The blog of author Dennis Cooper

Author: DC (Page 184 of 1087)

29 defunct Xmas attractions

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Frightmare Before Christmas (Moline, IL)
‘We will be picking you up from a bar in the Berwyn Depot District (details coming soon). Then we’ll be going to the Haunted House for their “Christmas Nightmare” event. Get ready for a night when some of you will die (really die, not “die of fright”). After that we will head to Basement of the Dead for a “Very Scary Axe-Mas” featuring a special appearance by Santa (the real Santa, not some drunk dressed in red pajamas). Finally, we will return to Berwyn where those who are still alive will be murdered brutally at our afterparty.’

 

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Cidade Albanoel (Paraty, Brazil)
If you like your Christmas-themed amusements to have a little more edge, then this derelict Santa Claus theme park in Brazil is for you. The vast park, where construction began in 2000, was intended to be spread over 38 million square metres, but was never completed after the Brazilian politician who came up with the idea was killed in a car crash right outside its entrance. The site remains filled with gradually decaying Santa figurines, rusty reindeer rides and crumbling candy cane turrets, making it feel more eerie than festive.

 

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A Winter Wonderland (Milton Keynes, UK)
Queues for miles, outrageous prices and a melting ice sculpture: it wouldn’t be Christmas without another tale of a disastrous “winter blunderland”. Families who tried to attend the Christmas Wonderland event in Milton Keynes were promised an “evening of enchantment and adventure”. Instead of which they were met with the bizarre spectacle of what appeared to be a man in a wheelchair on fire. Organisers took down their Facebook page after it was inundated with complaints, with some visitors saying they had queued for two hours to get in, only to see some melting ice sculptures and “just fairy lights hung over some trees”.

 

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Santa’s Land USA (Putney, Vermont)
You won’t find a brochure for Santa’s Land USA easily in Vermont. The official Vermont Attractions Map does not list it. It has no billboards. Even the publicity material for Santa’s Land USA’s home town, Putney, VT — which carries glowing descriptions of local businesses like Basketville and the Putney Food Co-op — fails to mention Santa’s Land USA. The entire attraction, which covers many acres of pine-shaded woods, appears to be run by five people: the kindly lady in the gift shop, the guy who sprints between the Sweet Shoppe and Candy Cane Cupboard, the train engineer, the kiddie ride attendant, and Santa. The first thing that catches our eye when we enter the park through the fairyland cottage gift shop is a huge blob of discolored white stuff lying near a little pond. What is it? Fake iceberg? A wad of funnel cake that fell out of Valhalla? The TV in the kid’s video theater in Santa’s Arcade shows nothing but electric snow. We walk up the hill to the quiet of Santa’s House, and can see red legs through the doorway. Santa sits, motionless. We assume he’s a stuffed dummy. Then a truck klaxon echoes through the woods — the over-the-top horn for the tiny Alpine Train — and Santa jerks to life. “Ho ho,” he says groggily. “You caught Santa napping.” The next words out of his mouth startle us even more than finding him asleep. “You look like prosperous gentlemen. Would you like to buy Santa’s Land?” Santa says that the park’s current owner wants to sell the place. The owner’s pumped a lot of money into its electric wiring and septic system — over $100,000 by Santa’s guess — but the right buyers have been as elusive as flying reindeer. The manager abruptly left a couple of weeks ago, and the place is currently run by the multi-tasking Sweet Shoppe guy. “The original owners — I forgot their name, I forget everybody’s name — built it. There used to be an airstrip here. For the war, you know. It’s not here any more.” Santa recalls that a family named Brewer purchased the park in 1970 and ran it for almost 30 years. “This place was Mr. Brewer’s pet. It did quite well for a few years, but then it sort of petered out. They lived up there, in the Igloo Pancake House,” Santa says, pointing into the woods. “Before it was the Igloo Pancake House. If you take the train, and get off at Pancake Junction, you’ll see it. It’s an igloo-type thing.” Note: Santa’s Land USA closed on Dec. 18, 2011.

 

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Dickens Victorian Village (Cambridge, Ohio)
Welcome to Cambridge, Ohio, a small town that, until last year, celebrated the holidays in a big way, from Dickensian street scenes to contemporary light shows. It all started eight years ago, when Bob Ley, who owned a men’s clothing store downtown, traveled to Oglebay Resort, the city park in Wheeling, W.Va. that stages a major holiday light festival every year. Why couldn’t Cambridge capture some of those thousands of drivers traveling along I-77 to Wheeling? So Ley and his wife, a retired English teacher, came up with an idea: Create street scenes, with full-size mannequins depicting life during Dickensian England, and place them throughout downtown. At the annual event’s height in 2013, visitors saw 160 statues – including a cast of characters from Dickens’ “A Christmas Carol,” a group of ice skaters, a chimney sweep, money lenders (placed strategically in front of US Bank), a beggar, a bobby, a blacksmith, and a man in a wheelchair.

 

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The Death Yard Christmas Haunted Attraction (Nashville, Tennessee)
“Instead of Christmas cheer, we are spreading some holiday fear,” said Carroll Moore, who in 2014 turned his Halloween season “Death Yard Haunted Attraction” in Hendersonville into a Yuletide horror show. For $10 and an unwrapped new toy, visitors passed through the 13,000-square-foot warehouse northeast of Nashville crammed with Yuletide horrors. For $5 more and a second toy, they could go to the paintball range just outside and take 15 shots at Zombie Santa and his friends. “You can unload on the undead,” Moore said. “Maybe Santa Claus wasn’t good to you last year.” Moore also offered chainsaw-wielding maniac elves, rabid and violent reindeer, and killer Mrs. Santa Clauses. The unwrapped new toys were intended to go to Last Minute Toy Store, which operated out of a Nashville church and gave parents who could not afford toys a chance to look for things their children might want, for no cost. All was well until Nita Haywood, who ran the Last Minute Toy Store at the 61st Avenue United Methodist Church, where she was director of youth and family ministries, visited the Horrific Haunted Holiday two days into its intended three week run. “I was horrified and nauseous,” she said. “The presence of the Devil was very, very strong.” After speaking to local police and the mayor, the attraction was immediately shut down. “New toys are new toys,” she said. “But not when they come from Hell.”

