_____________ Mai Mai MaiSecondo Coro delle Lavandaie ‘Repossessed by the past, bitten once again and forced to relive drama, history, memories, tradition and roots. A past that needs exorcizing, bending and re-imagining in order to move forward and depend on. This is ‘Rimorso’, Mai Mai Mai’s colossal mediterranean gothic album, turning absence into presence, dismissing nostalgia for consummation, an immersion into the temporal disjunction we are experiencing through the essence of human fabric.’— Swamp
_____________ Carl StoneRikido ‘Carl Stone continues his late career prolific renaissance with a new album of sculpted, tuneful MAX/MSP fantasias. Stone “plays” his source material the way Terry Riley’s In C “plays” an ensemble – with a loose, freewheeling charm connected to the ancient human impulse to make sound, melody, and rhythm from anything. Stone’s unique technique simultaneously focuses and sprays sound like a symphony of uncapped fire hydrants. Is this techno, avant-garde, sound art? It’s simply (or rather fantastically messily) Carl Stone.’— Unseen Worlds
_____________ DestroyerTintoretto, It’s for You ‘Daniel Bejar has been making oblique, urbane pop symphonies as Destroyer for 13 albums and nearly three decades now, but Labyrinthitis is among his best. It pulses with dance rhythms, bristles with literate asides, unspools a hypnotic stream of film-like imagery, hazards a long, rap-inspired spoken word interval, and, once or twice, rocks unabashedly. It’s the kind of album, you can get lost in—or perhaps a little dizzy from. You don’t know quite what’s happening from moment to moment, but there’s a swirl and a sweep and an urgency to it that propels you ever forward.’— Aquarium Drunkard
_____________ 700 BlissTotally Spies ‘700 Bliss is the forward-thinking duo of DJ Haram and Moor Mother. Their first full length for Hyperdub is an album of noise rap that ties together the raw edges of club music and hip hop with punk energy, jazz, house-party catharsis, percussion-heavy analogue sound design, and cheeky skits, ranging from experimental rap tracks with rolling hi hats and lyrical bravado, to poetry set to noise and sound collage.’— Hyperdub
______________ Treasury of PuppiesBränna, känna ‘Treasury of Puppies is the Gothenburg-based duo of Charlott Malmenholt and Joakim Karlsson. Like many of the other projects from the geographical scene to which they belong, Treasury of Puppies is particularly striking for its incorporation of DIY tactics, and its playful and irreverent approaches to the aesthetic dogmas often attached to experimental music. The resulting sound, a fascinating hybrid at the juncture of punk infused folk, handmade electronic music, and text-based sound poetry, channeling everything from Delia Derbyshire and numerous touchstones from the ’80s cassette underground, to early Shadow Ring.’— soundohm
______________ Tim Brady/Instruments of HappinessVirtual Concerto in an Imaginary Space ‘Tim Brady and Instruments of Happiness are well known for musical innovation, presenting works for 4, 20 and 100 electric guitars across Canada to thousands of listeners. “Virtual Concerto in an Imaginary Space” brings together 62 socially distanced guitarists from across the globe to create a work of music and video art.’— collaged
_______ LoopHalo ‘Robert Hampson and Loop crafted a darker and heavier sound than their contemporaries in Spacemen 3 and My Bloody Valentine – a swirling abyss of motorik Krautrock rhythms and post-punk urgency – which is found in all it’s glory “Halo”, the first track released from the new album. Few artists can do as much with one chord as Hampson, and in typical fashion he turns a pebble into a massive sonic snowball barreling down a mountain, though in this case the pebble was a boulder. “Halo” is big, heavy and bright, and sounds better the louder you play it. In other words, it’s Loop.’— Brooklyn Vegan
_____________ Andy Cowlingur simpin_ too hard ‘Slow developments in music are often in the service of a gentle and reformist deceleration. But what is the purpose of this prominent technique of time-stretching in ‘star of the west’? It is clearly to another effect. Pop, political chatter, weapons of war, mass hysteria, varied forms of entertainment – spectacles par excellence are stretched out until their soundscape condenses into noise. A procedure which reminds us of those methods of torture, which by prolonging the pleasurable turn it into unbearable torment. Through elongation, the spectacles reveal themselves as always the same and become insufferable.’— Mille Plateaux
____________ JWordsReal Me ‘JWords is a producer from New Jersey who has been releasing music for the past three years. She’s done this as part of the group H31R, alongside emcee Maassai, working with Nappy Nina on the album Double Down, and as a solo artist. Her last solo release came at the end of 2020, when she dropped her Sonic Liberation EP. Now she is back to drop another solo project, Self-Connection.’