The blog of author Dennis Cooper

Category: Uncategorized (Page 74 of 1086)

Fires

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‘A piece by Danish artist Jeppe Hein where a flame ignites in the center of the pool, and it’s then pushed up by a spout of water.’

 

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‘I hope you die in a fire! Hope you’ll be stabbed in the heart, hope you’ll get shot and expire! Hope you’ll be taken apart! Hope this is what you desire! I hope you die in a fire!’

 

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Around the Fire
by Ted Berrigan

What I’m trying to say is that if an experience is
proposed to me—I don’t have any particular interest
in it—Any more than anything else. I’m interested in
anything. Like I could walk out the door right now and go some
where else. I don’t have any center in that sense. If you’ll look
in my palm you’ll see that my heart and my head line are
the same and if you’ll look in your palm you’ll see that it’s
different. My heart and my head feel exactly the same. Me,
I like to lay around of a Sunday and drink beer. I don’t feel
a necessity for being a mature person in this world. I mean
all the grown-ups in the world, they’re just playing house, all
poets know that. How does your head feel? How I feel is
what I think. I look at you today, & I expect you to look
the same tomorrow. If you’re having a nervous breakdown, I’m
not going to be looking at you like you’re going to die, because
I don’t think you are. If you’re a woman you put yourself
somewhere near the beginning and then there’s this other place
you put yourself in terms of everybody. “The great cosmetic strange-
ness of the normal deep person.” Okay. Those were those people—and
I kept telling myself, I have to be here, because I don’t have
a country. How tight is the string? And what is on this particular
segment of it? And the photographer, being black, and the writer,
me, being white, fell out at this point. And he didn’t want to
look at it—I mean it’s nothing, just some drunk Indians riding
Jersey milk cows—but I wanted to see it, I mean it was right
in front of my eyes and I wanted therefore to look at it.
And death is not any great thing, it’s there or it’s not. I mean
God is the progenitor of religious impetuousity in the human beast.
And Davy Crockett is right on that—I mean he’s gonna shoot a bear,
but he’s not gonna shoot a train, because the train is gonna run
right over him. You can’t shoot the train. And I always thought
there was another way to do that. And it is necessary to do that
and we bear witness that it is necessary to do it. The only distinction
between men and women is five million shits.

 

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‘In 1971 a search for gas went wrong when a whole drilling rig fell into an underground cavern. Natural gas started coming up from the hole. It was set alight so it wouldn’t kill everything around. For 35 years now the flames keep burning. At night the burning gas makes the crater seen from miles away. The crater is located in Turkmenistan in the heart of the Karakum desert. The crater is called Darvaza or The Burning Gates.’

 

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A Portrait Destroyed By Fire

 

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‘Designed by a team of Hungarian engineers originally as a means of mass decontamination for Cold War-era tanks in the event of a CBRN (chemical, biological, radiological and nuclear) attack, this fire-fighting chimera has found a niche in the modern world. The Big Wind is one part T-34 tank and two parts MiG 21 jet engine. Specifically its a T-34 tank chassis with a pair of Mig 21 jet engines mounted to its roof. Windy needs three crewmen: a driver inside the tank to steer and stop it; a controller in a rear cabin at the back of the platform to run the jet engines and the water jets; and a fire chief who walks about 15 feet away, issuing orders to the two other crew members through a remote-control unit. When the water is turned on, the six nozzles above the MiG engines unleashing an immense blast of water that mingles with the jet exhaust and becomes a ferocious spray of steam. The water is moving at a maximum rate of 220 gallons of water a second, or twice what an average U.S. household uses in 24 hours. (If you hooked up this machine’s water pump to a typical suburban swimming pool, it would suck it dry in about 50 seconds.)’

 

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‘The world’s most weird fashion show where all of the models walked on the ramp with the fire flames burning on their body.’

 

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‘A museum in Italy is burning artworks from around the world to protest harsh austerity cuts by the Italian government. Antonio Manfredi, director of the Casoria Contemporary Art Museum in Naples, kicked off the protest this week by setting fire to a painting by French artist Severine Bourguignon. Manfredi says the museum will burn three artworks each week as part of its “Art War” campaign. “I have 1,000 artworks from artists around the world, and they’re already facing destruction due to the indifference of the government,” he told CNN. “We want the government to pay attention to the country’s cultural institutions.”‘

 

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‘Veteran stunt man Tom Steele replaced James Arness in the fire scene. Steele wore an asbestos suit with a special fiberglass helmet with an oxygen supply underneath. He used a 100% oxygen supply
which was highly combustible. It was pure luck he didn’t burn his lungs whilst breathing in the mixture.’

 

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I made myself ready presently, and walked to the Tower, and there got up upon one of the high places, Sir J. Robinson’s little son going up with me; and there I did see the houses at that end of the bridge all on fire, and an infinite great fire on this and the other side the end of the bridge.

The poor pigeons, I perceive, were loth to leave their houses, but hovered about the windows and balconys till they were, some of them burned, their wings, and fell down.

The wind mighty high and driving it into the City; and every thing, after so long a drought, proving combustible, even the very stones of churches.

The houses, too, so very thick thereabouts, and full of matter for burning, as pitch and tarr, in Thames-street; and warehouses of oyle, and wines, and brandy, and other things.

So near the fire as we could for smoke; and all over the Thames, with one’s face in the wind, you were almost burned with a shower of firedrops. This is very true; so as houses were burned by these drops and flakes of fire, three or four, nay, five or six houses, one from another.

We staid till, it being darkish, we saw the fire as only one entire arch of fire from this to the other side the bridge, and in a bow up the hill for an arch of above a mile long: it made me weep to see it. The churches, houses, and all on fire and flaming at once; and a horrid noise the flames made, and the cracking of houses at their ruins. — Samuel Pepys

 

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‘This demonic little girl who set fire to a kid’s house.’

 

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‘Fire Therapy involves setting yourself on fire. The therapy involves placing a “fire rope” made from some 20 different Chinese herbs on the patient’s body. After covering the rope with a plastic wrap, two wet towels are placed on top. Then, alcohol is poured on top of the towels and an attendant sets the whole thing on fire.’