 

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Santa’s Village (Dundee, Illinois)
Santa’s Village in East Dundee, Illinois (1959-2006) was a theme park built in 1959 by H. Glenn Holland who also built the other two in San Bernardino County, California and Santa Cruz County, California. This park was the third and last that he built. The buildings were modeled on what an average child might imaging Santa’s Village would look like. When it opened, it was a very prominent theme park. Over the parks history more than 20 million people passed through the front gates. One addition to the park, opened in 1963, was the Polar Dome which provided an ice skating and hockey venue under a forced-air supported dome. On November 28, 1966, a strong wind caused the Polar Dome to collapse. The unsuccessful launch of the Typhoon roller coaster and decreased attention to the aesthetics of the park eventually prompted the corporation to sell. The sale did not proceed as smoothly as hoped, and with many setbacks and unmet deadlines the park had to shut its doors.

 

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Santa Present Park (Hokkaido, Japan)
This amusement park has to be included among the most poorly conceived, planned, built, and attended amusement parks in history. It was tied into a popular ski resort and featured numerous Christmas-themed attractions including four roller coasters. Like all theme parks in Japan, it was only open during the non-winter months. Unfortunately, the ski resort was only open during the winter season. Long story short, after having been built for $10,000,000, it never opened and was torn down after standing empty for eight months.

 

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Magic Forest (Lake George, New York)
This was the weirdest place I’ve ever been. I came for Santa and for Lightning the diving horse, and stayed for all the other weeeeird ass shit. It was OLD OLD OLD, snack bar (wish I’d brought my own food) OLD OLD OLD. Sign on the gift shop read, closed but go to the snack shop if you want to buy something. During the Christmas Safari ride (don’t ask me), we noted three instances of racist portrayals. As we got on the ride, I almost knew it was coming. The first was a display with a person being boiled in a pot with dark-skinned mannequins all around holding spears. Ugh. The whole park was dirty, in definite disrepair, and some of the ride operators were creepy, rude and two seemed kinda drunk. Needless to say, it was magical! RIP

 

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Sherborne Wharf’s Search for Santa (Birmingham, UK)
Until 2014, Sherborne Wharf near Brindleyplace used to run canal trips through Birmingham city centre on a quest to find Father Christmas. All participants were geared up with the latest “Santa-detecting technology” and shipped off aboard narrow boats in search of the Man in Red himself. Apparently finding him wasn’t very hard and, when he was found, he wasn’t very interesting.

 

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A Very Scary Christmas (Hauppauge, NY)
In 2014, a Christmas-themed haunted house called “A Very Scary Christmas” opened for one controversial weekend in Hauppauge, NY., complete with “killer snowmen, evil elves, man-eating reindeer and murderous Christmas trees.” Of course there’s was a Santa as well, but he wasn’t the right jolly old elf most people picture. “I want people to be terrified. I want people to soil themselves,” Frank Ingargiola, who portrayed Santa, said in a video on the Newsday website. “Naughty. Nice. It don’t matter to me anymore. I’m coming. And you ain’t gonna stop me.” But after a number of children suffered trauma after attending the attraction, the local community did just that.

 

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Santa’s Village (Scotts Valley, California)
In 1958, Santa’s Village was created in the wooded hills of the Santa Cruz mountains. This Christmas wonderland served thousands of park visitors each year with its holiday cheer! Residents of Santa’s Village included Santa and Mrs. Claus, their elves and gnomes, who operated the rides and sold tickets. There was a baby petting zoo filled with goats, sheep, bunnies, ducks, deer and a Mexican burro. Children could feed the animals green feed pelets that they purchased from dispensing machines. Four reindeer from Unalakleet, Alaska, pulled Santa’s sleigh. There was a bobsled ride, a whirling Christmas tree ride and a miniature Santa’s Express train ride. Other attractions included a giant Jack-in-the-Box, an Alice in Wonderland maze, Santa’s enormous boot, brightly painted cement mushrooms and a Queen of Hearts figure … all part of Fairytale Land. Mrs. Claus had her own kitchen, where hamburgers, hotdogs and steak sandwiches were served. An egg-shaped cottage and a shoehouse were open for children’s exploration and imaginations. In 1977, after the Santa’s Village Corporation had filed for bankruptcy, Billawalla bought the whole of Santa’s Village for $615,000, speculating that he could build a more attractive theme park there. The City of Scotts Valley rejected Billawalla’s plan to create a Knott’s Berry Farm-type complex, which would have included a hotel, a shopping center and rides. That year there were heavy rains during the park’s peak season of November and December, coupled with the political bureaucracy of the City of Scotts Valley … it proved to be the death nell for Santa’s Village.

 

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Parlor Lucky (Tokyo, Japan)
Parlor Lucky was a karaoke bar in the Ginza section of Tokyo where patrons could only enter if they were wearing a Santa Claus costume. Costumes could be rented at the Santa Claus Everyday rental costume store next door.

 

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Christmas Land (Marshall, Texas)
Seasonal attraction with year-round Santa statue, sometimes headless, now reduced to an entry sign.

 

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Christmas Fantasy Village (Great Bend, Kansas)
Christmas Fantasy Village (1979 – 2000) was located on Highway 281 about 3 miles south of Great Bend. If you followed the lighted signs during the winter that started at 10th and Main, you were able to find it. You knew you were there when you saw the 50 foot tall lighted snowman! The Christmas Fantasy Village started as a couple’s celebration of Christmas, and turned into a local event.