— Scratched Vinyl
_____________ MachinefabriekTexturalis 11 ‘If Texturalis was a real word it might have something to do with the density or porosity of organic compounds. In the case of Machinefabriek’s Texturalis, the word fits the sounds on this album. Sounds indeed, not songs. Anyone familiar with Machinefabriek knows his interest in anything crackling, fizzling and buzzing. For Texturalis, Machinefabriek choose to work on just that; not to be bothered with creating elaborate compositions, but to focus on creating intriguing textures.’ — soundohm
_____________ KMRU & Aho SsanResurgence ‘Growing up in Nairobi, Kenya, Joseph Kamaru was accustomed to noise. Then, as a teenager, he moved outside the city, and the din eased; the sounds of traffic and souped-up matatus gave way to birdsong, and he began carrying a handheld recorder, learning to navigate the world with his ears. His eureka moment as a young artist was discovering that he could channel the sounds of a rickety old passenger train into looping rhythms; that was the birth of the musical style that he has developed under his KMRU alias. “Resurgence,” based on an installation they created for Berlin Atonal’s 2021 edition, opens with what sounds like an orchestra tuning up in a burning theater, static crackling at the edges of thickening drones; it’s somehow harsh yet lulling. Three and a half minutes in, the first real motif appears: a mournful lead melody somewhere between a trumpet and a table saw that sounds more dramatic and more regal than anything in either artist’s catalog. The bass rumbles volcanically; the edges of the soundscape are a sustained paroxysm of sharpening knives and sandblasting guns.’— Philip Sherburne
______________ Helms AleeTripping Up The Stairs ‘Helms Alee’s dense, complex, and grandiose sound has reached a cavernous new depth on this album. It’s detailed, moving, and intense. It is even theatric at times, through their layered vocals and neoclassical approach to composition, and structure. There are so many intricacies in this album that every listen reveals a new flourish or touch that only adds to such a dramatic atmosphere.’— Nat Lacuna
________________ Guided By VoicesBlack and White Eyes in a Prism ‘Back once again with the renegade masters. I used to think The Fall were prolific with their working class based policy of an album a year, and they were more-or-less professionals whose sole job it was to entertain the masses. Robert Pollard, main man with GBV has written and recorded thousands of songs, and released a fair few of them, sometimes as GBV, sometimes under his own moniker, not to mention a myriad of other band projects, all while holding down a full time job as a teacher and a father, not to mention husband and heavy drinker! And apart from the occasional low point, manages to maintain the focus and the brilliance that marks his 30 odd year output. Like The Fall, everyone has their own favourite period or album and they nearly always deliver the goods, always changing, always the same, and also like the Fall they operate a swinging door policy on membership, but with one man remaining throughout.’— JoyZine
________________ Les Dupont feat. Jean-Luc VernaSmile ‘Les Dupont is a French electronic music group, considered to be one of the founders of the IDM genre in France. Directed by Bride Dellsperger, ‘Smile’ is a new track featuring French visual artist and chanteuse Jean-Luc Verna’.’— collaged
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p.s. Hey. ** David Ehrenstein, So true enough. ** Ian, Hi. I’m between systems too. I want a Switch badly, but, knowing me, I’m afraid it’ll eat my time alive, but one of these coming days I’ll find the right suicidal state and just spring for one. Oh, man, I’m sorry to hear you’re going through some darkness. For me, the 30s were awesome. I didn’t even publish my first novel until I was in my late 30s. If that helps. The page will turn because it does, always, one way or another, but I hope the shift is swift for you. Hey, but awesome that your story is up! That’s gotta be a very good sign. I’ll go read it as soon as I finish this p.s. business. Everyone, Ian Townsend better known maybe in this hood as Nightpain has a new story up and readable @ ZvonaiNari. Clicking this and reading it aka ‘Fine Art’ is very highly recommended by yours truly, and you will see why. I don’t have a lot of cheeriness the moment myself, but I’m transmitting what I do have to you via vibes. ** Sypha, Hi. Wow, ha ha, you are so thorough! Yeah, well, my tastes evolve, thank god, right? I love Bret’s stuff, as you know, but I guess it’s not situated in the favorites realm at the moment for whatever reason. Your list love is an impressive wonder to me, being a list guy myself, although not at your level. *bow* Thanks, pal. ** Kyler, I don’t believe in soul mates, or I don’t think I do, although I did throw that term out there, didn’t I, so I guess I do see that term as one of the big superlatives at least. I will try ‘My Name is Asher Lev’. You’re not the first person to speak very highly of it in my earshot. Take care, and enjoy what’s left of the spring. ** Nightcrawler, Oh, hey, good to see you again. ‘Siikala’ is from Infinity Land? Strange that I don’t know it. Maybe it’s sitting here in a pile. IL often kindly sends me their books. In any case, I will definitely get my eyes around it. Ooh, ‘Merzbox’, what more do you need? Uneventful summers can have all kinds of unexpected secret passages, and I hope the entrances