‘Thanks to the two most famous roles of her career—the enigmatic woman referred to only as A in Alain Resnais’ Last Year at Marienbad and the middle-aged widow stuck in domestic routine in Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles—Delphine Seyrig is often thought of as an inscrutable performer. But this … Continue reading Delphine Seyrig Day