 

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‘When the Bombardier beetle feels threatened, its ass releases a chemical compound which is very close to being fire in liquid form. The beetle doesn’t just excrete it, but actually mixes up the chemicals in its inner chambers then shoots the deadly chemicals as a high-speed boiling spray at the remarkable rate of 368 and 735 pulses per second. They can aim the spray precisely and with great force.’

 

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‘I can only imagine the amount of stress Tarkovski was under when this astounding sequence shot was filmed. His other great “burning down it all” scene (at the end of “Offret”/Sacrifice) lead him to madness, because of a little out-of-time movement of a character. He had to beg for cash to re-film it again, and died from lung cancer the next year.’

 

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‘Boy band Westlife burn themselves in effigy for their final performance on June 22 in Dublin.’

 

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‘Weird Paul Petroskey has been writing and recording music since 1984, and has written or co-written over 700 songs and appeared on over 50 released albums. Petroskey formed his label Rocks & Rolling Records in 1987, through which he released his first album In Case of Fire Throw This In on cassette tape. In 1990 Petroskey began performing with drummer Manny Theiner and in 1991, signed with New York record label Homestead Records. Through Homestead Records the two released the album Lo Fidelity, Hi Anxiety, but was not picked up for a second album.’

 

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‘Constance Hockaday explores the neurological processes triggered in emergency survival scenarios and clumsily plays with how to apply them to slow motion disasters of global and historical proportions.’

 

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Trilogy

 

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This Fire
by Alice Notley

No one loves you more … more … more …    
There were sincere lies everywhere placed directly before
the next step. Does everyone pretend, part of alive
I am proposing words — All structures have crumbled
in earliest death. I’m crossing the yellow sands
It’s so hard to know without relating it, to you
shaping a heart, take hold of me and someone says
I don’t get it! You don’t have to have love,
or you do, which? I don’t think you do; before
the explosion? I was here without it and have been in
many places loveless. I don’t want you
to know what I’m really thinking or do I, before
creation when there might be no “I knew”
Everything one’s ever said not quite true. He or she be-
trays you; why you want to hurt me … bad
Want to, or just do? Treason was provoked
everywhere even here, by knowing one was one and
I was alone, a pale hue. The sky of death
is milky green today, like a poison pool near a
desert mine. Picked prickly pear fruit and I
tasted it, then we drove on, maybe to Yarnell.
These outposts where I grew up; I didn’t do that
I have no … identity, and the love is an object
to kick as you walk on the blazing bare ground, where …    
sentimental, when what I love, I … don’t have that one
word. This fire all there is … to find … I find it
You have to find it. It isn’t love, it’s what?

 

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‘He cheated. She’s angry. But this is one of the most extreme pay-backs we’ve ever seen. The wounded partner filmed herself dousing her sleeping boyfriend’s private parts in liquid before setting them alight. He wakes up to the horrifying realisation his testicles are on fire. The woman is heard saying: ‘Yeah that’s right…You cheat on me with my f******* co-worker, you didn’t think I wasn’t going to f******* find out? You stupid a** n***** – get the f*** out. You and that b**** can go to hell.’’

 

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‘I always have a certain sim couple I play with (My simself and my boyfriend’s simself) and I sent them to university once. I put them in a dorm (I don’t remember which one, sorry.) and picked a room and everything. Everything went well until every other roommate just started to cook their own food. One of the females ended up setting the stove on fire. So everyone panicked because there was a giant fire. Boyfriend-sim called the firefighters twice. 2 firefighters arrived but they didn’t do much. Boyfriend-sim tried to help putting the fire out but then this happened.’

‘I know he’s hot but his butt shouldn’t catch on fire. Luckily, he didn’t die. He ended up signed and I teleported him to their room and tried to keep him there. It took me a few tries though. He already had about 3 near-death experiences that day. I teleported my sim to their room, too. I couldn’t lock the doors during a fire so I just kept canceling their “Fire!!!” actions. After a little while I just kept getting messages that the firefighters couldn’t reach the fire. I thought it was weird. The fire stopped after a while but it had taken someone. Everyone in the dorm got the moodlet of witnessing death.’

‘My sims were okay, but everyone else in the dorm was just crying all day and screaming about the person that died. They didn’t go to their classes, they didn’t eat, they didn’t sleep, etc. So they ended up falling asleep in their own puddles of pee while smelling like hobo and it disgusted my sims because they were just lying in around in the hallway. My sim used the cry on shoulder and cheer up interaction a lot, and the moodlet just disappeared for them after 2/3 sim days. But the roommates just kept crying and I don’t know why. Anyone else had this experience with a dorm in University life?’

 

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Fire Tornado!

 

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Maniac Cop 2 contains the best man on fire scene in the history of cinema. Director Bill Lustig cut the picture in only three months utilizing a team of editors, just so he could have a print ready for the 1990 Cannes Film Festival. That’s right — Lustig wanted Maniac Cop 2 to premiere alongside Jean-Luc Godard’s Nouvelle Vague, Akira Kurosawa’s Dreams and David Lynch’s Wild at Heart. Sadly, the film wasn’t accepted into the prestigious fest. Maniac Cop 2 doesn’t give a shit with whom the audience emotionally identifies. Yet this complete disregard for life is also what makes the movie sadistically special.’

 

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‘I remember the first time I saw Isabelle Hayeur’s Fire with Fire video installation. A four storey building seemingly ablaze, with projected flames filling the windows of the top three floors, best viewed from the derelict end of Vancouver’s East Hastings Street. At five p.m. each day, as dusk settled over a city overrun with Olympic boosterism, Hayeur’s work was switched on; staff waited 30 seconds between igniting the second floor projector, the third, and the fourth, to heighten the sense of inexorable consumption. In a few minutes, the fire builds to a mute roar, filling 20-foot expanses of glass (backed by opaque paper for the projection to play on). The effect from street level was thrilling and, each evening, homeless folk paused alongside international media and wayward tourists to collectively indulge in Hayeur’s mediated schadenfreude.’

 

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I’ve devoted myself to the enterprise of destroying my memory . . . I set fire to it, and with its debris I charcoal-scrawl the paper. And each day, if I succeed in seizing some glint, if I manage, as the old Irish hermit says, to lead the darkness to the light, my basic purpose will be to entangle it with the banality of these lines, wobbly, black, relatively crooked upon the paper, in the yellow oval slicing the table, and where soon, once daylight filters in, and I lay down my pen, it will vanish. — Jacques Roubaud

 

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‘Essential to Alberto Burri’s work is that, for the artist, “combustion” refers not to the fire from the torch itself, but rather to the process of burning, which transforms a flammable material into another.’