in yours make an appearance. Wow, weird sentence, sorry, I’m not completely coffee-d up yet. Anyway, awesome to speak with you, and, yeah, whenever you feel like hanging, just do, no pressure. Take it easy. ** Dominik, Hi!!! Oh, uh, I’d need to watch ‘Lost Highway’ again to tell you. The last time I saw it, I had this revelation about specific scenes that could be removed, causing the film to be perfect rather than fantastic but not perfect. I remember it seemed super clear to me, just a few snips. I can say that the Marilyn Manson scene would definitely not be in my version. Total stumbling block for me, that scene. That I do remember. There should be a pill that simulates every experience in the world. Back when I used to take LSD, I used to think that was possible. But alas. Love extracting all the bullshit from Zac’s and my film’s producer, which, because he is so extremely full of shit, would turn him into the human equivalent of an uninflated raft, G. ** politekid, It was substance incarnate, my literate friend. That does really sound stressful. Oh, man, you deserve a bone the size of Jupiter. If I come across one, I’ll use one of my three wishes to give myself Hulk-like arms and high-precision eyesight then hurl it at you. Getting your proposal accepted would be imbedded in that bone, but surely its recipients are wise enough without the extra incentive. I’m excited by your jones to start a big fiction project. How can I help and inspire and induce crystal meth-like determination? Say the word. Things majorly suck for me at the moment, but I am doing my best to keep dog paddling in the sea of despair and gloom. ‘Viva Piñata’ is, or at least was, wack. And ‘Conker’s Bad Fur Day’ is kind of god. And ‘Banjo Kazooie’ inspired my ‘God Jr.’. So I’m Rare-beholden. All the ultra-best, and let me know if can do anything, and see you again really soon, I’m hoping. ** Bill, I, of course, give a big up to everything on your list that I know, which is actually quite a number. Amongst the unknowns, I’ll seek out the Stanley Crawford for one. Thanks, man. I feel like I’m hearing about almost nothing else but ‘Crimes of the Future’ at the moment. ** Ricardo, Hi, Ricardo. Welcome! Oh, I would love ‘I Wished’ to be translated into Spanish. There was a publisher that expressed interest in publishing it there, but maybe that never happened? Basically, the publisher chooses the translator, as far as I know. If something happens, I would love for you to do it. And that’s awesome of you to offer. Thank you! I hope life is treating you royally. ** Okay. I made another gig of musical stuff that’s been making me intrigued or excited or happy in recent days, and there you go. I hope you’ll fish amongst the offerings and find thing(s) that do the trick(s) for you as well. See you tomorrow.
‘For most of its history, Rare was the singular vision of two brothers driven by their love of games and need for success. They brought a new philosophy to both game design and production, setting records that are likely to stand for decades to come, and achieved rockstar status while shunning the limelight completely. And on the way, they produced some of the seminal titles in video game history.
‘In Leicestershire, England, brothers Tim and Chris Stamper founded Ashby Computers and Graphics Ltd in 1982. They’d spent years programming dozens of arcade games while working for others; now they wanted to work for themselves, making and owning their own titles in the home market under the moniker Ultimate Play the Game. A rabid fanbase formed around the Ultimate brand, made even more rabid by the Stampers’ apparent seclusion. The brothers attended no conferences, seldom gave interviews, and came off as universally media shy. While the Stampers weren’t exactly eager to step into the public spotlight, they also didn’t really have the time. They were renowned for working eighteen hour days, seven days a week, only knocking off between the hours of 2:00-8:00 a.m. Their philosophy was that a part-time employee resulted in a part-time game.
‘In 1985, the Stampers took a few software samples to Kyoto, Japan, and presented them to Nintendo executives as proof of what they could bring to the table. No Western company had ever attempted anything like it. Nintendo responded by doing something equally unique, giving the Stampers an unlimited budget to produce as many games a year as they liked, effectively bypassing quality assurance limitations imposed on other third party companies. They named the new company Rare.
‘Rare produced around sixty games for the NES and Game Boy in just five years, along with a handful of product for the Sega Genesis and Game Gear — more than one complete, functioning, commercial game every month. They’d learned how to push the hardware as far as it could go, and a few tricks to edge it a little further than that. In the few interviews they granted, Tim and Chris Stamper came across as quiet, unassuming Englishmen, but the pace they maintained and the demands they set could grate at closer range. By the N64 years, their tiny company had grown from the low teens to several hundred, but the Stampers kept their hands firmly in every project, and that management style didn’t sit well with everyone.
