many (including Michel Foucault and Schroeter himself) to be one of his best films, but it is also the most difficult. The historical figure of the singer Maria Malibran provides merely a starting point for a dense network of references and allusions encompassing Goethe, Lautréamont, Elvis Presley, and Janis Joplin.’ — film reference


Excerpt


the entirety

 

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Willow Springs (1973)
‘This is the only film which Werner Schroeter has shot in the United States. The scene is a lonely, dilapidated house with a bar on the edge of the Mojave desert; the house, like the place in which it is located, is called “Willow Springs”. The three Amazons sit in their lair, waiting for men to rob, love, and kill. But in this “feminist” counter-world, “male” power structures continue to function: the “master thinker” and priestess Magdalena (Montezuma) dominates the ethereal Christine (Kaufmann), who, in love with herself, is the sterile embodiment of an art grown unsensual. At the very bottom of the hierarchy is Ila (von Hasberg), the maid who says next to nothing. She not only finds sexual contact with the stranger Michael (O’Daniels), but also love. The two contrive to flee, but the murderous Magdalena kills them. “Art” also kills herself, before she goes out into the desert as the Black Angel, the title of Schroeter’s next film, which was made in Mexico in 1973/74.’ — Filmmuseum


Excerpt

 

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Regno di Napoli (1978)
‘A brother and sister, both of whom grew up in the slums of Naples, communicate with one another periodically over the years from 1944 to 1976 as they go their separate ways. Through flashbacks, and as they grow reacquainted during their meetings, the story of each is told. The girl struggles to study her way out of poverty, learns English well enough to become an airline stewardess, and discovers the limitations of her success. The boy joins the communist party early on, ardently serving as another body in the movement on the picket lines and at demonstrations. Despite his dedication, the best job the party can deliver to him is a menial one, and he too feels betrayed.’ — Ken Pasternak, FilmStudies


Excerpt

 

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Die Generalprobe (1980)
‘An exhilarating, essayistic documentary about the 1980 festival of experimental theatre in the French city of Nancy. Werner Schroeter’s favourite of his own films. With Pina Bausch, Reinhold Hoffman, Pat Oleszko.’ — letterboxd


Excerpt

 

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Der Tag Idioten (1982)
‘In this non-story of the mentally and emotionally impaired inhabitants of a clinic for the insane, the medical profession along with humanity is distorted into a long, filmic exhibition of sado-masochism, urination, and ample nudity for its own sake. Critics that support the avant-garde might feel that the lack of apparent purpose in each “idiot’s” (the title is “Day of the Idiots’) physical and emotional problems is a form of high art. The viewers will have to decide for themselves.’ — Eleanor Mannikka, Rovi


Excerpt

 

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Der Rosenkonig (1986)
‘Schroeter’s gay sensibility is expressed as an aesthetic approach that could be described as “high camp.” His conception has frequently been compared to and contrasted with (not always favourably) Rosa von Praunheim’s much more militant stance. Schroeter insists on the romantic version of homosexuality. In most of his films we get the gay historical subtext, rather than thematic treatment. Der Rosenkönig , an excessive and entrancing hallucinatory fable of oedipal and homosexual passion, is his most explicit gay film.’ — Ulrike Sieglohr


Excerpt


Excerpt

 

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Malina (1990)
‘In this movie, a woman is going mad, literally, with frustration. Based on a novel by Ingeborg Bachmann, Isabelle Huppert plays the distraught woman who feels that the choice between her uninspiring husband and her indifferent lover warrants ever-escalating displays of rage, distress and loss of self-control. Eventually her self-indulgence leads to her setting her now-demolished Viennese apartment on fire and burning herself alive in it while the movie score plays songs from grand opera to celebrate her dramatic departure from life.’– Clarke Fountain, CinemaDeutsch


Excerpt


the entirety

 

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Deux (2002)
‘Avant-garde director Werner Schroeter’s Deux (Two) is a willfully disjointed film about twin sisters played by Isabelle Huppert. As newborns, the two girls were separated. The film intercuts snippets from their lives. One of the sisters engages in some homosexual experimentation, while the other has ongoing conversations with a man (Jean-François Stévenin) who apparently resides in an opera house (opera being one of the director’s career-long obsessions). Bulle Ogier plays a woman who may or may not be related to the two women played by Huppert.’ — Perry Seibert, Movie Euro


Excerpt


Excerpt

 

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Nuit de Chien (2008)
‘Werner Schroeter directed this dark and surreal tale of a man determined to save a lost lover from a grim fate at the hands of a violent mob. The city of Santa Maria is falling into chaos as an armed military faction is poised to take power in a coup d’etat. Ossorio (Pascal Greggory) used to call Santa Maria home, and he has returned in its darkest hour to find the woman he loves, hoping to rescue her from the violence that is lurks around the corner. As Ossorio searches for his love, he meets Victoria (Laura Martin) in a shabby hotel, who in turn introduces him to her father Barcala (Sami Frey), who for the right price is willing to take Ossorio and another passenger away on his boat. While Ossorio is willing to pay Barcala what he wants, can he find the mysterious woman before the ship sets sail? Adapted from Juan Carlos Onetti’s novel Para Esta Noche, Nuit de Chien (aka Tonight) received its North American premiere at the 2008 Toronto Film Festival.’ — Mark Deming, Rovi


Excerpt


Compression

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p.s. Hey. ** JM, Howdy! Thanks so much about the post! I do think long term about the blog and the posts. The old posts keep being discovered and read by people out there every day. I’ll have to hope WordPress or GoDaddy don’t fold and dump their contents. And I’ll have to put something in my will that assures GoDaddy’s tri-yearly rental fee gets paid until the end of time. But, yeah, I’ve always been someone who thinks about the future when I write/make things, maybe because when I was a young, aspiring writer, most of my favorite writers had been dead for a long time. Anyway, thank you very kindly. I’m guessing you’re in a production of Shakespeare’s not Kathy’s? I’m into the cow in a white room thing, of course. I’d read that. Maybe even if it was 800 pages long. I love things that don’t seem to be doing anything but keep moving forward. Yellow, huh. In ‘God Jr.’ no doubt. Huh. That’s interesting. I wish there was a program where I could do a word search through my oeuvre. I went into counselling really late. In my early 40s. I probably should have done it much earlier, but that’s when the crisis I couldn’t fix myself arrived for whatever reason. Big day for you, I hope. With love back. ** David Ehrenstein, Yeah, there’s a reason why they’re still on nightclubs’ ceilings long after their special effects peers like lasers and so on have been retired. Everyone, On FaBlog today it’s Ehrenstein vs. Limbaugh vs. Buttigieg and hubby here. ** Bill, Hey. And I still don’t have the slightest clue who Bradley James is. Will do, when I hit the Left Bank next. Today I’m checking some brand new bookshop by the canal called 1909 that supposedly specialises in transgressive, cult stuff, ‘weird’ stuff, etc. I imagine I’ll need to pick up the Amber Sparks elsewhere, but you never know. ** Steve Erickson, I hope today is massively full of resolutions. Uh, … I don’t remember where I got the Bradley James thing. It was four or five years ago. Maybe Tumblr, sure. Look forward to your Schanelec review. I liked that film a lot. Everyone, Mr. Erickson reviews Angela Schanelec’s I WAS AT HOME, BUT… here. I haven’t read his review yet, but I personally highly recommend that film to you. ** _Black_Acrylic, Thanks, bud. Good, good, good about your swelling self-confidence! And happy that the Millhauser quote came in handy. ** Okay. The blog does its concentration number on the wild and valuable German director Werner Schroeter today. I think you’ll have fun if you dig in. See you tomorrow.

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