 

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‘A man wearing what appears to be a tiny wooden shed on his head is inexplicably strolling along a residential street blaring dubstep music while flashing coloured lights are visible inside the shed. It was filmed by stunned Edward Jenkins, 35, while out for a walk with his wife Poppy in St Werberghs, Bristol.’

 

 

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p.s. Hey. ** Dominik, Hi!!! Cool!!! My ear seems to be slightly improved, so hopefully that will continue. May we be the fraternal twins of perfect health at any moment now. Gotcha on ‘Longlegs’. Kind of assumed so. I wouldn’t mind having a life-size doll of Vincent Kartheiser circa his starring role in ‘Another Day in Paradise’, if love really doesn’t mind. Love setting anything you want on fire, G. ** James Bennett, Hi, James! Good to see you. The drops are vaguely kicking in, and I’m hoping they’re just being a little shy at the beginning but will soon reveal their true extroverted selves. Awesome you’re reading Thomas’s book. Mm, in a way I’m tempted to recommend ‘The Voyeur’ because it’s kind of a good starting place with R-G, but my personal favorite is ‘Recollections of the Golden Triangle’. They’re all really worthy though. Dude, awesome, congrats about the grant! Is it just a general support grant? I mean, you didn’t have to propose some writing project in particular? Great news! Yes, summer can’t breathe its last too swiftly for me too. ** David Ehrenstein, Hi. It’s the rare even great French actor who doesn’t appear in a lot of mainstream French garbage that never escapes France’s borders. Income, I assume, since the great films probably don’t pay so well. ** _Black_Acrylic, Hi, new fan. If only ‘House of Mirth’ could read itself. With us looking over its shoulder, mind you. Well, it’s no news that I’m very happy if your writing gets priority access to your talent. Place an upside down drinking glass to your screen and press your ear against its base and you’ll hear me cheerleading. ** NLK, Hey. If you don’t know, Re:Voir also has an exhibition space here where they screen films and show videos and exhibit filmmakers’ artworks. It’s a big boon to living here. Mm, living here, it’s just a quick metro trip to see hard-to-see films mostly, and I can’t remember seeing anything where I didn’t at least enjoy the opportunity to know what some legendary thing actually is. But, yeah, there are a fair share of letdowns. I’ll try ‘Le grand chariot’. I really should try to catch up with his later stuff. Interesting: the Rivette opinion. That early peak thing is a thing. Who would think that Ridley Scott ever made three fascinating films? ** Lucas, Hey! Awesome, so glad you like Greer’s work. The drops are still just maybe working, I can’t tell yet. I do know what you mean, absolutely, yes. Ugh. Concorde is still blocked off, although they reconfigured the stadiums and stuff. The Opening Ceremony is happening there this evening, I might walk down and take a peek. I’ll give you my poop about Lingua Ignota once I dig in. Thanks for the link! That looks like a great entrance. Do you like Pharmakon? She has a new thing coming out or just out or something. ** Tyler Ookami, Hi, Tyler. Not much going on here either if that’s any consolation. That is a nice wolf boy. It looks like it’s up to $70 bucks now, eek. Ooh, ASP looks super fun based on the peek I just took. I will stream all those vids today. Thanks, pal, yeah, they look and sound ace! Everyone, Check out this super fun looking Japanese band that Tyler Ookami shared yesterday. He described them beautifully as, and here I quote him, ‘a Japanese girl group with a “menhera” (mentally ill or psychotic in a cute or fashionable way) image a digital hardcore influences in the production. The current explanation for their name is “Anti Society Punks”, but they initially said it was “Anal Sex Penis” but walked it back. Their videos are pretty colorful.’ Here are two to start with: ‘Make a Move’ and ‘Black Nails’. Thank you kindly, sir! ** Berkstresser, Hello there. Well, my pleasure in German, whatever that would entail. Tom Jones still performs? Those days were definitely the icing on the cake of these days. Thanks! Take care yourself! ** Måns BT, Hi, which I guess probably also translates to ‘hey’ (?) as well. I live across the street from the Paris IKEA and that word ‘hej’ is printed about a hundred times all over its facade. Such a friendly place. Well, gosh, I will fall to my knees in prayer and stay like that until I get your hopefully very positive ramen review. Gröna Lund is very nice, a little, yes, petite, but solid. Liseberg is top level, an excellent park. This might be perverse of me, but I actually kind of loved Astrid Lindgrens Värld even though there are no rides there at all. I thought it was very weird and trippy. I was interviewed for a magazine called Buffalo Zine that apparently comes out twice a year. I’ve never read it, but friends tell me it’s trending. That is a tough decision there. Well, it wouldn’t be tough for me because I hate parties and don’t like drinking alcohol and avoid parties like the plague. But I understand their virtues. Hm, the party will only happen once. ‘Jeanne Dielmann’ is eternal. So maybe the party? xo, me. ** jay, It’s weird because I actually think my work is quite funny or by intention at least. Um, I’m reading in NYC in early October, but I don’t think you’re in NYC? Oh, I haven’t actually seen that many of the Australian horror movies, but my horror movie buff friends talk about the ‘new Australian horror’ phenom. Some of the films they’ve mentioned are ‘Late Night with the Devil’, ‘Sissy’, ‘You’ll Never Find Me’, others, and of course ‘The Babadook’. ** Poecilia, Sneaking in a hi to you. ** Harper, It’s possible you did ask about a GL post and that I was consequently inspired to make one. Yeah, the journals/notebooks are great. There does seem to be revival of interest in her work. I think maybe there was a retrospective of her stuff in the US recently, so that might be why? Good luck with the new room. I have to struggle to write anything long. I have, like, the opposite problem. ** Steve, Houellbecq meets Iggy Pop (trailer). I doubt I would too. Hence my averted eyes. No, I think you just said you were going to write about it. Everyone, Steve has reviewed the restored/re-released Holly Woodlawn 1972 film vehicle SCARECROW IN A GARDEN OF CUCUMBERS here. ** Justin D, Howdy, Justin. I’m so happy you like her work. I’m on the fence about seeing ‘Kinds of Kindness’. Maybe less on the fence now. Thanks for the fill-in. My ear might be improving, that’s the hope, hard to tell or be sure yet, thanks, pal. ** Cletus, Hi, Cletus! How are you? My total and great pleasure on the GL post. ** Don Waters, Right, checking the scores. When I first moved over here I used to check to see how the Dodgers were doing, but then I/they faded out. I know about Enchanted Forest, park nerd that I am. I think it’s been in a post here at some point. I remember it looking pretty. We have two big amusement parks near Paris, and it’s still not nearly enough. Still floaty? Is there anything, like, pleasurable about that? Can you exploit it for your writing for instance? ** Uday, Agreed about aesthetic masochism. And aesthetic sadism, I suppose. Is your roommate pleasurable to be around at least? I do like Akhmatova, but I do feel like the translations of her work are very clunky, giving her the benefit of the doubt. ** Oscar 🌀, Oh, yes, your composition idea is much better, or I mean more fun, or I mean more fun for the likes of me and perhaps likes of you. In honor of today’s post, I’m going to spend the day burning various of my belongings and learning how to send smoke signals with the express and only purpose of causing you to casually glance up into the Scottish sky then pulling out your little smoke signal decoding book and going, ‘Aww, you shouldn’t have’. Let’s hope the skies between us remain windless and cooperative. Or maybe we should make a voodoo doll that resembles a certain producer of ours and stick hundreds of pins in it. The 9th, tick, tick … Your friend has very cool punk rock earrings. On one ear, at least. Thank you for the intro! ** PL, Hey. Glad you liked it/her. Goblins in bottles: that’s new to me. Sounds exciting. Awesome about the cover/Pitchfork thing. I usually look at Pitchfork just after I finish the p.s to wind down, and now I can do that, see your work, and get phonky at the very same time! I like William Castle. I don’t remember if I’ve seen that one. I did a post about him, if that’s of any use. Here. You have a swell day as well! ** Okay. Fires, lots of them, all kinds of them, that’s your story for today. See you tomorrow.