‘As early as 2000, Microsoft began making overtures to have the Stampers come make games for their still-under-wraps console. In September 2002, the same month Star Fox Adventures hit stores, they made it official. The Stampers and Nintendo both sold their stakes for a combined $377 million, all the various franchise rights were untangled amicably, and Rare — once again the official company name — became a first party developer for the Xbox. Donkey Kong Racing, an unfinished semi-sequel to Diddy’s earlier racer, fell into oblivion. The only two games Rare delivered for Microsoft’s big black box were Grabbed by the Ghoulies, the biggest flop in Rare’s history, and Conker: Live and Reloaded, a remastered, more heavily censored port of their great game Conker’s Bad Fur Day was a critical and popular flop.
‘On January 2, 2007, Tim and Chris Stamper announced they were leaving the company they’d founded twenty-five years earlier. No reason was given, other than the standard “to pursue other interests.” Thus far, there’s been no indication what the Stamper brothers’ “other interests” are or will be. The legacy surrounding Rare may seem mixed, but there’s no denying the Stampers and their company have left an impressive catalogue of games in their wake. It’s unrealistic to expect every one to achieve greatness, but an amazing number of them did. A few are directly responsible for turning the entire industry to a new direction.’ — EGM
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Rare: overviews
The Rise and Fall of Rare
Rare: The Nintendo Gamecube Story – A Mini-documentary
All Classic Rare Ltd Logos 1994 – 2018
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The gripes
Corbs: Let’s face it, Rare haven’t been Rare in a long time. They’ve become just another generic 2nd party developer and a shell of their former selves.
YoshiSage: Rare has gone from a source of classics to just another soulless game developer since the fatal moment in 2002, when they were bought by Microsoft. Adding further proof to Rare’s newfound stupidity, they’re too thick to see that Microsoft murdered them. The way they’re going now, I wouldn’t be surprised if Rare went bankrupt within the next decade. Even if Rare did stick with Nintendo, there would still be a possibility that they would screw themselves up, just like they did under Microsoft’s ownership. After all, the true murderer of Rare is Rare themselves. I don’t know what kind of control that console developers exert on the 2nd party developers that they own, but I doubt that Microsoft really controlled Rare enough to make them create awful games.
komicturtle92: Nintendo was ALWAYS strict with Rare, and Rare apparently did not like the strictness- even though they produced amazing games. Now that I see that maybe Microsoft isn’t too ‘close’ to Rare or strict, well.. You can pretty much say they went lose and have not discipline themselves the way they should when it comes to “delaying a game if it needs more time to be worked on”. And the departure of a few and the best employees and managers pretty much started this downward spiral for the company.
Wolfcoyote: Not only was Rare good for creating complex graphics tools and engines that unlocked unknown powers in Nintendo’s previous consoles, they had the freedom (as a second-party developer) to take advantage of Nintendo’s or other franchises and develop new ideas. I just don’t see any reason to support Rare either as they’ve lost themselves by moving away from Nintendo. Without them unlocking the innermost powers of an “underpowered” console and using this power to develop fun games by bankable franchises, Rare can’t be the developers that they once were. Rare was more of a technology company than a game developer in their later years, which may be the reason why they have no “muse” to draw inspiration from at the moment.
JebbyDeringer: Part of RARE’s problem was their development time. Their games were good because they took a long time to make (much like Blizzard) but the transition from N64 to Gamecube messed them up as did the transition to Microsoft. A lot of their games in production had to move consoles which creates an even bigger delay and rush to release them.