 

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Santa Land and Zoo (Cherokee, North Carolina)
I haven’t been able to find out the history of the park, but I suspect it was around for a while. Many of its kiddie rides dated back to the 1950s and a few of them came from the Allan Herschell factory. The Rudicoaster was exactly the same as the coaster in Santa’s Village in Ontario; a steel figure-8 configuration with a Rudolph themed car in the front. There was also the token train, a CP Huntington, that went around the entire park. Kids could visit with Santa in his house every day. He had a large sleigh they could sit in and tell him their secret wishes.

 

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Elf School (Brierly Hill, UK)
For one strange Christmas season in 2013, kids from Brierly Hill and beyond were welcome to enroll in Elf School, going through what as billed as a complete elf makeover, learning an elf chant, and taking home their own elf hat. Finally, they got to meet Santa and visit his toy shop where they could choose a present to take home with them. The Elf School experiment was never repeated because many parents complained that, after the event, their children were acting strangely and, in some cases, refused to return to their human form to the point that the parents were driven to seek psychological counseling for their brainwashed children.

 

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Santa Land (Santa Claus, Arizona)
Nina Talbot and her husband founded Santa Clause in 1937 with the hopes of turning the desolate wasteland into a place where families could settle and live the suburban dream. They hoped to attract investors with North Pole themed buildings and children’s attractions dubbed Santa Claus Land. Unfortunately for the Talbots, investors never came. Thought a diner in the quaint snowy desert oasis gained a few fans through the years—including Duncan Hines and actress Jane Russell—the Nina Talbot sold the land in 1949. By the 1970s, the town had started to fall into disrepair. Now, derelict wooden huts and barbed wire fences are clear signs that Santa Claus doesn’t live there anymore.

Alive

 

Dead

 

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Eastland Mall Christmas (Charlotte, North Carolina)
Eastland Mall was famous in North Carolina in the 1990s for its yearly elaborate Christmas makeover. Until everyone stopped going there. Or caring. In about the year 2000 when it closed and became an empty shell. There were plans to turn the giant building into a movie studio but they never panned out. So they tore it down.

 

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How One Man Is Terrorizing Neighbors With a Hostile Holiday Decoration Display
‘Homeowners on Fairley Road in Ross Township, Pennsylvania, say their neighbor Bill Ansell is terrorizing them year round with his hostile anti-Christmas spirit. “Any opportunity he has to make our life a hardship, he does,” resident Chris Hebda told ABC News’ “20/20. He’s an angry person that’s very unstable.”

‘Ansell, an electrician, has a display on his yard that features a beheaded choir, a hanging Mickey Mouse and even a urinating Santa Claus that lights up at night. “There was a Virgin Mary here, and he placed a knife through her head, right there on the edge of our driveway,” Joanne Hebda told “20/20.” “I thought it was a terroristic threat.”

‘Ansell wouldn’t speak to “20/20,” but two years ago, he told Pittsburgh’s WPXI-TV, “I used to have a beautiful Christmas display, they hated it. This is my display now. I don’t think it’s against the law to exercise your right to have your own display.”’

 

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Santa Claus Land (Santa Claus, Indiana)
Santa Claus Land opened August 3, 1946; the theme park included a toy shop, toy displays, a restaurant, themed children’s rides, and, of course, Santa. Koch’s son Bill soon became the head of Santa Claus Land. In 1960, Bill married “Santa’s daughter,” Patricia Yellig; he remained active in the family business until his death in 2001. Bill and Pat had five children; the eldest, Will, was the park’s president for more than 20 years until his unexpected death in 2010. Over the decades, Santa Claus Land flourished. Children from across the country came to sit on the real Santa’s knee and whisper their Christmas wishes. Guests included Ronald Reagan, who stopped by in 1955.

 

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Ruislip Winter Wonderland (Northolt, UK)
Parents have vented their fury after another winter wonderland festive fun fair has been cancelled just two days before it was due to open. Despite announcing the event more than a month ago, the Ruislip Winter Wonderland in north London, was cancelled yesterday with organisers citing a disagreement with landowners. Today, one day before the scheduled opening, the site earmarked for the funfair at India Gardens in Northolt appeared barren and undeveloped. A “star-studded” opening night featuring appearances from I’m A Celebrity contestant David Van Day, EastEnders actor Matt Lapinskas and Coronation Street star Adam Rickitt was due to take place tomorrow. Other celebrity scheduled guests included Blue singer Lee Ryan, Another Level singer Dane Bowers and boxer Joe Calzaghe. Since the statement was posted more than 200 angry parents have posted messages over their disappointment, with some saying they believed it might have been a hoax. Nicola Powis commented: “The idiot running it has showed unprofessionalism, petulance and idiocy in all of the responses to the comments. I don’t believe they ever had any intention of putting on the event. Idiots.”

 

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Minnie’s Christmas Party (Anaheim, California)
Minnie’s Christmas Party premiered at Disneyland on November 2, 2001, for the 2001 holiday season. But that was the end of its run. In fact, that was the end of having Christmas shows in the Fantasyland Theatre. Minnie’s Christmas Party was virtually nonexistent in scope. The set was simplistic and flimsy enough that vibrations from the passing monorail caused it to shake so violently that an earthquake was hastily written into its plot. The plot — humans visit Minnie Mouse on Christmas — was dispatched with in five seconds followed by 45 minutes of yelling, jumping up and down, and painful stretches of up to minutes with performers standing in stunned silence. The script seemed to be written for children under the age of 1 year old.