Galerie Dennis Cooper presents … Greer Lankton

 

‘Trans girls writing about Greer Lankton’s art have a tendency to make her work about themselves. It’s a sentiment I encounter often as I’m researching her life, and it’s certainly true that trans women are often accused of rewriting our saints to fit our pet theories.

‘That’s not to say that she made it easy for others to rewrite her story. Lankton was a wickedly talented trans woman artist who created life-size dolls based on cult figures such as Candy Darling, Jackie Kennedy and Divine. “It’s amazing how well she documented her life. I think she did that knowing that she wanted people to know who she was and to be remembered,” says Sarah Hallett, an archivist at Mattress Factory, a Pittsburgh gallery that houses a significant archive of Lankton’s work. “I think that’s one of the most powerful things about [our] archive. It really continues for her to tell her story the way she wanted to tell it.”

‘Lankton’s interest in art was piqued early. She was born in 1958 and grew up in the U.S. Midwest. She was a sissy, crafting her own dolls at a young age. At her peak, she was featured in groundbreaking exhibitions like New York/New Wave at MoMA PS1, alongside Jean-Michel Basquiat, Robert Mapplethorpe and Keith Haring. But her work is still widely unknown among wider, cis audiences. Largely ignored by mainstream art critics, Lankton’s story has fallen on fellow trans women and archivists to tell.

‘Trans women rarely control their artistic legacies. Lankton’s parents, trans women, celebrity admirers and ex-lovers all paint their own picture of her life. Each storyteller owns the Greer they knew, but it’s impossible to paint a full picture of the raucous, beautiful, filthy artist without exploring her paradoxes. Her complexity is most clear in the way she talked about her sex change.

‘“Well, see, I always have the identity of being a transsexual,” she began in a 1995 interview with museum curator Carmen Vendelin, “I have all these arguments with transsexuals about this because there’s a whole school of thought that you should just forget you were a boy … there’s this other school of thought where you accept the fact that … you’re not really a woman, but in your daily life you pretty much act like a woman and do what women do, but deep inside you know; you don’t forget that you used to be a boy … I can’t actually say that I am a woman.”

‘In the same interview she recounted a nervous breakdown that led to a “horrible” hospitalization where she was put on Thorazine and told to make a choice at 21: “Be gay, or become a girl.” Lankton dubbed her surgery “the Kmart of sex-change operations.” She had just completed a few years of art school in Chicago and was about to move to New York.

‘In interviews, Monroe has stated he believes this ultimatum was made by Lankton’s mother. According to Monroe, her mother wanted “a solution,” while her father never said a word. “How could he not stop her?” Monroe recalled Lankton saying of her father’s silence. “Just lately, I’ve started thinking he didn’t protect me.”

‘When I spoke with Lankton’s artistic mentee, Jojo Baby, they told a similar story. “Her parents gave her an ultimatum one summer. They said either you get a job or you get a sex change and she’s like, ‘I hate to work, so I got the sex change’… it was performed wrong and she never could be penetrated. She said that she always looked for boys with long fingers.”

‘Who controls a trans woman’s bodily autonomy? There’s something less than triumphant about this gender journey. Perhaps this is why everyone tries to speak for Lankton, to find their own authentic version of her shifting identity and the “truth” of trans identity. In his remembrance, the critic Hilton Als pointed out she was the daughter of a pastor whose congregation helped fund her transition. “How could Greer ever repay them?” Als asked. Must she? How much do trans women owe the individual GoFundMe donors who snap at their post-surgery looks, asking for play-by-plays?

‘Once in New York, Lankton studied at the Pratt Institute. She began exhibiting at Civilian Warfare in the East Village with solo and group shows that brought her some notoriety. In 1981, her work hypnotized audiences at New York/New Wave. She’d barely recovered from her surgery and was only just starting her meteoric career at 23. She soon met Paul Monroe, a jeweller who ran a store called Einsteins in the East Village. Lankton began exhibiting her dolls in the shop windows. They married in 1987. Peter Hujar, Nan Goldin and David Wojnarowicz all attended the wedding. Two tiny dolls of Greer and Paul stood atop their wedding cake.