Conker’s Bad Fur Day (N64, 2001) ‘Conker’s Bad Fur Day is an action-platform video game developed and published by Rare, and distributed by Nintendo. It was exclusively released for the Nintendo 64 in 2001 and is Rare’s last game published for the console. Marketed as a “Teen And Adult platform game”, Conker’s Bad Fur Day features graphic violence, sexual themes, toilet humor and several film parodies. Despite its limited advertising, the game received very positive critical reviews and earned a cult following. The story opens with a prologue, spoofing the opening scene of A Clockwork Orange, where Conker tells the player that he is now “king of all the land”, and begins to tell the story of the game. Purcell’s “Music for the Funeral of Queen Mary” plays during this sequence. The morning after a night of binge drinking with his friends, Conker awakes to find himself lost in an unfamiliar land with a terrible hangover. Having no other choice, he begins a long journey with the goal of returning home to his girlfriend, Berri.’ — Rare
Conker’s Bad Fur Day – The Great Mighty Poo Song
Conker’s Bad Fur Day – All Death Scenes
Conker’s Bad Fur Day [100% Run] (N64) – Part 1/7
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Perfect Dark (N64, 2000) ‘Perfect Dark is set in the year 2023 against the backdrop of an interstellar war between two races: the Maians, who resemble the stereotypical “greys” of alien abduction folklore, and the Skedar, reptile-like extraterrestrials who can disguise themselves as humans, bearing similarities to Nordic aliens. Perfect Dark features many elements that are typical of a first-person shooter game, including a range of weapons to collect, enemies to defeat and distinct environments to explore. Although Perfect Dark is not set in the James Bond universe, the gameplay is extremely similar and it retains many of its predecessor’s features, such as the ability to use stealth to tackle missions, and objectives that vary with the difficulty setting. Upon release, Perfect Dark received very strong reviews from magazines and websites. IGN opined that the game “features amazing graphics… and the most well-rounded multiplayer mode ever to grace Nintendo 64.”‘ — Rare
Perfect Dark – N64 Gameplay
Perfect Dark – ALL WEAPONS Demonstrated
Perfect Dark Secrets
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Grabbed by the Ghoulies (XBox, 2003) ‘Grabbed by the Ghoulies is a video game released on October 21, 2003 by Rare for the Xbox gaming console. It was the first Rare game to be published by the notorious Microsoft buyout from Nintendo, having originally been in development for the Nintendo GameCube. Ghoulies follows a young man named Cooper Chance who sets out to rescue his girlfriend, Amber, from Ghoulhaven Hall. This mansion is full of supernatural creatures, and Cooper will receive help along the way from the many hired hands that work there. The game is well known for its scathing criticisms and low sales after the Microsoft buyout of the company. The game has since been made fun of in successive Rare title Banjo-Kazooie: Nuts & Bolts. In the level Banjoland, several North America boxes of the game can be found inside the trash can. There are also numerous not-so-subtle jokes as to how poorly it sold throughout the game.’— Rare
Grabbed By The Ghoulies – Chapter 1
Grabbed By The Ghoulies – Chapter 2
Grabbed by the Ghoulies – All Bosses
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Banjo Kazooie (N64, 1998) ‘Banjo-Kazooie is a platform and action-adventure video game developed by Rare and published by Nintendo as the inaugural game in the Banjo-Kazooie series. The game is set in the fictional location of Spiral Mountain where a bear named Banjo and a bird named Kazooie live. Gruntilda the witch kidnaps Banjo’s sister, Tooty, to steal her beauty via a transformation device. Banjo and Kazooie set out on a dangerous adventure to rescue Tooty. Banjo-Kazooie is composed of nine non-linear 3D worlds in which the player must gather jigsaw pieces, or “Jiggies”, to progress. Banjo and Kazooie are aided by Bottles, who teaches them new abilities, and Mumbo, who uses magical powers to transform them into other creatures, such as a termite, pumpkin, bumble bee, or crocodile. Banjo-Kazooie was highly successful at the time of its release, selling nearly two million copies in the United States. It was praised for its graphics, humor, and gameplay.’ — Rare
Banjo Kazooie – Intro
N64 – Banjo Kazooie Playthrough
Banjo – Kazooie – All Bosses
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Diddy Kong Racing (Gamecube, 1997) ‘Diddy Kong Racing is a 1997 racing game for the Nintendo 64 developed by Rare. 800,000 copies were ordered in the two weeks before Christmas 1997, making it the fastest selling video game at the time, according to the Guinness Book of World Records. Diddy Kong Racing was very well received for its graphics and sound, but was criticized for being too similar to Mario Kart 64 (coincidentally, Diddy Kong would be a playable character in later Mario Kart installments). The game became a Player’s Choice title, and is considered to be one of the better racing games on Nintendo 64, alongside Mario Kart 64. The game remains popular even today, despite being for an older console. It currently holds an 89% score on Game Rankings.’ — Rare