 

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Santa’s Workshop (North Pole, NY)
Of the six or so rides, three were not operating when I brought my family. This is obviously due to the fact they have not been properly maintained in years – which only leads me to wonder about the safety of the rides that were operating. The management claims that this is a “theme park” and that the rides aren’t the main attraction. The rest of the park is just a bunch of “themed” gift shops that you can waste even more cash in if you don’t feel that you’ve been ripped off enough after walking through the gate. There are also live shows here – I saw one of the park management yelling at a character for not standing in the right place during the parade performance. This place was probably charming in it’s day but sadly that day has been long gone.

 

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Winter Wonderland (Milwaukee, WI)
Eighteen YouTube stars led by a Santa costumed Casey Neistat turned an abandoned mall in Milwaukee into a “winter wonderland” in 2017 for the area’s Boys and Girls Clubs this holiday season. In a partnership with Samsung and the Milwaukee area Boys and Girls Clubs, creators like Akilah Hughes, Ann Lupo, Shaun McBride, Jesse Wellens, and Will Haynes taught members of the Boys and Girls Clubs to vlog after giving them gifts of cameras and gear provided by Samsung. After handing out the gifts, the creators led the kids to the abandoned mall, which Neistat and company had spent a month transforming into an idyllic winter scene.

 

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The Christmas Factory (Athens, Greece)
If you are outside of the country of Greece, the Greek National Tourism Organization would like you to believe that The Christmas Factory, “the most fabulous factory of Christmas”, has returned to Technopolis – City of Athens in Gazi from November 28, 2015 to January 6, 2016. It is claimed this amazing theme park is installed in the centre of the city and – “with the help of elves, fairies and goblins – aims to spread the magic of Christmas to all visitors to Greece”. Holiday travelers to Athens are told of the games, sweets, ‘cheats’, songs, presents, awards awaiting them at the Santa’s House, the Toys Factory, the Digital Christmas, the Sweet Factory, the Ice Rink, the Carousel, the Train, the Wheel and the Slides “thanks to these fanciful heroes”. The interesting thing is that there is no advertising for The Christmas Factory inside of Greece. That is because there is no money in Greece to produce The Christmas Factory this year. Visitors lured to Athens by the florid advertising for The Christmas Factory which is widespread throughout Europe, paid for by God knows whom, will, upon reaching the site of The Christmas Factory, find instead a single mechanical man statue dressed in a Santa Claus costume that has seen better days standing on the sidewalk. His recorded and looped voice thanks whoever has found him for visiting Greece in its time of need. You will also find two members of the military stationed near the Santa Claus mechanical man who will confiscate your phone or camera if you try to take a picture.

 

 

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p.s. Hey. ** Dominik, Hi!!! There are a few ‘Santa Claus goes insane and kills everyone’ Xmas movies that are ok to fast forward through, but yeah. So you have some time there to enjoy it and then get tired of it, perfect. Thanks about the meeting. Yeah, this shit never ends. I’m picking up our buche at a fancy nearby hotel in a little over 4 hours from now. I hope it stops raining because I have to walk it home. See, now a fake tree doesn’t sound so bad. But it’s almost Xmas, so I think I’ll just go without. I got John Waters’s annual Xmas card yesterday, and I’ve put that where a tree would have been. I always feel stupid when I cry over fictional characters, but I do. There’s a scene in Zac’s and my film that I’ve seen a thousand times now, and it still tears me up. Strange. Love wondering if the French words buche and bouche are related, G. ** Nasir, Thanks. Me too, I just kind of have a fondness for the stylistic makeover and vibe of Xmas. Santa Claus isn’t real? No, that’s not possible, I don’t believe you, he’s totally real Stop that. I’m feeling better, thanks. This cold is just really slow on its way out, but it’s leaving. Oh, I really like ‘Eyes Wide Shut’. I do wonder what it would’ve been like if Kubrick had lived to edit it himself, and I do wonder if certain aspects that I’m not 100% on board with would have been there if so, but there’s plenty of fantastic things in it, so, yeah, go for it. ** Misanthrope, Hyemin dropped into the blog to say hi about a year or so ago, but I haven’t seen them since. Right, holiday off work time galore-ish. Enjoy every molecule of that. I’m sure you will. ** _Black_Acrylic, Hi, Ben. I can’t even begin to imagine how hard it must be to have a skill/talent taken away — if I couldn’t write I don’t know what I would be — but very luckily for you and especially for the world you’re such a multi-talent that you can excise your talent and genius in writing and whatever else. I count myself among the many who are very grateful for that. ** Tosh Berman, Hi. I can’t talk about that stuff here in any decently detailed or explanatory way. I should try much harder not to even mention it, but it’s so constantly frustrating that it just pops out. Very simplified answers: No, we can’t get rid of him for legal and other reasons. I would sell my soul to Satan to put him in the past, but it’s not possible. Our only choice is to make sure the film and we survive the current situation, and we will figure out a way because we have to. Crowd funding remains a worst case scenario option for the reasons I’ve talked about before. Our film is very not mainstream. Again, I can’t go into it, but we are trying everything we can think of, believe me. Thanks for caring, Tosh. ** Steve Erickson, Hi. I explained, or rather explained that I can’t explain, to Tosh. No, he can’t be dropped. I’m supposing Playboy Carti’s non-rescheduling of his Paris concert as of yet is due to him waiting for the new album to drop so he can use the gig to promote it. Sucks about your Wire editor guy quitting. Shit. Yeah, do try again, but that’s very disappointing. ** Kettering, I like weird vibes, no sweat. Thank you about the film stuff. If the mess could be impacted by how good the film is, we wouldn’t have it. The fact that film is getting a great response from some powers-that-be even in its unfinished state is our only hope for a way forward. Thank you! I’ll try to astral project the taste of today’s buche your way, being sure to excise the portion of the taste that is created by my mouth. ** Cody Goodnight, Hi, Cody. I’m mostly okay, thank you. Errol Flynn’s ‘Robin Hood’, interesting. Was it full of charm? I mostly just worked yesterday and tried to catch up on emails. It’s my turn to pick the film for my friends’ and my biweekly Zoom ‘book’ club where we read something and watch something and talk about it, and yesterday I picked four short films by Martin Arnold for that, and I ended up watching a bunch of his films, which are just giddy-making wonderful. You in pre-Xmas mode? ** David Porter, Hi, David! Nice … well, maybe not the right word for it … field trip you had there. Oh, right, I think a UK friend of mine got stuck here in the Eurostar station because that insta-strike thing. I do remember those photos, maybe oddly enough. My memory’s acuteness scares me sometimes. Is Liverpool famous for masks? I’ve never been there. Just two days ago a friend of mine told me ‘You HAVE TO GO to Liverpool.’ I can’t remember why. You sound very okay and festive and really utterly prepared for what’s coming on Monday, I must say. xo. ** Darby 🦨 🤒, Hey, D. You read such impressive books, pal. You’re a big thinker. I’m the world’s worst advisor on whether to quit jobs or not since I’ve never had the kind of jobs you can quit. I was sort of fired once though. Or, in their verbiage, ‘not welcomed back’. I’m okay, a bunch of the usual shit going on, but I’m fine. I’ve never heard of the Baraboo Bonebreaker, but that is highly interesting. I might have to base a future character in something of mine on him. Or at least on the 12 year old breakee. Wow, I’ll go look that up. Thank you! And thank you for the beautiful wishes and especially for the snowman! If I could make a snowman for you out of the never ending rain water around there, it would be the first thing I would do. Well, I guess I could try. Hm. Happy … what is it, oh … Friday!! ** Nick Toti, Oh, thank you, thank you, Nick! Yesterday wasn’t nearly enough for the likes of me. Everyone, the awesome filmmaker and other awesome things Nick Toti has a few experimental Xmas movies to recommend to those of us who feel not entirely sated by yesterday’s batch. And they are … Celia Rowlson-Hall & Alexandra Hulme’s “The Nutcracked”, The Creatures of Yes “Christmas Un-Special”, Nick’s own “The Very Last Interview”, and, finally, Damon Packard’s “Howl of the Unvaccinated”. Chow down! ** Okay. Today I have gathered together every defunct Xmas attraction or theme park I could find that had any kind of even remote allure whatsoever for you. See you tomorrow.