‘Around this time, Lankton assembled many of the dolls she’s most known for: Andy Warhol, Divine, Diana Vreeland and dolls based on people she saw in photographs or walking around the East Village, including Sissy and Princess Pamela (now owned by Iggy Pop). “They’re all freaks. Outsiders, untouchables. They’re like biographies, the kind of people you’d like to know about. Really interesting and fucked up,” Lankton told the East Village Eye in 1984.

‘For most of her life Lankton struggled with heroin and disordered eating, ruminating on celebrity and the curves of her body. She modelled for friends Nan Goldin and Peter Hujar—often nude with her dolls. In her 2010 thesis, Karen Karuza stated it best: “We can clearly see Greer as one of her dolls.” That is, she too was constructed, both by surgery and anorexia.

‘Some of her work explicitly addressed her acts of transformation. “Some of them I change from like a boy to a girl or a girl to a boy,” she said. One of her hermaphrodite dolls gives birth to another.

‘Many of the dolls were wearable and Lankton would often walk around inside of them. Writer Gretchen Felker-Martin, one admirer of Lankton, remarked, “I think [it’s] so fascinating, for someone who so publicly struggled with anorexia to covet fatness and to use it to protect herself in public.”

‘To Lankton, the dolls were beautiful, living beings who evolved over time. They struggled with the same things she did: addiction, anorexia, dysphoria, love. Art critics often refer to the dolls as uncanny or grotesque, taking on an occult quality. But the dolls are clearly baptized in Lankton’s love. These are fabulous women with couture gowns and looks like stun guns. Defiant, gaunt, nude, corpulent—they laugh at our gaze. They’re over us. The dolls are a family, primping under their mother’s proud gaze.

‘In the ’90s, Lankton’s addiction worsened. She divorced Monroe and moved to Chicago to detox. Their divorce was finalized in 1993, though Monroe “insists that the pair never divorced and that Lankton’s mother forged divorce papers.” In letters and psychiatric evaluations from the Mattress Factory, Lankton stated: “Paul beat me up, threatens + tries to kill me.”

‘In Chicago, Lankton frequently decorated store windows with her dolls and artwork while mentoring Jojo Baby. The pair were introduced by their mutual friend Reagan, a lover of Lankton’s. They decided to meet for the first time at a bar. “I walked into the bar and there was only this suburban lady,” Jojo Baby recalls. “I walked up and we started to chat. ‘What’s a nice suburban lady like you doing in a place like this?’ She said, ‘I’m one of the girls too.’”

‘In one window display for a punk store called the Alley, Lankton scrawled a prophesy: “Hermaphroditic deity: ‘It’ lay in bed in a heroin haze. The make-up and hair, glamorous perfection, one thing that never let ‘it’ down … depression transformed into anger. ‘It’ would kill all the assholes who had stolen free entertainment laughing at the glamour only she-males possess.” Cis passersby beware. “Suicide or homicide,” the sign concluded.

‘Jojo Baby recalls Lankton’s time in Chicago as a difficult period. Lankton struggled with anorexia, attempted suicide and was sexually assaulted while taking out the trash. Jojo Baby knew about her eating disorder and always tried to get her to eat something. “I knew that she loved shrimp and broccoli, so I would always go to this Chinese restaurant,” they say.

‘But it was also a prolific period for the artist. The pair spent their time together working at a feverish speed while listening to Kate Bush’s “Running Up That Hill (A Deal with God).”

‘“She pricked her fingers every now and then, and it was the dolls’ thirst for blood that brought them to life. So there’s a little bit of Greer’s blood in all her dolls,” JoJo Baby says.

‘Lankton’s career outlook was ramping up in 1995—she exhibited at the Whitney Museum of American Arty and the Venice Biennial, and mounted her infamous solo show at the Mattress Factory. There was an intensity to this final exhibition, “It’s All about ME, not you,” a haunting one-for-one recreation of her living room full of Patti Smith memorabilia, headless crucifixes, troll dolls, hormone prescriptions and hints of addiction relapse.

‘Lankton summed up her life in the accompanying artist statement: “I’ve been in therapy since 18 months old, started drugs at 12, was diagnosed as schizophrenic at 19, started hormones the week after I quit Thorazine, got my dick inverted at 21, kicked Heroin 6 years ago. Have been Anorexic since 19 and plan to continue and you know what I say FUCK Recovery, FUCK PSYCHIATRY … By the way I’m an artist and Andy Warhol was the dullest person I ever met in my life.”

‘Not long after the solo show opened, Lankton overdosed and passed away at 38.’ — Grace Byron

 

____
Further

Greer Lankton Site
Greer Lankton Archives @ instagram
GREER LANKTON, A MEMOIR
Book: ‘Greer Lankton: Sketchbook, September 1977’
GREER LANKTON by Nan Goldin
1980s Icon Greer Lankton Explored Glamour and Gender in Her Eerie Dolls
Greer Lankton: An Artist’s Life in the Village of the Dolls
Q&A with Paul Monroe: Life and Work of Greer Lankton
The Radical Life & Work of Genderqueer Artist Greer Lankton
Greer Lankton’s sketchbook diagrams the construction of a self
UNCANNY VALLEY OF THE DOLLS
Greer Lankton’s Lonely Dolls
“I Swear to Become my Body”: Greer Lankton
Girl in Pieces: The Quasi-Subjectivity of Greer Lankton’s Dolls
A Rebel Whose Dolls Embodied Her Demons
Just Turn On With Me And You’re Not Alone
The Pretty Ones Aren’t Very Interesting: The Genderqueer Art Of Greer Lankton
Trail-blazing trans artist Greer Lankton gave the girls the dolls we need

 

_______
Sketchbook

Sketchbook, September 1977 reproduces the intimacy and raw candor of artist Greer Lankton’s sketchbook from a month as a student at the Art Institute of Chicago, when she was nineteen. Some of these early sketches evoke the uncanny, life-size, handsewn dolls Lankton would later become known for in the East Village art scene of the 1980s, where she collaborated with Nan Goldin, Peter Hujar, and David Wojnarowicz, among many others. In this sketchbook, though, her central preoccupation is not working on art so much as figuring out a way to live.’ — Mattilda Bernstein Sycamore

 

____
Extras


Greer Lankton – “It’s all about ME, Not You”


Queer Art TV: Greer Lankton


Greer Lankton at the 1995 Whitney Biennial


Peggy Moffitt Doll BY Greer Lankton 1985

 

____
Interview
from East Village Eye

 

I conducted this interview with Greer Lankton prior to her first solo show at Civilian Warfare Gallery when her cramped studio apartment was filled with her dolls. I felt we were not alone. In the month since we talked, her show has come and gone and did not do so unnoticed. Lankton’s art crosses many taboo social barriers and may be always be subject to criticism for it. As various community groups received complaints on the content and accessibility ( kids could see the show from the street as they walked by ) of Lanktons work they banded together to force Civilian Warfare to paper it’s windows and enforce a R – rating admission policy.