Diddy Kong Racing – Intro
Diddy Kong Racing – Future Fun Land
Diddy Kong Racing – All Bosses
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Star Fox Adventures (N64, 2002) ‘Star Fox Adventures is an action-adventure video game developed by Rare and published by Nintendo for the Nintendo GameCube as part of the Star Fox series. It was released in North America on 23 September 2002, Japan on 27 September 2002, Australia on 15 November 2002 and Europe on 22 November 2002. It was the final game developed by Rare for a Nintendo home video game system, before the company was acquired as a first-party developer for Microsoft’s Xbox division. Star Fox Adventures was generally well-received by the game critics. IGN said that the game is a “perfect companion” to The Legend of Zelda series, to which Adventures is often compared. The graphics were highly praised, with Electronic Gaming Monthly noting “the game is a work of art”, and the UK magazine Edge wrote that the “visual splendour is immense”.’— Rare
star fox adventures trailer
Star Fox Adventures Gameplay
Star Fox Adventures Speedrun
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Donkey Kong 64 (N64, 1999) ‘King K. Rool is trying to destroy DK Isles with a large laser called the blast-O-Matic, but it malfunctions after a crash that puts his floating, mechanical hind face-to-hind with DK Isles. To buy some time, he captures Donkey Kong’s relatives and locks them up, and then steals Donkey Kong’s precious hoard of Golden bananas. As Donkey Kong frees his fellow apes, they set off to recover the bananas and defeat King K. Rool and his army of Kremlings and other evil creatures. But in order to complete the game, there are many collectables like coins and colored things you have to get as well. The game is a 3D adventure with strong platforming links, similar to that of Super Mario 64 and Banjo-Kazooie. There are a total of five playable Kongs, each with unique (and upgradeable) abilities. The player starts out with access to Donkey Kong only, then goes on to unlock each of the other four Kongs as part of the gameplay (in the order of Diddy, Lanky or Tiny, and then Chunky). Unlocking all 5 Kongs is necessary to defeat character-specific bosses in each level.’— Rare
Donkey Kong 64 (N64) – DK Rap Introduction
Donkey Kong 64 – All main bosses
Donkey Kong 64 (N64) Gameplay
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GoldenEye 007 (N64, 1997) ‘GoldenEye 007 is a 1997 first-person shooter video game developed by Rare for the Nintendo 64 video game console, based on the 1995 James Bond film GoldenEye. The game received overwhelmingly positive reviews, and sold over eight million copies. It has been praised for the quality of its multiplayer deathmatch mode, and its incorporation of stealth elements and varied objectives into its single player missions. It’s widely considered to be one of the most influential shooting games of all time. GoldenEye is credited with popularizing the video game convention of a zoomable sniper rifle on consoles, enabling players to kill oblivious enemies from vast distances away with a single, precise head shot; context-sensitive enemy hit-locations were also pioneered by the game for console games that followed.’— Rare
GoldenEye 007 (1997), Nintendo 64 opening
007: GoldenEye – Nintendo 64 – Mission 1 “DAM”
N64 Goldeneye – Bonus Level 20 – Egyptian
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Banjo Tooie (N64, 2000) ‘Two years have passed since Banjo and Kazooie defeated the witch Gruntilda and buried her alive under a boulder. While the two are playing poker with their friends Mumbo Jumbo and Bottles, Gruntilda’s sisters Mingella and Blobbelda arrive in a large digging machine, the Hag 1. They destroy the boulder and free Gruntilda, her time spent underground having rotted her flesh away and reduced her to a skeleton. Seeking revenge, Gruntilda destroys Banjo’s house before fleeing with her sisters. Banjo, Kazooie and Mumbo all escape in time, but Bottles is caught in the magical blast and killed. The three remaining friends decide to put an end to Gruntilda’s plans. Banjo-Tooie was part of long chain of critically and commercially successful games on the N64 from Rare upon the time of its release.’— Rare
Banjo Tooie Trailer
Full Play – Banjo-Tooie Part 1
Banjo-Tooie – All Bosses (No Damage)
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Donkey Kong Country 3 (Game Boy Advance, 1996/2005) ‘Unlike in Donkey Kong Country 2, rather than simply having to track down the hidden coin, the player must solve a small puzzle involving using a rolling barrel to strike an enemy using the coin as a shield from behind. The hub world is more open-ended when it comes to exploration, for the first time allowing the player to stray from set paths between established area or level markers. As a result, hidden areas can be found by traveling to the right location on the world map, also a first for the series. Most of these hidden areas have a collection of colored crystals that are arranged to mirror the button colors and locations on the traditional Super Nintendo controller; the player is required to repeat a series of tones that sound when a crystal lights up, using the buttons on the controller, to acquire hidden items.’— Rare