Hyemin presents … Xmas Experimental Films *

* (restored)

Compiled chronologically from Gregory Markopoulos’s Christmas Carol in 1940 to George Kuchar’s Christmas video series in the 1990s and 2000s and to Stan Brakhage’s recent music video for Mariah Carey’s “All I want for Christmas,” this mini-list of “Xmas experimental films” suggests a collaged memory of dark celebration of a globally loved holiday in the gleefully glitching minds of experimental filmmakers exploring furtive and nebulous sub-worlds with their daring challenges to the filmic formal and thematic conventions. Incandescent and disruptive frames, colors and shapes, and choreography of gloomy spirits in these experimental films may provide solace, if not luminous vectors, to the viewers searching for the different meanings and delights of Christmas underneath the indifferent surface of its universal commercialization and unequal fractionalization of holidayscape. – Hyemin

 

1. CHRISTMAS CAROL
Gregory Markopoulos/1940/b&w/silent/8mm/3 min.

“little did I know when I made my first film at the age of twelve, [A] Christmas Carol, three minutes long…that the language of film was in constant birth within me, myself as a filmmaker” — Markopoulos recollects. In his hometown Toledo, Ohio, 12 years old Markopoulos borrowed a Super 8 camera and made a silent version of A Christmas Carol based on the story by Charles Dickens, starring Markopoulos himself, Andrew Markopoulos, Elaine Markopoulos and childhood friends. Preserved by the Oesterreichisches Filmmsuem, Vienna and Temenos Archive, Zurich. (No public image online available)

 

2. FIREWORKS
Kenneth Anger/1947/b&w/music: Ottorino Respighi/35mm/15 min.

“Anger’s most openly Surrealist film is an exquisitely crafted and choreographed dream of feverish desire, starring Anger (17 years old?) himself and filmed in his childhood home in Santa Monica while his parents were away for the weekend. Inspired by the trance films of Maya Deren and the Zoot Suit riots that had recently ignited the Greater Los Angeles area, Fireworks trembles with an ardent search for poetry within moments of unleashed violence and passion.” — (Harvard Film Archive)

Dreamer: [voice over narration] “In Fireworks, I released all the explosive pyrotechnics of a dream. Inflammable desires dampened by day under the cold water of consciousness are ignited that night by the libertarian matches of sleep, and burst forth in showers of shimmering incandescence. These imaginary displays provide a temporary relief.”

 

3. CHRISTMAS U.S.A.
Gregory Markopoulos/1949/b&w/silent/16mm/13 min.

“Christmas-USA-1949 (aka Christmas USA) weaves together documentary and fiction to convey a moment of awakening, and was shot at the ‘Cavalcade of Amusements’ travelling fairground, and in the Markopoulos family home and local surrounds.” Its closing credits declare “the end of a period.”http://www.lafilmforum.org/archive/spring-2015/gregory-j-markopoulos-early-films-of-the-40s-and-50s/

 

4. CHRISTMAS ON EARTH
Barbara Rubin/1963/b&w/(with color filters on the projector lens)/silent(music from a live radio)/16mm/29 min.