I interviewed Greer Lankton because she is an artist I respect. We talked about her transexuality because i was curious and thought a lot of people would like to know also. My fear is that I was being sensationalist, sure I was but so is Greer Lankton. If I can prove anything with my interviews it would be that artists are works of their own creation Lankton has changed herself and invented a character a living personality that is one of the most real and human I have ever met.

Carlo McCormick: Greer when I have written about you in the past, I’ve never mentioned your sex change. I just didn’t think it was necessary…
GREER: It’s not necessary to mention it all the time.
I don’t think your work has to be put into that context. But when I do interviews I find it more interesting to talk about life then art. Do you mind if I ask you about your transexuality?
GREER: Like where I got it and how much it cost? It was cheap.
All the sordid details.How long ago was it?
GREER: Five years.
And you have to wait three years to get one?
GREER: No, just one. I started taking hormones when I was 20 and had the operation when I was 21.
I can figure out old you are now.
GREER: I’m 26, soon I’ll be 27 and before you know it I’ll be 30.
Time for a facelift. Can I call your sculptures “dolls”?
GREER: Sure.
Not like Barbie, but still about womanhood.
GREER: Sort of, but not always womanhood.
Transexuality and androgyny?
GREER: Yes, they are also about beauty. male and female. Like I was trying to make them pretty, but they always come out disturbed.
Like the obesity or the anorexia? Does that come from your own self image? Were you ever anorexic?
GREER: Yes, but not severely. I’ve been in therapy for two years.
So we can’t talk about how fat you are?
GREER: But I’m not fat, am I?
No, I was just testing you.
GREER: Where are my diet pills, my laxatives? Sure it comes out of that. But also just looking at bodies. There are so many different types.
But they’re more psychological than physical.
GREER: Yes, I try to make them seem like they have some sort of personality and feelings. Something going on inside. Except for her, ( pointing ) she’s kinda dumb.
She looks like an African fertility goddess.
GREER: Yeah, with dreadlocks. I think she should have a cock too, but I’m not sure.
I love that they have interchangeable parts, especially the sex organs. How are they built?
GREER: Wire, metal, eye joints. wood plaster, fabric.
Do you stuff them?
GREER: No, I have to make them from the inside out, that’s why they take so long. It’s layers and layers of sewing. The skin is the last part.
And you recycle old dolls?
GREER: Yes, right now I am making mostly Sissy dolls. And sex change doll. Like this one of Terri Toye; she’s a sex change.
How planned are they?
GREER: I know how it’s going to look, but then they don’t. They get their emotions as I go along. I like to do lots of surgery, like a nose job or redoing their lips.
Do these personalities fit into an overall context?
GREER: Well, they are all freaks. Outsiders, untouchables. They’re like biographies, the kind of people you’d like to know about. Really interesting and fucked up. It’s what you want to read, the kind of people you stop and notice.
Like the one with the sunglasses. They’re self destructive but that’s half the glamor.
GREER: They’re so glamorous. If you saw them in real life you’d die.
I can’t help to think of your Artforum ad: it was amazing. One has to credit Peter Hujar ( the photographer).
GREER: He’s wonderful.
But it set up an uncomfortable comparison between you and your dolls. You look as dead as them, you make your glamor into something grotesque.
GREER: It’s ment to be uneasy. So much worry in it. But whats’ grotesque?
You are so corpslike, so emaciated.
GREER: Emaciated is a better word. I’m going to get in trouble with my therapist when she see’s this.
But you were sucking in?
GREER: No, I ‘m that thin. A photograph puts ten pounds on you.
Do these dolls act as self portraits?
GREER: Sometimes they end up looking like me, but they’re more like people I’d like to see. Or sometimes I’m thinking about the way I’d like to look. Like that would be a really great nose.
You’re going to start stitching skin.
GREER: I wish I could, I’d love to do surgery.
So our whole notion of beauty and glamor is intrinsically tied to sickness. Drugs aren’t a major part of your women.
GREER: Some of them take drugs. But I don’t put needles in their arms or pills in their hands.
It’s just implied: otherwise it’s a cliche.
GREER: It’s so dull, but it’s still a part of our notion of glamor. I mean everyone comes to New York and does smack. That was the aspiration when I was younger. I wanted to be a junkie drag queen.
It’s still such a role model, the great difference even creativity.
GREER: And it’s something I’m fighting myself, it ends out coming out in my art. Always trying to be healthier but I’m self destructive.
Do you take a lot of hormones?
GREER: Just one a day. I’ve had a lot of problems with them. They’re really bad for you.
Does it surprise you with this show at Civilian Warfare to think of yourself as a serious artist?
GREER: Sort of, but not really. I always knew I was going to do something like this, making dolls.