Donkey Kong Country 3 – Gameplay
Donkey Kong Country 3: 105% T – The True End
Donkey Kong Country 3 – Boss Battles
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Viva Pinata (Xbox360, 2006) ‘Likened to The Sims, Animal Crossing and Harvest Moon,[2] the game tasks the player with turning a neglected plot of land into a beautiful garden. As with many sandbox games, the game is open-ended, with no strict winning or losing requirements. Instead, players are guided only generally towards the objectives of increasing their garden’s value and attracting piñata residents. Players are free to determine their own sub-goals and work towards them. The game features a wide variety of piñata types (60 in total), in most cases inspired by real-world animals. The names of the piñata species appear to have been generated by combining an animal name or sound with that of a food or candy, producing creatures such as “Buzzlegums” or “Shellybeans”. Some of the animals are “piñatavores”, and must eat other piñatas in order to become residents or reproduce. An intricate food chain (referred to as the doughnut of life)[4] exists, with a number of piñata species having one or two others that are considered prey. When such piñatas are visiting the garden, they can and will devour garden residents in order to satisfy their own residency requirements. However, once piñatas are residents, they will not eat each other unless instructed to do by the player, although fights can break out between residents who do not share the predator-prey relationship.’— Rare
Viva Piñata E3 2006 Trailer
The Pinatas of Viva Pinata
Viva Piñata – How to mature a Golden Dragonache
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p.s. Hey. ** Conrad, Hi, Conrad! Very, very French = very, very good. Excellent list of yours, of course. I don’t know the Théo Casciani book. I’ll see if it’s in English. Later, and enjoy the rain. ** Svartvit, Hi, Svartvit. I know, it is, right? ‘Babyfucker’! Adolfo Bioy Casares is a new name to me, so I’ll find that book if I can. Thanks a bunch! ** David Ehrenstein, Thank you for including ‘TMS’ in that unsurprisingly superb list. Especially happy to see the McCourt there. He’s so criminally overlooked. ** Bernard, Hi, B. Everyone, If you want to see a painted portrait of Tim Dlugos, Donald Britton and me by the late painter Larry Stanton, Bernard has hooked you up. I believe I will be seeing you in a mere several hours at Ange’s place, yes? Is Hejinian’s ‘My Life’ a novel? Not intentionally, unless I’m missing something. but it qualifies in my book, so … I like Spark a bunch, and that’s her most Nouveau Roman-like one, so, of course. Your list is impeccable, naturally, and thank you for putting mine in there. ‘Sentimental Education’ would have been on mine, but I seem to have spaced. I’ve never read that Twain, hm. All right, see you soon, if I’m not mistaken. ** Misanthrope, Urgh, about your mom. I do so hope you get it sorted. Helluva list. Can’t argue with the ones I’ve read. And thank you for the parenthetical, buddy. ** Zak Ferguson, Hi, Zak! Pleasure to have you here, sir. I don’t know a bunch of yours. Like Nicola Barker, never read her. I’ll correct that. Ben Elton either. Huh. Anyway, great stuff, and I’m chuffed that I made it in there. Thank you very much, sir! ** Tosh Berman, I get you on the author/novel conundrum. I only like the middle period Burroughs. It could have been ‘Soft Machine’. ‘The Wild Boys’ was the one that especially did the trick back in my Burroughs reading days, I’m not sure why. Thank you, Tosh, and have lovely beginning to a lovelier even week. ** Jeff J, Hi, Jeff. Yes, I did a spotlight thing on ‘Black Sunlight’ here. It’s fantastic. Mm, I’m not sure how to describe the Brooke-Rose. You should definitely read her. She’s something else, and that one is as good a place to start as any. Super good list, man. A few that could’ve been on my list had my brain be more in order: Bowles, Markson, Kis (although I would have picked ‘Garden, Ashes’), etc. The film prep is in a very stressful, scary but hopefully ultimately successful late period phase. The theater script goes well. I’m finishing it up right now. I saw that about Simone, and I’m so, so sorry. But I’m happy that you’re novelling. Take care, buddy. ** fervorxo, Hi, fervorxo! I think you’re right about the reach of the Leve novel. It has role model charisma up the wazoo. Thank you for your list and for including me. ‘A Rebours’! How could I have forgotten that? Take good care. ** Sypha, I didn’t count this time. I just listed until I ran out of gas. Hm, I love ‘Against the Day’, but I guess I decided to stick with ‘Mason & Dixon’ on the day I made the list at least. Thanks for the list(s). And I’ve actually read all your top ten, amazingly enough. I did see that about the ‘The Shards’, and of course its giant size is impressive but not exactly a lure for me, ha ha. ** Dominik, Hi!!! Thanks, my friend. And for including my stuff. My head is bowed. And I’m typing at the same time. Not bad. Aw, gosh, … Ha ha = your ‘Little Life’ edit. I do that