“In 1963, Rubin directed Christmas on Earth – her only film, screened on two superposed screens – a transgressive film inspired by the poem “A Season in Hell” written by Arthur Rimbaud in 1873. In combining through an orgiastic ritual, the self-destructive passions of the young filmmaker – 17 years old at this time – and the aspirations of emancipation from her time, Christmas on Earth became quickly a totemic artwork of the underground scene.” – https://expcinema.org/site/en/events/barbara-rubin-christmas-earth-season-hell

“A radio must be hooked up to your P.A. system with a nice cross-section of psychic tumult, like an AM rock station turned on and played loud.” – Barbara Rubin from New York Filmmakers’ Cooperative Catalog No. 7


Excerpt

Full online: http://www.ubu.com/film/rubin_christmas.html

 

5. HALLELUJAH THE HILLS
Adolfas Mekas /1963/b&w/35mm/82 min.

(with Peter H. Beard, Marty Greenbaum, Sheila Finn, Peggy Steffans, Jerome Hill, Taylor Mead. Camera: Ed Emshwiller. Assistant: Jonas Mekas. Editing: Adolfas Mekas. Music: Meyer Kupferman)

Adolfas Mekas, born in Lithuania, arrived in the US with his brother Jonas (Mekas) in 1949. They founded Film Culture, the magazine of independent cinema, in 1954. “Hallelujah the Hills is a gloriously funny and far-out farce about two great big overgrown boy scouts who pratfall in love with the same girl. The weirdest, wooziest, wackiest screen comedyS a slapstick poem, an intellectual hellzapoppin, a gloriously fresh experiment and experience in the cinema of the absurd, the first cubistic comedy of the new world cinema.” – Time Magazine, 1963

 

6. 9/64: O TANNENBAUM (Oh Christmas Tree)
Kurt Kren/ 1964 /color/silent/16mm to digital/3 min.

“In 9/64: O TANNENBAUM (Oh CHRISTMAS TREE), a Viennese Actionist filmmaker Kren offers a more visually descriptive development of a Mühl ‘action.’ The images have been chosen to follow a more dramatic sequence, probably because the action itself contained a wide range of images and materials ….” – Stephen Dwoskin (and a little edited by me)

“9/64 O Tannenbaum”, or “Oh Christmas tree” brings us back to Otto Mühl. The title refers to a Christmas tree but it’s different to any Christmas I’ve experienced. In front of a shoddy Christmas tree a man lying with a board on top of him, with his cock sticking out of the board. The board is covered with a number of things we saw from the other two Mühl performances – feathers, paint, food. Later a woman and a man are being spray painted on with red paint. It’s very hard to get into detail with these films because so much is happening is such short timeframe. But to sum it up: nude man and woman, and they are covered in either food or paint. Sometimes against a wall, sometimes with body parts sticking out through cut-out holes in a board or bag. And at one point they put glasses on the penis, which is just silly!” – Ronny (at http://www.filmbizarro.com/view_review.php?review=kurtkrenactionfilms.php)

Full online: https://noodlemagazine.com/watch/6774583_149955415

 

7. 10C/65: 10c-65 Brus Wunscht Euch Seine Weihnachten (BRUS WISHES YOU A MERRY CHRISTMAS)
Kurt Kren/1965/b&w/silent/16mm/3 min.

“A kind of home movie made in Brus’ apartment. Brus’ Christmas wishes can be seen on a poster which he painted and which he holds for a short time in front of the camera.”

 

8. LIGHTS
Marie Menken /1966/color/silent/16mm/6.30 min.

“Made during the brief Christmas-lit season, usually between the hours of midnight and 1:00 A.M., when vehicle and foot traffic was light, over a period of three years. Based on store decorations, window displays, fountains, public promenades, Park Avenue lights, building and church facades. I had to keep my camera under my coat to warm it up, as the temperature was close to zero much of the time.” – Marie Menken

 

9. WHITE CHRISTMAS
Harun Farocki/1968/b&w/music:Bing Crosby/16mm/3 min.

“One of the many films drawing a connection between Christmas and war. It is unclear whether the longing for a white Christmas is being taken seriously, or whether it is intended as a denunciation. In either event, America’s war in Vietnam is denounced.” – Harun Farocki (at http://www.harunfarocki.de/films/1960s/1968/white-christmas.html)

 

10. MERRY CHRISTMAS
Jerome Hill/1969/color/sound/16mm to digital/ 3min.

“Christmas comes to New York together with Joseph and Mary on a donkey. Animation.” – Noel Productions

 

11. CHRISTMAS CAROLS IN THE SHOWER
Videofreex/1971/b&w/mono/open reel video/20 min.

“As a testament to the Videofreex joyful investment in the medium of video, Skip Blumberg, Bart Friedman, and Nancy Cain take turns singing Christmas carols in the shower on Christmas Day. Audible from a range of proximity—from the end of the long hallway to the intimate space behind the shower curtain—the Videofreex entertain one another with rousing renditions of ‘Oh Holy Night’ and ‘Santa Claus is Coming to Town,’ while playfully experimenting with the potential that the visual properties of condensation and steam, and bathroom acoustics offer up for video recording. The tape concludes with Ellen and Carol’s casual conversing on the couch, further emphasizing the communal nature of the group and their shared interest in capturing the pace and flow of everyday life.” —Faye Gleisser

Excerpt online: http://www.vdb.org/titles/christmas-carols-shower (Video Data Bank)

 

12. CHRIST MASS SEX DANCE
Stan Brakhage/1991/color/sound/16mm to Digital/6 min.

“This work, composed of six rolls of superimposed images set to Jim Tenney’s electronic music track “Blue Suede,” is a celebration of the balletic restraints of adolescent sexuality-shaped (in this instance) by “The Nutcracker Suite” of Tchaikovsky as well as the gristly roots of Elvis Presley.” — (from http://film-makerscoop.com/catalogue/stan-brakhage-christ-mass-sex-dance)

“Because it is so highly edited, James Tenney’s ‘Blue Suede’ is so meaningfully conjunctive with the possibilities of cinema. Its editing is for the purpose of creating metaphor, so that whatever the words are of ‘Blue Suede Shoes’, recutting allows submerged grunts and vulgarities to emerge from the track.” –Stan Brakhage