But you haven’t fallen into the traps of many transexuals.
GREER: A whore, a junkie, a plastic surgery addict.
It’s not just that, you’re more a survivor, you have more discipline in your life.
GREER: Yeah, I’m a bit more serious. I come from a healthy family and that helps. I was raised on the golden rule, the Protestant work ethic.
But you’ve certainly rebelled.
GREER: Sure, I’ve always rebelled. But I figure I might as well do what I want to do. And I don’t want to get a job. I have to work. I hate working for people eight hours a day being a slave. But my dad was a minister. i grew up to be a good kid, not a whore.
I heard this great story that when you were born, your father’s church….
GREER: Had a sign outside, It’s a boy.
A real problem?
GREER: No they’ve been real supportive. My dad’s an artist also, my mother just wanted me to be happy. They’ve got their priorities right.
Do you feel a part of the transsexual or drag community?
GREER: Not really. I always love to meet new transsexuals, but few are friends.
Do you feel part of the East Village art community?
GREER: Only recently: I use to be a recluse. Now I can go out to some openings and see people I like and some I don’t and can talk about the next day!
Or when they’re out of ear shot. How do you feel about Civilian Warfare?
GREER: How do you mean?
Well, it must be hard to find support for your work. And two years ago, before there were fifty new galleries, it was extremely difficult for young artists.
GREER: Yeah, I went to Fun Gallery and it certainly wasn’t what they wanted, and I showed at Club 57 and Pyramid and P.S.1 but that’s not the same. I really don’t know if anyone would have taken me.. It’s hard to say. What I do isn’t what a lot of people do, and they can like it, but it’s hard for them to accept as art. They think it’s to cutsey.
It’s hard to get credibility: being with Civilian Warfare has helped you.
GREER: Oh yeah, it’s too cartoonish, or they’re just dolls.I mean I think I am very serious, but I also know I am still young, aware that I’ve got a way to go learning how to use materials. and that’s what I like to do, making things, not images. I like to be able to play with it. That’s the whole thing with the dolls, you can play with them. I don’t care too much if people don’t take me seriously, except I’d like to make a living off my art. It’s not like super high art or anything, I make things that are art, that’s all, and I’m serious about that.
You don’t ever deny the craft aspect of your work.
GREER: Right, because it is part of it. Hopefully the emotions are going to show through., and that’s the strongest part. With Civilian Warfare I can do what I want, and that’s good. I wanted to do this transsexual stuff because it was very important to me. They thought it was good, while a lot of people might have found it gross or too personal. And it all is very personal.
Is your art an exercise for working out things out emotionally for yourself. or are you trying to communicate with your audience?
GREER: Sure I was trying to understand myself, but I am aware of my audience. Every time I meet people they have the same questions. No one really knows about transexuality and they want to know so I might as well tell them. I’m not really trying to educate. I would like to do a
transsexual etiquette book. So many boys have no manners towards me: they’re the worst.
Is it a constant problem?
GREER: In a way, it’s not great being asked all the time if you are a boy or a girl or being whispered about and pointed to. I’m not embarrassed though. If someone asks me if I’m a sex change , I say yes! But you’re taught to be ashamed of yourself. After the operation you are suppose to move to a new city, change your name and burn all the photographs of yourself, I don’t hide.
Your art is like that. it’s hard to imagine anything today being shocking, but your work can really offend people. Do you mean it to?
GREER: No more then I meant to shock. When I go outside of New York I can really upset people, they’re not use to it. I really have shock value!
The art world, especially in the East Village, is sort of a magnet for people who are different outsiders.
GREER: New York has got this underground: it’s attracted us and all our friends. Everyone we knew was the wildest from where they were from. I don’t want my art to shock but to be understood. That’s kind of why I do the circus freaks. When you see them they satisfy your curiosity and you feel something of their deformity.
Isn’t it voyeuristic?
GREER: Completely. I’m a total voyeur and in some ways an exhibitionist as well. My dolls sort of make me less threatening to people, easier from them to understand.
In the way they are extensions of you, you are a Greer Lankton doll yourself. A living art work.
GREER: Ever since I was little I wanted to be a girl. It was a art piece deciding who I was going to be, the process of making myself pretty. I love biographies and looking at the way people make their lives. I try to do the same. Even down to this run down apartment, it’s so glamorous, walking up five flights of stairs, my deep cough like a bottomless pit, my choices, my clothes, the way I decorate my house…..