a lot with things, imaginary edit them. Like if David Lynch would let me edit out about, oh, 15 or 20 minutes from ‘Lost Highway’, it could be the best film ever. Love reviving Rare Ltd.and hiring me to supervise a three-quel to ‘Banjo Kazooie’, G. ** Stephen M, Hi, Stephen, great to meet you, and thank you a lot for the kind words. Most of my books are in Los Angeles, and, yeah, not having their spines to scan made it tough. Excellent list. ‘Beetle Leg’! ‘Pedro Paramo’! And anyone who loves ‘Fable’ is my instant best friend. I love your tastes. I hope it goes without saying that I’d love to interact with you more and anytime you ever feel like reentering. Have a swell Monday! ** politekid, Hey, Oscar! I’ve been wondering how you are, man. Holy moly, what a meaty list you devised there. I’m scribbling down the unknowns (to me). Ha ha, I knew you’d squeeze ‘Peanuts’ in there somewhere. Quel refreshing! Hm, I will set my mind to thinking of or discovering that Galaxie/ Dolphy/ cathderal-y novel ‘cos, yeah, sounds like the wonderment! I hope you’re doing really great in general, pal! ** Nightcrawler, Hi! Really nice to meet you! I’m happy that your commute is tolerable-sized by this place in part. Thank you for the cogent list. I don’t know Jukka Siikala, and I will sort out knowing that work. How are you? What else is up? Hope to see you again whenever the mood strikes you. ** R.G. Vasicek, Hey there, R.G. Superb list, and things I don’t yet know, which is the best, of course. I really need to read ‘Ray’, just for instance. And, yeah, quite a few others. Much gratitude to you! ** Steve Erickson, Ha, you almost had me there for a quarter of a second. A very fine list, of course. Don’t know why Calvino wasn’t on mine. Your reading habit changes make sense. I find myself mostly just wanting to watch documentary films recently, but I don’t know why. ** Toniok, Hi, Tonio! Such a mega solid list. Bunches of things I would place sky-high as well. Thanks a lot, man! I hope you’re doing great. ** Nick Toti, Ah, it’s a book! That publishing project sounds super exciting! I love Boss Fight Books so much. ** Kyler, Hi, Kyler! Thank you for the very welcome visit. I’ve never read Chaim Potok. I really should, I guess. You good? Is life being your soul mate? ** Russell, Hi, Russell! Welcome, and great to meet you. I’m a serious whole-hog Francophile when it comes to literature. Oh, sure, yes, please write to me. My email is: [email protected]. Thank you very much! ** CAUTIVOS, Hi. Same with the paucity of Spanish literature translated into English. It’s grey and cool here, which is very, very welcome, I might add. I’m excited about your book, and I’m sorry the sales issue is impacting your forward momentum. Sales should be the very last indicator. And thank you for your excellent list which I will scour today. xo. ** Grant Maierhofer, Hi, Grant. I think I saw your mail in my box, but I haven’t opened it yet, and will, of course. The post idea is surely a ‘go’, but I’ll write to you. Thanks! ** _Black_Acrylic, Hi, Ben. “Whew” about the Leeds survival! ** dadoodoflow, Hi! How’s it? Lots of great things ons your list. ‘Negrophobia’! ‘Disobedience’! (I have a little Notley post coming up this week). ‘Blue Eyes, Black Hair’! Etc. Thank you! ** Derek McCormack, Well, of course! Didn’t you read Zac’s and my Afterword? It’s all there in black and white, or, I guess, in black and slightly off-white. Huge love to you, maestro amongst maestros! ** Try Karenina, Oh, your name, I didn’t recognise you at first! Hey! Aw, you’re always so extremely kind and generous about my stuff, thank you. I think your list holds up just fine, ha ha. Freedom from the taste for old school linear novels has a payoff as long as you don’t want to get on the best seller list. Phantasialand was mega! You oughta go! Love, me. ** Mattia, Hi, Mattia! It’s so nice to see you in here! Thank you! I don’t know the Murnane or the Pierre Drieu La Rochelle, so I have some catching up of my own to do. Have a superb week! ** Billy, Hi, Billy! I think the other Welch that’s great is ‘A Voice Through a Cloud’ but it starts crashing and burning at certain point because died while writing it. But the first 3/4 or so are amazing. Thanks. We’re gifted with a rare chilly, gray day here, and I am so grateful. Hope you get one soon. ** rafe, Hi, rafe! Oh, I don’t know, about the Afterword’s interaction. I don’t think we thought about that, so maybe everything formally conducive is just luck? Kathy was a handful. In an ultimately great way, mind you, but … a handful. I loved the ‘Coraline’ film so I really should read the book. In fact, I don’t think I’ve ever read Gaiman. Isn’t that strange? I hope greatness pervades your imminent 24 hours. ** Thomas Moronic, Hi, T! Things are … tricky and stressful at the moment, but, hopefully, with a payoff that makes this little hell seem like a repaired pothole in retrospect. But I’m fine. You, more importantly? Love, me. ** Right. I decided to resuscitate this old post concerning the late, great video game auteur company Rare Ltd. who were on fucking fire back in their too short-lived heyday. Give them/it a shot, thanks. See you tomorrow.
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