 

13. Holiday Xmas Video of 1991
George Kuchar/1991/color/digital/21 min.

“Amid the greenery of what should be a White Christmas, there sits the blackness close to my heart; and beyond that there bellows a legion of behemoths who know not shame nor guilt. A homeless herd of heaven on earth that smell of fish and exotic ports of call. A call I fail to heed.” – George Kuchar

Excerpt online: http://www.vdb.org/titles/holiday-xmas-video-1991 (Video Data Bank)

 

14. HOLIDAZE
George Kuchar/1994/color/sound/digital/126 min.

“A time of cheer and chill, giving and getting, chomping and chewing. It’s all here in black and white plus monochromes and kodachromes and digitized delicacies. The first tape of ’94 is launched amid funereal frivolity.” – George Kuchar

Excerpt online: http://www.vdb.org/titles/holidaze-1994 (Video Data Bank)

 

15. Dingleberry Jingles
George Kuchar/1994/color/digital/21 min.

Christmas is here again in this diary of glittering gifts, furry friends, underground movie making, and grotesque greetings. A veneer of good cheer coats the surface like thin ice, so proceed with caution! – George Kuchar

Excerpt online: http://www.vdb.org/titles/dingleberry-jingles (Video Data Bank)

 

16. HAPPY-END
Peter Tscherkassky/1996/Digital/12 min.

“HAPPY-END is a found-footage film. The original material stems from a Viennese married couple who filmed themselves over the 1960s and ’70s. The films were shot from a tripod, using a shutter release extension cable. They are cheerful documentaries of various celebrations where the camera is, quite naturally, included in the company. At first glance the compression of the shots in HAPPY-END works as a comedy with partly involuntary participants. But the obvious light-heartedness and joie de vivre is so infectious that one cannot laugh at them, only with them. At the same time, HAPPY-END is a requiem for two people who died long ago. The vanity of human existence peeps between egg liqueur and sweet cakes. In the end HAPPY-END is a tragicomedy.” – Bert Rebhandl

“I wanted to bestow the couple (note: Peter Tscherkassky’s own parents) a dignified resurrection and organized the footage so that, temporally speaking, the material runs in reverse and the players are steadily rejuvenated. (…) The finale is reached with the woman’s spirited dance that culminates in a freeze-frame, her face expressing an equal measure of joy and pain. Between egg-nog and Sachertorte the vanity of human existence rears its head. Ultimately Happy-End is a tragicomedy.” – Peter Tscherkassky

Stream the film: https://vimeo.com/ondemand/tscherkassky02/

 

17. L.A. CHRISTMAS
Kip Fulbeck/1996/b&w/mono/digital/13 min.

“L.A. Christmas : documents the quintessential American Christmas in a delightfully playful home movie about home movies, featuring a 9-year-old black belt, Buddhists butchering Christmas carols and a nephew reciting pi to 200 digits” — (from http://www.lib.berkeley.edu/mrcvault/videographies/fulbeck-kip-kip-fulbeck-selected-videos)

Excerpt online: http://www.vdb.org/titles/la-christmas (Video Data Bank)

 

18. A JUNKY’S CHRISTMAS
Bryan Konefsky/2002/16.30 min.

“Ein kultureller Spagat: William S. Burroughs meets James Stuart. Konefsky gelingt ein umgekehrter Arbeits-Prozess, er passt die Bildebene, Frank Capras populär komödiantisches Melodrama «It’s a Wonderful Life», der Tonebene an. Die unverwechselbare Stimme Burroughs, welcher seine titelgebende Kurzgeschichte liest, lässt Biedermann Stuart als Junky in die Filmgeschichte eingehen.” — (http://videoex.ch/2003/film.php@film_id=50&subprog_id=25&prog_id=10.html)

“In this short cinematic intervention, Bryan Konefsky brings together two icons from opposite ends of the American cultural spectrum. Here, images from Frank Capra’s 1946 movie It’s A Wonderful Life collide with the words of visionary author William S. Burroughs’ reading of his story “The Junkie’s Christmas.” The results are surprising as an American dream becomes an American nightmare. “ — (Bryan Konesfky’s Vimeo video description)

 

19. CHRISTMAS TREE STAND (Part 1)
Bruce McClure/2004/16mm/30min.

“For Christmas Tree Stand, McClure begins with a stark white circle that flickers and pulsates on a handmade flat-black screen. A second projection, more diffuse, soon joins in and provides a kind of halo that transforms the circle into a sphere. These unified images simultaneously expand and contract as McClure adjusts the brightness of each projection through a rheostat. The black-and-white flicker produces a perceptual phenomenon of riotous chromatic color.” – David Dinnell (http://mfj-online.org/journalPages/MFJ50/mcclure.html)

 

20. FRIGID ESCAPADES
George Kuchar/ 2007/color/stereo/dv video/10 min.

“This is actually a rather warm, Xmas greeting which features some thawed items in full action as the Yuletide logs flicker and forks plunge earthward toward smoking piles of nourishment. Skyscrapers rimmed in brilliance loom over icy pools of skating revelers as young and old slice their way to total fulfillment on granny’s turkey carcass.” — George Kuchar

Excerpt online: http://www.vdb.org/titles/frigid-escapades (Video Data Bank)

 

21. HIGHWAY HOME
Esther Johnson /2008/color/stereo/digital/3 min.

“A contemplative, static study of an unlikely landmark in an unlikely place. Normally only glimpsed in passing, Stott Hall Farm, a cottage built in 1737, floats islandlike in the middle if the M62 in West Yorkshire, whilst cars and lorries thunder past on both sides. Despite the farm seemingly being a monument to stubbornness, the urban myth being that the farmer refused to leave when the motorway was built in the 1970s, the truth of the story is that the east- and westbound carriageways could not meet due to the lie of the land, and the motorway had to be parted around the cottage to avoid landslips.” — (http://blanchepictures.com/highway-home)