 

____
Show


Candy Darling at Home, 1987

 


Candy Darling, 1980s

 


Candy Darling, 1987

 


Candy, 1980s

 


Untitled, 1993

 


It’s all about ME, Not You, 1996

 


Sissy and Cherry, 1988

 


Twinned, 1990s

 


Jackie Kennedy, 1985

 


Diana Vreeland, 1989

 


Sarah, 1981

 


If you can pass for a girl, anyone can, 1991

 


Circus Ladies, 1985

 


Rachel, 1986

 


Sissy in Pieces, 1985

 


Me, 1987

 


Untitled, 1991

 


Marilyn Monroe, 1988

 


Divine, 1987

 


Divine, 1988

 


Two Trolls, 1988

 


Untitled, 1980s

 


Drag Queen Jesus, 1983

 


Freddie + Ellen, 1982

 


Cult Hero, 1992

 


Untitled, 1994

 


Untitled, 1989

 

 

*

p.s. Hey. ** Uday, Hi. Mayakovsky, interesting. I would stick to Garrel’s films of the 60s and 70s. For me, his films are not as compelling after that, although I have Garrel fanboy friends who would disagree. I’d like to hear Kylie cover ‘Superbeast’. The New Yorker won’t let me inside, but I’ll google ‘A Cage for Satan’ and see what happens. Thanks, U. Wait, Barbra Streisand? Eek. Really?! ** jay, Hi. Often when I read my work at readings the humor rises to the surface and people tell me they’d had no idea my work was funny. I’m so happy you’re into ‘Swarm’. I’m a fan of the me who wrote that novel. It seems to be the most divisive of my books, but I guess that’s not a huge surprise. Anyway, thank you. There’s a piece in ‘Flunker’ that’s made out of ‘Swarm’ pieces that I didn’t end up using. It took me forever to develop that Swarm voice, and I don’t know if I could find my way back into it, though maybe something similar but not. Like I think I said, I’m hoping for a local 4DX option to see the new ‘Alien’. I have seen and did really like ‘Like Mungo’. Yeah, pretty cool. There’s some pretty interesting ‘horror’ movies coming out of Australia of late. ** Dominik, Hi!!! I got some antibiotic ear drops last night, and I’m praying that they’ll do the trick. I hope your head has lost some of the extra weight this morning. Do people think ‘Longlegs’ is brilliant? All I hear is either ‘Meh’ or about how ‘wild’ Nicolas Cage is in it, and I think, you know, I think I’ve seen Nicolas Cage be wild a sufficient number of times. Love wondering how the Rolling Stones managed to press their faces to a piece of glass in the photo on this famous album cover back in the pre-AI days without any fog appearing on the glass, G. ** David Ehrenstein, Big up on your Garrel paean. You’re lucky you don’t live in France and don’t know all the terrible movies that Louis Garrel stars in that are never released outside of France. ** _Black_Acrylic, The general time frame of his work around the Nico era is probably his best work. People I know who watched ‘Capote vs the Swans’ said it doesn’t really hold up over the course of the series, but tell me what you think. ** Don Waters, Hey. Yes, and Pierre Clementi! I think I’m surely doomed to get Covid one of these minutes since there’s only, like, one or two people I know left who haven’t incorporated it at this point. I don’t remember the end of ‘The Shooting’ so I sadly can’t clarify that for you. I’m such a theme park nerd that I actually know about that ‘trapped upside down’ incident of which you speak. Weekly rituals … hm. My dad always watched golf on tv on Sundays. Not weekly, but it was a law of our household that we had to eat black eyed peas on New Years Day or else. Some kind of longtime Texas superstition or something. You have any weekly must-dos? I like Houellebecq’s early books too. But then he turned into this racist or faux-racist, leftist-baiting nihilist or faux-nihilist, and his writing got flabby, and he became more interested in getting media coverage than trying to write great books, and I bailed. Yes, do exploit your malady by plucking away at your writing. Smart cookie. Thanks, pal, and rise above. ** NLK, Hey! I don’t know how I manage either. It’s just, like second nature at this point or something. Yes, big kudos to Re:Voir for that and many other reasons. My understanding is the guy who does R:V is somewhat friendly with Garrel and is managing to get him to pry open his oeuvre, which, as I’m sure you know, he is generally pretty protective of. So his newest film is worth seeing? Okay. I just assumed it wasn’t, which is lazy of me. Thanks! ** Tyler Ookami, I did an initial search re: ‘pawpet’, and it does look very interesting, so I’m on it. Thanks again for that alert. And those links will be a giant help, so, yeah, thank you so much! How are things with you? What’s going on of late? ** Lucas, Hi, L! Thanks, I’m dripping drops of antibiotics in it now and praying or ‘praying’. Ugh, your mom’s on the warpath again, so sorry. Just try to stay beyond that as best you can. Great about ‘Thomas the Obscure’ letting you click into Blanchot. It’s amazing, yeah. For some reason it seems like all the Parisians came from their holidays yesterday, and the streets had that good old Paris buzz again. I don’t think I know Lingua Ignota’s stuff, or not well enough to know what I think of it. I’ll check into her work starting with those two albums you recommended. Thanks! My ears are hopefully just about ready to actually listen to things clearly again. ** Måns BT, When my Swedish friends say ‘hej’ to me, it always sounds so much better than ‘hey’, I guess because of the little kind of vocal effect at the end of the word that the ‘j’ creates. Let me know if that ramen place lives up to my hype. I had the vegan ramen if that makes any difference. Well, I haven’t spent a lot of time in Sweden. I’ve mostly been there during Zac’s and my amusement park-focused road trip of some years back, and we were concentrated on that and mostly driving around otherwise. I’ve been to Stockholm twice, I think, and only for a few days each time, and I really liked it even if I didn’t really get a complex read on the city. I’ve been Gothenburg a few times, but briefly, and I only really know Liseberg there and some bookstores. One of my favorite artists, and a good friend, is this Swedish artist Torbjorn Vejvi, and he has promised to help give me the lay of the land someday. So, yeah, I’m mostly very high on Sweden and still figuring it out. I know ‘Beyond the Black Rainbow’ and ‘Mandy’, yes, and I think that’s an inspired combo. Surely the theater will grab that possibility. I only know those two films of Panos Cosmatos. I’ll definitely be curious to see those new ones. Are they near completion or release, do you know? My day was okay. I was interviewed, and that went well, and I started trying to solve my fucked up ear problem, and that was a possible step, I hope. How was your Tuesday, for instance? xo, me. ** Diesel Clementine, Rough day, I hope it didn’t take too much out of you. ** PL, Howdy. I agree about the post, and I’m going to try. I liked the first two ‘Aliens’, especially the Ridley Scott one. The third one is okay. I thought ‘Alien Resurrection’ was kind of crappy. I kind of hated ‘Prometheus’ and ‘Covenant’. And I have an open mind about ‘Romulus’. Never saw ‘Omen II’, and I think I probably won’t. Great about the shirt and print! All the luck you might need. No, I haven’t looked at he portfolio yet. I’m so sorry. I’m really slow, like really slow. I’ll forefront it and get on that as soon as I can. ** Steve, If Houellebecq hasn’t already released a rap track, I’ll be surprised. After his embarrassing collab. with Iggy Pop a few years ago, his bottom sinking would seem to know no bounds. There are many Martha Stewart French equivalents, but they’re all male. My ear has been clogged up for about a month. As I said up above somewhere, I got some anti-biotic drops last night, and I’m giving them the chance to work before I take the doctor route. Thanks for asking. ** Harper, Okay, the family encounter sounds par for the course, or whatever that saying is. Maybe relative nonentity status is the best you can hope for? Very different, but ever since I was young my family members never ask about my writing or even about what I’m doing because they fear what I’m doing might cause me to mention my writing. At this point it’s become kind of humorous. That royal-sized garden sounds nice, though. ‘Penda’s Fen’, yeah, great stuff. You’re right, amazing that Clarke was able to make that work for TV. Even weirder in its own way than marvelling at what Lynch got away with. ** Jeff J, Hey! Just the other day Michael Salerno was trying to convince me that Garrel’s recent films are great, and I still don’t buy it, but I do guess I’ll check to make sure just in case. I think the most recent Garrel I’ve seen is ‘Le vent de la nuit’, so it’s been a while. Zac and I are in accord, yes, and now we’ll see. Even our best thought-out plan will create difficulties for us, but I don’t think there’s any realistic way forward that won’t. Prayers. Thanks, J. How’s the writing and everything else? ** Bill, Philippe at his best is much better than Louis at his best, if you ask me, which of course you didn’t, haha. Thanks re: ‘Facials’. I’ve been waved off ‘Cuckoo’ by others too, so I’ll lay low. ** Right. Today my galerie hosts an exhibition by the late and wonderful artist Greer Lankton, and I hope you’ll have a gander and enjoy yourselves. See you tomorrow.

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