 

22. Solstice
George Kuchar/2009/color/music:Andy Ditzler/3.30 min.

“Solstice is a music video illustrating the feelings inspired by this holiday song written by a young man I met in Atlanta, Georgia, Andy Ditzler. My students and I, at the San Francisco Art Institute, concocted the visuals to accompany the tune and the result should evaluate all those suffering from blues of every shade and intensity.” — George Kuchar

 

23. All I Want For Christmas-Mariah Carey
Stan Brakhage/2015(?)/color/sound/4min.

 

 

*

p.s. Hey. ** Dominik, Hi!!! It’s very misty and cold here too, if that helps at all. I’m happy your family’s warmth is backpedaling the weirdness of being there. How long are you visiting? Oh, the meeting with the French producer was a total fiasco. I might’ve have guessed since it was set up by our beyond horrible producer. He told us the guy would come in as co-producer of the film and give us free facilities to work in and probably free technicians to do the finishing work we need. Which would have saved the day. But what the guy actually was offering was for us to rent his very expensive facilities and pay his expensive people to work with us, so it was a lie. And since we have no money at all, it felt like a cruel joke. So our terrible situation continues. But, yes, we will eat a presumably scrumptious bûche tomorrow. That’s something. My head/chest cold is gradually fading away, so I’m ok, thank you. I loved Xmas trees back when I was a kid and they would have intensely exciting packages piled up underneath them waiting for Xmas morning, but I think to get a Xmas tree here where there are no presents or people to open them would probably be a little depressing, so no. I’m guessing you guys have one up and all set to charm you on the big day? Maybe if love will give me this Xmas tree, G? ** NLK, Yes, I think that is her name. Nice sleuthing there. I’ve been in Lyon a few times, and it seemed kind of nice. Maybe a little too uneventful to actually live there. Yeah, I know people who live here who came from small French towns who say ‘Paris too intense for me’, and, coming from the States, I’m like ‘Paris … intense? In what possible sense?’ Other French cities … Marseilles is very interesting, but I sure wouldn’t want to live there. I sort of liked Rennes for some reason, I don’t remember why. Oh, and, again, I don’t know why, but I am rather fond of Morlaix. What about you? There’s super potential in your story concept/ideas. I don’t know, fiction can take a long time to gel for me. I sometimes have to fiddle with it forever. So maybe the time it’s taking is okay? But it is possible to get stuck on something and end up spinning your wheels wastefully. And there is definite value to taking a break as long as you go back after your head’s clear. I don’t know. I get the dilemma though. Yeah, I’ve only managed to corral two friends for the buche imbibing since everyone’s off with family and so on. So I’m going to prepare to be very hungry tomorrow. Awesome day of days to you. ** Charalampos, The blog missed you too. McCourt can be intimidating for you. I have a weird liking of being intimidated by writing. Harrington’s cool for sure. I should revive my old post about his stuff. Vibeage from Paris’s Xmas throne. ** _Black_Acrylic, Wow, Ben, that’s a really cool picture. Were you particularly into drawing when you were a kid? That’s some stylish, skilled drawing right there. A mini-tree … see, that’s kind of an appealing idea, huh. Especially in a kitchen for some reason. Right, Boxing Day, such a UK holiday. Seems so exotic, or its name at least. ** Sarah, Hi, Sarah! How cool to see you! How have you been? Are you doing Xmas in any form or shape or style? Very sadly Playboy Carti cancelled his show at the last moment. It was supposed be rescheduled, but I haven’t heard anything. Drat. I have not seen the new Ghibli, and I’ve been thinking maybe that’s a good Xmas day thing to do. Very Merry Xmas to you!!!!!! ** Kettering, Ah, gotcha. I know all about ugly stuff I can’t talk about, ha ha, or more like boo hoo. There’s actually a vegan version of Oscillococcinum. That’s what I take. I don’t know what’s in it, and maybe the company that makes it is lying, and I guess I should investigate. Eek. ** Steve Erickson, I think Frank Jaffe is the one who’s releasing ‘The People’s Joker’. And I think he went through a small hell to be able to do that. But yay for him. Oh, yes, there are Xmas haunted houses. A number of the ones in LA do Xmas versions every year. There’s a Xmas dark ride at the Xmas fair here in Paris every year. They basically just put Santa costumes on the usual monster props and play ‘scary’ Xmas music instead of heavy metal, but it’s appreciated. I so wish I could go to the Serge Daney series at Lincoln Center. That’s a real painful miss for me. ** Darby 🐧🤒, Dude, that is such great great great news!!!! Congratulations! That’s amazing! I have lots of friends on T. I don’t remember any of them complaining about any bad side effects or anything. But I’ll ask them when I talk with any of them next. Really, that’s so happy making, my friend! My driver’s license expired about 15 years ago, and I never renewed it, and it got lost when one of my long ago wallets was stolen. So I’m a passport only guy. (And don’t tell anyone, but I do drive when I’m in LA without a license.) I’m okay, My cold is taking its sweet time leaving my body’s theater, but it is leaving. You feeling alright? Enjoy the victory!!!!! ** Sypha, That’s a very charming statue, yes. My grandmother, who was a very good painter, painted a very amazing life-size Santa on wood that we used to have up at our house every year. I don’t know what happened to it. I wish I had a photo. I guess one of my siblings must have it. I mean I would obviously be very happy and honored galore if you want to do a Batman post. The drool is already forming, but no pressure. Thank you for wanting to, James. ** Right. Today I restore a beautiful and thrilling Xmas themed post from years ago made by a long time but recently quiet commenter/d.l. Hyemin. Exploring and utilising it will definitely add considerable spark to your Xmas, I swear. See you tomorrow.

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